Copenhagen’s Terry Tester (Brownswood / BBE) serves up five slabs of deep and gritty Detroit-inspired house on new outing ‘Walkin’’ for Creak Inc., seamlessly weaving snappy snares and crunchy kicks into soulful chord progressions in his trademark MPC-infused sound. For fans of Kyle Hall, Zopelar, DJ Spinna, Jason Hogans or Jay Sound

Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff. More

Back in 2001, Terry Tester, Buscrates and Ian Wallace sat in a van in Pittsburgh, PA bugging out over Pete Rock instrumentals. Since then, Buscrates (Bastard Jazz / Razor-N-Tape) has made a name for himself as a top shelf boogie craftsman and avid synth head, while Brooklyn’s Ian Wallace boasts a seemingly never-ending run of raw, soulful remixes with partners OP! And Nick Bike. Now, more than two decades later, they reunite on wa with Buscrates and Wallaceremixing their favorite jams off Terry’s 2018 four-tracker “Space Million”.Buscrates molds ‘Grace’ into his signature modern funk & boogie sound, while Ian Wallace lifts ‘Space Million’ into peak summertime deep house.
Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff.

Terry’s latest efforts has yielded spins from influential selectors such as Carista, Sassy J, Alexander Nut, Mr Beatnick, Soulection and FS Green.

Space Million RMXs releases via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music. More

2023 Repress. Serious math rock/industrial rhythm fire on this ace album from 2018 - repressed! TIP!

The five tracks being compiled from their debut CD “New Games” (2013) and their second album “Rhythm & Sound” (2015). The titles of those releases provide a hint: a sense of joyful play within defined structures, and an emphasis on propulsive pulse and a prioritizing of pure percussive sound over melodic content. With guitar, bass, drums and saxophone, goat create music which is unlike any band, utilizing harmonics outside standard tonality, as well as clever muting, to craft the intricate, driven, forceful compositions of Koshiro Hino, aka YPY. More

Kraut synth funk explosion from the sci-fi, library & soundtrack specialists. DIY funksters break into museum, steal modular moog and record proto-electro-punk with dusty live drums, wild percussion and out-of-control analog synth sequencing onto Tascam 8-track tape. Following their debut 'Space Voyage' for Warner Chappell's music library and the outernational soundtrack LP 'Occhio Occhio', the U.K. based trio return with a darker, heavier edge on their new full-length 'Synchronization'. The soundtrack to a strange and mysterious dystopian future Immersed in the sounds of arpeggiated vintage synths, full fat drum breaks and fuzz guitars. At times the album is reminiscent of post punk with hints of boom bap hip hop and as the album progresses the listener is transported to the dance floors of Berlin's underground raves. In an age that sees AI increasingly omnipresent, Eleven76 take control of the technology, creating a hybrid, genre spanning, production style that could only come from their hive mind The trio surrounded themselves with an enviable array of vintage synths and modern classic studio toys, with Paul Elliott and Anthony Donje at the helm of patching, connecting and bringing these analog beasts to life, while Timmy Rickard continued to lay down the grooves as the heart of the rhythm section. The result is SYNCHRONIZATION, of synth and drums, pictures and sounds, man and machine – and of your heart and brain if you're ready to get synchronized. More

After Nu Guinea’s LP, Nuova Napoli, and Napoli Segreta first compilation, NG RECORDS follows up with an exploration into the unknown groovy side of Naples by releasing Napoli Segreta Vol.2.
Famiglia Discocristiana, DNApoli and Nu Guinea team up again selecting more tracks from their archives, for a new compilation containing 9 mysterious Neapolitan tracks, found in the most hidden corners of remote flea markets around the Vesuvius.
But forget classical Neapolitan songs, "'O Sole Mio" or "Luna Rossa"... Forget about what you expect to find once you land in town… oh and also forget about Google maps. Take a dodgy local guide, keep your eyes open, and follow it to enter the secret downtown, the underground, the routes that no satellite can detect, but beware there is no easy way out.
Napoli Segreta Vol.2 is a musical journey into the sonic landscapes of Naples that you have never heard of before. A variety of genres merging soul, disco, funk, blues, new wave, afro-beat and boogie, including lyrics in Neapolitan urban slang, instrumental tracks with progressive flavour, and also some unexpected covers!
TRACKLIST:
A1. Antonio Sorrentino – Luna Lù
A2. Tonica & Dominante - Babilonia
A3. Gibo & Pummarola Band – Sexy Pummarola
A4. Ara Macao – Reflection
A5. Tony Verde - Calypso
B1. Maria Kelly - Dimme
B2. Bernardino -Sciummo (Unreleased Mix)
B3. Armando Cusopoli – Non C'è Sole
B4. Tony Iglio – Luci More

There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.

Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More

The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s. More

2023 Reload !!
Energized by the funky sounds of 1970's West Africa Flammer Dance Band go all in on their debut LP.
Packed with hip-shaking grooves, uplifting vibes, vibrating synths, screaming saxophones and crispy drum breaks all recorded in a warm and stuffy shack in Oslo.
Flammer is a charming and soulful homage to an era with a unique and obscure sound: a truly raw and authentic sounding Afro-Funk LP!

2023 Repress edition in different sleeve artwork colourway. More

Following up on their highly acclaimed debut release from 2020, raster presents Il Quadro di Troisi’s “Remixes” album, an eclectic collection of reinterpretations of eight of the group’s tracks. By inviting fellow label artists as well as friends and long-term collaborators to contribute to this, “Remixes” shows a broad spectrum of diversity, ranging from colorful, loop-based renditions by Toulouse Low Trax and Tropicantesimo, to (Italo) disco-inspired versions by Daniele Baldelli & Marco Dionigi and Chloé, to more rhythmical and functional tracks by AtomTM, Dasha Rush and Front de Cadeaux. The album also includes a dub-infused reinterpretation of “Il giudizio” by the artists themselves. More