Label:Tresor Records
Cat-No:tresor332
Release-Date:19.04.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009333
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Last in:08.03.2024
Label:Tresor Records
Cat-No:tresor332
Release-Date:19.04.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009333
1
Donato Dozzy - messy kafka world 05:21
2
Donato Dozzy - synthi chase 05:15
3
Donato Dozzy - wooden dolls don’t cry 06:13
4
Donato Dozzy - cassiopea 36 06:30
2024 Repress
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
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Label:Spazio Disponibile
Cat-No:Spazio028
Release-Date:26.01.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:15.07.2024
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Label:Spazio Disponibile
Cat-No:Spazio028
Release-Date:26.01.2024
Genre:Electronic
Configuration:2LP
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1
Donato Dozzy - Velluto
2
Donato Dozzy - Magda
3
Donato Dozzy - Le Chaser
4
Donato Dozzy - Franca
5
Donato Dozzy - Santa Cunegonda
6
Donato Dozzy - Lucrezia
Repress coming mid/end of march!
Donato Dozzy presents his next studio album entitled 'Magda'. An emotional homage to family and the Adriatic Sea. Throughout six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato's life and a real-life teacher. More
Donato Dozzy presents his next studio album entitled 'Magda'. An emotional homage to family and the Adriatic Sea. Throughout six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato's life and a real-life teacher. More
Label:Afterhouse
Cat-No:AFHS02
Release-Date:28.04.2023
Genre:House
Configuration:12"
Barcode:
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Last in:09.05.2023
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Last in:09.05.2023
Label:Afterhouse
Cat-No:AFHS02
Release-Date:28.04.2023
Genre:House
Configuration:12"
Barcode:
1
Donato Dozzy - Loop Loop Loop
2
Donato Dozzy - Toru
3
Donato Dozzy - Magosa
4
Donato Dozzy - Mak
Four hazy downtempo house cuts in the Dozzy way on the long-awaited second drop of the Spazio Disponibile affiliated Afterhouse series. Vinyl Only!
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2LP Excl
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Label:Tresor Records
Cat-No:tresor303
Release-Date:13.01.2023
Genre:Techno
Configuration:2LP Excl
Barcode:666017325163
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Last in:16.03.2024
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Last in:16.03.2024
Label:Tresor Records
Cat-No:tresor303
Release-Date:13.01.2023
Genre:Techno
Configuration:2LP Excl
Barcode:666017325163
1
Donato Dozzy - Filo 05:55
2
Donato Dozzy - Vetta 04:12
3
Donato Dozzy - Duetto 05:06
4
Donato Dozzy - Nine O’ Three 04:42
5
Donato Dozzy - Back 04:27
6
Donato Dozzy - Vetta Reprise 04:13
7
Donato Dozzy - TB Square 06:22
8
Donato Dozzy - REP 06:06
2023 repress
TRACKLIST:
A1. Filo 05:55
A2. Vetta 04:12
B1. Duetto 05:06
B2 Nine O’ Three 04:42
C1. Back 04:27
C2. Vetta Reprise 04:13
D1. TB Square 06:22
D2. REP 06:06
OVERVIEW
For its 303rd release, Tresor Records is glad to present a commissioned work by Donato Dozzy.
Rome based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious
leading light in all techno artforms.
Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways,
always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic
forms of electronic music. It was self-evident to Tresor Records to enroll Donato Dozzy’s talents for this
assignment, a nod to the seminal Roland TB-303 bass synthesizer.
The result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. In Dozzy’s words.
Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.
More
TRACKLIST:
A1. Filo 05:55
A2. Vetta 04:12
B1. Duetto 05:06
B2 Nine O’ Three 04:42
C1. Back 04:27
C2. Vetta Reprise 04:13
D1. TB Square 06:22
D2. REP 06:06
OVERVIEW
For its 303rd release, Tresor Records is glad to present a commissioned work by Donato Dozzy.
Rome based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious
leading light in all techno artforms.
Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways,
always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic
forms of electronic music. It was self-evident to Tresor Records to enroll Donato Dozzy’s talents for this
assignment, a nod to the seminal Roland TB-303 bass synthesizer.
The result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. In Dozzy’s words.
Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.
More
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Last in:02.09.2019
Label:Eerie
Cat-No:ee13
Release-Date:20.04.2018
Genre:Techno
Configuration:12"
Barcode:
1
donato dozzy - No Title
2
donato dozzy - No Title
"I and Donato always send each others the tracks we make and exchange feedbacks on what we do, but when He sent me this music for the first time for me it's been love at first listen in a way i had never experienced before with his music. i wasn't even thinking i would be the one to release it back then...i just totally fell in love with these tracks when i heard them and was overly excited to the idea of playing them out, that's it. The funny thing is that till now i have been the only one on this planet to play them, Donato himself hasn't played out any and i was reporting to him on a regular basis and almost in real time the reactions of the people on the dancefloor when i would drop Cleo as last track on my sets and on how people would fall in a state of total ecstasy (not the drug, but the state of mind) while listening and dancing to it...i would tell him: "Donato...i don't think you quite realise what you have done...this stuff is just something else, it's beyond...the people are just melting when i play it!". So these tracks have grown in me in a very personal and deep way, and despite the fact that they are of course made 100% by Donato i almost developed a sense of emotional ownership towards this music, not in a way that i claimed the right to release them...(i have actually never asked him to give them to me) but in a way that i was feeling these tracks so much, that my love for them almost became an extension of the tracks themselves...and i think at some stage he felt this himself and one day this summer after that, again, for maybe the 20th time, i told him how amazing it was when i played them in my last set at the time he just told me "I think it is right that you release them, Marco. they are for you, they belong to you"...so as far as i'm concerned these will always be forever my very own Dozzy tracks, and it's a real honor and and a landmark for me and for my label to be able to release this record." Marco Shuttle
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Last in:14.01.2016
Label:semantica
Cat-No:semantica075
Release-Date:08.01.2016
Genre:Electro
Configuration:12"
Barcode:
For those of you who missed out on this great record the first time (which isn't strange since there were only 100 copies pressed...), here's your chance to get your hands on one of our favourite Arcanoid releases. Big tip!!
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Label:Further Records
Cat-No:fur058cd
Release-Date:02.10.2015
Genre:Techno
Configuration:CD Excl
Barcode:827170149328
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Last in:28.09.2015
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Last in:28.09.2015
Label:Further Records
Cat-No:fur058cd
Release-Date:02.10.2015
Genre:Techno
Configuration:CD Excl
Barcode:827170149328
1
donato dozzy - Personal Rock
2
donato dozzy - Cross Panorama
3
donato dozzy - The Loud Silence
4
donato dozzy - The Net
5
donato dozzy - For Arnaud
6
donato dozzy - Downhill to the Sea
7
donato dozzy - Concert for Sails
8
donato dozzy - Exit The Acropolis
CD FUR058 UPC: 827170149328 Release: 02/10/2015
Tracklist CD/LP:
1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)
Short info:
In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the "marranzano" on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back.
The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below
More
Tracklist CD/LP:
1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)
Short info:
In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the "marranzano" on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back.
The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below
More
2LP Excl
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Label:Further Records
Cat-No:fur058lp
Release-Date:02.10.2015
Genre:Techno
Configuration:2LP Excl
Barcode:827170602465
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Last in:30.10.2015
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Last in:30.10.2015
Label:Further Records
Cat-No:fur058lp
Release-Date:02.10.2015
Genre:Techno
Configuration:2LP Excl
Barcode:827170602465
1
donato dozzy - Personal Rock
2
donato dozzy - Cross Panorama
3
donato dozzy - The Loud Silence
4
donato dozzy - The Net
5
donato dozzy - For Arnaud
6
donato dozzy - Downhill to the Sea
7
donato dozzy - Exit The Acropolis
8
donato dozzy - No Title
Lp with Deluxe Printed Innrsleeve + HQ Offset printed Inlet Poster +Mp3 Download
Tracklist LP:
1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)
Short info:
In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the "marranzano" on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back.
The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below
More
Tracklist LP:
1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)
Short info:
In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the "marranzano" on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back.
The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below
More
Label:claque music
Cat-No:claque016
Release-Date:22.06.2015
Genre:Techno
Configuration:12"
Barcode:
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Last in:06.01.2022
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Last in:06.01.2022
Label:claque music
Cat-No:claque016
Release-Date:22.06.2015
Genre:Techno
Configuration:12"
Barcode:
1
donato dozzy - A1 Donato Dozzy ? Cassandra
2
donato dozzy - B1 Donato Dozzy ? No Title
"Cassandra" is a super deep and hypnotic cut that opens with a thumping kick and silky-smooth pads, with the techno innovator teasing out delayed vocal-like synth phrases that lock the listener in before a huge sub-bassline lands. Dozzy focuses on these main intersecting elements which gradually evolve, topped off by rolling drums and razor-edged hi-hats. Also on the release is "II," a slab of experimental sound design that swells and retracts, gurgling away to nothing and topping off an essential new chapter for the peerless techno craftsmen.
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2LP Excl
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Label:Further Records
Cat-No:fur018lp
Release-Date:23.06.2014
Genre:Techno
Configuration:2LP Excl
Barcode:827170143821
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Last in:11.04.2016
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Last in:11.04.2016
Label:Further Records
Cat-No:fur018lp
Release-Date:23.06.2014
Genre:Techno
Configuration:2LP Excl
Barcode:827170143821
1
donato dozzy - K1
2
donato dozzy - K2
3
donato dozzy - K3
4
donato dozzy - K4
5
donato dozzy - K5
6
donato dozzy - K6
7
donato dozzy - K7
2LP -2017 Repress in it´s Original Fine REG Version Cover Art
Tracklist 2LP:
A1 K1 (12:27) B1 K2 (05:13) B2 K3 (08:13) C1 K4 (06:35) C2 K5 (06:29) D1 K6 (03:30) D2 K7 (10:12)
Vital Sales Points:
- Debut Album by Donato Dozzy originally released in 2010 and long out of print.
- Releases on Prologue, Spectrum Spools, Mule Electronic, Absurd Recordings - One half of Voices From The Lake
Short info:
Few artists have crafted a catalog as rich and deep as Donato Dozzy has done in minimal techno’s more atmospheric realm. The Italian producer—who also performs in the excellent Voices From The Lake duo with Neel—has become revered for his unerring ability to create tracks that are at once ethereal and oceanic, inducing both a sense of tranquility and urgency. His debut album, K, which Further Records originally issued in 2010, stands as a towering example of Dozzy’s skill for electronic music that triggers profound feelings with only a few scrupulously selected elements.
K’s seven tracks offer a masterly seminar in subtly altering the grid-like beat programming that dominates techno. Dozzy puts odd emphases on certain beats and adds percussive eccentricities and effects to others. Which means that this isn’t a collection of bangers geared for hands-in-the-air, goofball moves. Instead, Dozzy’s working on a much more refined level, one where tricky, intricate drum patterns trump simple booming kicks—although K3’s staunch, methodically funky kick and hi-hat pattern and K5’s swift and elegantly propulsive beats could heat up a club.
The greatest pleasures of K occur in the way Dozzy’s eerie, aquatic drones swirl around his well-wrought rhythms, submerging everything in a restorative, algae-tinged film. At their best, these pieces convey a Chain Reaction-like rigor and a cinematic quality (of the Jacques Cousteau variety) utterly devoid of cliché. This reissue of K reminds us that it remains a crucial component of Donato Dozzy's catalog, the first major statement in a career that's becoming a manifesto of understated, underground-techno brilliance. More
Tracklist 2LP:
A1 K1 (12:27) B1 K2 (05:13) B2 K3 (08:13) C1 K4 (06:35) C2 K5 (06:29) D1 K6 (03:30) D2 K7 (10:12)
Vital Sales Points:
- Debut Album by Donato Dozzy originally released in 2010 and long out of print.
- Releases on Prologue, Spectrum Spools, Mule Electronic, Absurd Recordings - One half of Voices From The Lake
Short info:
Few artists have crafted a catalog as rich and deep as Donato Dozzy has done in minimal techno’s more atmospheric realm. The Italian producer—who also performs in the excellent Voices From The Lake duo with Neel—has become revered for his unerring ability to create tracks that are at once ethereal and oceanic, inducing both a sense of tranquility and urgency. His debut album, K, which Further Records originally issued in 2010, stands as a towering example of Dozzy’s skill for electronic music that triggers profound feelings with only a few scrupulously selected elements.
K’s seven tracks offer a masterly seminar in subtly altering the grid-like beat programming that dominates techno. Dozzy puts odd emphases on certain beats and adds percussive eccentricities and effects to others. Which means that this isn’t a collection of bangers geared for hands-in-the-air, goofball moves. Instead, Dozzy’s working on a much more refined level, one where tricky, intricate drum patterns trump simple booming kicks—although K3’s staunch, methodically funky kick and hi-hat pattern and K5’s swift and elegantly propulsive beats could heat up a club.
The greatest pleasures of K occur in the way Dozzy’s eerie, aquatic drones swirl around his well-wrought rhythms, submerging everything in a restorative, algae-tinged film. At their best, these pieces convey a Chain Reaction-like rigor and a cinematic quality (of the Jacques Cousteau variety) utterly devoid of cliché. This reissue of K reminds us that it remains a crucial component of Donato Dozzy's catalog, the first major statement in a career that's becoming a manifesto of understated, underground-techno brilliance. More
Label:Further Records
Cat-No:fur018cd
Release-Date:23.06.2014
Genre:Techno
Configuration:CD Excl
Barcode:827170545366
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Last in:23.06.2014
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Last in:23.06.2014
Label:Further Records
Cat-No:fur018cd
Release-Date:23.06.2014
Genre:Techno
Configuration:CD Excl
Barcode:827170545366
1
donato dozzy - K1
2
donato dozzy - K2
3
donato dozzy - K3
4
donato dozzy - K4
5
donato dozzy - K5
6
donato dozzy - K6
7
donato dozzy - K7
CD FUR018CD UPC: 827170545366 Release : 23.06.2014
Tracklist CD: 1 K4/K1/K3 (27:36) - 2 K6/K5/K2/K7 (27:31)
Vital Sales Points:
- Debut Album by Donato Dozzy originally released in 2010 and long out of print. First Time Ever available as unlimited CD Release !
- Releases on Prologue, Spectrum Spools, Mule Electronic, Absurd Recordings - One half of Voices From The Lake
Short info:
Few artists have crafted a catalog as rich and deep as Donato Dozzy has done in minimal techno’s more atmospheric realm. The Italian producer—who also performs in the excellent Voices From The Lake duo with Neel—has become revered for his unerring ability to create tracks that are at once ethereal and oceanic, inducing both a sense of tranquility and urgency. His debut album, K, which Further Records originally issued in 2010, stands as a towering example of Dozzy’s skill for electronic music that triggers profound feelings with only a few scrupulously selected elements.
K’s seven tracks offer a masterly seminar in subtly altering the grid-like beat programming that dominates techno. Dozzy puts odd emphases on certain beats and adds percussive eccentricities and effects to others. Which means that this isn’t a collection of bangers geared for hands-in-the-air, goofball moves. Instead, Dozzy’s working on a much more refined level, one where tricky, intricate drum patterns trump simple booming kicks—although K3’s staunch, methodically funky kick and hi-hat pattern and K5’s swift and elegantly propulsive beats could heat up a club.
The greatest pleasures of K occur in the way Dozzy’s eerie, aquatic drones swirl around his well-wrought rhythms, submerging everything in a restorative, algae-tinged film. At their best, these pieces convey a Chain Reaction-like rigor and a cinematic quality (of the Jacques Cousteau variety) utterly devoid of cliché. This reissue of K reminds us that it remains a crucial component of Donato Dozzy's catalog, the first major statement in a career that's becoming a manifesto of understated, underground-techno brilliance.
More
Tracklist CD: 1 K4/K1/K3 (27:36) - 2 K6/K5/K2/K7 (27:31)
Vital Sales Points:
- Debut Album by Donato Dozzy originally released in 2010 and long out of print. First Time Ever available as unlimited CD Release !
- Releases on Prologue, Spectrum Spools, Mule Electronic, Absurd Recordings - One half of Voices From The Lake
Short info:
Few artists have crafted a catalog as rich and deep as Donato Dozzy has done in minimal techno’s more atmospheric realm. The Italian producer—who also performs in the excellent Voices From The Lake duo with Neel—has become revered for his unerring ability to create tracks that are at once ethereal and oceanic, inducing both a sense of tranquility and urgency. His debut album, K, which Further Records originally issued in 2010, stands as a towering example of Dozzy’s skill for electronic music that triggers profound feelings with only a few scrupulously selected elements.
K’s seven tracks offer a masterly seminar in subtly altering the grid-like beat programming that dominates techno. Dozzy puts odd emphases on certain beats and adds percussive eccentricities and effects to others. Which means that this isn’t a collection of bangers geared for hands-in-the-air, goofball moves. Instead, Dozzy’s working on a much more refined level, one where tricky, intricate drum patterns trump simple booming kicks—although K3’s staunch, methodically funky kick and hi-hat pattern and K5’s swift and elegantly propulsive beats could heat up a club.
The greatest pleasures of K occur in the way Dozzy’s eerie, aquatic drones swirl around his well-wrought rhythms, submerging everything in a restorative, algae-tinged film. At their best, these pieces convey a Chain Reaction-like rigor and a cinematic quality (of the Jacques Cousteau variety) utterly devoid of cliché. This reissue of K reminds us that it remains a crucial component of Donato Dozzy's catalog, the first major statement in a career that's becoming a manifesto of understated, underground-techno brilliance.
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Label:stroboscopic artefacts
Cat-No:sa023
Release-Date:27.03.2014
Genre:Techno
Configuration:12" Excl
Barcode:827170542563
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Cat-No:sa023
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Genre:Techno
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Barcode:827170542563
1
donato dozzy - Il Canto Della Maga
2
donato dozzy - Il Canto Della Maga II
3
donato dozzy - Terzo Giorno
4
donato dozzy - Sotto Ma Sotto
UPC/barcode: 827170542563 Release: 12.05.2014
Tracklist: 1 - Il Canto Della Maga 2 - Il Canto Della Maga Part II 3 - Terzo Giorno 4 - Sotto Ma Sotto
The new imprint for Stroboscopic Artefacts: Terzo Giorno - or Third Day - by Italian producer Donato Dozzy. It is an EP of great textural dexterity, traversing the moving and the misanthropic. First track 'Il Canto Della Maga' presages the onset of Part II's kick drum with mordant wind chimes, tinkling outside a house of pain and disturbance. The chimes reverberate around impressions of capacious depth - a distant factory whirring, lorries creeping in a tunnel - and that depth is incessantly, resolutely emphatic. And on that goes to '...Part II', an immediate thrust into the deepest corners of techno. You can hear the sweat on the walls, the rumble in the speakers, the almost jubilant high-end synth rubbing against your skin. Vocals and/or metallic manipulation pour in half-way in. And then, as if summoned by the chimes outside the house, cease slowly. The third eponymous track is another made for the floor, and has a reasonably friendly upper line. Do not be fooled, however: a snarling squelch gives way to a scarily saccharine synth, incising with a jab two times a bar. A funkier beat slowly emerges from a distinctly off-beat one, bringing the piece to a natural, if not nice, conclusion. The final track, 'Sotto Ma Sotto', comes in like a train with an alarm going off. Its machine-like run, jumpy in tone and beat, is as delicate as its kick is deep. The alarm, meanwhile, fails to err: it is determined and charming, a call for heavenly climes and ecstatic moods. This is a wonderful track, built on insistence and executed with precision. The chimes having run out of puff, this is a faultlessly incessant record. It is tempo up, both feet to the floor.
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Tracklist: 1 - Il Canto Della Maga 2 - Il Canto Della Maga Part II 3 - Terzo Giorno 4 - Sotto Ma Sotto
The new imprint for Stroboscopic Artefacts: Terzo Giorno - or Third Day - by Italian producer Donato Dozzy. It is an EP of great textural dexterity, traversing the moving and the misanthropic. First track 'Il Canto Della Maga' presages the onset of Part II's kick drum with mordant wind chimes, tinkling outside a house of pain and disturbance. The chimes reverberate around impressions of capacious depth - a distant factory whirring, lorries creeping in a tunnel - and that depth is incessantly, resolutely emphatic. And on that goes to '...Part II', an immediate thrust into the deepest corners of techno. You can hear the sweat on the walls, the rumble in the speakers, the almost jubilant high-end synth rubbing against your skin. Vocals and/or metallic manipulation pour in half-way in. And then, as if summoned by the chimes outside the house, cease slowly. The third eponymous track is another made for the floor, and has a reasonably friendly upper line. Do not be fooled, however: a snarling squelch gives way to a scarily saccharine synth, incising with a jab two times a bar. A funkier beat slowly emerges from a distinctly off-beat one, bringing the piece to a natural, if not nice, conclusion. The final track, 'Sotto Ma Sotto', comes in like a train with an alarm going off. Its machine-like run, jumpy in tone and beat, is as delicate as its kick is deep. The alarm, meanwhile, fails to err: it is determined and charming, a call for heavenly climes and ecstatic moods. This is a wonderful track, built on insistence and executed with precision. The chimes having run out of puff, this is a faultlessly incessant record. It is tempo up, both feet to the floor.
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Label:spectrum spools
Cat-No:sp029cd
Release-Date:08.01.2014
Genre:Techno
Configuration:CD
Barcode:
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In hindsight, the pairing of Chris Madak and Donato Dozzy was inevitable from the moment when the two connected on Mount Naeba, Japan at the storied party Labyrinth last fall. Both artists have worked to craft singular visions unlike anything else happening in electronic music today, yet despite each producer's unmistakable indivuality there is a deeper reservoir of shared sensibility between them which makes "Donato Dozzy Plays Bee Mask" feel like a logical and necessary event. 2012 saw the release of Madak's monumental "When We Were Eating Unripe Pears" album along with the astounding "Vaporware" 12" for Room 40, the title track of which opened Bee Mask's Labyrinth performance to memorable effect. Dozzy had an equally massive year thanks the release of the acclaimed "Voices From the Lake" album with Neel, which set the bar for intricate, subtle, and forward-thinking contemporary techno at a new high. Both artists have pushed the respective boundaries of their work to arrive at the point of this crucial and welcome overlap: a double album of material from the "Vaporware" sessions, re-imagined as only Dozzy could do it. Initially commissioned for a single remix, Dozzy found so much possibility in the source material that he turned in over an hour of material, making a standalone release the only reasonable course of action. The results are absolutely divine, a suite of seven pieces of time-stopping bliss in which the structure and melodies of "Vaporware" glitter through the prism of Dozzy's singular production style. The meeting of these powerful minds provides evidence of an unparalleled organic chemistry. When listening to these works we hear the worlds of Bee Mask and Donato Dozzy bleed into one another, creating a new sonic entity with a life of its own - one which with any luck will not end at this release.
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1
DJ Stingray 313 - LARGE LANGUAGE MODEL 03:39
2
DJ Stingray 313 - MULTI FUNCTIONAL ROBOTICS 03:29
3
DJ Stingray 313 - SENSOR DATA 03:44
FORMAT 12‘‘ Vinyl, full Pantone printed sleeve, download code
TRACKLIST
1. LARGE LANGUAGE MODEL 03:39
2. MULTI FUNCTIONAL ROBOTICS 03:29
3. SENSOR DATA 03:44
RELEASE INFO
DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.
Moods and titles across the EP cover artificial intelligence (LARGE LANGUGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions.
Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity’s uncertain evolution, moving as fast as the technology it creates.
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TRACKLIST
1. LARGE LANGUAGE MODEL 03:39
2. MULTI FUNCTIONAL ROBOTICS 03:29
3. SENSOR DATA 03:44
RELEASE INFO
DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.
Moods and titles across the EP cover artificial intelligence (LARGE LANGUGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions.
Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity’s uncertain evolution, moving as fast as the technology it creates.
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Release-Date:06.09.2024
Genre:Techno
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1
DJ Deep - Swamps (05:10)
2
DJ Deep - Tommy (05:03)
3
DJ Deep - Utrecht (02:35)
4
DJ Deep - Escape (06:04)
5
DJ Deep - Demonstration (05:31)
Format: 180g 12” + download code
Tracklist:
A1. Swamps (05:10)
A2. Tommy (05:03)
B1. Utrecht (02:35)
B2. Escape (06:04)
B3. Demonstration (05:31)
‘Fosph’ proves an EP of real mastery that exudes techno, its drive, phasing patterns and melodic minimalism. ‘Swamps’ opens the record with a jungle cacophony, its rhythms dipping and diving on a ritualistic sequence - judiciously lean, biting and expressive. ‘Tommy’ is an exercise in solo TR-909, the less-is-more machine repetitions that journey unceasingly - sure to be a crucial drum tool. ‘Utrecht’ hints at an expansive 90s ambient sound, imbuing analogue static with synthetic cries and meanderings. 'Escape' takes these sonic outposts, and goes even further. Its resonant drums propelling into action a pendulum of organic expressionism, rising into flight from its dusty origins. EP closer
’Demonstration’ is a clear example of DJ Deep's love for machine funk. An old-school banger doing just enough, its playful off-beat excursions and effective one-word sample recall a certain Midwestern directness.
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Tracklist:
A1. Swamps (05:10)
A2. Tommy (05:03)
B1. Utrecht (02:35)
B2. Escape (06:04)
B3. Demonstration (05:31)
‘Fosph’ proves an EP of real mastery that exudes techno, its drive, phasing patterns and melodic minimalism. ‘Swamps’ opens the record with a jungle cacophony, its rhythms dipping and diving on a ritualistic sequence - judiciously lean, biting and expressive. ‘Tommy’ is an exercise in solo TR-909, the less-is-more machine repetitions that journey unceasingly - sure to be a crucial drum tool. ‘Utrecht’ hints at an expansive 90s ambient sound, imbuing analogue static with synthetic cries and meanderings. 'Escape' takes these sonic outposts, and goes even further. Its resonant drums propelling into action a pendulum of organic expressionism, rising into flight from its dusty origins. EP closer
’Demonstration’ is a clear example of DJ Deep's love for machine funk. An old-school banger doing just enough, its playful off-beat excursions and effective one-word sample recall a certain Midwestern directness.
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Label:Tresor Records
Cat-No:tresor365
Release-Date:14.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180801
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1
Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
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10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
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Label:Tresor Records
Cat-No:tresor360
Release-Date:24.05.2024
Genre:Techno
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1
Model 500 - I.D.L.E. 05:39
2
Ectomorph - Searching (Live at Globus) 04:54
3
AMX - Your Body 05:20
4
DJ Stingray 313 - Dynamic Instability 04:14
5
JakoJako - Metal Goat 05:05
6
Erik Jabari - Screamore 04:47
Territories: World excl. UK
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
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Cat-No:tresor296
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1
Juan Atkins & Moritz von Oswald present - Concave 1 07:28
2
Juan Atkins & Moritz von Oswald present - Concave 2 07:28
FORMAT 12“ vinyl, printed sleeve, dl card
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
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TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
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Cat-No:tresor285
Release-Date:17.05.2024
Genre:Techno
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1
Juan Atkins & Moritz von Oswald present - Transport 07:28
2
Juan Atkins & Moritz von Oswald present - Odyssey 07:28
3
Juan Atkins & Moritz von Oswald present - Lightyears 06:08
4
Juan Atkins & Moritz von Oswald present - 2600 06:44
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Juan Atkins & Moritz von Oswald present - Merkur 04:09
6
Juan Atkins & Moritz von Oswald present - Riod 09:14
7
Juan Atkins & Moritz von Oswald present - Zeolites 10:30
FORMAT 2LP 180g vinyl, printed sleeve, dl card
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
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TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
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1
Kerrie - Machine Alliance 05:38
2
Kerrie - Symbiosis 05:25
3
Kerrie - Technopoly Dream 05:21
4
Kerrie - Ode To The D 05:13
5
Kerrie - DX1 Replicants 04:55 (Digital Bonus)
6
Kerrie - DX2 System & Structure 05:08 (Digital Bonus)
7
Kerrie - DX3 Human In The Loop 04:35 (Digital Bonus)
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Machine Alliance 05:38
2. / A2 Symbiosis 05:25
3. / B1 Technopoly Dream 05:21
4. / B2 Ode To The D 05:13
Digital Bonus:
5. / DX1 Replicants 04:55
6. / DX2 System & Structure 05:08
7. / DX3 Human In The Loop 04:35
At what point does a new tool or technology become so integral to a process as to be intrinsic? And what happens if that technology starts to subordinate its user?
By reflecting on these questions Machine Alliance, the new EP by Irish producer Kerrie on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general.
With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP’s title takes on two opposing but intersecting meanings.
One, based on the potential for machines to take over or replace humans, is a key idea of sci-fi that seems closer to reality with the arrival of machine learning and real artificial intelligence.
The second has a much more positive view, one where the “alliance” is between the artist and machine to create the music, a process she places immense value on, being both cathartic and therapeutic, whilst also being a vehicle of addition and expansion: “I feel that it’s a collaboration…the machines are precise in their timing and I add the human touch (literally) in the live performance which adds natural imperfections, so we both provide something the other can’t. There’s also an element of growth; the machines get updates and so are always expanding in terms of their musical capabilities. And the more I push my own technical abilities I feel we are growing together in a constant synchronised dance.”
This “dance” results in four tracks (plus three digital-only bonuses) of classic machine funk which combine the aforementioned ideas in sci-fi with a deep lifelong affection for techno. Tracks like Ode to the D, and Technopoly Dream display this love through her choice of sounds and structure, both intentional and subconscious, while Replicants, and Human in the Loop project into other genres to fully round this release off as a contemporary example of music rooted in both past and future.
More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Machine Alliance 05:38
2. / A2 Symbiosis 05:25
3. / B1 Technopoly Dream 05:21
4. / B2 Ode To The D 05:13
Digital Bonus:
5. / DX1 Replicants 04:55
6. / DX2 System & Structure 05:08
7. / DX3 Human In The Loop 04:35
At what point does a new tool or technology become so integral to a process as to be intrinsic? And what happens if that technology starts to subordinate its user?
By reflecting on these questions Machine Alliance, the new EP by Irish producer Kerrie on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general.
With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP’s title takes on two opposing but intersecting meanings.
One, based on the potential for machines to take over or replace humans, is a key idea of sci-fi that seems closer to reality with the arrival of machine learning and real artificial intelligence.
The second has a much more positive view, one where the “alliance” is between the artist and machine to create the music, a process she places immense value on, being both cathartic and therapeutic, whilst also being a vehicle of addition and expansion: “I feel that it’s a collaboration…the machines are precise in their timing and I add the human touch (literally) in the live performance which adds natural imperfections, so we both provide something the other can’t. There’s also an element of growth; the machines get updates and so are always expanding in terms of their musical capabilities. And the more I push my own technical abilities I feel we are growing together in a constant synchronised dance.”
This “dance” results in four tracks (plus three digital-only bonuses) of classic machine funk which combine the aforementioned ideas in sci-fi with a deep lifelong affection for techno. Tracks like Ode to the D, and Technopoly Dream display this love through her choice of sounds and structure, both intentional and subconscious, while Replicants, and Human in the Loop project into other genres to fully round this release off as a contemporary example of music rooted in both past and future.
More
12" Excl
in stock
Label:Tresor Records
Cat-No:tresor364
Release-Date:12.04.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142762
in stock
Last in:08.03.2024
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in stock
Last in:08.03.2024
Label:Tresor Records
Cat-No:tresor364
Release-Date:12.04.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142762
1
Datashader - A1 Velocity 04:22
2
Datashader - A2 Sync Out Off 05:54
3
Datashader - A3 Fong (feat. Kastil) 04:53
4
Datashader - B1 Sub Osc 04:32
5
Datashader - B2 Tight Gate 04:39
6
Datashader - B3 Breath Controller (Dopplereffekt Gravitational Remodel) 04:52
7
Datashader - DX Breath Controller (Digital Bonus) 03:28
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Velocity 04:22
2. / A2 Sync Out Off 05:54
3. / A3 Fong (feat. Kastil) 04:53
4. / B1 Sub Osc 04:32
5. / B2 Tight Gate 04:39
6. / B3 Breath Controller (Dopplereffekt Gravitational Remodel) 04:52
7. / DX Breath Controller (Digital Bonus) 03:28
Release Info:
Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It’s a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience.
In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities. Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.
Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of “technological gentrification”, which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas.
Musically, Datashader’s practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music’s dancefloor focus.
Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack – a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.
More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Velocity 04:22
2. / A2 Sync Out Off 05:54
3. / A3 Fong (feat. Kastil) 04:53
4. / B1 Sub Osc 04:32
5. / B2 Tight Gate 04:39
6. / B3 Breath Controller (Dopplereffekt Gravitational Remodel) 04:52
7. / DX Breath Controller (Digital Bonus) 03:28
Release Info:
Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It’s a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience.
In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities. Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.
Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of “technological gentrification”, which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas.
Musically, Datashader’s practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music’s dancefloor focus.
Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack – a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.
More
12" Excl
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Label:Tresor Records
Cat-No:TRESOR346
Release-Date:08.03.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142779
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Label:Tresor Records
Cat-No:TRESOR346
Release-Date:08.03.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804142779
1
UFO95 - A1 Cogitor 06:27
2
UFO95 - A2 Sexual Tension 06:05
3
UFO95 - B1 Fragment 04:17
4
UFO95 - B2 Solar 05:11
5
UFO95 - B3 Gargk 04:30
6
UFO95 - DX Wallon (Digital Bonus) 05:49
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
Label:Tresor Records
Cat-No:tresor329
Release-Date:09.02.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009487
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Last in:13.12.2023
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Label:Tresor Records
Cat-No:tresor329
Release-Date:09.02.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009487
1
Oscean - spiral
2
Oscean - feral
3
Oscean - spacion
4
Oscean - austraal
2024 repress, 140 g.
World minus UK
Propulsive techno solicitations abound on Ideoma, the debut EP from Oscean, a collaboration from Sebastia?n Galante, also known as Seph, and Andre?s Zacco. The two are figureheads of Argentina's techno sound, with releases on labels such as Insurgentes, Echocord Colour and Ilian Tape over the last decade.
Galante and Zacco join forces for the first time with inspiring effects, moving forward with vast paces, unshifting footsteps, with uneven prisms of electronic rhythm. Its direct intent and crisp sonic detail conjure a cinematic and nocturnal drive, unearthing subterranean pulses that leave all in its wake.
With Ideoma, Tresor Records presents a whirlwind of dense movement and cosmic energy that twists on percussive bends and distorting spirits. Spiral recalls natural phenomena, bound tight, with a rugged texture like no other, as flickers of sound processing suggest lift-off. The flanging Feral exudes a potent demeanour, wicked and unceasing. The ebbing melodics of Spacion hark back to 90s ambient techno and yet possess a rhythmic cut and thrust that navigates unchartered terrain.
Transmuting beyond planet earth, further into the extra-terrestrial, Galante and Zacco mask fractal brush- strokes with hurrying rhythms. They smear primitive and sharp sonics, pressed with dizzying resilience. The nosediving FM synths of Austraal beckon a haunting trip, cloaked in a trance of motion and forever eschewing all prediction.
More
World minus UK
Propulsive techno solicitations abound on Ideoma, the debut EP from Oscean, a collaboration from Sebastia?n Galante, also known as Seph, and Andre?s Zacco. The two are figureheads of Argentina's techno sound, with releases on labels such as Insurgentes, Echocord Colour and Ilian Tape over the last decade.
Galante and Zacco join forces for the first time with inspiring effects, moving forward with vast paces, unshifting footsteps, with uneven prisms of electronic rhythm. Its direct intent and crisp sonic detail conjure a cinematic and nocturnal drive, unearthing subterranean pulses that leave all in its wake.
With Ideoma, Tresor Records presents a whirlwind of dense movement and cosmic energy that twists on percussive bends and distorting spirits. Spiral recalls natural phenomena, bound tight, with a rugged texture like no other, as flickers of sound processing suggest lift-off. The flanging Feral exudes a potent demeanour, wicked and unceasing. The ebbing melodics of Spacion hark back to 90s ambient techno and yet possess a rhythmic cut and thrust that navigates unchartered terrain.
Transmuting beyond planet earth, further into the extra-terrestrial, Galante and Zacco mask fractal brush- strokes with hurrying rhythms. They smear primitive and sharp sonics, pressed with dizzying resilience. The nosediving FM synths of Austraal beckon a haunting trip, cloaked in a trance of motion and forever eschewing all prediction.
More
12" Excl
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Label:Tresor Records
Cat-No:tresor362
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141451
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Last in:19.07.2024
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Label:Tresor Records
Cat-No:tresor362
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141451
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
Label:Tresor Records
Cat-No:tresor339lp
Release-Date:10.11.2023
Genre:Techno
Configuration:2LP Excl
Barcode:4251804141192
in stock
Last in:16.03.2024
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in stock
Last in:16.03.2024
Label:Tresor Records
Cat-No:tresor339lp
Release-Date:10.11.2023
Genre:Techno
Configuration:2LP Excl
Barcode:4251804141192
1
Moritz von Oswald - Silencio 12:34
2
Moritz von Oswald - Luminoso 08:53
3
Moritz von Oswald - Librarsi 03:04
4
Moritz von Oswald - Infinito 06:17
5
Moritz von Oswald - Colpo 05:05
6
Moritz von Oswald - Volta (Version) 04:02
7
Moritz von Oswald - Infinito (Version) 06:25
8
Moritz von Oswald - Luminoso (Version) 04:49
9
Moritz von Oswald - Volta 05:47
10
Moritz von Oswald - Opaco 08:57
11
Moritz von Oswald - Opaco (Version) 01:54
Territories: World excl. UK + North America
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
Label:Tresor Records
Cat-No:tresor339cd
Release-Date:10.11.2023
Genre:Techno
Configuration:CD Excl
Barcode:4251804144063
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Last in:16.03.2024
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Last in:16.03.2024
Label:Tresor Records
Cat-No:tresor339cd
Release-Date:10.11.2023
Genre:Techno
Configuration:CD Excl
Barcode:4251804144063
1
Moritz von Oswald - Silencio 12:34
2
Moritz von Oswald - Luminoso 08:53
3
Moritz von Oswald - Librarsi 03:04
4
Moritz von Oswald - Infinito 06:17
5
Moritz von Oswald - Colpo 05:05
6
Moritz von Oswald - Volta (Version) 04:02
7
Moritz von Oswald - Infinito (Version) 06:25
8
Moritz von Oswald - Luminoso (Version) 04:49
9
Moritz von Oswald - Volta 05:47
10
Moritz von Oswald - Opaco 08:57
11
Moritz von Oswald - Opaco (Version) 01:54
Territories: World excl. UK + North America
FORMAT: artwork by Cyprien Gaillard, jewel case CD
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
FORMAT: artwork by Cyprien Gaillard, jewel case CD
TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More
Label:Tresor Records
Cat-No:tresor358
Release-Date:27.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141468
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Cat-No:tresor358
Release-Date:27.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141468
1
Oscean - ChronoRebel 05:56
2
Oscean - Neon Harmonies 04:37
3
Oscean - Blaster Imploder 05:40
4
Oscean - Echoes of Chaos 05:56
5
Oscean - DX Random Destiny 05:12 (Digital only)
6
Oscean - DX Neon Harmonies (The Other Version) 05:34 (Digital only)
7
Oscean - DX Who Holds the Key? 05:36 (Digital only)
Territories: World excl. UK + North America
FORMAT 180g 12" vinyl, full pantone printed sleeve, download code incl all seven tracks
TRACKLIST
1 / A1 ChronoRebel 05:56
2 / A2 Neon Harmonies 04:37
3 / B1 Blaster Imploder 05:40
4 / B2 Echoes of Chaos 05:56
Digital only
5 / DX Random Destiny 05:12
6 / DX Neon Harmonies (The Other Version) 05:34
7 / DX Who Holds the Key? 05:36
Argentinian producers Oscean return to Tresor with Chronium Radiance, their longest release so far, in which the duo continue the evolution of their sound, coalescing the elemental ideas explored in their first two releases and yielding sublime results.
This landmark release will no doubt be seen as the point at which Oscean crystalised a trademark sound, balancing complex percussive rhythms with pulsing and cadenced music in which a universe of often oxymoronic ideas can be found, melded together with a deft touch to create a blissful sonic whole.
There is a sense of space and airiness to side A of the record as synth parts drift across the more solid-feeling landscape of the basslines and percussion: Opening track ChronoRebel is a propulsive trance induction that brings forth cinematic images of billowing clouds. This nebulous quality is continued on Neon Harmonies where the highly syncopated drum track weaves through a haze of colourful synths that while lower tempo than the previous track somehow has an energy of a faster piece.
The flip side has a denser, darker quality to it beginning with Blaster Imploder, a deep and funky track that continues the convention-defying theme by being powerful and frenetic whilst also having a soft and exultant sheen. This is followed by Echoes of Chaos which closes out the 12” with a dynamic beat and spacious, sweeping synths that feel as though we are passing through the atmosphere heading towards some distant nebula.
Alongside the tracks on the vinyl release, three digital tracks expand on the universe Oscean have built with a truly ecstatic love theme, a retelling of Neon Harmonies that unveils a river of dub, and a low tempo, drifting yet no-less affecting piece acting as the closing titles to our voyage to this Osceanic world. More
FORMAT 180g 12" vinyl, full pantone printed sleeve, download code incl all seven tracks
TRACKLIST
1 / A1 ChronoRebel 05:56
2 / A2 Neon Harmonies 04:37
3 / B1 Blaster Imploder 05:40
4 / B2 Echoes of Chaos 05:56
Digital only
5 / DX Random Destiny 05:12
6 / DX Neon Harmonies (The Other Version) 05:34
7 / DX Who Holds the Key? 05:36
Argentinian producers Oscean return to Tresor with Chronium Radiance, their longest release so far, in which the duo continue the evolution of their sound, coalescing the elemental ideas explored in their first two releases and yielding sublime results.
This landmark release will no doubt be seen as the point at which Oscean crystalised a trademark sound, balancing complex percussive rhythms with pulsing and cadenced music in which a universe of often oxymoronic ideas can be found, melded together with a deft touch to create a blissful sonic whole.
There is a sense of space and airiness to side A of the record as synth parts drift across the more solid-feeling landscape of the basslines and percussion: Opening track ChronoRebel is a propulsive trance induction that brings forth cinematic images of billowing clouds. This nebulous quality is continued on Neon Harmonies where the highly syncopated drum track weaves through a haze of colourful synths that while lower tempo than the previous track somehow has an energy of a faster piece.
The flip side has a denser, darker quality to it beginning with Blaster Imploder, a deep and funky track that continues the convention-defying theme by being powerful and frenetic whilst also having a soft and exultant sheen. This is followed by Echoes of Chaos which closes out the 12” with a dynamic beat and spacious, sweeping synths that feel as though we are passing through the atmosphere heading towards some distant nebula.
Alongside the tracks on the vinyl release, three digital tracks expand on the universe Oscean have built with a truly ecstatic love theme, a retelling of Neon Harmonies that unveils a river of dub, and a low tempo, drifting yet no-less affecting piece acting as the closing titles to our voyage to this Osceanic world. More
12" Excl
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Label:Tresor Records
Cat-No:tresor032
Release-Date:29.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:3663729086280
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Label:Tresor Records
Cat-No:tresor032
Release-Date:29.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:3663729086280
1
Robert Hood - Master Builder (Original Mix) 03:37
2
Robert Hood - Master Builder (Sandman Option) 04:03
3
Robert Hood - Quartz 06:35
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1. Master Builder (Original Mix) 03:37
A2. Master Builder (Sandman Option) 04:03
B. Quartz 06:35
RELEASE INFO:
Almost 30 years after its initial release, and accompanying the re-release of ’Internal Empire’
Tresor Records is proud to present a new pressing of Robert Hood’s essential “Master Builder” EP.
This work elevates its maker as master, and remains a cherished moment in the Tresor story, sharing an
irrefutable singular magic, sounding as present and indispensable as when first created. Originally
released in 1994 and 1995, ‘Internal Empire’ and "Master Builder" mark a point of transition for Robert
Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced
uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be
done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound,
influencing generations to come.
"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour
dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My
intention was to create something distinctively dierent. Looking out my living room window in Detroit
watching people go by gave me a new perspective. It made me look at the world within myself. 25 years
later I am still discovering.” - Robert Hood, 2019 More
2023 Repress
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1. Master Builder (Original Mix) 03:37
A2. Master Builder (Sandman Option) 04:03
B. Quartz 06:35
RELEASE INFO:
Almost 30 years after its initial release, and accompanying the re-release of ’Internal Empire’
Tresor Records is proud to present a new pressing of Robert Hood’s essential “Master Builder” EP.
This work elevates its maker as master, and remains a cherished moment in the Tresor story, sharing an
irrefutable singular magic, sounding as present and indispensable as when first created. Originally
released in 1994 and 1995, ‘Internal Empire’ and "Master Builder" mark a point of transition for Robert
Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced
uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be
done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound,
influencing generations to come.
"25 years ago, I was faced with the challenge of following up on 'Minimal Nation'. I cancelled all my tour
dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My
intention was to create something distinctively dierent. Looking out my living room window in Detroit
watching people go by gave me a new perspective. It made me look at the world within myself. 25 years
later I am still discovering.” - Robert Hood, 2019 More
12" Excl
in stock
Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
in stock
Last in:19.07.2024
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Last in:19.07.2024
Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
Label:Tresor Records
Cat-No:tresor096
Release-Date:01.09.2023
Genre:Techno
Configuration:2LP Excl
Barcode:666017290966
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Last in:16.03.2024
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Label:Tresor Records
Cat-No:tresor096
Release-Date:01.09.2023
Genre:Techno
Configuration:2LP Excl
Barcode:666017290966
1
Surgeon - Preview 01:57
2
Surgeon - Golden 05:56
3
Surgeon - Circles 04:38
4
Surgeon - The Heath 06:02
5
Surgeon - Pnuma 05:53
6
Surgeon - Set One 02:49
7
Surgeon - Set Two 05:32
8
Surgeon - Box 04:31
9
Surgeon - Dialogue 04:10
10
Surgeon - Dinah’s Dream 05:39
Territories: World minus UK & US
2023 repress
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Preview 01:57
2/A2. Golden 05:56
3/A3. Circles 04:38
4/B1. The Heath 06:02
5/B2. Pnuma 05:53
6/C1. Set One 02:49
7/C2. Set Two 05:32
8/C3. Box 04:31
9/D1. Dialogue 04:10
10/D2. Dinah’s Dream 05:39
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
2023 repress
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Preview 01:57
2/A2. Golden 05:56
3/A3. Circles 04:38
4/B1. The Heath 06:02
5/B2. Pnuma 05:53
6/C1. Set One 02:49
7/C2. Set Two 05:32
8/C3. Box 04:31
9/D1. Dialogue 04:10
10/D2. Dinah’s Dream 05:39
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
Label:Tresor Records
Cat-No:tresor073
Release-Date:01.09.2023
Genre:Techno
Configuration:2LP Excl
Barcode:5414165038818
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Last in:16.03.2024
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Label:Tresor Records
Cat-No:tresor073
Release-Date:01.09.2023
Genre:Techno
Configuration:2LP Excl
Barcode:5414165038818
1
Surgeon - Intro 00:58
2
Surgeon - First 04:46
3
Surgeon - Krautrock 04:33
4
Surgeon - Movement 04:33
5
Surgeon - 9 Hours Into The Future 04:32
6
Surgeon - Depart 04:11
7
Surgeon - Rotunda 04:29
8
Surgeon - Waiting 02:39
9
Surgeon - Scorn 04:55
10
Surgeon - Return 04:35
Territories: World minus UK & US
2023 repress
2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
2023 repress
2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
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Label:Systematic Recordings
Cat-No:syst0006-6speci
Release-Date:21.06.2024
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804181150
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Label:Systematic Recordings
Cat-No:syst0006-6speci
Release-Date:21.06.2024
Genre:Detroit Techno
Configuration:12" Excl
Barcode:4251804181150
1
Marc Romboy & Blake Baxter - Freakin´ (Original)
2
Marc Romboy & Blake Baxter - Freakin´ (SID Version)
3
Marc Romboy & Blake Baxter - Freakin´ (Robert Babicz Remix)
Cat No: SYST0006-6SPECIAL
Special Transparent 12“ Vinyl Edition
GENRE/S: Detroit Techno/House/Acid
TRACKLISTS:
A1) Marc Romboy & Blake Baxter „Freakin´“ (Original)
B1) Marc Romboy & Blake Baxter „Freakin´“ (SID Version)
B2) Marc Romboy & Blake Baxter „Freakin´“ (Robert Babicz Remix)
SHORT INFO:
Perfectly timed for Systematic's 20th birthday, we have this super special collector's item for you. 19 years after its release, the label presents you with a transparent vinyl version of one of the biggest club hits on the label, "Freakin" by Blake Baxter and Marc Romboy.
Blake has previously released tracks on prestigious labels like Underground Resistance and Tresor. This edition is limited to only 300 copies, and in addition to the two versions from 2005, we've pressed an exclusive and brand-new SID version for you, which teleports the track into the pixelated worlds of SID and Commodore C64 sounds. Close your eyes and feel like you're in a video game. Don't miss out before it's too late!
- First repress of an evergreen classic in 19 years!
- Strictly limited vinyl (300 only)
- Just for you: a brand new SID (C64 video game) version of the original More
Special Transparent 12“ Vinyl Edition
GENRE/S: Detroit Techno/House/Acid
TRACKLISTS:
A1) Marc Romboy & Blake Baxter „Freakin´“ (Original)
B1) Marc Romboy & Blake Baxter „Freakin´“ (SID Version)
B2) Marc Romboy & Blake Baxter „Freakin´“ (Robert Babicz Remix)
SHORT INFO:
Perfectly timed for Systematic's 20th birthday, we have this super special collector's item for you. 19 years after its release, the label presents you with a transparent vinyl version of one of the biggest club hits on the label, "Freakin" by Blake Baxter and Marc Romboy.
Blake has previously released tracks on prestigious labels like Underground Resistance and Tresor. This edition is limited to only 300 copies, and in addition to the two versions from 2005, we've pressed an exclusive and brand-new SID version for you, which teleports the track into the pixelated worlds of SID and Commodore C64 sounds. Close your eyes and feel like you're in a video game. Don't miss out before it's too late!
- First repress of an evergreen classic in 19 years!
- Strictly limited vinyl (300 only)
- Just for you: a brand new SID (C64 video game) version of the original More
12" Excl
pre-sale
Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
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Barcode:4251804181266
1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Label:Rawax
Cat-No:RV-01
Release-Date:26.04.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:21.06.2024
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Label:Rawax
Cat-No:RV-01
Release-Date:26.04.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Ricardo Villalobos - 808 The Bassqueen (Queen Of Bass Mix)
2
Ricardo Villalobos - 808 The Bassqueen (Extended Loop)
3
Ricardo Villalobos - 808 The Bassqueen (Dubstar'z Shorthack)
We are very happy and honored to present you Ricardo Villalobos on his own RAWAX series!
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock! More
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock! More
Label:Running Back
Cat-No:rb131
Release-Date:21.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181365
in stock
Last in:31.05.2024
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in stock
Last in:31.05.2024
Label:Running Back
Cat-No:rb131
Release-Date:21.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181365
1
Gerd - Dance Of Enjoyment
2
Gerd - Let The Music Take Control
3
Gerd - Let The Music Take Control (DJ Tool)
4
Gerd - Change Of Heart
5
Gerd - Digital Illusion
6
Gerd - Digital Illusion (Bonus Beats)
Tracklist:
A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)
Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.
Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.
Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!
More
A1. Dance Of Enjoyment
A2. Let The Music Take Control
A3. Let The Music Take Control (DJ Tool)
B1. Change Of Heart
B2. Digital Illusion
B3. Digital Illusion (Bonus Beats)
Finally, it‘s happening: the „other“ Gerd appears on Running Back. Not counting in his remix for Losoul‘s Open Door and not to be confused with the label owner Gerd Janson. Based in the Netherlands and strongly associated with the Clone complex, Gerd has been releasing countless tracks and records since the dawn of the nineties. A true child of the „techno“ Zeitgeist back then, he is keeper of a dozen monikers, project names and joint ventures that tend to connect the dots between house and techno, functionality and avantgarde electronics. Gerd‘s frame of mind is second to none, when it comes to sound research, inspiration and imagination.
For Running Back he decided to put his own spin on some of the label’s signature dishes.
The opener Dance of Enjoyment is exactly that. Based on a cleared sample from Shakira by Quinton Madlala and imported by early South African kwaito and house, it is exactly that. Life-affirming dance-floor fun or pogo time for piano people.
Let the Music Take Control dials the peak time slightly back to being a party starter with its retrofuturistic speak and spell command and some evergreen breakbeats. An additional DJ tool allows to spread the gospel elsewhere, too.
Speaking of which, the flipside deals with that in the realm of an Italian influenced theme park. Sitting neatly between the disco and the house appendix of “italo“, Change Of Heart and Digital Illusion are sugar frosted and masterful produced versions of a style that might never go out of fashion. Earnest characters might be happy with the included bonus beats on their own. All’s well that ends well: Gerd and Running Back are here to save a party near you!
More
Label:NOTON
Cat-No:N-064-2
Release-Date:05.07.2024
Configuration:2LP Excl
Barcode:4251804155328
in stock
Last in:27.05.2024
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Last in:27.05.2024
Label:NOTON
Cat-No:N-064-2
Release-Date:05.07.2024
Configuration:2LP Excl
Barcode:4251804155328
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
2x12" Excl
in stock
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Barcode:4251804180047
in stock
Last in:27.05.2024
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Last in:27.05.2024
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Barcode:4251804180047
1
Lea Lisa - Poem For The Lost Souls (Original Mix)
2
Lea Lisa - Poem For The Lost Souls (Broken Mix)
3
Lea Lisa - Poem For The Lost Souls (Kuniyuki Version)
4
Lea Lisa - Poem For The Lost Souls (Session Victim Version)
Gatefold Cover, Double-12”
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
12" Excl
pre-sale
Cat-No:BEC5613915
Release-Date:30.08.2024
Genre:Soundtracks
Configuration:12" Excl
Barcode:5056556139157
pre-sale
Last in:24.07.2024
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pre-sale
Last in:24.07.2024
Cat-No:BEC5613915
Release-Date:30.08.2024
Genre:Soundtracks
Configuration:12" Excl
Barcode:5056556139157
Rights : World excluding Fr
180 Grs Black Vinyl EP – Limited Edition -
Packaging: 1 x 12’’ Heavyweight Black vinyl, printed 3mm spine sleeve, 45 rpm.
PRODUCT INFORMATION/ SHORT BIOG
• “Collector run – 180 grs Black 12’’ vinyl / 2 tracks – 45rpm.
• “Chiroptera” is the soundtrack of « Acte 2 : Retour à la Caverne », a creation by JR with Thomas Bangalter and choregraph Damien Jalet , performed in Paris in front of the Opéra de Paris (Opéra Garnier) on November 12th, 2023 by more than 150 dancers.
TRACKLISTING
Face A :
1 - CHIROPTERA
Face B :
1 - CHIROPTERA (Solo Intro)
More
180 Grs Black Vinyl EP – Limited Edition -
Packaging: 1 x 12’’ Heavyweight Black vinyl, printed 3mm spine sleeve, 45 rpm.
PRODUCT INFORMATION/ SHORT BIOG
• “Collector run – 180 grs Black 12’’ vinyl / 2 tracks – 45rpm.
• “Chiroptera” is the soundtrack of « Acte 2 : Retour à la Caverne », a creation by JR with Thomas Bangalter and choregraph Damien Jalet , performed in Paris in front of the Opéra de Paris (Opéra Garnier) on November 12th, 2023 by more than 150 dancers.
TRACKLISTING
Face A :
1 - CHIROPTERA
Face B :
1 - CHIROPTERA (Solo Intro)
More
Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
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Last in:15.07.2024
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Last in:15.07.2024
Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Boo Williams - A1. Can't Forget you (Instrumental)
2
Boo Williams - A2. All About The Music (Service Mix)
3
Boo Williams - B1. Replay
4
Boo Williams - B2. Last Thoughts Feat Jamiel Patton
BOO WILLIAMS coming thru with a slightly more chilled out vibe on this hand stamped 12", the 7th release in the limited series of 10 on his BOO MOONMAN imprint. BOO stretches his trademark cosmic sound out into deep space across 4 tracks of jazzy keys & floating synths. Perfect for sunrise sets
More
Label:Running Back
Cat-No:rb128
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144773
in stock
Last in:06.05.2024
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Last in:06.05.2024
Label:Running Back
Cat-No:rb128
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144773
1
Krystal Klear - Entity
2
Krystal Klear - Typhoon
3
Krystal Klear - Love Is All I Need
4
Krystal Klear - Rampage
Tracklist
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage
New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:
“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).
These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.
Short:
New Running Back by the ever-reliable Krystal Klear.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.
More
A1. Entity
A2. Typhoon
B1. Love Is All I Need
B2. Rampage
New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:
“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).
These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.
Short:
New Running Back by the ever-reliable Krystal Klear.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music! Love is all we need.
More
Label:Be With Records
Cat-No:bewith158lp
Release-Date:22.09.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804141970
in stock
Last in:04.06.2024
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in stock
Last in:04.06.2024
Label:Be With Records
Cat-No:bewith158lp
Release-Date:22.09.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804141970
1
Bobby Caldwell - Special To Me (4:00)
2
Bobby Caldwell - My Flame (3:30)
3
Bobby Caldwell - Love Won't Wait (4:00)
4
Bobby Caldwell - Can't Say Goodbye (5:20)
5
Bobby Caldwell - Come To Me (2:52)
6
Bobby Caldwell - What You Won't Do For Love (4:45)
7
Bobby Caldwell - Kalimba Song (2:00)
8
Bobby Caldwell - Take Me Back To Then (3:30)
9
Bobby Caldwell - Down For The Third Time (3:30)
Territories: Worldwide no restrictions
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More
Label:NOTON
Cat-No:N-064-1
Release-Date:05.07.2024
Configuration:CD Excl
Barcode:4251804155311
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Last in:27.05.2024
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backorder
Last in:27.05.2024
Label:NOTON
Cat-No:N-064-1
Release-Date:05.07.2024
Configuration:CD Excl
Barcode:4251804155311
1
Alva Noto - HYbr:ID Noh Talk
2
Alva Noto - HYbr:ID Sync Dark
3
Alva Noto - HYbr:ID Noh Human
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Alva Noto - HYbr:ID Sync Inte
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Alva Noto - HYbr:ID Collective Open
6
Alva Noto - HYbr:ID Obsessive Behaviour Day
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Alva Noto - HYbr:ID Obsessive Behaviour Night
8
Alva Noto - HYbr:ID Para Contamination
9
Alva Noto - HYbr:ID Script Solitude
10
Alva Noto - HYbr:ID Script Sacre Drone
11
Alva Noto - HYbr:ID Script Broken Conversation
12
Alva Noto - HYbr:ID Rehuman
13
Alva Noto - HYbr:ID Épilogue
CD
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
2LP Excl
in stock
Label:Because Music
Cat-No:bec5161611
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616111
in stock
Last in:19.02.2024
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in stock
Last in:19.02.2024
Label:Because Music
Cat-No:bec5161611
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616111
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. INTRO - A2. BIENVENIDA A TIJUANA - A3. MACHINE GUN - A4. POR DONDE SALDRA EL SOL? - A5. PELIGRO - A6. WELCOME TO TIJUANA - A7. EL VIENTO - A8. CASA BABYLON - B1. POR EL SUELO - B2. BLOOD AND FIRE - B3. EZLN… PARA TOD@S TODO… - B4. MR BOBBY - B5. BONGO BONG - B6. RADIO BEMBA - B7. QUE PASO QUE PASO - B8. PINOCCHIO (VAGGIO IN GROPPA AL TONNO) - B9. CAHI EN LA TRAMPA - C1. CLANDESTINO - C2. RUMBA DE BARCELONA - C3. LA DESPEDIDA - C4. MALA VIDA - C5. RADIO BEMBA 2 - C6. QUE PASO QUE PASO 2 - C7. PINOCCHIO 2 (VAGGIO IN GROPPA AL TONNO) - D1. LA PRIMAVERA - D2. THE MONKEY - D3. KING KONG FIVE - D4. MINHA GALERA - D5. PROMISCUITY More
TRACKLIST
A1. INTRO - A2. BIENVENIDA A TIJUANA - A3. MACHINE GUN - A4. POR DONDE SALDRA EL SOL? - A5. PELIGRO - A6. WELCOME TO TIJUANA - A7. EL VIENTO - A8. CASA BABYLON - B1. POR EL SUELO - B2. BLOOD AND FIRE - B3. EZLN… PARA TOD@S TODO… - B4. MR BOBBY - B5. BONGO BONG - B6. RADIO BEMBA - B7. QUE PASO QUE PASO - B8. PINOCCHIO (VAGGIO IN GROPPA AL TONNO) - B9. CAHI EN LA TRAMPA - C1. CLANDESTINO - C2. RUMBA DE BARCELONA - C3. LA DESPEDIDA - C4. MALA VIDA - C5. RADIO BEMBA 2 - C6. QUE PASO QUE PASO 2 - C7. PINOCCHIO 2 (VAGGIO IN GROPPA AL TONNO) - D1. LA PRIMAVERA - D2. THE MONKEY - D3. KING KONG FIVE - D4. MINHA GALERA - D5. PROMISCUITY More