There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
More records from Future Sound Of London
FSOL present the final instalment in the Environments Trilogy. "7.003" goes deeper and darker than the previous two albums, the flavour here harping back with memories of the groups 90s sounding pre "Dead Cities" album. On this release we have swamp laden electronics dripping from cavernous breakbeats weaving in and out of otherworldly chords and strings firmly back in the driving seat. FSOL deliver not only the final piece of the jigsaw but a clever jaw-droppingly sensorium.
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02) More
TRACK LIST:
A1. Future Testaments (4:13)
A2. Resting Point (2:16)
A3. A Desolate Stretch Of Night Road (5:50)
A4. Where All Is Ending (4:37)
A5. Overwrite (4:11)
A6. I'm Eating Here (4:01)
B1. Echos Of Inherent Sense (1:21)
B2. A Space In The Subsequent Familiar (4:23)
B3. Drift Incline (4:52)
B4. Trichome (4:19)
B5. Absence Of Solution (4:23)
B6. Kwaahu (5:02) More
Long out of print, this is a reissue in its original format of the iconic debut LP by The Future Sound Of London, “Accelerator”. It contains the innovative, award winning single “Papua New Guinea” that signaled the birth of IDM. It comes on the 30th Anniversary of the original release on 17th February 1992.
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
Both the original single and album were a fixture on the end of year charts of many publications including Melody Maker, NME and Mixmag, whilst also achieving Best Techno Single at the Mixmag Awards in 1992.
TRACKLISTING:
A1. Expander
A2. Stolen Documents
A3. While Others Cry
A4. Calcium
A5. It's Not My Problem
B1. Papua New Guinea
B2. Moscow
B3. 1 In 8
B4. Pulse State
B5. Central Industrial More
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
The Future Sound of London's long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives.
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
1988 to 2018 - 30 years of recorded history
Archived 9 brings further treats from the mammoth FSOL archives - this time ranging from early 90s right up to recent times. 17 unreleased tracks woven together to form over 60 mins of mind bending sound experiments
From light to darkness from forests to deserts
onwards………...
Did you know - The Future Sound of London were the first band to distribute their music via the internet, in 1994?
Did you know - The Future Sound of London were the first band to use ISDN technology to transmit their music via the internet and also to radio stations across the world - a system that has now been adopted by the radio industry worldwide?
More
Originally reached no.13 in the UK charts in 1996 - taken from the top 30 album DEAD CITIES loosely based on "Rachael's song" from BLADERUNNER by Vangelis, now 22 years later the group have recreated the track in 8 new compositions, seamlessly flowing together the journey travels from ambient rock to a land of electronica. Releases for Record Store Day 2018 is this stunningly presented heavy weight 12" Album, all numbered of 2,000 units.
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Remastered Vinyl re-issue of the 1994 double album by experimental electronica group The Future Sound of London. With time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.
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Will Long - Too Much
2
Will Long - Too Much (Francis Harris Reform)
3
Will Long - Too Much (DJ Aakmael Remix)
GENRE/S: Deep House, Lo-Fi House, Electronica
TRACKLISTS:
A1. Too Much
B1. Too Much (Francis Harris Reform)
B2. Too Much (DJ Aakmael Remix)
SHORT INFO:
Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.
More
TRACKLISTS:
A1. Too Much
B1. Too Much (Francis Harris Reform)
B2. Too Much (DJ Aakmael Remix)
SHORT INFO:
Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.
More
1
Tranquil Elephantizer - Trisha (Felix Dickinson)
2
Tranquil Elephantizer - Trisha Elephantizer (Original Mix)
Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester.
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
1
Bella Brown & The Jealous Lovers - Soul Clap
2
Bella Brown & The Jealous Lovers - Lady Time
3
Bella Brown & The Jealous Lovers - What Will You Leave Behind
4
Bella Brown & The Jealous Lovers - Coming For You
5
Bella Brown & The Jealous Lovers - Bang Bang Bang
6
Bella Brown & The Jealous Lovers - Living Proof
7
Bella Brown & The Jealous Lovers - I Found You
8
Bella Brown & The Jealous Lovers - Fast As Lightning
9
Bella Brown & The Jealous Lovers - There Is Love
Bella Brown & the Jealous Lovers Unveil "Soul Clap" LP: A Fusion of Retro Soul/Funk and Modern Grooves Los Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, "Soul Clap." Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films. Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences. The essence of "Soul Clap" is derived from the cultural phenomena it is named after—a shared and improvised rhythm-making by a collective. The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music. The title track, "Soul Clap," and the infectious "Living Proof" serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love. "Coming For You" is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. "I Found You" takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel. Bella Brown seamlessly weaves social commentary into her art. "Bang Bang Bang," an uptempo, funky Motown groove, cleverly uses Curtis Mayfield's sense of sarcasm to reflect on American gun culture. "Lady Time" takes a driving afrobeat groove, employing brassy horns and reggae-like echoes to address the issue of homelessness. However, the album is not without its lighthearted moments. "Fast As Lightning" celebrates a cleaner future by imagining Jimi Hendrix joining Ike and Tina Turner's band to create a classic Chuck Berry car song. "There Is Love" blends horns, strings, and vocals reminiscent of The Stylistics over a Chi-Lites style rhythm section, to create a lush message of support to those among us that may find the world a bit overwhelming at moments. Finally, "What Will You Leave Behind," is a revamped version of the group's sold-out vinyl 45 release. This track serves as a powerful call to action for a better future, delivered over a straight-up Motown groove with a funky Sly Stone finish. Bella Brown & the Jealous Lovers have crafted an album that transcends genres, embracing the roots of soul and funk while pushing musical boundaries. "Soul Clap" is a celebration of individual truths, shared experiences, and the timeless power of music.
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1
Fossar - Good 2 Me
2
Fossar - Free
3
Fossar - Make Me Feel
4
Fossar - Aeriel (Windy City Version)
Tracklist:
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
1
George Davis - Gomera
2
George Davis - Gomera (Roy's Chitown Vibe)
3
George Davis - Bumpa
4
George Davis - Soul Journey
George Davis drops part 2 of his ‘Ona’ EP: heavenly house featuring a remix by the legendary Roy Davis Jr.
kickin’ up dust drops part 2 of the ‘Ona’ EP by George Davis. A jazzy bassline, snazzy piano keys and a rhythmical vocal send hips swinging and shoulders shaking in ‘Gomera’, a track which Chicagoan legend Roy Davis Jr. then remixes with a ‘Chitown Vibe’. Squelchy synths and organic percussion enter his version with a stylish swagger, maintaining the keys while moving the vocals to the back of the mix. Next up, ‘Bumpa’ is built for the dancefloor, an infectious groove forming the base for whimsical flute-like melodies, before ‘Soul Journey’ closes out the record with a gorgeous slow-burning vision of sunset shores and distant views.
Following on from his first ‘Ona’ EP which dropped on kickin’ up dust in March, and which won the support of artists like Honey Dijon, Nightmares On Wax, DJ Sneak and many more, George Davis now drops part two in the series. The german label, which initially started in 2021 as a party in the techno capital of Berlin, first turned heads hosting artists with a funkier edge to them such as Maurice Fulton, DJ Deep, and Louie Vega.
George Davis ‘Ona EP Part 2’ drops on kickin’ up dust 3rd November 2023
Tracklist:
01 Gomera
02 Gomera (Roy’s Chitown Vibe)
03 Bumpa
04 Soul Journey
More
kickin’ up dust drops part 2 of the ‘Ona’ EP by George Davis. A jazzy bassline, snazzy piano keys and a rhythmical vocal send hips swinging and shoulders shaking in ‘Gomera’, a track which Chicagoan legend Roy Davis Jr. then remixes with a ‘Chitown Vibe’. Squelchy synths and organic percussion enter his version with a stylish swagger, maintaining the keys while moving the vocals to the back of the mix. Next up, ‘Bumpa’ is built for the dancefloor, an infectious groove forming the base for whimsical flute-like melodies, before ‘Soul Journey’ closes out the record with a gorgeous slow-burning vision of sunset shores and distant views.
Following on from his first ‘Ona’ EP which dropped on kickin’ up dust in March, and which won the support of artists like Honey Dijon, Nightmares On Wax, DJ Sneak and many more, George Davis now drops part two in the series. The german label, which initially started in 2021 as a party in the techno capital of Berlin, first turned heads hosting artists with a funkier edge to them such as Maurice Fulton, DJ Deep, and Louie Vega.
George Davis ‘Ona EP Part 2’ drops on kickin’ up dust 3rd November 2023
Tracklist:
01 Gomera
02 Gomera (Roy’s Chitown Vibe)
03 Bumpa
04 Soul Journey
More
TRACKLISTING:
A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
Adam Blackstone is not only a multi-faceted bass player, musician, Emmy-nominated music director and Grammy award-winning writer, but he is also notably the musical mastermind behind the live shows of many of today's biggest artists (Justin Timberlake, Rihanna, Janet Jackson, Alicia Keys, Eminem,...the list goes on). Blackstone's TV legacy continues to expand as music director and on-screen personality. He has contributed his talents to today's biggest shows, including the Oscars, NBC's "The Voice," the Grammy Awards, numerous BET, VH1 and MTV specials and as the music director for The hit Fox shows "The Four" and "The Masked Singer." This is Adam's debut album and features guest artists including Jazmine Sullivan, Jill Scott, Mary Mary, & Kirk Franklin.
Key Marketing/Selling:
- First single will be "Round Midnight" featuring Jazmine Sullivan.
- Some of the feature artists include Jazmine Sullivan, Kirk Franklin, Queen Latifah, Mary Mary, Jill Scott, & Da'T.R.U.T.H.
- Adam is currently in residency at The Sun Rose (inside the Pendry Hotel on Sunday); room capacity is ~150, invite only, & the likes of Dr. Dre have attended the sessions.
- Album is a mix of original and cover material.
- He was the MD for the Superbowl Halftime show with Dre, Snoop, Em, 50, Mary J, and Kendrick.
- Standard CD (4-panel digipak)
Tracklist:
1. New Day (Feat. Kirk Franklin)
2. Fly Me to the Moon
3. Amongst the Stars (Feat. Terrace Martin & Adam Blackstone Jr.)
4. Lost (Feat. John Scofield)
5. Back on the Strip (Feat. Queen Latifah)
6. Vulnerable (Feat. The Baylor Project)
7. Brother J (Feat. DJ Jazzy Jeff)
8. Biggest, Greatest Thing (Feat. Mary Mary, Cory Henry, & Dontaé Winslow)
9. True Praise (Feat. The Origin Band)
10. 'Round Midnight (Feat. Jazmine Sullivan)
11. The Storm Will Pass
12. Winter (Feat. Robert Glasper & Laurin Talese)
13. I'll Be Seeing You (Feat. Simone Boseman)
14. Legacy (Feat. Jill Scott & Da'T.R.U.T.H.)
More
Key Marketing/Selling:
- First single will be "Round Midnight" featuring Jazmine Sullivan.
- Some of the feature artists include Jazmine Sullivan, Kirk Franklin, Queen Latifah, Mary Mary, Jill Scott, & Da'T.R.U.T.H.
- Adam is currently in residency at The Sun Rose (inside the Pendry Hotel on Sunday); room capacity is ~150, invite only, & the likes of Dr. Dre have attended the sessions.
- Album is a mix of original and cover material.
- He was the MD for the Superbowl Halftime show with Dre, Snoop, Em, 50, Mary J, and Kendrick.
- Standard CD (4-panel digipak)
Tracklist:
1. New Day (Feat. Kirk Franklin)
2. Fly Me to the Moon
3. Amongst the Stars (Feat. Terrace Martin & Adam Blackstone Jr.)
4. Lost (Feat. John Scofield)
5. Back on the Strip (Feat. Queen Latifah)
6. Vulnerable (Feat. The Baylor Project)
7. Brother J (Feat. DJ Jazzy Jeff)
8. Biggest, Greatest Thing (Feat. Mary Mary, Cory Henry, & Dontaé Winslow)
9. True Praise (Feat. The Origin Band)
10. 'Round Midnight (Feat. Jazmine Sullivan)
11. The Storm Will Pass
12. Winter (Feat. Robert Glasper & Laurin Talese)
13. I'll Be Seeing You (Feat. Simone Boseman)
14. Legacy (Feat. Jill Scott & Da'T.R.U.T.H.)
More
1
Silicone Soul - Right On! (Vocal 12" Disco Edit)
2
Silicone Soul - Right On! (Original Istrumental)
FIRST OFFICIAL REPRESS SINCE 2001 ORIGINAL RELEASE
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1
Tell - ‘Because I Love You’
2
DJ Psychiatre - ‘Faux Départ’
3
North of the Island - ‘Kit Kat’
4
Juravlove - ‘Malishka’
5
Casino Times - ‘We Are One’
6
Aguila - ‘Hazy Dew’
Tracklist
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’
Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.
More
A1. Tell - ‘Because I Love You’
A2. DJ Psychiatre - ‘Faux Départ’
A3. North of the Island - ‘Kit Kat’
B1. Juravlove - ‘Malishka’
B2. Casino Times - ‘We Are One’
B3. Aguila - ‘Hazy Dew’
Highlight:
Introducing the Volume 2 of Various Artists, blending House, Deep, and Balearic vibes. In the same vein as Volume 1, and still eager to mix various styles and influences by inviting long-time favorites and members of our close entourage, N&B is back at it. The album features DJs from all over the world, from Brighton with Casino Times to Manchester with North Of the Island, and even from Paris. Notably, they have collaborated with long-time label partners such as Tell and Juravlove, while also introducing new talents like DJ Psychiatre and Aguila.
More
Label:Underground Resistance
Cat-No:UR-066
Release-Date:15.12.2023
Genre:Detroit Techno
Configuration:7"
Label:Underground Resistance
Cat-No:UR-066
Release-Date:15.12.2023
Genre:Detroit Techno
Configuration:7"
1
Orlando Voorn & 040 - Never
2
Perception - Song Of The Hmong
Underground Resistance repress two sought after 7 inch releases from 2006's epic 'Interstellar Fugitives 2" series.
Features 040 (Mad Mike), Orlando Voorn, Perception, DJ S2 and Von Floyd (Chaos) alongside some iconic artwork from Frankie Fultz More
Features 040 (Mad Mike), Orlando Voorn, Perception, DJ S2 and Von Floyd (Chaos) alongside some iconic artwork from Frankie Fultz More
1
Juterus - Reality
2
Juterus - Reality (Täino Remix)
3
Juterus - Plastic Popcorn
4
Juterus - Plastic Popcorn (Roman Rai Remix)
Prague based sound foundry Moving Pictures is introducing its latest vinyl release from Japanese singer and electronic music producer Junko Yoshida, also known as "Juterus". Hailing all the way from the "Land of the Rising Sun", Junko showcases her unique style of utilising and manipulating her voice alongside self-produced grooves. Two original tracks are accompanied with 2 remix cuts by label's founders, Roman Rai and Täino, transcending original productions into more abstract dimensions.
GENRE/S: Deep House, House, Electronica, Breaks, Dub Techno
Tracklist:
A1 Reality
A2 Reality (Täino Remix)
B1 Plastic Popcorn
B2 Plastic Popcorn (Roman Rai Remix)
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GENRE/S: Deep House, House, Electronica, Breaks, Dub Techno
Tracklist:
A1 Reality
A2 Reality (Täino Remix)
B1 Plastic Popcorn
B2 Plastic Popcorn (Roman Rai Remix)
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1
trentemoller - Moan (Trentemoller Remix)
2
trentemoller - Moan (Radioslave Remix)
2022 repress
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More