GENRE/S: Techno

Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk

Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.

To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”

Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.


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12“ Vinyl

GENRE/S: Electro/Techno

TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters

SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.

VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO

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3x12" Gatefold White Vinyl (Download Code Inside)


1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)



Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)

However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.

The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."

Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."





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2021 Repress, Black Doublehole Sleeve


Tracklisting:
A. Titelheld 8:09
B1. Titelheld (FSK 18) 5:26
B2. Stammgast 5:48

English:
With respect, my name is Minimal Rock! Extrawelt give us a good going over and bravely break new grounds with their "Titelheld" EP. Here, insane minimal sounds merge with Rock flair, Electro and Trance harmonies. The title track with the telling name "Titelheld" brings us an electro hymnus with hints to Anthony Rother or Codec&Flexor, paired with a juicy deal of pain in the heart. A guaranteed hit for next summer!
"Stammgast" is a perfect DJ tool, which has a strong recognition effect, still, and makes the crowd go wild in seconds. Minimal rock par excellence!
For all of you who don't know much about Extrawelt (yet): the human beings behind this project name are Arne Schaffhausen and Wayan Raabe, who have worked primarily under the akas Midimiliz and Spiralallianz. Until now, they have released more than thirty maxi singles and several albums (on Border Community among others!), and will record a new 12" for Traum Schallplatten this summer.




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Genre: Melodic Techno, Electro Breaks, Hypnotic Techno, Ambient


Tracklist 12": A1 - Extrawelt - Gazelle Flip (Original Mix) A2 - Extrawelt - Gazelle Flip (720° Version) B1 - Extrawelt - Gazelle Flip (Sebastian Mullaert Remix) B2 - Extrawelt - Gazelle Flip (Wa Wu We Prayer)

Short Info:

Living and breathing electronic music for what has now been twenty years, Arne Schaffhausen and Wayan Raabe have carved out a piece of its history and showed us that in the vast spectrum of dance music, where the normal world ends, Extrawelt begins. Their single "Gazelle Flip" on USA based label Dreaming Awake continues their journey into genre defying music. Call it Techno or Electro, but one thing is for sure, this is Extrawelt!

On Remix duties is none other than Sebastian Mullaert (Minilogue, Son Kite) who takes the track into that deep hypnotic techno place that only he does best! Extending the grooves and melodies into a long and psychedelic masterpiece, but also delivering a gorgeous ambient version under his Wa Wu We moniker and a more stripped down minimal dub version he calls his "Hidden Voices Remix".


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Tracklist:
01) Extrawelt - Alpha & Oma
02) Extrawelt - Email auf Klinke
03) Extrawelt - Automatik Akrobatik

Release Info:
New W-Agency signing Extrawelt deliver a trio of exhilarating “one-take” jams.
Since their inception in 2005, the Hamburg duo has commanded the loftiest respect throughout the industry
thanks to their thoughtful and emotive brand of house and techno. From ‘Soopertrack’ to ‘Dark Side of the
Room’, every raver worth their salt has had an Extrawelt dancefloor moment, their soaring chords touching
hearts and hips in equal doses.
Taking their intuitive approach to musical production to its next evolutionary phase, the ‘Automatik
Akrobatik EP’ sees them in free-flow form, gifting us with a triumvirate of superb studio jams that
encapsulate everything that’s special about their music. ‘Alpha & Oma’ is uplifting and throbbing, the kind of
visceral techno gem that would make even the most hardened punter a little weapy. ‘Email auf Klinke’ is
punchy and minimal, a solid roller to contrast its predecessor. The title track has the sonic arc of an epic
film score, building from a languid pace to a widescreen glistening wall of sound, inspiring and bad ass in
equal doses.
“These tracks are basically "one take" jams with very few edits afterwards. The computer was mostly acting
as a tape recorder while the arrange took place on the desk and machines. We feel that those tracks that
happen in a nice flow and without overthinking them too much often appear to deliver their energy in a more
raw and direct way but simultaneously also become rather homogenous instead of taking unnecessary
deflections.” - Extrawelt

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Includes: 4x12" LP + Download Code in Collectors Cardboard Box , Print with Hotfoiled Typo on Rough Carton.

To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt
Hits. A collectors box, which covers every album and period from their dominant yet enigmatic
history as one of Germany’s most highly regarded electronic acts. Etched into the 4-piece
vinyl box-set is a 15-track playlist which takes us back to the dawn of their beautiful “Extra
World”.

Tracklist:

1. (A1) Extrawelt – Fernweh
2. (A2) Extrawelt – Die Zitrone Der Schöpfung
3. (B1) Extrawelt – Titelheld
4. (B2) Extrawelt – Die Welt Ist Nicht Genug
5. (C1) Minilogue – The Leopard (Extrawelt Remix)
6. (C2) Extrawelt – Pink Panzer
7. (D1) Extrawelt – Soopertrack
8. (D2) Extrawelt – Herzstück (Live Version)
9. (E1) Extrawelt – Dark Side Of My Room (Live Version)
10. (E2) Extrawelt – 8000
11. (F1) Extrawelt – Doch Doch
12. (F2) Extrawelt – Gott Ist Schrott
13. (G1) Extrawelt – Drehfehler
14. (G2) Extrawelt – Neuland
15. (H1) Extrawelt – Zu Fuss (Live Version)


Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording
spills into the next with sonic precision. From the monumental masterpiece of the album’s opening
track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’,
the listener is left captivated. And, because it’s what they do best, the destruction and artful
reconstruction echoed through their shows are also present. These are beamed out in the exclusive
live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at
the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the
most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance
music—is both undefinable and strays well past the norm. Their chance to manipulate their creations
in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information
everywhere. The result is an experience focussed on purism with great care in presenting the deepest
core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it
rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene
where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is
something of a triumph). With that, Extrawelt invite those that were there from the start to join them in
getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear
their story up until now, like it’s never been told before. And yes, while the listener may have outlived
many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as
relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the new
ones to go totally nuts.

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Includes: Deluxe Gatefold 3x12 140g Vinyl, download code

Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown, is the tenth studio album from the producer team, and the fourth under the name Extrawelt. Its largely devoted to another side of their creations.


Tracklisting:
CD / LP

Tracklist: 1. (A1) Extrawelt - We Are The Asteroid!
2. (A2) Extrawelt - Fischmarkt On Acid
3. (B1) Extrawelt - Auslöser
4. (B2) Extrawelt - Ort Und Impuls
5. (C1) Extrawelt - Runway Hitchhiker
6. (C2) Extrawelt - Die Vorahnung
7. (D1) Extrawelt - St. Morley
8. (D2) Extrawelt - Under The Fridge
9. (E1) Extrawelt - Das Diktat
10. (E2) Extrawelt - Streetwise
11. (F1) Extrawelt - Die Zitrone Der Schöpfung
12. (F2) Extrawelt - Herzstück


Something's different. Well, Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, I can't help but notice again: something's very different. Feet are bouncing, mind is traveling and my fingers speed across the keyboard like they're on fire. I'm trying to imagine what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea, as it really deserves the backing of the loudest and best possible sound system.

With this, I leave the audio confines of my lo-fi laptop world and get in the car. Cranking up the stereo, I cruise around aimlessly - lost in appreciation of the music from within the bubble of my metal highway-pod on wheels. I've got the urge to speed up - which is surprising considering I'm a usually a very sensible driver. The bass and the beats blow up in my face. Something uncluttered. Something broken. Something grimy. Something sideways. Something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. I don't plan on getting all emotional, but something about this twelve track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, I keep coming back to these sounds. Again and again these sounds. On one hand you feel that you know them, on the other hand you don't know them at all. Is that a synthesiser or a voice? Is it rotating or just linear reinvented? Whatever the answer, my mind goes astray. Whether this is exotic or native doesn't matter: all I know is that it's great. Meanwhile I've reached track seven and now I realise what's been different all along - it isn't techno! Somehow, they've accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, you can find a couple of similar tracks on a few of their previous releases, but here you've got a whole album full of it. I gotta listen to track seven again. As a music writer I'm asking myself: what genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? Ah, whatever - these guys don't like to be put into boxes anyway. It's simply Extrawelt.

As I talk to Arne and Wayan later on, I discover that the tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. Come 2018 though, the time felt right to dedicate an entire album to this side of their musical spectrum. This also explains how Unknown appeared so quickly after their most recent LP 'Fear Of An Extra Planet'. As the guys mention "We just felt these tracks a lot when we made them, and never cared really if anyone would be interested in it".

We're definitely interested!

Yours sincerely,
Cocoon


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Includes: CD

Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown, is the tenth studio album from the producer team, and the fourth under the name Extrawelt. Its largely devoted to another side of their creations.


Tracklisting:
CD / LP

Tracklist: 1. (A1) Extrawelt - We Are The Asteroid!
2. (A2) Extrawelt - Fischmarkt On Acid
3. (B1) Extrawelt - Auslöser
4. (B2) Extrawelt - Ort Und Impuls
5. (C1) Extrawelt - Runway Hitchhiker
6. (C2) Extrawelt - Die Vorahnung
7. (D1) Extrawelt - St. Morley
8. (D2) Extrawelt - Under The Fridge
9. (E1) Extrawelt - Das Diktat
10. (E2) Extrawelt - Streetwise
11. (F1) Extrawelt - Die Zitrone Der Schöpfung
12. (F2) Extrawelt - Herzstück


Something's different. Well, Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, I can't help but notice again: something's very different. Feet are bouncing, mind is traveling and my fingers speed across the keyboard like they're on fire. I'm trying to imagine what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea, as it really deserves the backing of the loudest and best possible sound system.

With this, I leave the audio confines of my lo-fi laptop world and get in the car. Cranking up the stereo, I cruise around aimlessly - lost in appreciation of the music from within the bubble of my metal highway-pod on wheels. I've got the urge to speed up - which is surprising considering I'm a usually a very sensible driver. The bass and the beats blow up in my face. Something uncluttered. Something broken. Something grimy. Something sideways. Something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. I don't plan on getting all emotional, but something about this twelve track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, I keep coming back to these sounds. Again and again these sounds. On one hand you feel that you know them, on the other hand you don't know them at all. Is that a synthesiser or a voice? Is it rotating or just linear reinvented? Whatever the answer, my mind goes astray. Whether this is exotic or native doesn't matter: all I know is that it's great. Meanwhile I've reached track seven and now I realise what's been different all along - it isn't techno! Somehow, they've accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, you can find a couple of similar tracks on a few of their previous releases, but here you've got a whole album full of it. I gotta listen to track seven again. As a music writer I'm asking myself: what genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? Ah, whatever - these guys don't like to be put into boxes anyway. It's simply Extrawelt.

As I talk to Arne and Wayan later on, I discover that the tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. Come 2018 though, the time felt right to dedicate an entire album to this side of their musical spectrum. This also explains how Unknown appeared so quickly after their most recent LP 'Fear Of An Extra Planet'. As the guys mention "We just felt these tracks a lot when we made them, and never cared really if anyone would be interested in it".

We're definitely interested!

Yours sincerely,
Cocoon


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2025 Repress

UPC: 827170537965
Tracklist: (A) A Little Further (Not On A Map) (B1) A Little Further (37 Routes) (B2) A Little Further (Imaginary Escort)
With Dominik Eulberg and Arne Schaffhausen (of EXTRAWELT) we welcome back two longtime Cocoon heroes to the label. The two were featured in a VICE Magazine special last year for a "field recording" documentary which marked the beginning of a new collaboration. Dominik and Arne checked their fresh recorded sounds in the studio and found out that there have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time.
The first results of their mutual work is "A Little Further" which will be released in three different versions on Cocoon Recordings in the next weeks (COR12117). So let's start with "Not On A Map" version: This one seems to be tailor made for the next afterhour and the rising sun. Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming. So many layers and different levels however the overall picture never gets overcharged or too demanding.
Coming up next is the "37 Routes" version which quite stands out with the used breakbeats and no standard 4/4 kick drum. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions. Last but not least there's the "Imaginery Escort" version which appears a bit like the dub edit of "A Little Further". This one emphazies the cool and reduced beat programming. The "Imaginery Escort" is more DJ-friendly and without the big breaks, it keeps the rolling beat going and going and we see the floors burning to this cool groover, too. One of these tracks DJs can't wait to drop them in their sets! All three versions make a great package and a big release that breathes pure techno air. No pseudo-retro-hype and no tech-house-mash-up, this one is just techno. Big techno! And it makes us even more excited looking forward to the upcoming festival season!


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Exclusive 5x12” luxurious 5x12" box set with a spectral-reflective foil finish

Tracklisting:
Vinyl 1
1. (A1) Jonathan Kaspar – Her (DE-Q20-25-00019)
2. (B1) Robag Wruhme – Ratibor Numida (DE-Q20-25-00020)
3. (B2) ja:cK - Neverland (DE-Q20-25-00021)
Vinyl 2
4. (A1) Butch – Straight Tripping (DE-Q20-25-00022)
5. (B1) Josh Wink – Self Acceptance (DE-Q20-25-00023)
6. (B2) Raxon – Believe In Mi (DE-Q20-25-00024)
Vinyl 3
7. (A1) Dino Lenny – Sayonara Chicago (DE-Q20-25-00026)
8. (B1) Extrawelt – Mindwear (DE-Q20-25-00027)
9. (B2) Frank Sonic & Dist_42 – Silberschwein (DE-Q20-25-00028)
Vinyl 4
10. (A1) Guy J – Alive Again (DE-Q20-25-00029)
11. (B1) Riccardo De Polo – Melancholia (DE-Q20-25-00031)
12. (B2) Johannes Volk – Vaporized Memories (DE-Q20-25-00032)
Vinyl 5
13. (A1) Harvey McKay – Tears In Rain (DE-Q20-25-00033)
14. (B1) Damiano Von Erckert - Mad Man (I told you what I know) (DE-Q20-25-00034)
14. (B2) Fedele - Zommerfest 25 (DE-Q20-25-00035)

25 Years Cocoon Recordings – Volume One

For its 25th anniversary, Cocoon Recordings returns to its roots with an elaborate vinyl LP box set, marking the first part of a two-volume anniversary project. 25 Years Cocoon Recordings – Volume
One brings together exclusive contributions from international artists who have defined the sound and diversity of the label over the past two decades, complemented by fresh talents who are helping to shape its future.
Over the span of 25 years, Cocoon Recordings has created a catalog that now comprises hundreds of releases, 12-inches, albums, mix CDs, and iconic compilation box sets, always bridging past, present, and future. While firmly rooted in techno and house, the label has also provided space for electronica,
ambient, and other evolving genres.
25 Years Cocoon Recordings – Volume One is more than just a compilation. It is both a homage to the label’s history and a glimpse into what lies ahead. With exclusive tracks that embody the Cocoon sound in all its depth and complexity, this release marks a milestone in the legacy of one of electronic
music’s most influential labels, arguably the strongest compilation in Cocoon’s history. To mark this special occasion, Sven Väth’s label presents the first of two carefully curated volumes, uniting 15 exclusive tracks from international artists in celebration of nearly three decades of Cocoon
Recordings. The luxurious 5x12" box set features a spectral-reflective foil finish and includes contributions from renowned names such as Butch, Robag Wruhme, Josh Wink, Guy J, and Dino Lenny, alongside longtime companions of the label including Extrawelt, Harvey McKay, Johannes
Volk, and Raxon. New discoveries of recent years, Jonathan Kaspar and Riccardo De Polo, enrich the release in their own distinctive ways. The compilation is completed by the unmistakable talents of Damiano von Erckert, Fedele, and ja:ck, who provide the perfect conclusion to the first of two parts.
This release sets the stage for what's next: a daring diptych where musical voices emerge, shining with originality and passion, carrying the spirit forward. The story is just beginning. Something special is on the horizon. One can only wonder which artists will shine on the second chapter.


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Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



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WAS - Word and Sound Medien GmbH
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Germany
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*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Blue, Light Rosé, Neon Green


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Neon Orange, Light Blue, Yellow


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



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DE - 22113 Hamburg
Germany
Contact: [email protected]More

Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Tracklisting:

Digital / LP
1. (A1) Delenz & Zeitstill – Place To Be (DE-Q20-25-00007)
2. (B1) Superpitcher – Dream B (DE-Q20-25-00008)
3. (C1) Patrice Bäumel – Nat (DE-Q20-25-00009)
4. (D1) Sawlin – Der Jasager (DE-Q20-25-00010)
5. (E1) DC Salas – Escapism (DE-Q20-25-00011)
6. (F1) Tal Fussman – Eyes (DE-Q20-25-00012)
7. (G1) Ken Ishii & Yuada – Split Second (DE-Q20-25-00013)
8. (H1) Marcel Fengler – Aura (DE-Q20-25-00014)
9. (I1) Impérieux – Kala (DE-Q20-25-00015)
10. (J1) Joe Metzenmacher – Da Freak (DE-Q20-25-00016)
11. (K1) Joseph Capriati – Cosmopop (DE-Q20-25-00017)
12. (L1) Matthias Schildger – Distorter (DE-Q20-25-00018)

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.


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Exclusive 4x12” vinyl box set with glossy Spot UV finish

Tracklisting:

CORLP058 Vinyl 1

1. (A1) Sven Väth – Ritual Of Life (Adam Port 108 Mix) (DE-Q20-15-01361)
2. (B1) Sven Väth – Ballet-Fusion (Speedy J Remix) (DE-Q20-95-01244)
3. (B2) Metal Master – Spectrum (Bart Skills & Weska Reinterpretation) (DE-Q20-22-00022)


CORLP058 Vinyl 2

4. (A1) Sven Väth – The Beauty And The Beast (Eric Prydz Re-edit) (DE-Q20-08-00033)
5. (A2) OFF Feat. Sven Väth – Electrica Salsa (Roman Flügel Remix) (DE-Q20-16-01485)
6. (B1) Sven Väth – Cala Llonga (DE-Q20-02-01236)
7. (B2) Sven Väth – Sounds Control Your Mind (DE-Q20-98-01216)


CORLP058 Vinyl 3

8. (A1) Sven Väth – Dein Schweiss (DE-Q20-00-01221)
9. (A2) Sven Väth – Robot (Kölsch Remix) (DE-Q20-16-01471)
10. (B1) Sven Väth – L’Esperanza (Hardspace Mix) (DE-Q20-24-00010)
11. (B2) Sven Väth – Privado (DE-Q20-00-01227)


CORLP058 Vinyl 4

12. (A1) Sven Väth – Mind Games (Roman Flügel Remix) (DE-Q20-25-00001)
13. (A2) Sven Väth – Face It (DE-Q20-98-01214)
14. (B1) Astral Pilot – The Day After (DE-Q20-08-00068)




Cocoon Recordings presents: Sven Väth - Retrospective

This retrospective is not merely a celebration—it’s a legacy. Sven Väth’s unparalleled life and pioneering spirit, as well as the defining moments that inspired an entire generation, are distilled into a profound tribute. A musical retrospective that captures the evolution of a visionary whose art has defined, inspired, and reimagined electronic music culture and retells it with zeitgeist.

Sven Väth is more than a DJ, he is a force of nature. A trailblazer whose work is not just music, it’s a philosophy of life: ecstasy, freedom, and a fearless pursuit of creativity, all wrapped in a knowing wink of craziness and rebellion.

Spanning over three decades, this carefully curated collection invites listeners to trace special moments of Sven’s musical work. From his electrifying beginnings to modern interpretations that pulse, This collection is a tribute to a life dedicated to music, every beat a moment frozen in time. Beyond the timeless anthems lies an unreleased treasure—a hidden gem by Roman Flügel that promises to surprise even the most ardent followers.

Alongside Sven’s timeless originals, this release showcases visionary remixes by some of the most revered names in electronic music. Beginning with Adam Port’s hypnotic reimagining of Ritual Of Life to Eric Prydz’s cinematic take on The Beauty and the Beast and Roman Flügel’s unique interpretations, each remix pays homage to Sven’s legacy while channeling a bold, contemporary edge. Speedy J, Bart Skils & Weska, and Kölsch further elevate the collection, showcasing the influence of Sven’s work across generations and styles.

More than a retrospective, this is a living contemporary document that makes techno and club culture tangible. It’s a sonic time capsule for those who lived through the golden nights when Sven set dancefloors ablaze - a musical legacy that connects past, present, and future in a shared pulse that transcends boundaries.

For those who want to experience Sven Väth's incomparable energy and passion over and over again. The perfect opportunity to rediscover Sven Väth's legacy in music history or perhaps even experience it for the first time.

It's more than just a look back - it's an experience. A celebration of nights without end, of passion without limits, and Sven himself, of course.

Coming on February 20th, 2025 —a monument of sound, a story etched in rhythm, and an invitation to lose yourself once more in the magic of Sven Väth. Don’t just listen. Live it.



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Tracklist: (1) Damiano von Erckert – Steam (Staub Mix) (DE-Q20-24-00015)
(2) Damiano von Erckert – Dad Was Not Around (DE-Q20-24-00016)
(3) Damiano von Erckert – Roh (DE-Q20-24-00017)
(4) Damiano von Erckert – Fantazia 93 (DE-Q20-24-00018)


Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.







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Tracklist:
(1) Riccardo De Polo – Ascension (DE-Q20-24-00011)
(2) Riccardo De Polo – Wahnstimmung (DE-Q20-24-00012)
(3) Riccardo De Polo – Inception (DE-Q20-24-00013)


The epochal energy of "Ascension" captivated us from the very first moment, making it an ideal intro track. With its cinematic soundtrack reminiscent of "Vangelis", Italian producer Riccardo De Polo has crafted a sublimely ethereal experience that transports listeners into the vast expanse of space. As stars and planets drift by, the music beckons us to explore further, to surrender ourselves to the moment. The low strings serve as a booster until the rocket engine roars to life and the spaceship disappears into another galaxy.

Subsequently the polyrhythmic sequence of "Wahnstimmung" spirals abstractly far below the cerebral cortex. The driving bass drum, paired with shakers and percussion, propels the composition forward at a steady pace. The tension intensifies, painting a picture of liquid metal pouring into a melting pot.
Pure, stripped-down techno as we know it from its origins.

"Inception" hypnotically takes you into a deep state of trance, engulfing you in a tribe's energy. It’s truly a classic Cocoon sound that has its very own place in Sven's sets. The vigor is palpable, the shimmering sequence will make the dust visibly glow above the open-air dance floors while the air begins to shimmer. Noisy snare drums heat the narrowed arrangement to the absolute boiling point. This is the energy we have been looking for!






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Germany
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Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)


L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.

A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.

B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.

What is certain, you can't tell that either version has been around for 30 years.




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Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)

Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.


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10“ Vinyl with hand-stamped cover and labels

Tracklisting:

A1. DeFeKT x Extrawelt – Cell Sync (DE-Q20-23-00029)
B1. DeFeKT x Extrawelt – In The Space Of… (DE-Q20-23-00030)


After their debut 12" on Feel My Bicep and their contribution "Halluzinelle" to the Dots And Pearls 7 compilation, DeFeKT and Extrawelt are joining forces again.

In the act of remembering the true spirit of no-nonsense, raw, and direct techno, they created these two masterfully executed, original, and timeless cuts.

Each time they get together they come up with something truly unique, blending their styles effortlessly and seamlessly. Their expertise, knowledge, and recognition of our music's history just radiates out of this release. Both tracks immediately captured our souls here at Cocoon headquarters and we couldn't be more excited to put them out right away on this beautiful, limited, hand-stamped 10" vinyl.




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DE - 22113 Hamburg
Germany
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- Limited Vinyl Box Set including 6x purple 12” vinyl & download code

Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)

Cocoon Recordings presents: Cocoon Compilation U

Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.


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a pair of 2 cocoon slipmats black with neon orange print print (pair!)

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Tracklist:

(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)


Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.





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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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Tracklist:
(1) Raxon – Robotalia (DE-Q20-23-00013)
(2) Raxon – Kryptonite (DE-Q20-23-00014)

Release Info:
Next up is an overdue reunion with a familiar face. After his outstanding contribution to Cocoon Compilation S and his first solo EP on Cocoon Recordings, Raxon is back with a more than equally fascinating sound. The Egyptian-born and now Barcelona-based artist is back on it again, delivering two tracks that will take you on a journey through the depths of robotic soundscapes.
Intricate beats, hypnotic synthesizer melodies, deep bassline grooves, and distinctive EFX sounds create Raxon’s very special signature sound.

Straight drum programming paired with chirping percussions takes us away to embark on a travel through space and time while distinctive claps poke through a futuristic nebula of floating and shifting sequences. The twisted melody of “Robotalia” carries us to a parallel dimension of machine sound and if you listen closely, you can hear the robots’ screwing and sawing. Warping bleeps and mechanical effects complete the robotic feeling. Raxon’s understanding of structures and architectural abilities are reflected through the arrangement, slowly increasing to ecstasy.

“Kryptonite” scores with alien soundscapes. Stuttering vocals are the questions, while futuristic and dramatic chord stabs are the direct answer. A straight, radiant sound appears as an electronic trombone from outer space, offensively supporting the driving bassline. The symbiotic interplay between the euphoric synthesizer hook line and the relentless beat with pushing sharp hi-hats visualize powerful images in one's mind's eye. Suddenly the beat stagnates and results in a morphing break going head over heels developing a start-stop pitch effect that not only builds up tremendous tension but also bears an increased risk of melting your brain. We just love tape delay!





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Rights: World excluding FR & UK

Packaging: 2 x CD, 6 page 4/4 digisleeve with 3 wallets , 12 page booklet, marketing sticker

PRODUCTS INFOS
"The Factory (Best Of) " : all singles & hits released on Factory as 7''/radio edits.
" Remastered + exclusive new artwork.
" First time ever Happy Mondays 's cult remixes as bonus
" 2CD Collector 25 tracks : 14 singles + 11 Remixes
" 2LP editions 17 tracks : 14 singles + the 3 most sought after remixes. Limited Double Yellow & Magenta LP edition also available on Double Black Vinyl that will remain the permanent vinyl edition (with a slightly different frontcover).

SHORT BIOG
2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

Tracklisting:
CD1 TITLE TIMING EDIT
1 Delightful 3:38:00 THE 45 EP
2 Freaky Dancin' 3:42:00
3 Tart Tart 4:18:00
4 24 Hour Party People 3:20:00 Radio Edit
5 Wrote for Luck 3:41:00 7" Edit
6 Lazyitis - One Armed Boxer 3:53:00
7 Hallelujah 3:46:00 Oakenfold 7" Edit
8 Step On 4:20:00 7" Edit
9 Kinky Afro 3:58:00 Radio Edit
10 Loose Fit 3:46:00 Radio Edit
11 Judge Fudge 3:58:00 7" Edit
12 Stinkin' Thinkin' 4:18:00 Hague 7" Edit
13 Sunshine & Love 3:23:00 7" Edit
14 Angel 4:05:00

CD2
1 Tart Tart (The Reflex Revision) 7:16:00 NEW
2 24 Hour Party People (Jon Carter's Main Vocal) 4:29:00
3 W.F.L. (Think About The Future Mix) 7:05:00
4 Hallelujah (Club Mix) 6:29:00
5 Rave On (Club Mix) 5:35:00 Oakenfold / Farley
6 Step On (Twistin' My Melon Mix) 5:55:00
7 Kinky Groovy Afro Remix AKA "Euromix" 7:33:00
8 Loose Fit (Greg Wilson and Ché Wilson Remix) 8:12:00
9 Bob's Yer Uncle (Perfecto Remix) 6:20:00 ROWETTA INTRO
10 Stinkin' Thinkin' (Junior Style) 7:05:00 12" MIX
11 Sunshine & Love (Far Island Mix) 8:24:00


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2025 REPRESS.
2 x LP 180gm Heavyweight Vinyl.
Gatefold Sleeve.
Black Poly-lined Inner.
A1 Angel Echoes 4:00 A2 Love Cry 9:13 B1 Circling 5:15 B2 Pablo's Heart 0:11 B3 Sing 6:48 C1 The Unfolds 7:47 C2 Reversing 2:40 D1 Plastic People 6:33 D2 She Just Likes To Fight 4:34


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2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49

RELEASE INFO:

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming, followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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LP - territory: territory: WW- UK/USA/CA/Benelux/AU/NZ/JP

CD

Tracklist:

1. Die Cry Lie
2. Valhalla
3. Swedish Nightmare
4. Classified
5. Long Time No See
6. Fatal Distraction
7. Get A Life
8. Joe Hill’s Last Will
9. How Much Is The World
10. Creeping Beauty
11. All The Way
12. Big Life
13. The Bitter End

The word "amateur" originates from the Latin word "amator," meaning "lover" or "admirer". This Latin term is derived from "amare," which means "to
love". The French adopted "amateur" from Latin, and the English then borrowed it from French, initially retaining the sense of someone who loves or
is devoted to something. Over time, the English usage of "amateur" also developed a meaning related to a lack of professional skill or experience.
How did a word derived from love become a slur? Is love really so defenseless? They say love conquers all, but in reality isn’t love quite ridiculous?
It has no intention, no motive, no agenda. How could it possibly prevail? It can’t be bought or sold, or so they say.Its mere existence can't be proven or
even measured. What an impossible thing. Trying and failing, time and time again, no wonder cynicism always seems to win. I see “amateurism” as a
delighted, even foolish, protest. Protest against everything. Of what’s expected of someone, or expected of someone to desire or strive for. To be elite,
to be expert, to be professional, to be a master, to excel and succeed. Where’s the joy in that? I just want to have fun. I want to want. I want to love.
And keep doing it, forever. I want to have fun, even when it’s tiring and sometimes even heaven is boring as hell. I want to be bad. I want to do my
own thing. “I vant to be alone”. I want to be someone so dedicated to their passion that it starts to seem like there’s something wrong with them. All
the way. We can take it all the way, and never get it back.
” - Molly Nilsson

Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a “legacy,” Molly
Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her
greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenceless and armed with a
glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart.
Amateur is a jubilee for losers. A treatise in 13 songs, Amateur states clearly that we should live our life with eternal curiosity, offers us an open hand
of comradeship out of the rat race. The songs on the album are both some of the most personal of Nilsson’s career and the most anthemic. First
single How Much Is The World asks us to re-evaluate value in the face of a Neo-liberal system squeezing the life out of our loves. Pulsing opener Die
Cry Lie satirises the commercialisation of emotion in the form of a shout-along diss-track. With a pounding rhythm track held down by gorgeous chord
changes, heartbreaker Valhalla carries the torch for the main themes of the album: never growing up, making mistakes with kindness, moving on.
When the drums crash in on the line “It’s going to get better now, you’ll see, going to be much better off without me” there is a world of feeling swirling
about in the vocal delivery. One reading of the track might be that it’s a break up song but the subtext is classic Molly Nilsson: by living truthfully,
making mistakes, we’re active agents against the myriad oppressions of the world.

All The Way takes the theme for a run into the eternal sunset. It’s a manifesto for living fully. “Take it all the way, and never get it back” - it’s the
process that’s the important point. The journey not the destination. Big Life, follows on like a part 2: An ode not only to Molly Nilsson’s career of
endless gigs, endless connections with people, it’s a massive ode for following your dreams, doing it yourself. Closer The Bitter End is a powerful
anthem for friendship, another definition of love infused in Nilsson’s work, A beautifully poignant ode to comradeship til the end, it seems to be the
songwriter approaching aging, approaching life’s inevitability with the same vigour and earnestness, the same love of life she enjoyed at the onset of
her career.

There are moments on Amateur shrouded in reverb, slightly out of focus, forcing the listener to step deeper into the Mollyverse.. Nilsson’s open-armed
beseeching to the world permeates every beat, every chord. These are songs exploding with life: the chunky, aggressive bassline on the punker Get A
Life can’t hide its massive, catchy chorus. The sweeping Swedish Nightmare might be a tongue-in-cheek self-reference, but at its heart it’s a song
about the duality of living life large, what is a dream, what is a nightmare? Molly Nilsson says you can’t have one without the other, and why would you
want to?

Here’s to making mistakes.

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Format: (LP)

Special remarks : Coloured vinyl, turquoise


Genre: ChillOut, Ambient, Breakbeat


Tracklist LP:

A1. Pathways (part I)
A2. Pisces III
A3. Distance
A4. Pathways (part II)
B1. Circulation
B2. End Of Land
B3. Unlock Me
B4. Unmoored

Short Info:

Mellonius One’s blend of cinematics and downtempo breaks gets fully captured in all its emotive brilliance for his first long player vinyl LP.




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Appearances on the BBC played a crucial part in the extraordinary UK success enjoyed by Focus in 1972-73. Their live performances on TV's The Old Grey Whistle Test and radio's Sounds Of The '70s were much discussed at the time, and laid the foundation for a trio of hit singles in Sylvia, Hocus Pocus and House Of The King, all included here. Seven tracks showcase their distinctive mix of flute, keyboards and guitar with occasional yodelling. Sound is excellent throughout and the release comes with full recording details and extensive sleeve notes.

Tracklisting

Side One
1. Sylvia
2. House Of The King*
3. Eruption
4. Hocus Pocus
Side Two
1. Hocus Pocus
2. Improvisation on Anonymous II*
Recording quality Excellent except * which are still Very Good


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