Tracklisting:

1. (A1) Extrawelt - Grand Départ (DE-Q20-25-00036)
2. (A2) Extrawelt - Clapland (x Jimi Jules) (DE-Q20-25-00037)
3. (B1) Extrawelt - Dystortion (DE-Q20-25-00038)
4. (B2) Extrawelt - Surrounded By Miracles (DE-Q20-25-00039)
5. (C1) Extrawelt - Der Agent (DE-Q20-25-00040)
6. (C2) Extrawelt - Die Hatz (DE-Q20-25-00041)
7. (C3) Extrawelt - Sir Stringalot (DE-Q20-25-00042)
8. (D1) Extrawelt - ¡No Pasaran! (DE-Q20-25-00043)
9. (D2) Extrawelt - No Song For The Dead (DE-Q20-25-00044)
10. (E1) Extrawelt - Hope Sounds Good (DE-Q20-25-00045)
11. (E2) Extrawelt - Hurt (DE-Q20-25-00046)
12. (F1) Extrawelt - Dysto Disko (DE-Q20-25-00047)
13. (F2) Extrawelt - Schöne Aussichten (DE-Q20-25-00048)
14. (F3) Extrawelt - Reverse Curse (DE-Q20-25-00049)


DYSTORTION
Extrawelt's Latest and Longest-Brewing Album Lands This December on Cocoon

In this beautiful world marked by rising chaos, sometimes the simplest way to escape its troubles is through sonic relief. Germany's renowned electronic duo Extrawelt will offer exactly that with their 5th full-length album, DYSTORTION, via Cocoon Recordings this December.

For over two decades, the humble duo behind Extrawelt, who shy away from making music for clicks, have been a steadfast presence in electronic music. Known as serious studio and tour-focused artists who craft timepiece albums, each a work of enduring craft, that go on to create atmospheric, out-of-the-box live acts, they've been shaping and redefining electronica since their first release.


DYSTORTION is their most diverse and evocative album to date. Imagined over six years and shaped by a world in flux through COVID, political upheavals, social media, and AI, it reflects the contrasts and twists we've all felt while offering surges of serenity and hope. From brooding tension to playful relief, it moves through different states in an evolved Extrawelt manner.

The album's opening credit, "Grand Départ," as if a cinematic prelude, invites us into a world of creeping bass, an explicitly Extrawelt sound that's synonymous with the "anti-genre genre" they work within. The album's second track, "Clapland," sees Extrawelt joining forces with Jimi Jules, a name synonymous with excellence in electronic music, creating a rare collaboration that is felt in every note. Soon, the mood shifts into softer melodies as heard in "Surrounded By Miracles," "Hope Sounds Good," and "Sir Stringalot," which bring bright euphorics to balance the darker moments in an album echoed by industrial influences. Later, as "Dystortion" (the album's title track) unfolds, we're drawn into something few electronic artists can create: raw emotion. This is a gritty landscape as reflective as it is pulsing, glitchy, intense, and richly textured.

DYSTORTION is a reflection of a complex, divided world, carried through dramatically with Extrawelt's signature techno tension. Like the world right now, it is full of contradictions, surprises, and moments of introspection, an essential listen for fans of mature electronic music that may or may not need a reminder of why, after 20 years, we're still listening.


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2025 Repress

UPC: 827170537965
Tracklist: (A) A Little Further (Not On A Map) (B1) A Little Further (37 Routes) (B2) A Little Further (Imaginary Escort)
With Dominik Eulberg and Arne Schaffhausen (of EXTRAWELT) we welcome back two longtime Cocoon heroes to the label. The two were featured in a VICE Magazine special last year for a "field recording" documentary which marked the beginning of a new collaboration. Dominik and Arne checked their fresh recorded sounds in the studio and found out that there have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time.
The first results of their mutual work is "A Little Further" which will be released in three different versions on Cocoon Recordings in the next weeks (COR12117). So let's start with "Not On A Map" version: This one seems to be tailor made for the next afterhour and the rising sun. Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming. So many layers and different levels however the overall picture never gets overcharged or too demanding.
Coming up next is the "37 Routes" version which quite stands out with the used breakbeats and no standard 4/4 kick drum. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions. Last but not least there's the "Imaginery Escort" version which appears a bit like the dub edit of "A Little Further". This one emphazies the cool and reduced beat programming. The "Imaginery Escort" is more DJ-friendly and without the big breaks, it keeps the rolling beat going and going and we see the floors burning to this cool groover, too. One of these tracks DJs can't wait to drop them in their sets! All three versions make a great package and a big release that breathes pure techno air. No pseudo-retro-hype and no tech-house-mash-up, this one is just techno. Big techno! And it makes us even more excited looking forward to the upcoming festival season!


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Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



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*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Blue, Light Rosé, Neon Green


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar – Yah (DE-Q20-25-00002)
(2) Jonathan Kaspar – Silver Lines (DE-Q20-25-00003)

COR12179_A – Twofold - Ignite
Drifting hypnotically, this might be the most fitting way to describe what Jonathan Kaspar unfolds before us here. The rolling percussion grooves seamlessly intertwine with the siren's spectral tone, gradually blending into the alchemy of ‘Yah’ as it erupts into the mix. By the time the peak arrives, there’s a raw intensity in the air - the track seems to bend and stretch then drills and twists until it cracks, but never loses its sense of purpose and remainsanchored in its deep, pulsating groove. On the flip side, ‘Silver Lines’ stands as a counterpart, offering a contrast in both sound and atmosphere. With its minimalist arrangement, the track first nestles in gently, lulling the listener into its world—only to tighten its grip as a synth sequence gradually opens its cut-off filter, slicing through the calm, drilling into the mind, and shifting the mood from tranquil to tense.



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Germany
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Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More

*** COLOURED VINYLS ARE LIMITED TO 500 COPIES ***

Vinyl colours: Neon Orange, Light Blue, Yellow


Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



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Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Tracklisting:

Digital / LP
1. (A1) Delenz & Zeitstill – Place To Be (DE-Q20-25-00007)
2. (B1) Superpitcher – Dream B (DE-Q20-25-00008)
3. (C1) Patrice Bäumel – Nat (DE-Q20-25-00009)
4. (D1) Sawlin – Der Jasager (DE-Q20-25-00010)
5. (E1) DC Salas – Escapism (DE-Q20-25-00011)
6. (F1) Tal Fussman – Eyes (DE-Q20-25-00012)
7. (G1) Ken Ishii & Yuada – Split Second (DE-Q20-25-00013)
8. (H1) Marcel Fengler – Aura (DE-Q20-25-00014)
9. (I1) Impérieux – Kala (DE-Q20-25-00015)
10. (J1) Joe Metzenmacher – Da Freak (DE-Q20-25-00016)
11. (K1) Joseph Capriati – Cosmopop (DE-Q20-25-00017)
12. (L1) Matthias Schildger – Distorter (DE-Q20-25-00018)

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.


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Exclusive 4x12” vinyl box set with glossy Spot UV finish

Tracklisting:

CORLP058 Vinyl 1

1. (A1) Sven Väth – Ritual Of Life (Adam Port 108 Mix) (DE-Q20-15-01361)
2. (B1) Sven Väth – Ballet-Fusion (Speedy J Remix) (DE-Q20-95-01244)
3. (B2) Metal Master – Spectrum (Bart Skills & Weska Reinterpretation) (DE-Q20-22-00022)


CORLP058 Vinyl 2

4. (A1) Sven Väth – The Beauty And The Beast (Eric Prydz Re-edit) (DE-Q20-08-00033)
5. (A2) OFF Feat. Sven Väth – Electrica Salsa (Roman Flügel Remix) (DE-Q20-16-01485)
6. (B1) Sven Väth – Cala Llonga (DE-Q20-02-01236)
7. (B2) Sven Väth – Sounds Control Your Mind (DE-Q20-98-01216)


CORLP058 Vinyl 3

8. (A1) Sven Väth – Dein Schweiss (DE-Q20-00-01221)
9. (A2) Sven Väth – Robot (Kölsch Remix) (DE-Q20-16-01471)
10. (B1) Sven Väth – L’Esperanza (Hardspace Mix) (DE-Q20-24-00010)
11. (B2) Sven Väth – Privado (DE-Q20-00-01227)


CORLP058 Vinyl 4

12. (A1) Sven Väth – Mind Games (Roman Flügel Remix) (DE-Q20-25-00001)
13. (A2) Sven Väth – Face It (DE-Q20-98-01214)
14. (B1) Astral Pilot – The Day After (DE-Q20-08-00068)




Cocoon Recordings presents: Sven Väth - Retrospective

This retrospective is not merely a celebration—it’s a legacy. Sven Väth’s unparalleled life and pioneering spirit, as well as the defining moments that inspired an entire generation, are distilled into a profound tribute. A musical retrospective that captures the evolution of a visionary whose art has defined, inspired, and reimagined electronic music culture and retells it with zeitgeist.

Sven Väth is more than a DJ, he is a force of nature. A trailblazer whose work is not just music, it’s a philosophy of life: ecstasy, freedom, and a fearless pursuit of creativity, all wrapped in a knowing wink of craziness and rebellion.

Spanning over three decades, this carefully curated collection invites listeners to trace special moments of Sven’s musical work. From his electrifying beginnings to modern interpretations that pulse, This collection is a tribute to a life dedicated to music, every beat a moment frozen in time. Beyond the timeless anthems lies an unreleased treasure—a hidden gem by Roman Flügel that promises to surprise even the most ardent followers.

Alongside Sven’s timeless originals, this release showcases visionary remixes by some of the most revered names in electronic music. Beginning with Adam Port’s hypnotic reimagining of Ritual Of Life to Eric Prydz’s cinematic take on The Beauty and the Beast and Roman Flügel’s unique interpretations, each remix pays homage to Sven’s legacy while channeling a bold, contemporary edge. Speedy J, Bart Skils & Weska, and Kölsch further elevate the collection, showcasing the influence of Sven’s work across generations and styles.

More than a retrospective, this is a living contemporary document that makes techno and club culture tangible. It’s a sonic time capsule for those who lived through the golden nights when Sven set dancefloors ablaze - a musical legacy that connects past, present, and future in a shared pulse that transcends boundaries.

For those who want to experience Sven Väth's incomparable energy and passion over and over again. The perfect opportunity to rediscover Sven Väth's legacy in music history or perhaps even experience it for the first time.

It's more than just a look back - it's an experience. A celebration of nights without end, of passion without limits, and Sven himself, of course.

Coming on February 20th, 2025 —a monument of sound, a story etched in rhythm, and an invitation to lose yourself once more in the magic of Sven Väth. Don’t just listen. Live it.



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Tracklist: (1) Damiano von Erckert – Steam (Staub Mix) (DE-Q20-24-00015)
(2) Damiano von Erckert – Dad Was Not Around (DE-Q20-24-00016)
(3) Damiano von Erckert – Roh (DE-Q20-24-00017)
(4) Damiano von Erckert – Fantazia 93 (DE-Q20-24-00018)


Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.







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Tracklist:
(1) Riccardo De Polo – Ascension (DE-Q20-24-00011)
(2) Riccardo De Polo – Wahnstimmung (DE-Q20-24-00012)
(3) Riccardo De Polo – Inception (DE-Q20-24-00013)


The epochal energy of "Ascension" captivated us from the very first moment, making it an ideal intro track. With its cinematic soundtrack reminiscent of "Vangelis", Italian producer Riccardo De Polo has crafted a sublimely ethereal experience that transports listeners into the vast expanse of space. As stars and planets drift by, the music beckons us to explore further, to surrender ourselves to the moment. The low strings serve as a booster until the rocket engine roars to life and the spaceship disappears into another galaxy.

Subsequently the polyrhythmic sequence of "Wahnstimmung" spirals abstractly far below the cerebral cortex. The driving bass drum, paired with shakers and percussion, propels the composition forward at a steady pace. The tension intensifies, painting a picture of liquid metal pouring into a melting pot.
Pure, stripped-down techno as we know it from its origins.

"Inception" hypnotically takes you into a deep state of trance, engulfing you in a tribe's energy. It’s truly a classic Cocoon sound that has its very own place in Sven's sets. The vigor is palpable, the shimmering sequence will make the dust visibly glow above the open-air dance floors while the air begins to shimmer. Noisy snare drums heat the narrowed arrangement to the absolute boiling point. This is the energy we have been looking for!






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Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)


L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.

A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.

B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.

What is certain, you can't tell that either version has been around for 30 years.




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Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)

Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.


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10“ Vinyl with hand-stamped cover and labels

Tracklisting:

A1. DeFeKT x Extrawelt – Cell Sync (DE-Q20-23-00029)
B1. DeFeKT x Extrawelt – In The Space Of… (DE-Q20-23-00030)


After their debut 12" on Feel My Bicep and their contribution "Halluzinelle" to the Dots And Pearls 7 compilation, DeFeKT and Extrawelt are joining forces again.

In the act of remembering the true spirit of no-nonsense, raw, and direct techno, they created these two masterfully executed, original, and timeless cuts.

Each time they get together they come up with something truly unique, blending their styles effortlessly and seamlessly. Their expertise, knowledge, and recognition of our music's history just radiates out of this release. Both tracks immediately captured our souls here at Cocoon headquarters and we couldn't be more excited to put them out right away on this beautiful, limited, hand-stamped 10" vinyl.




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- Limited Vinyl Box Set including 6x purple 12” vinyl & download code

Tracklist LP
1. (A1) New Jackson – Acid Jackson (DE-Q20-23-00017)
2. (B1) Ian Pooley – DDG Talk (DE-Q20-23-00018)
3. (C1) Jakob Reiter – Il Rotori (DE-Q20-23-00019)
4. (D1) DJ Tennis – Take It, Take It (DE-Q20-23-00020)
5. (E1) Drumcomplex & Frank Sonic – Lacalute (DE-Q20-23-00021)
6. (F1) Michael Klein – Time Warp (DE-Q20-23-00022)
7. (G1) Benjamin Damage – Light (DE-Q20-23-00023)
8. (H1) Levon Vincent – Waiting (DE-Q20-23-00024)
9. (I1) Space Dimension Controller – Cold Tunings (DE-Q20-23-00025)
10. (J1) Orlando Voorn – Samurai (DE-Q20-23-00026)
11. (K1) Marco Faraone & The Florentian Cabaret – Uni-Verse (DE-Q20-23-00027)
12. (L1) Fango – Betta (DE-Q20-23-00028)

Cocoon Recordings presents: Cocoon Compilation U

Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation.
The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori” then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over.
Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.


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a pair of 2 cocoon slipmats black with neon orange print print (pair!)

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Tracklist:

(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)


Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.





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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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Tracklist:
(1) Raxon – Robotalia (DE-Q20-23-00013)
(2) Raxon – Kryptonite (DE-Q20-23-00014)

Release Info:
Next up is an overdue reunion with a familiar face. After his outstanding contribution to Cocoon Compilation S and his first solo EP on Cocoon Recordings, Raxon is back with a more than equally fascinating sound. The Egyptian-born and now Barcelona-based artist is back on it again, delivering two tracks that will take you on a journey through the depths of robotic soundscapes.
Intricate beats, hypnotic synthesizer melodies, deep bassline grooves, and distinctive EFX sounds create Raxon’s very special signature sound.

Straight drum programming paired with chirping percussions takes us away to embark on a travel through space and time while distinctive claps poke through a futuristic nebula of floating and shifting sequences. The twisted melody of “Robotalia” carries us to a parallel dimension of machine sound and if you listen closely, you can hear the robots’ screwing and sawing. Warping bleeps and mechanical effects complete the robotic feeling. Raxon’s understanding of structures and architectural abilities are reflected through the arrangement, slowly increasing to ecstasy.

“Kryptonite” scores with alien soundscapes. Stuttering vocals are the questions, while futuristic and dramatic chord stabs are the direct answer. A straight, radiant sound appears as an electronic trombone from outer space, offensively supporting the driving bassline. The symbiotic interplay between the euphoric synthesizer hook line and the relentless beat with pushing sharp hi-hats visualize powerful images in one's mind's eye. Suddenly the beat stagnates and results in a morphing break going head over heels developing a start-stop pitch effect that not only builds up tremendous tension but also bears an increased risk of melting your brain. We just love tape delay!





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Tracklist
A1. Jonquera – Cause & Utility
A2. Jonquera – Tales Of Decay
B1. Tolouse Low Trax – Amp
B2. Tolouse Low Trax – Solid Rock

Info:
Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.



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GENRE/S: Techouse

TRACKLIST:
[Vinyl]
A1. Can You Dream
A2. Compass Point
B1. Floating In The Dancehall
B2. Tu Cariño

SHORT INFO:
Swedish underground maestro Jo Bubbles (a.k.a. Jonas Dahlström) boasts an impressive streak of hot dance 12’’ releases in recent years, for illustrous labels like Parkway Records, The Transient Nature of The Disco Business and Västkransen. Ever intent on lifting homegrown talent and presenting it to its
worldwide audience, Studio Barnhus proudly unveils Mr. Bubble’s first outing on the label: a compilation of four distinct, yet equally striking dance tracks, each showcasing meticulously curated sound palettes paired with undeniably rock solid grooves.
From the electroid stomp of Compass Point to the Balearic-leaning grandeur of closing track Tu Cariño, these are cuts that would have gone down a storm during the early morning hours at Hägring, the infamous, now-defunct disco rave Jonas helped steer for over a decade. We’re thrilled to release these babies into the wild, for all to enjoy. Tu Cariño is out on vinyl and digital formats on October 10.

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LP
GENRE/S: Avantgarde, Lounge, Experimental

TRACKLISTS:

A1 Venise
A2 Mais Où Est Donc Ornicar ?
A3 Antilope
A4 Celles De La Haute Mer
A5 Opium

B1 Voyage Autour De Ma Tête
B2 Le Trapéziste
B3 Moitié Panthère
B4 L'Année De La Comète
B5 Quand Nos Pères Étaient Des Poissons



SHORT INFO:
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time.
L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists in its own sonic universe: poetic, layered, and fiercely independent.
Formed in Saint-Étienne by percussionist and composer Dominique Lentin (Dagon, Fille Qui Mousse) and first-time vocalist Bipé Redon, L'Empire Des Sons emerged from the vibrant DIY spirit of the early 1980s. Their paths crossed during the interdisciplinary project L'Opéra Quotidien, and what followed was an intuitive, deeply collaborative process. "I would bring in lyrics and my voice," Bipé recalled, "and Dominique would shape the music around the atmosphere or rhythm suggested by the words."
The result is a collection of songs that feel both meticulously constructed and completely free. Ethnic percussion, marimbas, xylophones, and synthesizers dance around Bipé's surreal, fragmented lyrics-little sonic postcards from imagined worlds. There's a theatricality here, but it never feels forced; rather, it's playful, intimate, and raw.
Despite their inventiveness, L'Empire Des Sons remained a well-kept secret-circulating only in select avant-garde circles and eventually becoming an extremely sought-after collector's item.
Now, thanks to Glossy Mistakes, this lost artifact returns to the world with new life: remastered from the original tapes, pressed on vinyl for the first time with extended liner notes.
L'Empire Des Sons was never meant to be boxed in. Like the quote from Brian Eno that opens their liner notes-"For the world to be interesting, you have to be manipulating it all the time"-their music resists stasis. It evolves, shifts, surprises. And now, it finally gets the audience it always deserved.


VITAL SALES POINTS:

- One of the most sought-after private pressings from the French avant-garde
- Remastered from source material
- Includes extensive liner notes with unseen pictures of the band


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Physical format only. No digital. Limited to 100 copies.

After a long break from the 12" club format, Pedro Vian returns with a four-track EP aimed at the dancefloor. One of the key cuts is a club version of "I am OK", originally released on his latest album The Addiction (2025).
The EP also includes an additional track, "Teresa (Comelade's Piano Redubbed)" - a reinterpretation that samples Pascal Comelade's version of a song by Ovidi Montllor, the iconic Catalan folk singer known for his poetic, politically charged work during the post-Franco era. Vian reshapes this reference into a meditative ambient piece.

Mastered by Rupert Clervaux.

Tracklist:
A1. A Glory Island
A2. I am OK (Club Mix)
B1. Sentiments
B2. Where Should I Go?
B3. Teresa (Comelade's Piano Redubbed)

Genre: Techno / Breaks



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2x12" LP - Half-speed cutting and mastering by Sidney Claire Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon), pressed at 45rpm

Text:

Indulge in a delicious audiophile epilogue to Princess P's Infinite Sonore compilation with this 2x12" musical offering.

Swiss DJ Princess P, known for her wide-ranging selections, that resonates equally on the dancefloor and in immersive listening spaces, has been a dynamic presence in the Swiss electronic scene since the mid ’90s and has cultivated a genre-defying style. Her sets have become staples at clubs like Zukunft and festivals such as Watching Trees and Convenanza, where she showcases her iconoclastic musical knowledge and maverick flair.

Artist: Various Artists
Title: Princess P Presents
A. Fortran 5 – Heart On The Line (Moby's Bassline Mix) 4:58 129BPM
B. Renegade Soundwave – Women Respond To Bass (Vocal) 5:39 120BPM
C. Saint Etienne – Stoned To Say The Least 7:42 118BPM
D. S.Y.T. (Shave Your Tongue) – Pleasure (Dub) 6:51 115BPM

Half-speed cutting and mastering by Sidney Claire Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon), pressed at 45rpm—these tracks have never sounded better, have they?

Liner Notes by Joe Muggs (Bass, Mids, Tops – An Oral History of Soundsystem Culture)

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Territories: WORLD EXCL Japan

LP: Heavyweight Sleeve with Selective Varnish Print, Special Paper Obi

Tracklisting LP
A1. Sonatine ~act of violence~
A2. Light And Darkness
A3. Play OnThe Sands
A4. Rain After That
A5. A On The Fullmoon Mystery
A6. Into A Trance
A7. Sonatine ~in the beginning~
B1. Magic Mushroom
B2. Eye Witness
B3. Runaway Trip
B4. Mobius Band
B5. Die Out Of Memories
B6. See You...
B7. Sonatine ~be over~


Info

WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi’s original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition housed in a luxurious heavyweight sleeve with selective varnish printing and a special paper obi belt.

The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.

Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano’s A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki’s Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble’s MKAWJU also released on WRWTFWW Records.

The Sonatine movie score showcases the composer’s more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi’s own favorites.

Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano’s Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin’ya Tsukamoto’s Tokyo Fist (1995). Collect them all on WRWTFWW Records!



Points of interests

- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.

- First vinyl release of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More