1
Leo Basel - Quelle Drôle De Vie (Nick the Record & Dan Tyler Re-Edit)
2
Love Isaacs - Surprise Surprise (João Gomes & Dan Tyler Are Predictably Delayed Rework)
3
Rick Asikpo and Afro Fusion - Let’s Get High (Nick the Record Re-Edit) [12 Minute Version]
One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
More records from Mr Bongo
1
Elza Soares - Mas Que Nada
2
Elizabeth - Vou Falar-Lhe Francamente
Back in stock due to popular demand, the 12th release in our signature Brazil 45’s series saw a reissue of two certified classics from Brazil’s rich musical tapestry.
On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970. More
On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970. More
1
Elys Camargo - Taieiras
2
Trio Esperança - Não Aguento Você
Back in stock due to popular demand, the 18th release in our signature Brazil 45’s series saw Elys Camargo’s ‘Taieiras’ and ‘Não Aguento Você’ by Trio Esperança issued for the first time on 7”.
First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975. More
First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975. More
1
Wilson Das Neves - Pick Up The Pieces
2
Som Três - Tanga
Back in stock due to popular demand, the 19th release in our signature Brazil 45’s series shone a light on Wilson das Neves’ brilliant cover of Average White Band’s ‘Pick Up The Pieces’ and an all-time Mr Bongo Brazilian funk favourite in the form of Som Três – Tanga.
Wilson das Neves was a legendary Brazilian percussionist most well known for being part of Os Ipanemas. The A side of this 7” houses his cover of Average White Band’s ‘Pick Up The Pieces’ recorded with his ‘conjunto’ ensemble. It takes the track into funky samba territory, laden with percussion and horns. Originally released on the Som Quente É O Das Neves LP in 1969.
On the flip side, a Mr Bongo all-time Brazilian funk favourite. Blistering drums, feverish vocals and peaking piano packed into just over 2 minutes. Som Três were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. ‘Tanga’ originally appeared on the Um É Pouco, Dois É Bom, Este Som Três É Demais LP on Odeon Brazil in 1970.
Both of these Brazilian beauties were previously unreleased on 7”. More
Wilson das Neves was a legendary Brazilian percussionist most well known for being part of Os Ipanemas. The A side of this 7” houses his cover of Average White Band’s ‘Pick Up The Pieces’ recorded with his ‘conjunto’ ensemble. It takes the track into funky samba territory, laden with percussion and horns. Originally released on the Som Quente É O Das Neves LP in 1969.
On the flip side, a Mr Bongo all-time Brazilian funk favourite. Blistering drums, feverish vocals and peaking piano packed into just over 2 minutes. Som Três were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. ‘Tanga’ originally appeared on the Um É Pouco, Dois É Bom, Este Som Três É Demais LP on Odeon Brazil in 1970.
Both of these Brazilian beauties were previously unreleased on 7”. More
1
The Medium Wave Band - So Tender
2
The Medium Wave Band - Games (Instrumental)
Sourcing rare records to reissue can involve meticulous research and years of digging, but then occasionally, Lady Luck smiles upon you. We probably would have never heard of the Medium Wave Band if Gary from Mr Bongo hadn't known Wolverhampton-based record dealer, Steve Ward. Whilst offering Gary some records for sale, he remembered he had a spare copy of an old 7" single that he thought Gary might like. Steve didn't know much about the release, and it had never sold on Discogs. Looking at the record itself, it was minimalist in appearance and information, there wasn't much to go on other than that it was from the Birmingham area. The mystery drew us in…
The A-side, 'So Tender’, is a late-night, jazzy slow-jam, with beautifully sultry, soulful female vocals which sounded vaguely familiar. On listening to the B side, 'Games (Instrumental)’, you are rewarded with a superb example of Britfunk / independent UK jazz-funk. The pulsating, bass-led dancefloor groove and sensibility is a sound reminiscent of productions usually found on labels such as Elite, but the 7” was not released on a label, it was a private press by the band themselves. So who are the enigmatic The Medium Wave Band?
After some fruitful internet digging and correspondence, we got the answers. The band lineup featured Elliot Browne on guitar (lead & rhythm), Ron Lyseight on guitar (rhythm), Andrew Proverbs on keyboards, Tony Peart on drums, Paul Snook on bass, Linton Levy on saxophone, and surprisingly, the beautiful vocals we had been enjoying were those of Jackie Graham, aka the hugely successful UK vocalist, Jaki Graham. Maybe best known for her pop hit with David Grant, 'Could It Be I'm Falling In Love', but also featuring on the cult classic track 'Fire In My Heart' by Escape From New York.
Influenced by artists and bands including George Benson, Ronnie Laws, Weather Report, George Duke, Azimuth and Chick Corea to name a few, the guys booked into a studio near the Botanical Gardens in Birmingham and recorded the two tracks that make up this 7”. Only 200 copies of the original 7" were ever pressed and were sold mostly in Birmingham at Summit Records by the band’s friend DJ Frenchi, as well as at live shows. Despite its limited distribution channels, the record received solid support from fans and those in the music industry, including Morgan Khan of the influential record label, Street Sounds. DJ and journalist, Lindsay Wesker, reviewed the release and this led to the band travelling to London for several radio interviews. They played live shows across the country, including at the prestigious Ronnie Scott's in London, and supported both Shakatak and Weapon of Peace in Birmingham.
Thanks to all those involved bringing this release into fruition and for solving the mystery behind a wonderful Britfunk and UK soul record that could have otherwise been lost in the mists of time. More
The A-side, 'So Tender’, is a late-night, jazzy slow-jam, with beautifully sultry, soulful female vocals which sounded vaguely familiar. On listening to the B side, 'Games (Instrumental)’, you are rewarded with a superb example of Britfunk / independent UK jazz-funk. The pulsating, bass-led dancefloor groove and sensibility is a sound reminiscent of productions usually found on labels such as Elite, but the 7” was not released on a label, it was a private press by the band themselves. So who are the enigmatic The Medium Wave Band?
After some fruitful internet digging and correspondence, we got the answers. The band lineup featured Elliot Browne on guitar (lead & rhythm), Ron Lyseight on guitar (rhythm), Andrew Proverbs on keyboards, Tony Peart on drums, Paul Snook on bass, Linton Levy on saxophone, and surprisingly, the beautiful vocals we had been enjoying were those of Jackie Graham, aka the hugely successful UK vocalist, Jaki Graham. Maybe best known for her pop hit with David Grant, 'Could It Be I'm Falling In Love', but also featuring on the cult classic track 'Fire In My Heart' by Escape From New York.
Influenced by artists and bands including George Benson, Ronnie Laws, Weather Report, George Duke, Azimuth and Chick Corea to name a few, the guys booked into a studio near the Botanical Gardens in Birmingham and recorded the two tracks that make up this 7”. Only 200 copies of the original 7" were ever pressed and were sold mostly in Birmingham at Summit Records by the band’s friend DJ Frenchi, as well as at live shows. Despite its limited distribution channels, the record received solid support from fans and those in the music industry, including Morgan Khan of the influential record label, Street Sounds. DJ and journalist, Lindsay Wesker, reviewed the release and this led to the band travelling to London for several radio interviews. They played live shows across the country, including at the prestigious Ronnie Scott's in London, and supported both Shakatak and Weapon of Peace in Birmingham.
Thanks to all those involved bringing this release into fruition and for solving the mystery behind a wonderful Britfunk and UK soul record that could have otherwise been lost in the mists of time. More
1
Ananda Shankar - Streets Of Calcutta
2
Ananda Shankar - Cyrus
3
Ananda Shankar - The Lonely Rider
4
Ananda Shankar - The River
5
Ananda Shankar - Vidai (Parting)
6
Ananda Shankar - Back Home
7
Ananda Shankar - Dawn
8
Ananda Shankar - Renunciation
9
Ananda Shankar - Dancing Drums
Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.
Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.
First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting nearly 50 years on.
Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.
A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.
Vinyl LP features a tip-on sleeve. More
Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.
First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting nearly 50 years on.
Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.
A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.
Vinyl LP features a tip-on sleeve. More
1
Jorge Ben - Curumin Chama Cunhã Tã Que Eu Vou Contar (Todo Dia Era Dia De Indio)
2
Jorge Ben - Rio Babilônia
Back in stock due to popular demand. The 80th release in our Brazil 45 series, aptly focusses on the breathtaking 1980s recordings of one of Brazil’s musical giants, Jorge Ben. With this 45, you are treated to a double dose of classic cuts from the master in the form of, 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio) and ‘Rio Babilônia’.
First up is the addictive, bubbling, sun-kissed grooves of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 1981 Bem-Vinda Amizade album originally released on Som Livre ?Records, its tangible warmth soaks into every fibre of your body. A sentimental homage to the indigenous people and tribes of Brazil, this is quintessential Jorge Ben.
The flip features one of Jorge's most beloved Brazilian boogie joints, 'Rio Babilônia’. A joyous mid-tempo joint celebrating life in Rio, its feel-good flavour and the city’s iconic monuments, with a swaggering synth bass that struts out over Copacabana beach. Originally released on a compacto and taken from the Dádiva album from 1983, there are no surprises that it features arrangements from the late-great, Lincoln Olivetti. More
First up is the addictive, bubbling, sun-kissed grooves of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 1981 Bem-Vinda Amizade album originally released on Som Livre ?Records, its tangible warmth soaks into every fibre of your body. A sentimental homage to the indigenous people and tribes of Brazil, this is quintessential Jorge Ben.
The flip features one of Jorge's most beloved Brazilian boogie joints, 'Rio Babilônia’. A joyous mid-tempo joint celebrating life in Rio, its feel-good flavour and the city’s iconic monuments, with a swaggering synth bass that struts out over Copacabana beach. Originally released on a compacto and taken from the Dádiva album from 1983, there are no surprises that it features arrangements from the late-great, Lincoln Olivetti. More
1
João Bosco - O Ronco Da Cuica
2
Antonio Adolfo E A Brazuca - Transamazônica
Back in stock due to popular demand, the 11th release in our signature Brazil 45’s series came in the form of João Bosco - O Ronco Da Cuica and Antonio Adolfo E A Brazuca – Transamazônica. Two jewels from Brazil’s rich musical heritage.
On the A side, prolific guitarist João Bosco’s MPB masterpiece ‘O Ronco Da Cuica’. Originally appearing on his 1976 ‘Galos de Briga’ LP released on RCA Brazil, it had yet to have had an official 7” release. It’s an intoxicating blend of passionate vocals, feverish cuica and deftly picked acoustic guitar.
On the flip, Antonio Adolfo E A Brazuca’s track ‘Transamazonica’ is an all-time classic Brazilian jazz fusion gem. Taken from the hard-to-find 1971 self-titled LP on Odeon Brazil, it again had never been released on 7”. Adolfo was the founder of Trio 3-D and later played with Elis Regina. More
On the A side, prolific guitarist João Bosco’s MPB masterpiece ‘O Ronco Da Cuica’. Originally appearing on his 1976 ‘Galos de Briga’ LP released on RCA Brazil, it had yet to have had an official 7” release. It’s an intoxicating blend of passionate vocals, feverish cuica and deftly picked acoustic guitar.
On the flip, Antonio Adolfo E A Brazuca’s track ‘Transamazonica’ is an all-time classic Brazilian jazz fusion gem. Taken from the hard-to-find 1971 self-titled LP on Odeon Brazil, it again had never been released on 7”. Adolfo was the founder of Trio 3-D and later played with Elis Regina. More
1
Noriel Vilela - 16 Toneladas
2
Juca Chaves - Take Me Back To Piauí
We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving repress. Marking the third release in our now signature series, we shone the light on two sought-after tracks from Noriel Vilela and Juca Chaves.
On the A side, originally released in 1971 on Copacabana Records, Noriel Vilela's 1971 cover of Tennessee Ernice Ford's '16 Tons'. Ford’s 1955 original was a classic American pop-country-folk song, that Noriel masterfully flipped it into a low-slung, deeply toned samba groover.
On the B side Juca Chaves classic 'Take Me Back To Piaui' was released on 7" by RGE In 1970 and features on his album 'Muito Vivo' from 1972. Sublime orchestration, velvety vocals and the instantly uplifting cuica tones, make this a must-have Brazilian cut. Chaves was an active critic of the Brazilian military dictatorship, and like Veloso and Gil, was exiled in the early 1970s, to Portugal and later Italy. More
On the A side, originally released in 1971 on Copacabana Records, Noriel Vilela's 1971 cover of Tennessee Ernice Ford's '16 Tons'. Ford’s 1955 original was a classic American pop-country-folk song, that Noriel masterfully flipped it into a low-slung, deeply toned samba groover.
On the B side Juca Chaves classic 'Take Me Back To Piaui' was released on 7" by RGE In 1970 and features on his album 'Muito Vivo' from 1972. Sublime orchestration, velvety vocals and the instantly uplifting cuica tones, make this a must-have Brazilian cut. Chaves was an active critic of the Brazilian military dictatorship, and like Veloso and Gil, was exiled in the early 1970s, to Portugal and later Italy. More
1
Claudia - Deixa eu Dizer
2
Cizinha - Pra Fazer Um Samba
Back in stock due to popular demand, the first ever release in our iconic Brazil 45's imprint!
Kicking off a series that has now clocked in over 100 releases, it all began with this stunning double header highlighting two essential Brazilian tracks from Claudia and Cizinha.
Claudia’s 'Deixa Eu Dizer' is an absolute must have Brazilian record. A timeless voice that lifts this beautiful MPB track to stratospheric heights. As sampled by Marcelo D2 on one of our favourite Brazilian hip hop records 'Desafabo', the track features on Claudia’s stunning album of the same name and had never been released on 7" until this point.
On the flip, a sun dappled, heartfelt and hard to come by track from Cizinha. Originally released on Rozenblit in 1968, it had been, and more importantly still is, a firm favourite of ours. Shimmering horns, deft flutes and a tight percussion section providing the perfect basis to this sweet samba groove. More
Kicking off a series that has now clocked in over 100 releases, it all began with this stunning double header highlighting two essential Brazilian tracks from Claudia and Cizinha.
Claudia’s 'Deixa Eu Dizer' is an absolute must have Brazilian record. A timeless voice that lifts this beautiful MPB track to stratospheric heights. As sampled by Marcelo D2 on one of our favourite Brazilian hip hop records 'Desafabo', the track features on Claudia’s stunning album of the same name and had never been released on 7" until this point.
On the flip, a sun dappled, heartfelt and hard to come by track from Cizinha. Originally released on Rozenblit in 1968, it had been, and more importantly still is, a firm favourite of ours. Shimmering horns, deft flutes and a tight percussion section providing the perfect basis to this sweet samba groove. More
1
SOYUZ - If You Ask
2
SOYUZ - Tenório
LISTEN:
www.youtube.com/watch?v=nNzgGge77UI
www.youtube.com/watch?v=wXdRUA1_lO8
Proudly presenting, ‘If You Ask’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point SOYUZ. Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, SOYUZ back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Teno´rio’.
‘If You Ask’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".
For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band Pesniary, who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.
Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.
Having parted ways with their drummer Anton, SOYUZ needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, SOYUZ had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.
To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of SOYUZ mastery, a sweet taster to savour while the new album is recorded. More
www.youtube.com/watch?v=nNzgGge77UI
www.youtube.com/watch?v=wXdRUA1_lO8
Proudly presenting, ‘If You Ask’, a brand new, blissed-out pop production with a ‘70s AOR touch, by the ever-on-point SOYUZ. Coming at a period between albums, the single features guest appearances from the sensational musicians, Biel Basile (O Terno, Sessa) and Anthony Ferraro (Toro Y Moi, Astronauts, etc.). Friends of the band, they add their signature touch on the drums and synth respectively. To complete the package, SOYUZ back the title track with a short but sweet, Wurlitzer-laden, MPB-tinged number, ‘Teno´rio’.
‘If You Ask’ tells the story of lost dreams. A track that can be interpreted either as a bittersweet longing for childhood times, or for a native place you can’t return to. For the writer Alex Chumak he suggests, "In my case, as in the case of many Belarusians, it’s both".
For this song, Alex chose to sing in his native Belarusian tongue. As he explains this language "to me feels underrepresented in pop music, also it’s a beautiful legacy and sonority that I wanted to share with the listeners of our project around the world". One of the key inspirations was a Belarusian band Pesniary, who produced a host of great progressive folk, jazz fusion and AOR, from the ‘70s to the ‘90s, predominantly sung in Belarusian.
Another key influence was the music coming out of the Brazilian state of Minas Gerais in the ‘70s, drawing inspiration from the sentimental and harmonious music of Beto Guedes, Lô Borges, Fernando Oly and Wagner Tiso.
Having parted ways with their drummer Anton, SOYUZ needed to find a new way to produce songs. The answer was to go remotely. Alex contacted the brilliant Biel Basile, who had recorded Sessa's contemporary classic ‘Estrela Acesa’, in which Alex also participated. Utilising Biel and Sessa’s newly built studio in São Paulo, SOYUZ had Biel record the drums directly to tape to get the rich sound they were after. Adding the final magic into the mix, California’s Anthony Ferraro provided a beautiful Solina String Ensemble synth arrangement, with drummer/recording engineer Albert Karch expertly assisting with the production.
To capture the essence of the single visually, Alex and the Brazilian one-man-industry visual artist Gabriel Rolim, spent a blazing sunny May day in Berlin shooting film and stills – one of which became the perfect cover image. We hope you enjoy this little nugget of SOYUZ mastery, a sweet taster to savour while the new album is recorded. More
1
Pearly Queen - Quit Jive’ In
2
Pearly Queen - Jungle Walk
Proudly presenting a 7-inch reissue of this mythical, raw funk rarity by the Miami-based, Cuban rock band, Pearly Queen. Featuring the hugely sought after, infectious cut ‘Quit Jive’ In’ and a fantastic cover of The Rascals ‘Jungle Walk’, this is a double header of mid ‘70s funk fire.
Originally released on Cuban record producer Manuel J. Mato’s Sound Triangle Records in 1974, who had emigrated to the US in 1960, this scarce funk gem has long been a prized funk 45 find. DJs and collectors such as Keb Darge and Jazzman Gerald brought this to our attention in the 1990s, with the status of the track amplified by its inclusion on DJ Shadow & Cut Chemist's landmark 7" DJ mix ‘Brainfreeze’. DJ Shadow, also used the drums and horns break to masterful effect on his track 'The Number Song' (1996) taken from his infamous 'Endtroducing.....' album on Mo Wax.
Written by Ray Fernandez of Ray & His Court fame, 'Quit Jive' In' is a swaggering funk throwdown, dripping in groove and underpinned by heavy breaks and punchy horns. Whilst on the B side, the rock-funk 'Jungle Walk', is a cover version of The Rascals 1972 original. Penned by the singer, songwriter and guitarist Buzzy Feiten, it wouldn’t be out of place as part of the soundtrack to a Tarantino movie.
We can't think of many deep funk tracks we love as much as this beauty. Sadly, for collectors, this original 7" has remained elusive to even some of the most hardened and dedicated diggers, so it feels a fitting release to re-issue for all to savour. More
Originally released on Cuban record producer Manuel J. Mato’s Sound Triangle Records in 1974, who had emigrated to the US in 1960, this scarce funk gem has long been a prized funk 45 find. DJs and collectors such as Keb Darge and Jazzman Gerald brought this to our attention in the 1990s, with the status of the track amplified by its inclusion on DJ Shadow & Cut Chemist's landmark 7" DJ mix ‘Brainfreeze’. DJ Shadow, also used the drums and horns break to masterful effect on his track 'The Number Song' (1996) taken from his infamous 'Endtroducing.....' album on Mo Wax.
Written by Ray Fernandez of Ray & His Court fame, 'Quit Jive' In' is a swaggering funk throwdown, dripping in groove and underpinned by heavy breaks and punchy horns. Whilst on the B side, the rock-funk 'Jungle Walk', is a cover version of The Rascals 1972 original. Penned by the singer, songwriter and guitarist Buzzy Feiten, it wouldn’t be out of place as part of the soundtrack to a Tarantino movie.
We can't think of many deep funk tracks we love as much as this beauty. Sadly, for collectors, this original 7" has remained elusive to even some of the most hardened and dedicated diggers, so it feels a fitting release to re-issue for all to savour. More
1
Di Melo - Kilariô
2
Di Melo - Pernalongo
Brazil 45, number 83.
For number 83 in the Brazil 45 series, we pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.
His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian-funk sound, pleasing the Brazilian, B-Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.
For this release we selected two of our favourite cuts from this cult album, ‘Kilariô' and ‘Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilariô' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. ‘Pernalonga', with its catchy guitar and horns intro, loose break-beat drum, has the feel-good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.
Di Melo is still recording to this day, releasing an album with Cotonete on Favorite Recordings in 2019 - a true don. More
For number 83 in the Brazil 45 series, we pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.
His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian-funk sound, pleasing the Brazilian, B-Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.
For this release we selected two of our favourite cuts from this cult album, ‘Kilariô' and ‘Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilariô' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. ‘Pernalonga', with its catchy guitar and horns intro, loose break-beat drum, has the feel-good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.
Di Melo is still recording to this day, releasing an album with Cotonete on Favorite Recordings in 2019 - a true don. More
1
Magalhães - Xangô
2
Os Panteras - Lambada Pauleira
Brazil 45, number 84.
For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras.
'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.
On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).
We are super happy to once again present these two red-hot tracks back-to-back. More
For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras.
'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.
On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).
We are super happy to once again present these two red-hot tracks back-to-back. More
1
Waldir Calmon - Airport Love Theme
2
Waldir Calmon - Afro Som
Brazil 45, number 85.
You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album!
Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It is feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard.
'Afro Som' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism.
Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro. More
You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album!
Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It is feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard.
'Afro Som' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism.
Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro. More
1
Harmony Cats - Harmony Cats’ Theme
2
Harmony Cats - Seja Como Nós (De Pé No Chão)
Brazil 45, number 93.
For number 93 in the Brazil45 series, we presented two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from São Paulo. They formed in 1976 and were most prolific in the disco period.
'Harmony Cats' Theme' from 1976 is probably the group’s best-known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)’ its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.
'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds. More
For number 93 in the Brazil45 series, we presented two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from São Paulo. They formed in 1976 and were most prolific in the disco period.
'Harmony Cats' Theme' from 1976 is probably the group’s best-known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)’ its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.
'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds. More
1
Ray And His Court - La Señorita Lola
2
Ray And His Court - Lo Sabia
3
Ray And His Court - Venimos Acabando
4
Ray And His Court - El Alacran
5
Ray And His Court - La Pena Pa'Goza
6
Ray And His Court - Cookie Crumbs
7
Ray And His Court - De Eso Nada Monada
8
Ray And His Court - Sunny
9
Ray And His Court - Soul Freedom
Latin funk at its finest. A kingpin player of Miami’s Cuban music scene, Ray Fernandez, brought together his ‘court’ for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other talented musicians including Rickey Washington on saxophone, father of the contemporary jazz maestro Kamasi Washington. Originally released in 1973 on Manuel J. Mato’s iconic and collectible Sound Triangle Records, Ray & His Court is a dose of Miami heat fuelled by a Cuban fire, taking in salsa, soul, funk, calypso and Afro-Cuban rhythms.
A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.
The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.
'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.
Housed in a tip-on sleeve. More
A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.
The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.
'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.
Housed in a tip-on sleeve. More
1
Dora Morelenbaum - Não Vou Te Esquecer
2
Dora Morelenbaum - Venha Comigo
3
Dora Morelenbaum - Sim, Não.
4
Dora Morelenbaum - Essa Confusão
5
Dora Morelenbaum - A Melhor Saída
6
Dora Morelenbaum - Caco
7
Dora Morelenbaum - VW Blue
8
Dora Morelenbaum - Petricor
9
Dora Morelenbaum - Pique
10
Dora Morelenbaum - Talvez (As Canções)
11
Dora Morelenbaum - Nem Te Procurar
Preview: https://www.youtube.com/watch?v=-dg9UH9j2fo
Pique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil’s new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora’s first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil’s standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it’s a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R&B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.
With an ethereal, enveloping air few can match, Dora’s gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked ‘Não Vou Te Esquecer’ opens, before the funk-fuelled, feel-good ‘Venha Comigo’ and ‘Sim, Não.’ give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via ‘A Melhor Saída’ and ‘Petricor’, virtuoso jazz funk in the form of ‘VW Blue’ and radiant MPB through the album’s title track ‘Pique’.
The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy.
An exchange of musical ideas powers every great scene and Rio’s contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other’s productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora’s parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement.
As Dora explains, “Pique was an album made in motion and ended up being about just that. From the beginning, it was an album that sought to build new textures that are part of the sound landscape I envision ahead. And from these colours and textures, it builds bridges between a more traditional universe, sonically and poetically speaking, and a new perspective on songs.”
Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana’s production. The result is truly unique and sure to be a future Brazilian classic. More
Pique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil’s new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora’s first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil’s standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it’s a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R&B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.
With an ethereal, enveloping air few can match, Dora’s gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked ‘Não Vou Te Esquecer’ opens, before the funk-fuelled, feel-good ‘Venha Comigo’ and ‘Sim, Não.’ give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via ‘A Melhor Saída’ and ‘Petricor’, virtuoso jazz funk in the form of ‘VW Blue’ and radiant MPB through the album’s title track ‘Pique’.
The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy.
An exchange of musical ideas powers every great scene and Rio’s contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other’s productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora’s parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement.
As Dora explains, “Pique was an album made in motion and ended up being about just that. From the beginning, it was an album that sought to build new textures that are part of the sound landscape I envision ahead. And from these colours and textures, it builds bridges between a more traditional universe, sonically and poetically speaking, and a new perspective on songs.”
Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana’s production. The result is truly unique and sure to be a future Brazilian classic. More
1
Dudu Moraes - Eloiá
2
Yvette - Upa Neguinho
3
As Sublimes - Mangueira É Canção
4
Os Panteras - O Espaço
5
Chico Evangelista - Frutas & Línguas
6
Roman Andrén - Captain's Sword
7
Romeu Fernandes - Nagô Naê
8
Conjunto de Percussão Dora Pinto - Noite de Temporal
9
Gitte & Inger - Ud Af Buret (Can't Hide Love)
10
Truth & Devotion - Bless My Soul
11
Judson Moore - Everybody Push And Pull
12
Willy Chirino - Africa
13
Chain Reaction - Search For Tomorrow
14
Claude Jay - Find Your Light
15
The Shades of Love - Come Inside
16
The Duncans - Too Damn Hot
17
Thandi Zulu & The Young Five - Love Games
18
Tony Wilson - Hangin' Out In Space (Dub Mix)
19
JC Lodge - In Between The Sheets
20
SOYUZ Feat. Asha Puthli & Sven Wunder - Spring Has Sprung
It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.
Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band SOYUZ (???3) and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.
Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.
We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share. More
Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band SOYUZ (???3) and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.
Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.
We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share. More
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4 of the biggest tunes by this groundbreaking artschool-guys band who mixed Nu Wave with Funk, Disco and Polyrhythmics. included are "Cavern" - which formed the basis for "White Lines" - "optimo", "scraper' and "out"
More
1
Roy Ayers Ubiquity - Running Away (Long Version)
2
Roy Ayers Ubiquity - Love Will Bring Us Back Together
Repress!
Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy?
From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round.
Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best. More
Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy?
From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round.
Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best. More
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michael wycoff - Looking Up To You (05:18)
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michael wycoff - Diamond Real (Tee Scott Instrumental Mix) (07:05)
2024 Repress
Tracklist:
01. Looking Up To You (05:18)
02. Diamond Real (Tee Scott Instrumental Mix) (07:05)
Two seminal 12" mixes of a pair of Michael Wycoff heavy hitters from 1982. One a two-step favourite and one a Loft classic, these sought-after versions have never been paired on the same record. More
Tracklist:
01. Looking Up To You (05:18)
02. Diamond Real (Tee Scott Instrumental Mix) (07:05)
Two seminal 12" mixes of a pair of Michael Wycoff heavy hitters from 1982. One a two-step favourite and one a Loft classic, these sought-after versions have never been paired on the same record. More
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Explorations - No Title
Tokyo's EXPLORATIONS deejay crew strikes again with this unreleased disco cover version of STEVIE WONDER's classic "AS ALWAYS". With additional production by Chicago's own JORDAN FIELDS. 1-sided heavy weight green colored vinyl in paper sleeve. VERY limited like the last one!
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Kerri Chandler - Just Livin'
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Kerri Chandler - Dreamscape
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Kerri Chandler - Union City Nights
Repress!
Sublime deep House of the highest order from New Jersey’s very own Kerri “Kaoz 6:23” Chandler. "The Mood EP" is pure quality from start to finish and is one of Chandler’s lesser spotted releases that is undoubtedly a classic. Released on the legendary Nervous label in 1998 it still stands head and shoulders above most other releases of the time. TRACK LISTING: A1. Just Livin', A2. Dreamscape, B1. Union City Nights
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Sublime deep House of the highest order from New Jersey’s very own Kerri “Kaoz 6:23” Chandler. "The Mood EP" is pure quality from start to finish and is one of Chandler’s lesser spotted releases that is undoubtedly a classic. Released on the legendary Nervous label in 1998 it still stands head and shoulders above most other releases of the time. TRACK LISTING: A1. Just Livin', A2. Dreamscape, B1. Union City Nights
More
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gary's gang - Lets Lovedance Tonight - Danny Krivit Re-Edit
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gary's gang - Lets Lovedance Tonight - Original 12" Mix
Absolutely seminal Danny Krivit re-edit of Gary's Gang "Let's Lovedance Tonight"!
Originally released on Nurvous Records a decade ago this finally sees the light of day again... Original 12"s go for $100 each on discogs. Re mastered for 2016 and released in conjunction with the original Sam Records. More
Originally released on Nurvous Records a decade ago this finally sees the light of day again... Original 12"s go for $100 each on discogs. Re mastered for 2016 and released in conjunction with the original Sam Records. More
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Surface - Falling In Love
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Surface - Happy (Love Mix)
Format Notes: 2024 first-time 12" reissue pairing of previously hyper-rare tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.
It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
More
Track List:
A1 Falling In Love
B1 Happy (Love Mix)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.
It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
More
1
Joaquin Joe Claussell - Cosmic Arts-A Prayer For The Fallen
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Joaquin Joe Claussell - Soul Sanctification-Spirit Sanctified
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Joaquin Joe Claussell - A Bargain With The Lord (dub)
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Ozo - Anambra (12" Extended Mix)
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Ozo - Anambra (Edited Version)
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Ozo - Anambra River
(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.
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Rare Pleasure - Let Me Down Easy
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Rare Pleasure - Let Me Down Easy (Long Version)
The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7 Inch. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue. Limited Red Vinyl version in a tasty South Street Disco Sleeve.
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Tracklist
A1. It Works
A2. Without Thought (Bassline 1)
A3..Without Thought (Bassline 2)
B1. Lakeview Slang (First Mix)
B2. Lakeview Slang (The Mix)
Shortinfo:
Running Back Double Copy Re-issues the Final Cut Mateo & Matos Holy Grail Lovingly Re-mastered
More
A1. It Works
A2. Without Thought (Bassline 1)
A3..Without Thought (Bassline 2)
B1. Lakeview Slang (First Mix)
B2. Lakeview Slang (The Mix)
Shortinfo:
Running Back Double Copy Re-issues the Final Cut Mateo & Matos Holy Grail Lovingly Re-mastered
More