1
The Boogie Man / Sipho Gumede - Jika Jika
2
The Boogie Man / Sipho Gumede - Jika Jika (The Odd Bits)
NON EXCLUSIVE - Territory : World Excluding UK
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Holy Grail South African jazz funk cover of Grandmaster Flash 'The Message'.
Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his 'Boogie Man' guise and prolific producer Greg Cutler.
Originally released in 1984, 'Jika Jika' is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho's infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa's first ever hip-hop record.
The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience.
Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork.
"The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' .
Greg Cutler (Original producer)
A - Jika Jika
B - Jika Jika (The Odd Bits)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Vive La Musique
1
Sipho Gumede - Uthinina
2
Sipho Gumede - Bayabizana
3
Sipho Gumede - Something to Say
4
Sipho Gumede - City of Gold
Vive La Musique brings us yet another magical release, compiling four stunning tracks from South African bass player - Sipho Gumede. Taken from two rare albums originally released in the 80s, the music blends South African roots with Boogie influences and is the follow-up to the hugely successful "Jika Jika" reissue.
The release was born through label founder Aroop Roy's relentless search for a copy of the 1983 Peace album, which led to him tracking down the original producer - Greg Cutler - a key figure in South African music from that period and regular collaborator with Sipho. Aroop was blown away by "Uthinina" and "Bayabizana" - two unique tracks, featuring haunting Zulu vocals, African jazz flavours, and epic changes over hypnotic grooves.
"Something to Say" and "City of Gold" were recorded a few years later in the world-renowned Battery Mobile Studio. Sipho had been working there with Caiphus Semenya and Letta Mbulu and their influences can be heard, with drum machines and American Boogie instrumentation laying the foundation for powerful vocal lines sung in English, with soul and gospel sensibility.
The 12" comes with extensive liner notes from Greg Cutler, talking about his time in South Africa. He recalls his experience as a White producer, working with Black musicians under the challenges of apartheid and describes his musical journey with Sipho Gumede, with intriguing details on how the music and production evolved.
Feedback
"The music of Sipho is so good - wow! Uthininia def worth the 3 year search, but even more wonderful to then stumble over a tune like "Something To Say"!"
Hunee
"Chunky, soulful and deep. Thanks for unearthing these beauties!"
Mr Scruff
"Brilliant tracks! Thank you so much"
Gilles Peterson
"This is fucking amazing!!!!"
Eli Soul Clap
"Sipho's Music is great!"
Antal
"Amazing music that is perfect for today's music environment, a lovely blend of South African and boogie flavours."
Patrick Forge
"OMFG! Deep sublime organic futurism! Beautiful!"
Luke Una
"MIND-BLOWING find by Aroop. This music lives a new life and so it should, boogie from RSA that should have been heard the world over 1st time around."
Atjazz
Tracklist:
A1. Uthinina
A2. Bayabizana
B1. Something to Say
B2. City of Gold
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The release was born through label founder Aroop Roy's relentless search for a copy of the 1983 Peace album, which led to him tracking down the original producer - Greg Cutler - a key figure in South African music from that period and regular collaborator with Sipho. Aroop was blown away by "Uthinina" and "Bayabizana" - two unique tracks, featuring haunting Zulu vocals, African jazz flavours, and epic changes over hypnotic grooves.
"Something to Say" and "City of Gold" were recorded a few years later in the world-renowned Battery Mobile Studio. Sipho had been working there with Caiphus Semenya and Letta Mbulu and their influences can be heard, with drum machines and American Boogie instrumentation laying the foundation for powerful vocal lines sung in English, with soul and gospel sensibility.
The 12" comes with extensive liner notes from Greg Cutler, talking about his time in South Africa. He recalls his experience as a White producer, working with Black musicians under the challenges of apartheid and describes his musical journey with Sipho Gumede, with intriguing details on how the music and production evolved.
Feedback
"The music of Sipho is so good - wow! Uthininia def worth the 3 year search, but even more wonderful to then stumble over a tune like "Something To Say"!"
Hunee
"Chunky, soulful and deep. Thanks for unearthing these beauties!"
Mr Scruff
"Brilliant tracks! Thank you so much"
Gilles Peterson
"This is fucking amazing!!!!"
Eli Soul Clap
"Sipho's Music is great!"
Antal
"Amazing music that is perfect for today's music environment, a lovely blend of South African and boogie flavours."
Patrick Forge
"OMFG! Deep sublime organic futurism! Beautiful!"
Luke Una
"MIND-BLOWING find by Aroop. This music lives a new life and so it should, boogie from RSA that should have been heard the world over 1st time around."
Atjazz
Tracklist:
A1. Uthinina
A2. Bayabizana
B1. Something to Say
B2. City of Gold
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jean-Luc Ponty / Opolopo - Jean-Luc Ponty - In the Fast Lane
2
Jean-Luc Ponty / Opolopo - Opolopo - In the Fast Lane
Tracklist:
A: Jean-Luc Ponty - In the Fast Lane
B: Opolopo - In the Fast Lane
12" Reissue of proto Detroit techno and jazz dance anthem - Favourite of Floating Points, Theo Parrish, Gilles Peterson…
Vive La Musique is proud to present the first record in a special series, celebrating legendary French musician Jean-Luc Ponty and his influence on electronic dance music. Ponty is a prolific composer and virtuoso multi-instrumentalist, with over thirty albums to his name, exploring a wide spectrum of jazz, electronic music, and later, West African sounds.
Originally released in 1989, "In the Fast Lane" is a rich and vibrant composition, with Ponty's rhythmical Synclavier keys and uplifting violin melodies dancing over a driving offbeat groove. The track is firm favourite of an endless list of underground heavyweights including Theo Parrish, Floating Points, Gilles Peterson, Patrick Forge and many others. Championed by influential Detroit radio DJ the Electrifying Mojo, Ponty is dearly loved in the Motor City and is cited as a key influence by many of the pioneers of the techno movement. The track also lit up dancefloors in the UK jazz dance scene which started in the late 80s and is one of the all-time classic tunes from the Dingwalls sessions.
Vive La Musique brings this unique work to the 12" single format for the first time, beautifully remastered by Atjazz and cut loud at 45 rpm. The release also features a brilliant cover version from Opolopo. He faithfully recreates the original synth lines around a deep and jazzy house groove, producing a modern dancefloor masterpiece, which highly impressed Ponty.
The 12" is presented with stunning artwork and linear notes written by Ponty himself, telling the story of how the track was composed and recorded as well as exclusive photographs that have never been published before.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A: Jean-Luc Ponty - In the Fast Lane
B: Opolopo - In the Fast Lane
12" Reissue of proto Detroit techno and jazz dance anthem - Favourite of Floating Points, Theo Parrish, Gilles Peterson…
Vive La Musique is proud to present the first record in a special series, celebrating legendary French musician Jean-Luc Ponty and his influence on electronic dance music. Ponty is a prolific composer and virtuoso multi-instrumentalist, with over thirty albums to his name, exploring a wide spectrum of jazz, electronic music, and later, West African sounds.
Originally released in 1989, "In the Fast Lane" is a rich and vibrant composition, with Ponty's rhythmical Synclavier keys and uplifting violin melodies dancing over a driving offbeat groove. The track is firm favourite of an endless list of underground heavyweights including Theo Parrish, Floating Points, Gilles Peterson, Patrick Forge and many others. Championed by influential Detroit radio DJ the Electrifying Mojo, Ponty is dearly loved in the Motor City and is cited as a key influence by many of the pioneers of the techno movement. The track also lit up dancefloors in the UK jazz dance scene which started in the late 80s and is one of the all-time classic tunes from the Dingwalls sessions.
Vive La Musique brings this unique work to the 12" single format for the first time, beautifully remastered by Atjazz and cut loud at 45 rpm. The release also features a brilliant cover version from Opolopo. He faithfully recreates the original synth lines around a deep and jazzy house groove, producing a modern dancefloor masterpiece, which highly impressed Ponty.
The 12" is presented with stunning artwork and linear notes written by Ponty himself, telling the story of how the track was composed and recorded as well as exclusive photographs that have never been published before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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1
Neue Generation - Heiß, heiß
2
Neue Generation - Funky, funky
Here comes one of the most hidden 70s Cosmic Soul Funk vinyl 45 from East Germany. With the desire to bring the black Soul & Funk rhythm to the stages and dance floors of the GDR, a short-lived top band was formed after the dissolution of the Horst Krüger Band in 1976. Gotte Gottschalk and Petko Datschew formed the group Neue Generation. This group had everything it needed to take off quickly: first-class and experienced instrumentalists, composers, plenty of fresh creativity, and good connections to the youth radio recording studios. Gotte and Michael Behm had already proven with Horst Krüger's group that they had an incredible amount of black groove in their blood. With the idea
of establishing a funky sound in the rather rock-oriented GDR music scene, they recorded two absolutely outstanding funk rhythm burners immediately after the band's formation in 1977.
This now-released second single is, from today's perspective, an absolute milestone in East German Funk history and a must for every fan of funk grooves of the 1970s, drum breaks and soulful cosmic synth music.
A: Heiß, heiß
B: Funky, funky
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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of establishing a funky sound in the rather rock-oriented GDR music scene, they recorded two absolutely outstanding funk rhythm burners immediately after the band's formation in 1977.
This now-released second single is, from today's perspective, an absolute milestone in East German Funk history and a must for every fan of funk grooves of the 1970s, drum breaks and soulful cosmic synth music.
A: Heiß, heiß
B: Funky, funky
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DE - 22113 Hamburg
Germany
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1
B.T. Express - No Title
Taken from the already popular Joaquin Joe Claussell Unofficial Edits & Overdubs 2XCD Limited 7” Vinyl Release. Comes Joaquin Joe Claussell’s Edit and Overdubs of “Energy to Burn” by BT Express.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Xanadu & Sweet Lady - Rappers Delight (Sureshot Mix)
2
Solo Sound - We Are The Crew (Whole Damn remix)
3
TJ Swann - Get Fly (Rock The Message Mix)
4
Clocktower Of Power - Shepherds Delight (No Rapstrumental mix)
Part Two of our 'Back To The Old School' series has arrived in full effect. Once again, Mr "Love" Lee updates classic disco-rap cuts for today's dancefloors while preserving their original flavour and integrity. Kicking things off is Xanadu & Sweet Lady's Jamaican version of "Rappers Delight," where Dave refreshes the instantly recognisable percussion track into a captivating jazz-funk workout, perfectly complementing Sweet Lady's luscious rapping and somehow making it even more danceable than ever. Up next, Solo Sound "We Are The Crew (Called Solo Sound)" delivers a swampy, lo-down slice of cosmic funk primed to rock any block party. On the flip is an alternate Philly flavoured take on TJ Swann's 1981 jam "Get Fly." This time Dave Lee re-tracks the MFSB backbone, putting his remixing prowess fully on display and landing squarely in the dancefloor sweet spot. As a bonus, any wannabe disco rappers can hone their skills over the B2 Shepherds Delight (No Rapstrumental Mix).
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Quiet Village & Vanessa Daou - Naked Hunger (Vocal Mix)
2
Quiet Village & Vanessa Daou - Naked Hunger (Spoken Word Mix)
Quiet Village collaborate with Vanessa Daou on 'Naked Hunger’ Legendary New York artist and The Daou front-woman Vanessa Daou lends vocals to Matt 'Radio Slave' Edwards and Joel Martin's second release on the ‘The Quiet Village’ imprint. Matt ‘Radio Slave' Edwards and Joel Martin's critically acclaimed Quiet Village project follow-up, 2024's 'Reunion' with the Vanessa Daou collaboration, 'Naked Hunger' on September 5th, '25. 'Naked Hunger', which comes in 'Vocal Mix' and 'Spoken Word Mix' versions, sees Quiet Village employ their hypnotic sensibilities to one of house music's most tantalising vocal talents in Daou, resulting in a mid-tempo house cut that completely envelops. While the vocal mix of 'Naked Hunger' leans into the interplay between Vanessa Daou's cosseting song voice and spoken vocals, with the rest of the track embracing a subtly dubby ethereal musicality, Quiet Village ramp up the instrumentation on the' Spoken Vocal' version with bass guitar and piano flourishes accompanying her sultry poetic delivery. 'Naked Hunger', Daou's first collaboration with Quiet Village, marks her first release since 2019's 'Little Black Dress'. Throughout her illustrious career, the acclaimed three-time #1 Billboard Dance Chart topper has collaborated with Danny Tenaglia, David Morales, Mood II Swing, Ralphi Rosario, Terry Farley (Farley & Heller), Charles Webster, Horse Meat Disco's Severino Panzetta, Hifi Sean, and Eli Escobar. Friends since meeting at Goldie's legendary MetalHeadz sessions at London's Blue Note in the '90s, Quiet Village, aka Matt Edwards and Joel Martin, began releasing their brand of dubbed-out, balearic-and-beyond tracks in 2005 via NYC's Whatever We Want Records. The duo's 2008 'Silent Movie' LP was a critical smash hit that resulted in remix commissions for the likes of Bryan Ferry, The Gorillas, Leftfi eld, Francois K, Massive Attack and many more. After a few years in the wilderness, unable to use their nom de plume due to contractual restrictions, the pair launched The Quiet Village label in 2024 with 'Reunion', a stunning 6/8-time urban jazz odyssey, a favourite of the likes of Luke Una, Gilles Peterson and Ryan Elliott.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Henderson & Whitefield - Vocal
2
Henderson & Whitefield - Instrumental
Classic early 80s New York boogie from Greg Henderson & Leugene Whitfield officially reissued on 12" for the first time, remastered and cut at 45 RPM.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Anané - Let Me Be Your Fantasy
2
Anané - Let Me Be Your Fantasy (Instrumental)
3
Anané - High
4
Anané - Anane´'s Disco Punk Demo (Instrumental)
5
Anané - Coffy Is The Color
6
Anané - Coffy Is The Color (Instrumental)
7
Anané - Tutto Previsto
8
Anané - Get On The Funk Train (Michael Gray Dub Mix)
Anané’s Take A Ride EP was produced by Two Soul Fusion, aka Louie Vega and Josh Milan, all with live string arrangements courtesy of the Apple Hill String Quartet and conducted by Leroy Burgess. The recording dives from the effortless heights of Punk Disco (Let Me Be Your Fantasy, High) into the swirling eddies of Jazz Funk (Coffy Is The Color) before climbing back out into the languorous arms of Italo-Disco (Tutto Previsto). Strings across the production were The EP is held together in its entirety by the dreamy, sumptuous vocal of its creator Anané, who considers her top line one vital part of the instrumental whole. “I am art,” Anané reflects carefully, “for I am the music as much as I am the singer. Creation means to crawl into the unseen of my own dreams and becoming the beast of my vision, singing to the world as I go by.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Casimir Liberski ReTRio - Overworld Suite
2
Casimir Liberski ReTRio - Uncovered Secret
3
Casimir Liberski ReTRio - Battle Shrine
4
Casimir Liberski ReTRio - Triforce Suite
5
Casimir Liberski ReTRio - Dungeon Suite
6
Casimir Liberski ReTRio - Boss Suite I
7
Casimir Liberski ReTRio - Sheik's Theme
8
Casimir Liberski ReTRio - Forest Suite
9
Casimir Liberski ReTRio - Kawaii Suite
10
Casimir Liberski ReTRio - Dark World Suite
11
Casimir Liberski ReTRio - Boss Suite II
12
Casimir Liberski ReTRio - Fairy Fountain
Genre: Jazz, Video Game Music, Piano, Modern Jazz
DLP: Limited Edition, 180g Vinyl, Heavy 350gsm Sleeve, Obi
Tracklisting DLP
A1. Overworld Suite
A2. Uncovered Secret
A3. Battle Shrine
B1. Triforce Suite
B2. Dungeon Suite
B3. Boss Suite I
B4. Sheik's Theme
C1. Forest Suite
C2. Kawaii Suite
D1. Dark World Suite
D2. Boss Suite II
D3. Fairy Fountain
Info
*A MODERN JAZZ REINTERPRETATION OF THE MUSIC FROM THE LEGEND OF ZELDA*
WRWTFWW Records is happy to announce the release of Casimir Liberski ReTRio's The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey is available in the following formats: limited edition 180g half speed mastered vinyl double LP housed in a heavyweight sleeve with obi, digipack CD with cavalier, and digital.
Casimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) - plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.
Music critic Arthur Meurant perfectly explains:
For many video games are a journey of the mind. Since its inception - dating back to the early seventies - this avant-garde artistic medium has nourished the imaginations of a digital age. Casimir, like many others, has been fed a steady diet of pixels from an early age. From simple squares to cultural cornerstones they have become the trail on which playful travelers of the mind retrace the steppes of history. A shared universe, familiar yet endless, of pocket-sized mythology. Its name? Hyrule. Its goal? To amaze. In these few tracks - selected with care - the Casimir Liberski ReTRio invites you, finally, to visit a space which does not exist yet holds us all. A land where all feel welcome. Where all are happy. But also... to rediscover under another timbre the classical compositions of Master Composer K?ji Kond?. A man who, unbeknownst to him, composed our dreams as well as music. That single noble pursuit, where an artist gives soul without losing his own, is yet again a statement of humanity in its purest of forms: art as that which brings us together and makes us whole in a world eroded by modernity. Pick up your key. Gather your maps. Open the door. Adventure calls.
Long live Hyrule jazz!
Points of interests
For fans of Zelda, jazz, video game music, Nintendo jazz, modern jazz, piano, Ryo Fukui, Brussels, fantasy, the 80s, the 90s, nostalgia, vintage consoles, Hyrule, thick half speed mastered vinyl, adventures, and the pleasure of feeling alive.
Limited edition vinyl and CD release of the modern jazz version of the Zelda soundtrack!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition, 180g Vinyl, Heavy 350gsm Sleeve, Obi
Tracklisting DLP
A1. Overworld Suite
A2. Uncovered Secret
A3. Battle Shrine
B1. Triforce Suite
B2. Dungeon Suite
B3. Boss Suite I
B4. Sheik's Theme
C1. Forest Suite
C2. Kawaii Suite
D1. Dark World Suite
D2. Boss Suite II
D3. Fairy Fountain
Info
*A MODERN JAZZ REINTERPRETATION OF THE MUSIC FROM THE LEGEND OF ZELDA*
WRWTFWW Records is happy to announce the release of Casimir Liberski ReTRio's The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey is available in the following formats: limited edition 180g half speed mastered vinyl double LP housed in a heavyweight sleeve with obi, digipack CD with cavalier, and digital.
Casimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) - plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.
Music critic Arthur Meurant perfectly explains:
For many video games are a journey of the mind. Since its inception - dating back to the early seventies - this avant-garde artistic medium has nourished the imaginations of a digital age. Casimir, like many others, has been fed a steady diet of pixels from an early age. From simple squares to cultural cornerstones they have become the trail on which playful travelers of the mind retrace the steppes of history. A shared universe, familiar yet endless, of pocket-sized mythology. Its name? Hyrule. Its goal? To amaze. In these few tracks - selected with care - the Casimir Liberski ReTRio invites you, finally, to visit a space which does not exist yet holds us all. A land where all feel welcome. Where all are happy. But also... to rediscover under another timbre the classical compositions of Master Composer K?ji Kond?. A man who, unbeknownst to him, composed our dreams as well as music. That single noble pursuit, where an artist gives soul without losing his own, is yet again a statement of humanity in its purest of forms: art as that which brings us together and makes us whole in a world eroded by modernity. Pick up your key. Gather your maps. Open the door. Adventure calls.
Long live Hyrule jazz!
Points of interests
For fans of Zelda, jazz, video game music, Nintendo jazz, modern jazz, piano, Ryo Fukui, Brussels, fantasy, the 80s, the 90s, nostalgia, vintage consoles, Hyrule, thick half speed mastered vinyl, adventures, and the pleasure of feeling alive.
Limited edition vinyl and CD release of the modern jazz version of the Zelda soundtrack!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gee Que - Disco Flights
2
Gee Que - Disco Flights (Dub)
3
Gee Que - Disco Flights (Instrumental)
Repress!
This fresh white-label serves up a well-known disco gem but lovingly reworked from the original multitrack tapes. It's been done by an absolute Stateside king of disco and soul edits who is a connoisseur of the art form and has long been known for uncovering hidden gems and elevating them with studio finesse. The result is a version that stays true to the soul of the original while sounding absolutely huge on today's sound systems with its feel-good vocal energy and rousing rhythms. Dub and instrumental versions make this an unmissable 12".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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This fresh white-label serves up a well-known disco gem but lovingly reworked from the original multitrack tapes. It's been done by an absolute Stateside king of disco and soul edits who is a connoisseur of the art form and has long been known for uncovering hidden gems and elevating them with studio finesse. The result is a version that stays true to the soul of the original while sounding absolutely huge on today's sound systems with its feel-good vocal energy and rousing rhythms. Dub and instrumental versions make this an unmissable 12".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith136lp
Release-Date:03.11.2023
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Be With Records
Cat-No:bewith136lp
Release-Date:03.11.2023
Genre:Electronic, Electronica
Configuration:LP Excl
1
Sven Torstenson - Euphoria (1:49)
2
Sven Torstenson - Soft Hallucinations (2:00)
3
Sven Torstenson - Sky Move (2:40)
4
Sven Torstenson - Destroyed Dreams (2:06)
5
Sven Torstenson - Horror Trip (1:39)
6
Sven Torstenson - Floating Illusions (2:23)
7
Sven Torstenson - Lost Chance (1:46)
8
Sven Torstenson - The Morning After (3:15)
9
Sven Torstenson - Random Thoughts (1:12)
10
Sven Torstenson - Heroin (2:44)
11
Sven Torstenson - Night Trip (2:54)
12
Sven Torstenson - Day Trip (1:21)
13
Sven Torstenson - Dealer's Corner (3:23)
14
Sven Torstenson - Sad And Hopeless (1:53)
15
Sven Torstenson - Riding Pegasus (3:32)
16
Sven Torstenson - Hopeless Chaos (2:15)
17
Sven Torstenson - Goin' Mad (2:06)
Territories: Worldwide no restrictions
Format Notes: Part of Sonoton Library Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Euphoria 1:49
A2 Soft Hallucinations 2:00
A3 Sky Move 2:40
A4 Destroyed Dreams 2:06
A5 Horror Trip 1:39
A6 Floating Illusions 2:23
A7 Lost Chance 1:46
A8 The Morning After 3:15
A9 Random Thoughts 1:12
B1 Heroin 2:44
B2 Night Trip 2:54
B3 Day Trip 1:21
B4 Dealer's Corner 3:23
B5 Sad And Hopeless 1:53
B6 Riding Pegasus 3:32
B7 Hopeless Chaos 2:15
B8 Goin' Mad 2:06
Release Notes:
Sven Torstenson's notorious Drugs is a loopdigga's fever dream, bursting with breaks for days and featuring possibly the most iconic cover of all library music's cult classics. First released in 1980, it's now a hyper-rare and seriously sought-after electronic album full of experimental soundscapes and samples just waiting to be flipped. It's both terrifying and terrifyingly good. So much so, it's been brilliantly sampled by Kendrick Lamar and Chance The Rapper.
The sleeve describes Drugs as containing "the newest dimensions of electronic sounds. Dramatic underscores for all problems of today's life and society, at the border between reality and delusion." That's pretty spot-on. The fast moving "Euphoria" is an incredible, unignorable opener. It's loaded with disorientating effects and really needs to be heard to be believed. It's followed by the gorgeous "Soft Hallucinations", containing quiet, meditative and beautiful sounds - as the title suggests. One listen and you'll want to live in the warm embrace of this beatless, harmonic gem. Sinister squelchy synth stabs don't distract from the sheer beauty of the track's main (gentle) thrust. They only serve to elevate its trippy magic.
Next up, "Sky Move"'s agitated and repetitive rhythm makes it an intense listen but with a broad melody that will appeal to many. "Destroyed Dreams" utilises a muffled church organ and it sounds heavenly to begin with but it gradually invites increasingly distorted elements. Yes, you've had trips like this, we're pretty certain. Mental! Talking of bad trips, never have they sounded so good as "Horror Trip"; this fractured drama-synth just needs some some dusty beats to hold it up - get involved.
"Floating Illusions" almost sounds like a beatless Spiritualized bomb from the early-mid 90s; melodic, synthy, church organ-drenched. The mournful, dramatic "Lost Chance" pulses along on a bed of acidy synths whilst "The Morning After" is the sonic equivalent of the extreme fear and doom experienced in the aftermath of the previous night's carnage. Whilst somewhat uncomfortable listening, again, it's pretty compelling thanks to the myriad effects being expertly utilised. Fascinating. The sprawling, fragmented "Random Thoughts" is described as containing "confused melody phrases" - yeah, pretty much sums this one up.
The B-Side is ushered in by "Heroin" and it's as sketchy as you might think, all mysterious minor chords with a dominating - but not overbearing - bass refrain. Next up, the dream-like synthy fanfare of "Night Trip" climaxes after a few minutes of dramatic, ecclesiastical sounds whilst "Day Trip" layers its melody over a repetitive rhythmic base.
Next up, one of the *REAL* highlights makes itself known. Absolutely not to be missed, "Dealer's Corner" is all shifting tenors from quiet to hectic and back around again. The hectic parts are like a totally synthed-out-the-eyeballs jazz-funk collective wigging out with the latest electronic toys from 1980. This one totally SMOKES.
The dramatic "Sad And Hopeless" is appositely replete with dissonant, minor church-organ chords whilst "Riding Pegasus" uses a creepy ostinato bass melody to create irrational bleepy menace that's ripe for sampling. The penultimate track, "Hopeless Chaos" is another disorientating trip, a bleepy confection of sounds and phrases whilst closer "Goin' Mad" is all electronic percussion with an unpleasant rhthymic feel and irritating melody. Music to annoy your partner with!
Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.
The audio for Drugs has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: Part of Sonoton Library Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Euphoria 1:49
A2 Soft Hallucinations 2:00
A3 Sky Move 2:40
A4 Destroyed Dreams 2:06
A5 Horror Trip 1:39
A6 Floating Illusions 2:23
A7 Lost Chance 1:46
A8 The Morning After 3:15
A9 Random Thoughts 1:12
B1 Heroin 2:44
B2 Night Trip 2:54
B3 Day Trip 1:21
B4 Dealer's Corner 3:23
B5 Sad And Hopeless 1:53
B6 Riding Pegasus 3:32
B7 Hopeless Chaos 2:15
B8 Goin' Mad 2:06
Release Notes:
Sven Torstenson's notorious Drugs is a loopdigga's fever dream, bursting with breaks for days and featuring possibly the most iconic cover of all library music's cult classics. First released in 1980, it's now a hyper-rare and seriously sought-after electronic album full of experimental soundscapes and samples just waiting to be flipped. It's both terrifying and terrifyingly good. So much so, it's been brilliantly sampled by Kendrick Lamar and Chance The Rapper.
The sleeve describes Drugs as containing "the newest dimensions of electronic sounds. Dramatic underscores for all problems of today's life and society, at the border between reality and delusion." That's pretty spot-on. The fast moving "Euphoria" is an incredible, unignorable opener. It's loaded with disorientating effects and really needs to be heard to be believed. It's followed by the gorgeous "Soft Hallucinations", containing quiet, meditative and beautiful sounds - as the title suggests. One listen and you'll want to live in the warm embrace of this beatless, harmonic gem. Sinister squelchy synth stabs don't distract from the sheer beauty of the track's main (gentle) thrust. They only serve to elevate its trippy magic.
Next up, "Sky Move"'s agitated and repetitive rhythm makes it an intense listen but with a broad melody that will appeal to many. "Destroyed Dreams" utilises a muffled church organ and it sounds heavenly to begin with but it gradually invites increasingly distorted elements. Yes, you've had trips like this, we're pretty certain. Mental! Talking of bad trips, never have they sounded so good as "Horror Trip"; this fractured drama-synth just needs some some dusty beats to hold it up - get involved.
"Floating Illusions" almost sounds like a beatless Spiritualized bomb from the early-mid 90s; melodic, synthy, church organ-drenched. The mournful, dramatic "Lost Chance" pulses along on a bed of acidy synths whilst "The Morning After" is the sonic equivalent of the extreme fear and doom experienced in the aftermath of the previous night's carnage. Whilst somewhat uncomfortable listening, again, it's pretty compelling thanks to the myriad effects being expertly utilised. Fascinating. The sprawling, fragmented "Random Thoughts" is described as containing "confused melody phrases" - yeah, pretty much sums this one up.
The B-Side is ushered in by "Heroin" and it's as sketchy as you might think, all mysterious minor chords with a dominating - but not overbearing - bass refrain. Next up, the dream-like synthy fanfare of "Night Trip" climaxes after a few minutes of dramatic, ecclesiastical sounds whilst "Day Trip" layers its melody over a repetitive rhythmic base.
Next up, one of the *REAL* highlights makes itself known. Absolutely not to be missed, "Dealer's Corner" is all shifting tenors from quiet to hectic and back around again. The hectic parts are like a totally synthed-out-the-eyeballs jazz-funk collective wigging out with the latest electronic toys from 1980. This one totally SMOKES.
The dramatic "Sad And Hopeless" is appositely replete with dissonant, minor church-organ chords whilst "Riding Pegasus" uses a creepy ostinato bass melody to create irrational bleepy menace that's ripe for sampling. The penultimate track, "Hopeless Chaos" is another disorientating trip, a bleepy confection of sounds and phrases whilst closer "Goin' Mad" is all electronic percussion with an unpleasant rhthymic feel and irritating melody. Music to annoy your partner with!
Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.
The audio for Drugs has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Intrigue - "One Touch"
2
Intrigue - "Touch Down"
Backatcha continues to delve into the back catalogue of British 80s soul outfit Intrigue, a combo born in the Britfunk and boogie era whose independently released records have long been sought-after by disco diggers and record collectors alike. Having already reissued the band's best-known tune, 1982's 'I Like It', they've now turned their attention to a more overlooked gem: 1986 single 'One Touch'. Glossy, colourful and effortlessly soulful, it's a fine chunk of polished, club-ready 80s street soul with nods to electrofunk. Flipside 'Touch Down', a more extended affair, is an alternative, largely instrumental dub mix that adds layers of effects to key elements while stretching out the synth-heavy groove.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
v.a. - Track 1
2
v.a. - Track 2
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bruno Spoerri - Prince Karl
2
Bruno Spoerri - Improvisation electronique 1
3
Bruno Spoerri - Summerau Dance
4
Bruno Spoerri - Hot Roots
5
Bruno Spoerri - Improvisation electronique 2
6
Bruno Spoerri - For FD
Genre: Jazz, Easy Listening, Saxophone, Funk
LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD
Info
We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.
Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.
Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.
This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.
- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD
Info
We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.
Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.
Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.
This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.
- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More