1
Hermon Mehari / Cheick Tidiane Seck - Hermon Mehari - Tenafaqit (Danilo Plessow remix) (7:32)
2
Hermon Mehari / Cheick Tidiane Seck - Cheick Tidiane Seck - Motherless Child (Angel Bat Dawid Mothersip Child Sankof
We're happy to share with you our first ever remixes on the Komos label.
ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
More
ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
More
More records from Komos
1
Sélène Saint-Aimé - Arawak Uhuru
2
Sélène Saint-Aimé - Beliya
3
Sélène Saint-Aimé - The Bird
4
Sélène Saint-Aimé - White Birds Silver Tree
5
Sélène Saint-Aimé - Melisande
6
Sélène Saint-Aimé - Potomitan
7
Sélène Saint-Aimé - Mawu
8
Sélène Saint-Aimé - Akaye
9
Sélène Saint-Aimé - Ezili
10
Sélène Saint-Aimé - Bezaudin
11
Sélène Saint-Aimé - Indigo Bay
On her debut album, ‘Mare Undarum’, Se´le`ne Saint-Aime´ poetically transcribed the influence of the moon on her music, here, on this second recording, she transmutes her Caribbean cultural heritage.
In Antillean lands, the Potomitan, central pillar of Haitian voodoo temples, also designates the mother who supports the equilibrium of an entire family. This title stood out as an obvious choice for Se´le`ne, after many months spent in Martinique during the pandemic.
Long conversations with her paternal grandmother retracing the history of their family, life, childhood memories and the strength of Caribbean women all 'infused' the writing and recording of this record.
The album plays out symbolically around the title track and it also acts as an analogy, interpreted by a trio, featuring the tanbouye´ masters Sonny Troupe´ (Ka drums, Guadeloupe) and Boris Reine-Ade´lai¨de (Be`le` drums, Martinique), who joined the team on their previous release. The intera%ion between the double bass, Se´le`ne’s voice and these drums lies at the heart of the album.
Arawak Uhuru (freedom in Swahili), the first track, is a grand be`le`with three beats to the bar that honours the many Amerindian populations present in Martinique since the 1st century, at least. Arawak does not designate an ethnic group in the strictest sense, but more a linguistic family.
Irving Acao, still on the tenor sax, also takes part in this vocal trance based around the traditional theme of Martinican Be´liya, fleshing it out with Cuban sounds and rhythms.
Trumpeter Hermon Me´hari, who forms a brass section with Irving on the majority of the tracks, brings his own rendition of ‘The Bird’ by Charlie Parker, who was, like him, originally from Kansas City.
The other cover on the album is an arrangement by Se´le`ne of a theme from the Pelle´as et Me´lisande orchestral suite by Jean Sibelius. It places Mathias Le´vy’s violin and Guillaume Latil’s cello at the forefront, in a version for a string trio and vocals. This track resembles a conversation with what lies beyond, and it is dedicated to Se´le`ne’s. maternal grandmother, as she was born exactly a hundred years ago.
Though she continues to sing in her own language all through the tracks, her first song in English, ‘White Birds, Silver Tree’ rounds off the record. Se´le`ne wrote it in her uncle’s banana grove where cattle egrets come to nest. We can see them depicted on the sleeve painted by Lossapardo, near a dead tree with silver hues that graces a river’s edge, somewhere in the North of Martinique.
Without any repetition and (almost) without a score, the recording session played out organically, with Se´le`ne dictating her melodies to the band on a piano which was in the room. Rhythms were sung then reproduced on the drums for a recording where the collective sound was captured live.
Far from a stiff reworking or a pan-Caribbean fusion, Potomotan, drinks from the spiritual and musical source irrigating afro-descendant culture, and invents a new folklore, vivified by improvisation.
Se´le`ne Saint-Aime´ : bass, vocals and poetry
Guillaume Latil : cello
Mathias Le´vy : violin
Irving Acao : tenor saxophone
Hermon Mehari : trumpet
Sonny Troupe´ : ka drum and drums
Boris Reine – Ade´lai¨de : bèlè drum More
In Antillean lands, the Potomitan, central pillar of Haitian voodoo temples, also designates the mother who supports the equilibrium of an entire family. This title stood out as an obvious choice for Se´le`ne, after many months spent in Martinique during the pandemic.
Long conversations with her paternal grandmother retracing the history of their family, life, childhood memories and the strength of Caribbean women all 'infused' the writing and recording of this record.
The album plays out symbolically around the title track and it also acts as an analogy, interpreted by a trio, featuring the tanbouye´ masters Sonny Troupe´ (Ka drums, Guadeloupe) and Boris Reine-Ade´lai¨de (Be`le` drums, Martinique), who joined the team on their previous release. The intera%ion between the double bass, Se´le`ne’s voice and these drums lies at the heart of the album.
Arawak Uhuru (freedom in Swahili), the first track, is a grand be`le`with three beats to the bar that honours the many Amerindian populations present in Martinique since the 1st century, at least. Arawak does not designate an ethnic group in the strictest sense, but more a linguistic family.
Irving Acao, still on the tenor sax, also takes part in this vocal trance based around the traditional theme of Martinican Be´liya, fleshing it out with Cuban sounds and rhythms.
Trumpeter Hermon Me´hari, who forms a brass section with Irving on the majority of the tracks, brings his own rendition of ‘The Bird’ by Charlie Parker, who was, like him, originally from Kansas City.
The other cover on the album is an arrangement by Se´le`ne of a theme from the Pelle´as et Me´lisande orchestral suite by Jean Sibelius. It places Mathias Le´vy’s violin and Guillaume Latil’s cello at the forefront, in a version for a string trio and vocals. This track resembles a conversation with what lies beyond, and it is dedicated to Se´le`ne’s. maternal grandmother, as she was born exactly a hundred years ago.
Though she continues to sing in her own language all through the tracks, her first song in English, ‘White Birds, Silver Tree’ rounds off the record. Se´le`ne wrote it in her uncle’s banana grove where cattle egrets come to nest. We can see them depicted on the sleeve painted by Lossapardo, near a dead tree with silver hues that graces a river’s edge, somewhere in the North of Martinique.
Without any repetition and (almost) without a score, the recording session played out organically, with Se´le`ne dictating her melodies to the band on a piano which was in the room. Rhythms were sung then reproduced on the drums for a recording where the collective sound was captured live.
Far from a stiff reworking or a pan-Caribbean fusion, Potomotan, drinks from the spiritual and musical source irrigating afro-descendant culture, and invents a new folklore, vivified by improvisation.
Se´le`ne Saint-Aime´ : bass, vocals and poetry
Guillaume Latil : cello
Mathias Le´vy : violin
Irving Acao : tenor saxophone
Hermon Mehari : trumpet
Sonny Troupe´ : ka drum and drums
Boris Reine – Ade´lai¨de : bèlè drum More
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Rights : World excluding France, UK & US
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.
DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.
TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)
B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)
C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You
D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)
More
1
Leo Basel - Quelle Drôle De Vie (Nick the Record & Dan Tyler Re-Edit)
2
Love Isaacs - Surprise Surprise (João Gomes & Dan Tyler Are Predictably Delayed Rework)
3
Rick Asikpo and Afro Fusion - Let’s Get High (Nick the Record Re-Edit) [12 Minute Version]
One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”
Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.
John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.
Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!
Housed in a die-cut sleeve. More
The Outer Edge is proud to present the first ever vinyl release of "No Message" by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On "No Message", originally released in 1985, we hear the band's most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
More
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
More
1
Maximum Joy - White & Green Place (extra-terrestrial mix)
2
Maximum Joy - Stretch (7” version)
3
Maximum Joy - Do It Today (Touchdown version)
4
Maximum Joy - Building Bridges/Building Dub (12” version)
5
Maximum Joy - Searching For A Feeling
Fully licensed and ltd to 1000 copies ! Reissued on vinyl for the first time the Maximum Joy's "White & Green Place extra-terrestrial mix" 12” single - with 3 bonus tracks – originally released in 1982 on Y Records. " We’re excited for this new vinyl reissue of White & Green Place extra-terrestrial 12” single with additional tracks specially compiled for your dancing feet! Maximum Joy tunes to make you move! With new artwork and previously unpublished pictures of the band by David Corio
Tracklist:
Side A
White & Green Place (extra-terrestrial mix) 5:33
Stretch (7” version) 3:54
Do It Today (Touchdown version) 4:43
Side B
Building Bridges/Building Dub (12” version) 6:15
Searching For A Feeling 4:28 More
Tracklist:
Side A
White & Green Place (extra-terrestrial mix) 5:33
Stretch (7” version) 3:54
Do It Today (Touchdown version) 4:43
Side B
Building Bridges/Building Dub (12” version) 6:15
Searching For A Feeling 4:28 More
After the big success of our first EDIT SERIES with German chief DELFONIC, Nómada Records feels like doing a new edit series in order to keep paying a homage to the roots of HOUSE MUSIC. Nómada Records joins forces again with Marcus Lindner a.k.a DELFONIC to present DELFONIC EDITS Pt. II where genres such as Disco, Afro, Funk, and Boogie are the strong dish. As we know DELFONIC has created and managed plenty of labels and released music on well known labels such as Money $ex Records, Razor`N Tape, Illegal Jazz and Toy Tonics.
DELFONIC EDITS is a four track EP which opens with “Don’t Stop Dancing” a 70’s fresh dance track with a infectious pecussion, strong strings, warm synths and powerful vocals followed by “Into The Stars” a brazilian bombshell where boogie and funk match perfectly. Perfect track for chilin and start the night. The B-Side is a homage to afro funk and dance scene “Let The Music Take Control” a 70’s eclectic dance turned into an infectious deep mood dj that will make you dance all night long. and last but no least the release close with “Into The Galaxy” it’s an edit of one of the funkiest track ever made by rare disco rock band “WAR”. More
DELFONIC EDITS is a four track EP which opens with “Don’t Stop Dancing” a 70’s fresh dance track with a infectious pecussion, strong strings, warm synths and powerful vocals followed by “Into The Stars” a brazilian bombshell where boogie and funk match perfectly. Perfect track for chilin and start the night. The B-Side is a homage to afro funk and dance scene “Let The Music Take Control” a 70’s eclectic dance turned into an infectious deep mood dj that will make you dance all night long. and last but no least the release close with “Into The Galaxy” it’s an edit of one of the funkiest track ever made by rare disco rock band “WAR”. More
1
Mr. Fingers - Outer Acid
2
Mr. Fingers - Qwazars
3
Mr. Fingers - Nodyahead
4
Mr. Fingers - Aether
Repress!
Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bouce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours... More
Alleviated Records is proud to present the new Mr. Fingers EP. After many years of the moniker being dormant and a long journey trying to get back into a creative mindset, we have a new offering. First up, "Outer Acid" delivers up a Minimal-Space-Acid flavor. Next, "Qwazars" continues the Space motif with a Minimal-Tech touch. "Nodyahed" moves toward a Dark Club Bouce with a dash of Tribal flavor. "Aether" offers up a more late-night Ambient-Space-House flavor. Hope you enjoy these selections at the club and at home for a long time to come. Musically Yours... More
1
The Boogie Man / Sipho Gumede - Jika Jika
2
The Boogie Man / Sipho Gumede - Jika Jika (The Odd Bits)
NON EXCLUSIVE - Territory : World Excluding UK
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits) More
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits) More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
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LKY - Symmetry Zone
2
LKY - Chaser
3
LKY - Tracking
4
LKY - Formed
12” vinyl with full cover print
TRACKLIST:
A1 Symmetry Zone
A2 Chaser
B1 Tracking
B2 Formed
INFO:
After putting out a slew of self-released cuts as LKY, Figure finally gets a hold of the rising techno talent that is Nathan Lockwood. Hailing from the UK, this young talent carries an extensive understanding of Britain’s techno lineage, with over a decade of experience in the game both as promoter and DJ.
Now fully coming into his own as a producer, LKY’s tracks are informed by the loopy nature of his progenitors, while still retaining some of the core dub influences and yet always keeping a propulsive momentum going.
On his EP for Figure, title track Symmetry Zone opens with full force, seamlessly intertwining twisting rhythms and searing percussion into a powerful maelstrom of energy. The A2 Chaser is a more reduced take on the formula, rolling out a muscular groove with only a handful of elements, such as precise low-end and some curious synths doing all the work.
On the flip, LKY shows a deeper side to his work, focusing on the hypnotic element that he has become known for. Tracking strikes a wonderful balance between the dubby synth stabs and driving claps, while Formed has an almost Deep House-feel to it, imbued with gorgeous warm ambiance and teasing vocal snips. The digital format of X38 comes with bonus track Idle Ride, a deeper, more tribal affair, displaying LKY’s versatility as a gifted producer.
More
TRACKLIST:
A1 Symmetry Zone
A2 Chaser
B1 Tracking
B2 Formed
INFO:
After putting out a slew of self-released cuts as LKY, Figure finally gets a hold of the rising techno talent that is Nathan Lockwood. Hailing from the UK, this young talent carries an extensive understanding of Britain’s techno lineage, with over a decade of experience in the game both as promoter and DJ.
Now fully coming into his own as a producer, LKY’s tracks are informed by the loopy nature of his progenitors, while still retaining some of the core dub influences and yet always keeping a propulsive momentum going.
On his EP for Figure, title track Symmetry Zone opens with full force, seamlessly intertwining twisting rhythms and searing percussion into a powerful maelstrom of energy. The A2 Chaser is a more reduced take on the formula, rolling out a muscular groove with only a handful of elements, such as precise low-end and some curious synths doing all the work.
On the flip, LKY shows a deeper side to his work, focusing on the hypnotic element that he has become known for. Tracking strikes a wonderful balance between the dubby synth stabs and driving claps, while Formed has an almost Deep House-feel to it, imbued with gorgeous warm ambiance and teasing vocal snips. The digital format of X38 comes with bonus track Idle Ride, a deeper, more tribal affair, displaying LKY’s versatility as a gifted producer.
More
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Milinko feat. HD Substance - Sniff & Split
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Milinko feat. HD Substance - Vodka & Lemon
3
Milinko feat. HD Substance - Hard Sex
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Milinko feat. HD Substance - Cowboy
New Spanish label Bueno Records kicks off their discography with a reissue of a classic Spanish house record from circa 1998.
The perfect record for the end of the summer, arriving just in time for the last summer days and nights.
Limited copies, grab it quick! More
The perfect record for the end of the summer, arriving just in time for the last summer days and nights.
Limited copies, grab it quick! More
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Soundstream - Good Soul
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Soundstream - Motion
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Soundstream - Let's Break
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Soundstream - Love Town
Repress!
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