1
Manabu Nagayama - Light And Shadow (Masalo Version)
2
Manabu Nagayama - Light And Shadow (Original Mix)
When it first slipped out in 2015, Manabu Nagayama’s ‘Light & Shadow’ passed most people by. Yet it’s a genuinely overlooked gem a musically expansive and uplifting Japanese deep house workout that first featured on a promo-only compilation back in 2015. A softly spun slab of slow-building brilliance full of fluid piano motifs, heady hand percussion, the track effortlessly sashays between heartfelt dancefloor melancholia and tactile deep house positivity. One DJ to see its potential was Rush Hour co-founder Antal Heitlager, who asked Masalo to remix it. Over ‘a few years’, Masalo worked on the revision in bursts, tweaking it and subtly altering the arrangement until he was happy. The results are undeniably impressive, elevating an already excellent track to whole new levels. DJs seem to agree, too, with Masalo’s fine remix becoming something of an underground anthem following the release of a limited number of white label test pressings earlier last year.
Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.
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Germany
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Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Rush Hour Store
1
Gigi Testa - Sichuan
2
Gigi Testa - Dragon Temple
"Napoli based Gigi Testa brings the heat yet again on his third Rush Hour Store Jams release with some spicey Sichuan flavours, straight from the Dragon Temple... Milk not included..."
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1
Daniel Monaco - Mamela
2
Daniel Monaco - Kalam Kalam
Daniel Monaco returns on the Rush Hour Store Jams imprint with another disco heavy two tracker, with vocals from TK daMonza. Two feel good songs, to calm and comfort your soul...
Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli
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Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli
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1
Katsuya Sano - I Need Luv
2
Junichi Soma - Ubnormal Life
3
Shuji Wada - Endless Load
Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sayo. Comes with insert with liner notes.
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: gpsr@wordandsound.netMore
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.
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Germany
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1
Djosa - Botanic Obscura
2
Djosa - Vampiro Feat. Ronald Snijders
Amsterdam based musician/producer Djosa (long time band member of Arp Frique & The Family) joins the Rush Hour Store Jams imprint with two uplifting songs. The legendary Ronald Snijders is featured on ''Vampiro" with whom he (together with Arp Frique) made the documentary Easy Man and the album The Nelson & Djosa Sessions. TIP!
*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders).
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*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders).
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1
Daniel Monaco - Life Lesson Feat. Mame N'Diack Seck Thiam (Vocal Mix)
2
Daniel Monaco - Life Lesson (Instrumental Mix)
3
Daniel Monaco - Medicine Feat. Mame N'Diack Seck Thiam (Vocal Mix)
4
Daniel Monaco - Medicine (Instrumental Mix)
Amsterdam and Naples based bassist Daniel Monaco (bass player for Nu Genea, Mystic Jungle & Capinera) joins the Rush Hour Store Jams imprint with a strong disco heavy two tracker featuring vocals from Mame N'Diack Seck Thiam and a wink to Cerrone, including instrumental versions. Released in conjunction with Utopia records London.
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1
Gigi Testa - Jinja
2
Gigi Testa - Malinke
3
Gigi Testa - Echoes In The Sky
Gigi Testa, a bona fide Neapolitan hero whose work draws inspiration from local music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabrizio Fattore, Daniel Monaco and Raffaele Attansio – but also deep house and owes a lot to African music in all its forms.
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito
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Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito
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1
Awanto 3 - The Lime King
2
Awanto 3 - Seayousoon
3
Awanto 3 - Sawyoulater
Artwork insert, in PVC outer sleeve
Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk.
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Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk.
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1
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue
2
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue (Instrumental)
Tracklist:
1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.”
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1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: gpsr@wordandsound.netMore
Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
1
Relmer - Bummer Paradise
2
Relmer - Strange Movement
3
Relmer - Naked Chimp
4
Relmer - H2O
5
Relmer - Natural Disruption
Rush Hour-affiliate and Amsterdam local Relmer is back with what may well be his best work so far. ‘H2O’ expertly displays the vibrant energy he’s known for around these parts with two Amazon-inspired deephouse groovers, a melancholic walk through the jungle, a Detroit-infused progressive anthem and a hypnotic midtempo floorwarmer. Absolutely stellar stuff from A to Z.
“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha
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“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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1
Gigi Testa - Esoteric Paradise
2
Gigi Testa - Blue Ocean
3
Gigi Testa - Guayaba
4
Gigi Testa - Moments In Time
Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabio Fattore, Daniel Monaco and Raffaele Attansio – but also high-quality deep house and African music in all its forms.
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mark Grusane - Dance Intensity Feat. Amiruz
2
Mark Grusane - Klub Nacht
3
Mark Grusane - The Next Ride
Thirteen years after his whopping ‘Time and Space’ EP, Chicago 'O.G.' Mark Grusane returns to the Rush Hour imprint with his ‘Dance Intensity’ EP. Combining trademark electro, wave, synth-pop and disco elements into three modern dancefloor cuts.
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Germany
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1
Awanto 3 - Fat Ass Pigeons
2
Tom Trago - The Elite (Awanto 3 Remix)
*warehouse find** pressed in a small qty for the RH physical store in 2015..
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1
Arp Frique - Nyame Ye
2
Arp Frique - Oi Quem Que Nos
Limited 7 inch for Recordstore day 2021 (July 17th drop). Taken from Arp Frique's upcoming album "The Seed"!
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1
Kino-Moderno - Rift (remix)
2
Kino-Moderno - Sync You (remix)
3
Kino-Moderno - Rift
4
Kino-Moderno - Into The Future (Future Mix)" (Future mix)
Repressed!
A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future.
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A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future.
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Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
1
Colored Music - Heart Beat (Chee Shimizu club edit)
2
Colored Music - Heart Beat (unreleased version)
3
Colored Music - Colored Music (Chee Shimizu club edit)
12inch release of highly sought after Colored Music edits by Tokyo's Chee Shimizu (Organic Music). The two cuts originally featured on the band's seminal self titled album from 1981 and 'Heart Beat' remained a cult DJ secret weapon, for many years all over the world. This heavy EP includes an alternative version of 'Heart Beat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Shimizu).
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1
Pecker - Mystical Cosmic Vibration
2
Pecker - Dr Dr Humanity
3
Pecker - International Orchitis
4
Pecker - Pecker Power (Part Two)
5
Pecker - Pecker Power (Part One)
6
Pecker - Concrete Jungle
7
Pecker - Militant Sniff
8
Pecker - Jamming
9
Pecker - Mystical Electro Harikiri
Sought after boogie tunes from Japan now reissued in limited 12inch format.
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Sought after boogie tunes from Japan now reissued in limited 12inch format.
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Customers who bought this also bought this
Strut’s Inspiration Information series moves on from the critically acclaimed Mulatu Astatke / The Heliocentrics collaboration with the fourth album in the series, a mouthwatering head to head between Finnish maverick Jimi Tenor and Afrobeat drumming legend, Tony Allen.
Jimi Tenor remains a fascinating enigma in modern day music. Consistently one of the best and most unpredictable live artists around, his work since his breakthrough album ‘Intervision’ (Warp, 1997) to a series of Afro-based albums with his band Kabu Kabu. Tony Allen continues to attract new fans as one of the greatest drummers alive today. Celebrated as the creator of the Afrobeat rhythm and a lynchpin of Fela Kuti’s Africa 70
band, his recent work has included The Good, The Bad & The Queen collaboration with Damon Albarn and his first album for World Circuit Records released earlier this year, ‘Secret Agent’. Recorded at Lovelite Studios in Berlin with further sessions this year in Finland and Paris,
the Tenor / Allen collaboration whips up a raw, heavy analogue sound mixing the full range of Allen’s Afrobeat repertoire with Tenor’s off-kilter brew of dark humour, tongue-incheek lyrics and tight, firing musicianship. The sessions involved key members of Tenor’s
Kabu Kabu band. Tenor’s trademark range of home-made instruments rub shoulders with vintage keyboards and traditional African percussion.
The resulting set is one of the best recordings that both artists have produced in recent years, topical, biting, funny and always funky, experimental but never straying from ‘the one’, this is another high quality addition to the Inspiration Information series, a ‘no rules’ set that brings the best out of both artists.
LP
A1 AGAINST THE WALL
A2 SINUHE
A3 SELFISH GENE
B1 DARKER SIDE OF NIGHT
B2 GOT MY EGUSI
C1 PATH TO WISDOM
C2 CELLA’S WALK
C3 MAMA ENGLAND
D1 THREE CONTINENTS
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Jimi Tenor remains a fascinating enigma in modern day music. Consistently one of the best and most unpredictable live artists around, his work since his breakthrough album ‘Intervision’ (Warp, 1997) to a series of Afro-based albums with his band Kabu Kabu. Tony Allen continues to attract new fans as one of the greatest drummers alive today. Celebrated as the creator of the Afrobeat rhythm and a lynchpin of Fela Kuti’s Africa 70
band, his recent work has included The Good, The Bad & The Queen collaboration with Damon Albarn and his first album for World Circuit Records released earlier this year, ‘Secret Agent’. Recorded at Lovelite Studios in Berlin with further sessions this year in Finland and Paris,
the Tenor / Allen collaboration whips up a raw, heavy analogue sound mixing the full range of Allen’s Afrobeat repertoire with Tenor’s off-kilter brew of dark humour, tongue-incheek lyrics and tight, firing musicianship. The sessions involved key members of Tenor’s
Kabu Kabu band. Tenor’s trademark range of home-made instruments rub shoulders with vintage keyboards and traditional African percussion.
The resulting set is one of the best recordings that both artists have produced in recent years, topical, biting, funny and always funky, experimental but never straying from ‘the one’, this is another high quality addition to the Inspiration Information series, a ‘no rules’ set that brings the best out of both artists.
LP
A1 AGAINST THE WALL
A2 SINUHE
A3 SELFISH GENE
B1 DARKER SIDE OF NIGHT
B2 GOT MY EGUSI
C1 PATH TO WISDOM
C2 CELLA’S WALK
C3 MAMA ENGLAND
D1 THREE CONTINENTS
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1
Per Hammar - Prologue UHF
2
Per Hammar - Generation Drive
3
Per Hammar - Mojave 24 Feat. Jannik Jivung
4
Per Hammar - Juvial Feat. Jannik Jivung
5
Per Hammar - TX Files
6
Per Hammar - Teleferico
7
Per Hammar - Defender Feat. Malin Genie
8
Per Hammar - Office Perform Feat. Malin Genie
9
Per Hammar - Link
10
Per Hammar - Representant Dubb
11
Per Hammar - Gem Deska
12
Per Hammar - Prognos Dubb
After two years in the making, the long anticipated Per Hammar album on Sushitech is finally here!
Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
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Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
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1
DJ Frog - Wave
2
DJ Frog - Engine
3
DJ Frog - Cali
An antidote for the other side. New stuff for the new stuff. Just add your own stuff.
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1
Per Hammar - Prologue UHF
2
Per Hammar - Generation Drive
3
Per Hammar - Mojave 24 Feat. Jannik Jivung
4
Per Hammar - Juvial Feat. Jannik Jivung
5
Per Hammar - TX Files
6
Per Hammar - Teleferico
7
Per Hammar - Defender Feat. Malin Genie
8
Per Hammar - Office Perform Feat. Malin Genie
9
Per Hammar - Link
10
Per Hammar - Representant Dubb
11
Per Hammar - Gem Deska
12
Per Hammar - Prognos Dubb
Collectors Edition, Clear Vinyl!
After two years in the making, the long anticipated Per Hammar album on Sushitech is finally here!
Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Contact: gpsr@wordandsound.netMore
After two years in the making, the long anticipated Per Hammar album on Sushitech is finally here!
Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.
This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.
A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.
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1
Louie Vega - Vince Montana Tribute (RickLou NYC Piano Groove)
2
Louie Vega - Vince Montana Tribute (RickLou Detroit Groove)
The “Vince Montana Tribute” (Louie Vega and Rick Wilhite from Detroit Rework) is a heartfelt and masterful production in which 2021 Grammy Award Nominee Louie demonstrates his appreciation for the disco sounds that he grew up on in the iconic borough of Bronx, NYC. The inspiration came about through an edit Rick sent to Louie. Louie added some of his own editing touches, and the resulting track got big response whenever Louie played it at his headlining sets. Given Louie’s longtime love and respect for Vince Montana, he decided to create an even bigger musical project. Bringing in Elements of Life band members Gene Perez (Bass), Axel Tosca (Fender Rhodes) and Luisito Quintero (Congas), and then adding a piano line himself, Louie was able to bring out the most authentic disco elements of this superlative groove but rework them so they are exactly in the pocket for today’s dancefloors worldwide.
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1
Abacus - A1.It's Bubbling (Short Stories)
2
Abacus - A2.Beautiful African Girl
3
Abacus - B1.After The Disco (Submariner Edit)
4
Abacus - B2.Take a trip feat Keitajuma
Phonogramme drops 'Abacus Analog Stories Vol.3', a deep house gem filled with smooth analog vibes and driving basslines. Perfect for those who crave that underground groove and soulful beats. This one’s for the real deep house lovers, with every track taking you on a hypnotic journey..
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1
Unknown - Love you more
2
Unknown - Apl Tree
For the inaugural release on DSO, shrouded in mystery, two of the most revered female voices in recent memory get the rework treatment from the shadows, resulting in a double dose of low-slung, deftly sampled, house heaters.
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1
mood 2 swing - Do It Your Way
2
mood 2 swing - All Night Long
3
mood 2 swing - I Like It
Re issued in conjunction with George Morel / Groove On. Re mastered for 2014 from original Mood II Swing dats.
Absolutely killer Mood II Swing from 1996...
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Absolutely killer Mood II Swing from 1996...
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1
Payfone - Wild Butterfly Feat. Jo Harris
2
Payfone - Paradise Feat. Louis Howard Jones And Dayna Talley
3
Payfone - Confession Of A Queen Feat. Barbara Alcindor
4
Payfone - Wasted On You Feat. Morly
The mighty Payfone return !
Ahead of new LP release later in 2024 on their own Otis label, they give us this truly wonderful addition to their already incredible catalogue... The Wild Butterfly EP features 3 original new songs and welcome 10th anniversary reload of their previous (and highly sought after) GOLF CHANNEL classic - 'PARADISE'
The Barcelona / Brighton duo of Phil Passera and Jimmy Day concoct another high-class suite of mid-tempo offerings featuring sublime guest vocals, tailor-made for loved-up dancefloors and intoxicated, sofa-bound listening sessions.
Immersive chords, squelchy synth-bass, eyes-closed jazz guitar motifs (courtesy of guests J Felix and Royce Wood Jr.) and smoky sax all make for an effortlessly layered and tactile selection of evocative musical goodness...
Always a cut above, this Payfone release will be VINYL ONLY.
Get with it !
Payfone have released over 16 individual 12" releases, including Phonica's 'Record of 2023 - 'I Feel You'
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Ahead of new LP release later in 2024 on their own Otis label, they give us this truly wonderful addition to their already incredible catalogue... The Wild Butterfly EP features 3 original new songs and welcome 10th anniversary reload of their previous (and highly sought after) GOLF CHANNEL classic - 'PARADISE'
The Barcelona / Brighton duo of Phil Passera and Jimmy Day concoct another high-class suite of mid-tempo offerings featuring sublime guest vocals, tailor-made for loved-up dancefloors and intoxicated, sofa-bound listening sessions.
Immersive chords, squelchy synth-bass, eyes-closed jazz guitar motifs (courtesy of guests J Felix and Royce Wood Jr.) and smoky sax all make for an effortlessly layered and tactile selection of evocative musical goodness...
Always a cut above, this Payfone release will be VINYL ONLY.
Get with it !
Payfone have released over 16 individual 12" releases, including Phonica's 'Record of 2023 - 'I Feel You'
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1
Michel Cleis Ft. Totó La Momposina - La Mezcla (Original)
2
Michel Cleis Ft. Totó La Momposina - La Mezcla (Paul Kalkbrenner Remix)
3
Michel Cleis Ft. Totó La Momposina - La Mezcla (Charles Webster's Club Mix)
2024 OFFICIAL REISSUE
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1
Mute - Basics (Gerd Janson Re-Edit)
2
Mute - Drivers License (Gerd Janson Re-Edit)
3
Mute - Vibes (Gerd Janson Re-Edit)*
4
Mute - Lost (Gerd Janson Re-Edit)*
Tracklist
A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*
The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.
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A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*
The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.
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Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
1
Lea Lisa - Poem For The Lost Souls (Original Mix)
2
Lea Lisa - Poem For The Lost Souls (Broken Mix)
3
Lea Lisa - Poem For The Lost Souls (Kuniyuki Version)
4
Lea Lisa - Poem For The Lost Souls (Session Victim Version)
Gatefold Cover, Double-12”
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
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Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
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