FORMAT 12“ vinyl, printed sleeve, dl card

TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28

The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..


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Vinyl Only!

The transformation deepens with “Prolonged Resistance”; the second chapter in the Instruments Of Rapture series. The record opens with the hypnotic, slo-mo burner “Just A Memory,” luring you in before the striking hard with the uptempo, cosmic stomp of “Planets (Lost Groove).” The 12” closes out with “Better,” a mid-tempo, smoky soul bumper that lingers long after the fade.

Track listing

A1: Just A Memory
A2: Planets (Lost Groove)
B1: Better



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2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.


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Germany
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lim. 180 Gr Vinyl!

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like "POOL JAMS", the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r'n'b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is "some kind of old photo from an old dry empty pool that got faded by sunlight ". A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can't escape it, as soon as it rotates in your dream device for sound and vision.

Tracklist:

A1 INIT - Liquid
A2 INIT - The Bell
A3 INIT - Jaded
A4 INIT - Pinata
A5 INIT - F.O.O.D
B1 INIT - Vacumized
B2 INIT - Shiver
B3 INIT - Carrier


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Germany
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NON EXCLUSIVE - LP - LTD 500 - LP+INSERT

Back by popular demand here is a very limited repressing of this krautrock masterpiece with connections to Kraftwerk.

Lengthy and strongly percussive cosmic fussion instrumentals with a middle-eastern flavour by this Kraftwerk-related outfit led by Basil Hammoudi (Organisation). A great, unknown album from the jazzier end of the krautrock spectrum (think of Kollectiv, Thirsty Moon, Niagara, Annexus Quam, Embryo...)



Remastered sound, faithfull gatefold sleeve reproduction, insert with liner notes.



A limited repressing of only 500 copies - please note that the first pressing sold like hot bread and has been unavailable ever since, do not miss this killer edition repressed by popular demand!

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Back Catalogue - shipping beginning by June 20


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Territories: WORLD

Genre: Experimental, Electronic, Abstract, Ambient, IDM

DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes

Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation

Info

WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.

Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.

The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.

Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.


Points of interests

- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.







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Tracklist:
A1. Peder Mannerfelt Remix
A2. Luca Lozano Gehts Garage Remix
B1. Aasthma Remix
B2. Steve Angello Remix

A noughties classic, an earworming anthem, an eventual schoolyard ringtone favourite; Roman Flügel’s once inescapable ‘Geht’s Noch?’ celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy.
Casually released as part of a Cocoon Records compilation in 2004, ‘Geht’s Noch?’ rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the ‘Dirty Dutch’
house scene, albeit from over the border in Germany.
Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to ‘Geht’s Noch?’, inducing a planet-shaking kick drum, before sending the track’s signature bleeps into nonsensical Morse code for even greater pleasure. Another rave
culture connoisseur, Luca Lozano, offers two alternate takes; his ‘Technocs’ mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the ‘Gehts Garage Remix’ draws a savvy connection with the original’s as-yet-untapped UK funky potential.
Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes ‘Geht’s Noch?’ to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma
spins the club out with a glossy, anime-tinted take, full of whimsy and colour.
And while the digital release of Geht’s Noch? also spans interpretations from Audion, Domnik Eulberg & Moguai, this vinyl release presses Steve Angello vs Who’s Who remix to wax, that which helped take ‘Geht’s Noch?’ out of the underground and into the stratosphere. Twenty years on, and Flügel’s offbeat hit is always ascending. Love it or hate it, ‘Geht’s Noch?' will still get you good.
Words by John Loveless



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Genre: Soundtrack, 80s, Cult, Horror, Score, Synth, Orchestral

LP: Limited Edition of 500, Heavyweight 350gsm Sleeve, Cut Out Sticker, Composer Notes

Tracklisting LP
A1. Main Title
A2. Stuck
A3. Teddy
A4. The House
A5. The Basement
A6. Judy And Dolls
A7. Mr. Punch
A8. Dark Hallways
A9. Gabriel’s Workroom
A10. Toys For Us Kids
A11. The Rooms
A12. Isabel And Judy
B1. The End Of Isabel
B2. The Dolls Attack
B3. So Long, Shortstuff
B4. Toys Are Loyal
B5. Trapped
B6. End Title

Info

WRWTFWW Records is very excited to announce the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lost-then-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes.

Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) and released by Charles Band’s infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is 80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes.

The haunting score comes from master Fuzzbee Morse who composed it in Richard Band’s garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before!) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky’s The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives and Eleanor Rigby!

Dolls follows the WRWTFWW release of Fuzzbee Morse’s Ghoulies II (1988) as well as 3 other soundtracks from the Empire Pictures vaults: Richard Band’s Ghoulies (1985), TerrorVision (1986), and Troll (1986). All still available – complete the collection now!

Points of interests

- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, Stuart Gordon, John Carpenter, b-movies, sci-fi, Gremlins, toys, evil toys, Toys R Us, the good old days, toys you can play with at 33rpm, Christmas presents.

- First ever release for the soundtrack of cult horror movie Dolls (1987), with cut out sticker and composer notes.




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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More