1
youANDme & 6feet - Grains
2
youANDme & 6feet - alternative thinking methods
3
youANDme & 6feet - alternative thinking methods, basic variation
4
youANDme & 6feet - grains, basic-variation
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Grains"
A2 - "Alternative Thinking Methods"
B1 - "Alternative Thinking Methods" (Basic-Variation)
B2 - "Grains" (Basic-Variation)
Short info:
youANDme and Richard Rozen (aka 6FEET) from New York team up for some bass heavy driving deep house cuts.
More
Tracklist:
A1 - "Grains"
A2 - "Alternative Thinking Methods"
B1 - "Alternative Thinking Methods" (Basic-Variation)
B2 - "Grains" (Basic-Variation)
Short info:
youANDme and Richard Rozen (aka 6FEET) from New York team up for some bass heavy driving deep house cuts.
More
More records from Ornaments
1
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 1)
2
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 2)
3
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 3)
4
Wareika - Tizinabi Part I (23:02 min) (Side A - Preview 4)
5
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 1)
6
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 2)
7
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 3)
8
Wareika - Tizinabi Part II (22:38 min) (Side B - Preview 4)
Special Remarks: clear marbled 180g vinyl + stamped sleeve
Tracklist:
A - Tizinabi Part I (23:02 min)
B - Tizinabi Part II (22:38 min)
Short info:
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.
More
Tracklist:
A - Tizinabi Part I (23:02 min)
B - Tizinabi Part II (22:38 min)
Short info:
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.
More
1
Daniel Stefanik - Echoes
2
Daniel Stefanik - A Time To Rebuild
3
Daniel Stefanik - Destination Detroit
Special Remarks: clear marbled vinyl + stamped sleeve
Tracklist:
A — Echoes
B1 — A Time To Rebuild
B2 — Destination Detroit
Short info:
Deep, trippy, Dub Techno and Detroit inspired cuts by Daniel Stefanik.
More
Tracklist:
A — Echoes
B1 — A Time To Rebuild
B2 — Destination Detroit
Short info:
Deep, trippy, Dub Techno and Detroit inspired cuts by Daniel Stefanik.
More
1
Urban Force - Lost Traxx #3
2
Urban Force - Lost Traxx #3 (youANDme Remix)
Special Remarks: clear marbled vinyl + stamped sleeve
Tracklist:
A — "Lost Traxx #3"
B — "Lost Traxx #3" (youANDme Remix)
Short info:
Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme. Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.
More
Tracklist:
A — "Lost Traxx #3"
B — "Lost Traxx #3" (youANDme Remix)
Short info:
Urban Force is an alias of a really well-known Detroit techno producer and we are happy that we can release a 15 years old and lost dub techno track of him with a deep and dubby remix by youANDme. Vinyl is cut with 45rpm and if you play it with 33rpm you will hear a special surprise.
More
1
Carlos Nilmmns - A1 — "To Infinity"
2
Carlos Nilmmns - A2 — "The Second Message" feat. Keter Darker
3
Carlos Nilmmns - A3 — "The Next"
4
Carlos Nilmmns - B1 — "Smile"
5
Carlos Nilmmns - B2 — "The Pass"
6
Carlos Nilmmns - B3 — "Infinity"
Special Remarks: clear marbled vinyl + stamped sleeve
Tracklist:
A1 — "To Infinity"
A2 — "The Second Message" feat. Keter Darker
A3 — "The Next"
B1 — "Smile"
B2 — "The Pass"
B3 — "Infinity"
Short info:
Carlos Nilmmns is back on Ornaments with another diverse EP ranging from Detroit-inspired house grooves, Dub-Techno, deep electro patterns and stunning soundtracks.
More
Tracklist:
A1 — "To Infinity"
A2 — "The Second Message" feat. Keter Darker
A3 — "The Next"
B1 — "Smile"
B2 — "The Pass"
B3 — "Infinity"
Short info:
Carlos Nilmmns is back on Ornaments with another diverse EP ranging from Detroit-inspired house grooves, Dub-Techno, deep electro patterns and stunning soundtracks.
More
1
Mood of Departure - A1 — "Scan”
2
Mood of Departure - A2 — "Protective Wings"
3
Mood of Departure - A3 — "Nightmare Girls"
4
Mood of Departure - A4 — "Desert Dreams"
5
Mood of Departure - A5 — "Templefield Midnightskate"
6
Mood of Departure - A6 — "Life Transpose"
7
Mood of Departure - B1 — "Stoned Bones"
8
Mood of Departure - B2 — "Blueprinter"
9
Mood of Departure - B3 — "Dollars"
10
Mood of Departure - B4 — "Another Reminder"
11
Mood of Departure - B5 — "Footsteps"
12
Mood of Departure - B6 — "Until The End Of The World"
Special Remarks: 180g clear marbled vinyl + stamped sleeve + inside out printed cover
Tracklist:
A1 — "Scan”
A2 — "Protective Wings"
A3 — "Nightmare Girls"
A4 — "Desert Dreams"
A5 — "Templefield Midnightskate"
A6 — "Life Transpose"
B1 — "Stoned Bones"
B2 — "Blueprinter"
B3 — "Dollars"
B4 — "Another Reminder"
B5 — "Footsteps"
B6 — "Until The End Of The World"
Short info:
Mood of departure presents the 50th release of ORNAMENTS. "Roadmap" LP is crossing borders, forests, mountains and deep atmospheres on a trip of finest electronics from the past and today combined with recordings of destructions.
More
Tracklist:
A1 — "Scan”
A2 — "Protective Wings"
A3 — "Nightmare Girls"
A4 — "Desert Dreams"
A5 — "Templefield Midnightskate"
A6 — "Life Transpose"
B1 — "Stoned Bones"
B2 — "Blueprinter"
B3 — "Dollars"
B4 — "Another Reminder"
B5 — "Footsteps"
B6 — "Until The End Of The World"
Short info:
Mood of departure presents the 50th release of ORNAMENTS. "Roadmap" LP is crossing borders, forests, mountains and deep atmospheres on a trip of finest electronics from the past and today combined with recordings of destructions.
More
1
Rhauder & Paul St. Hilaire - A — "No News"
2
Rhauder & Paul St. Hilaire - B1 — "No News" (Rhauders Dub)
3
Rhauder & Paul St. Hilaire - B2 — "No News" (Assemblage Mix)
4
Rhauder & Paul St. Hilaire - C — "Sidechain"
5
Rhauder & Paul St. Hilaire - D1 — "Sidechain" (Dub Version)
6
Rhauder & Paul St. Hilaire - D2 — "Sidechain" (Pop-A-Dub Version)
7
Rhauder & Paul St. Hilaire - E1 — "Molekule"
8
Rhauder & Paul St. Hilaire - E2 — "Molekule Version"
9
Rhauder & Paul St. Hilaire - F1 — "No More"
10
Rhauder & Paul St. Hilaire - F2 — "No More Version"
Special Remarks: 3 x 12” clear marbled vinyl (blue splashes) + stamped natural carton sleeve
Tracklist:
A — "No News"
B1 — "No News" (Rhauders Dub)
B2 — "No News" (Assemblage Mix)
C — "Sidechain"
D1 — "Sidechain" (Dub Version)
D2 — "Sidechain" (Pop-A-Dub Version)
E1 — "Molekule"
E2 — "Molekule Version"
F1 — "No More"
F2 — "No More Version"
Short info:
„Assemblage“ of Rhauder & Paul St. Hilaire contains all originals of their Ornaments works plus an unreleased bonus version. It’s a recut on three 12 inches with clear marbled vinyl (blue splashes) in a stamped natural carton sleeve. Expect 10 dub techno tracks combined with the beautiful voice of Paul St. Hilaire aka Tikiman.
More
Tracklist:
A — "No News"
B1 — "No News" (Rhauders Dub)
B2 — "No News" (Assemblage Mix)
C — "Sidechain"
D1 — "Sidechain" (Dub Version)
D2 — "Sidechain" (Pop-A-Dub Version)
E1 — "Molekule"
E2 — "Molekule Version"
F1 — "No More"
F2 — "No More Version"
Short info:
„Assemblage“ of Rhauder & Paul St. Hilaire contains all originals of their Ornaments works plus an unreleased bonus version. It’s a recut on three 12 inches with clear marbled vinyl (blue splashes) in a stamped natural carton sleeve. Expect 10 dub techno tracks combined with the beautiful voice of Paul St. Hilaire aka Tikiman.
More
1
Pal Joey - Hot Music (retouched by Takeshi Fukushima)
2
Pal Joey - Freaky (retouched by Takeshi Fukushima)
3
Pal Joey - Mood7
4
Pal Joey - Bounce (retouched by Takeshi Fukushima)
5
Pal Joey - When I Get Kindness
6
Pal Joey - Close The Lid
7
Pal Joey - What Is This Thing Called Boogie
8
Pal Joey - Nostalgic Memory
Special Remarks: clear marbled vinyl
Tracklist:
SIDE A (16:01 min)
A1 - Pal Joey: "Hot Music" (retouched by Takeshi Fukushima) [06:05]
A2 - Pal Joey: "Freaky" (retouched by Takeshi Fukushima) [04:09]
A3 - Takeshi Fukushima: "Mood7" [02:45]
A4 - Pal Joey: "Bounce" (retouched by Takeshi Fukushima) [03:02]
SIDE B (15:56 min)
B1 - Takeshi Fukushima: "When I Get Kindness" [05:15]
B2 - Takeshi Fukushima: "Close The Lid" [04:08]
B3 - Takeshi Fukushima: "What Is This Thing Called Boogie" [03:45]
B4 - Takeshi Fukushima: "Nostalgic Memory" [02:48]
Short info:
The new ORNAMENTS presents 2 legends from New York and Tokyo. Pal Joey Music was created by Joseph Longo III (aka Pal Joey / Earth People / French Touch) and it is one of the most important genre defining house labels from New York. Takeshi Fukushima took some of his favourites from the catalog, retouched it and did his own interpretations. You can expect a well balanced excursion into deep & soulful house, downbeats and electronica.
More
Tracklist:
SIDE A (16:01 min)
A1 - Pal Joey: "Hot Music" (retouched by Takeshi Fukushima) [06:05]
A2 - Pal Joey: "Freaky" (retouched by Takeshi Fukushima) [04:09]
A3 - Takeshi Fukushima: "Mood7" [02:45]
A4 - Pal Joey: "Bounce" (retouched by Takeshi Fukushima) [03:02]
SIDE B (15:56 min)
B1 - Takeshi Fukushima: "When I Get Kindness" [05:15]
B2 - Takeshi Fukushima: "Close The Lid" [04:08]
B3 - Takeshi Fukushima: "What Is This Thing Called Boogie" [03:45]
B4 - Takeshi Fukushima: "Nostalgic Memory" [02:48]
Short info:
The new ORNAMENTS presents 2 legends from New York and Tokyo. Pal Joey Music was created by Joseph Longo III (aka Pal Joey / Earth People / French Touch) and it is one of the most important genre defining house labels from New York. Takeshi Fukushima took some of his favourites from the catalog, retouched it and did his own interpretations. You can expect a well balanced excursion into deep & soulful house, downbeats and electronica.
More
1
Carlos Nilmmns - Copa
2
Carlos Nilmmns - Blue Room
3
Carlos Nilmmns - Iris
4
Carlos Nilmmns - December In New York
5
Carlos Nilmmns - Older Wiser
6
Carlos Nilmmns - Efflorescence
7
Carlos Nilmmns - Loft
Special Remarks: clear marbled vinyl
Tracklist:
A1. Carlos Nilmmns - Copa
A2. Carlos Nilmmns - Blue Room
A3. Carlos Nilmmns, Keter Darker - Iris
A4. Carlos Nilmmns - December In New York
B1. Carlos Nilmmns - Older, Wiser
B2. Carlos Nilmmns - Efflorescence
B3. Carlos Nilmmns - Loft
Short info:
Carlos Nilmmns returns to Ornaments with another slice of artful songwriting ranging from classic deep house, Detroit inspired techno, dubby sketches, a pinch of acid, some New York jazz downbeats and stunning soundtracks.
More
Tracklist:
A1. Carlos Nilmmns - Copa
A2. Carlos Nilmmns - Blue Room
A3. Carlos Nilmmns, Keter Darker - Iris
A4. Carlos Nilmmns - December In New York
B1. Carlos Nilmmns - Older, Wiser
B2. Carlos Nilmmns - Efflorescence
B3. Carlos Nilmmns - Loft
Short info:
Carlos Nilmmns returns to Ornaments with another slice of artful songwriting ranging from classic deep house, Detroit inspired techno, dubby sketches, a pinch of acid, some New York jazz downbeats and stunning soundtracks.
More
1
Mathimidori - Goya
2
Mathimidori - Goya (Rhauder remix)
3
Mathimidori - Saka
4
Mathimidori - Yoto
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Goya"
A2 - "Goya" (Rhauder remix)
B1 - "Saka"
B2 - "Yoto"
Short info:
Mathimidori from Mule Musiq shows us his dub inspired roots incl. a fine balanced remix by Rhauder.
More
Tracklist:
A1 - "Goya"
A2 - "Goya" (Rhauder remix)
B1 - "Saka"
B2 - "Yoto"
Short info:
Mathimidori from Mule Musiq shows us his dub inspired roots incl. a fine balanced remix by Rhauder.
More
1
Steve Bug - Different In Detroit
2
Steve Bug - Different In Detroit (Rhauder Remix)
3
Steve Bug - Different In Detroit (Marko Fuerstenbergs DubHouse)
Special Remarks: clear marbled vinyl
Tracklist:
A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)
Short info:
Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.
More
Tracklist:
A - "Different In Detroit"
B1 - "Different In Detroit" (Rhauder Remix)
B2 - "Different In Detroit" (Marko Fürstenberg's DubHouse Mix)
Short info:
Steve Bug shows us his deeper side incl. 2 dub inspired remixes by Rhauder & Marko Fürstenberg.
More
Special Remarks: clear marbled vinyl
Written, produced, arranged and engineered by Joseph Longo III | Pal Joey Music aka Earth People
Tracklist:
A1 - French Touch 2: "Come On" (Frédo Remix)
A2 - French Touch 2: "Breakin Necks" (Papastomp Remix)
A3 - French Touch 2: "Crowd Jumpin" (DJ PH Remix)
B1 - French Touch 2: "What Would You Change" (feat. Teddy.G)
B2 - French Touch 2: "Yes Yes Y'all" (feat. Benjamin Muller)
B3 - French Touch 2: "Check Out" (Déni Shaïn Remix)
B4 - French Touch 2: "Movin Up" (feat. Ben Muller)
Short info:
New York finest Joseph Longo III (aka Pal Joey / Earth People) presents an excursions into deep & soulful house, downbeats and electronica.
More
Written, produced, arranged and engineered by Joseph Longo III | Pal Joey Music aka Earth People
Tracklist:
A1 - French Touch 2: "Come On" (Frédo Remix)
A2 - French Touch 2: "Breakin Necks" (Papastomp Remix)
A3 - French Touch 2: "Crowd Jumpin" (DJ PH Remix)
B1 - French Touch 2: "What Would You Change" (feat. Teddy.G)
B2 - French Touch 2: "Yes Yes Y'all" (feat. Benjamin Muller)
B3 - French Touch 2: "Check Out" (Déni Shaïn Remix)
B4 - French Touch 2: "Movin Up" (feat. Ben Muller)
Short info:
New York finest Joseph Longo III (aka Pal Joey / Earth People) presents an excursions into deep & soulful house, downbeats and electronica.
More
1
carlos nilmmns - heebiee jeebies
2
carlos nilmmns - Heebie Jeebies (Rolando Remix)
3
carlos nilmmns - Heebie Jeebies (The Analog Roland Orchestra Remix)
Special Remarks: clear marbled vinyl
Tracklist:
A - "Heebie Jeebies"
B1 - " Heebie Jeebies" (Rolando Remix)
B2 - " Heebie Jeebies" (The Analog Roland Orchestra Remix)
Short info:
Bass heavy, subtly rhythmical Detroit inspired original by Carlos Nilmmns incl. 2 substantial interpretations by DJ Rolando and The Analog Roland Orchestra
More
Tracklist:
A - "Heebie Jeebies"
B1 - " Heebie Jeebies" (Rolando Remix)
B2 - " Heebie Jeebies" (The Analog Roland Orchestra Remix)
Short info:
Bass heavy, subtly rhythmical Detroit inspired original by Carlos Nilmmns incl. 2 substantial interpretations by DJ Rolando and The Analog Roland Orchestra
More
1
dubsuite - eigenleben 1
2
dubsuite - Eigenleben 2
3
dubsuite - Eigenleben 3
4
dubsuite - Eigenleben 4
5
dubsuite - Eigenleben 5
6
dubsuite - Eigenleben 6
7
dubsuite - Eigenleben 7
8
dubsuite - Eigenleben 8
12" clear marbled 180g vinyl, recycled grey sleeve
Style: Dub Techno, Modulardub, Experimental, Ambient, Listening
Tracklist:
A1 - "Eigenleben 1"
A2 - "Eigenleben 2"
A3 - "Eigenleben 3"
A4 - "Eigenleben 4"
B1 - "Eigenleben 5"
B2 - "Eigenleben 6"
B3 - "Eigenleben 7"
B4 - "Eigenleben 8"
Short info:
"Eigenleben" was written and produced by Holger Flinsch & Martin Müller from March '05 till June '06 in Hochtaunus, Ohmgebirge and Humboldthain. After 10 years it is the first time available as limited clear marbled 180g vinyl.
Release info:
Creating something selfexistent might be the most difficult part of doing arts - something that isn't just a rigid thing but an entity of itself. Our goal is to bear something upon our technical possibilities without involving any other entity's energy.
Our selfexistent entity should be made up of dead matter and brought to life by technical components which interact with their surrounding and make decisions based on observations which are being analyzed and torn through programs to calculate potential procedures. It should not be limited to its current level of experience. To remain state-of-the-art, apprehension and intelligence are indispensable capabilities our entity should be able to make use of.
The needed technology is basically built on coincidental scientific observations which have been analyzed, processed and at best industrialized. This only works on repetitive or - even better - repeatable processes, because otherwise an industrialization would make no sense. As a result nature is being squeezed into our own pattern of predictability.
But there is a fundamental problem: intelligence cannot be satisfied with predictability. Entities bound to programs are always waiting for known and already categorized input. They cannot handle yet unknown impressions or re-categorize them. Intelligence is beyond predictability - it deals with the unknown and tries to integrate it into the limited and predictable world, of which itself is - and will always be - part.
We have to ask ourself: will it ever be possible? And is it worth it all?
More
Style: Dub Techno, Modulardub, Experimental, Ambient, Listening
Tracklist:
A1 - "Eigenleben 1"
A2 - "Eigenleben 2"
A3 - "Eigenleben 3"
A4 - "Eigenleben 4"
B1 - "Eigenleben 5"
B2 - "Eigenleben 6"
B3 - "Eigenleben 7"
B4 - "Eigenleben 8"
Short info:
"Eigenleben" was written and produced by Holger Flinsch & Martin Müller from March '05 till June '06 in Hochtaunus, Ohmgebirge and Humboldthain. After 10 years it is the first time available as limited clear marbled 180g vinyl.
Release info:
Creating something selfexistent might be the most difficult part of doing arts - something that isn't just a rigid thing but an entity of itself. Our goal is to bear something upon our technical possibilities without involving any other entity's energy.
Our selfexistent entity should be made up of dead matter and brought to life by technical components which interact with their surrounding and make decisions based on observations which are being analyzed and torn through programs to calculate potential procedures. It should not be limited to its current level of experience. To remain state-of-the-art, apprehension and intelligence are indispensable capabilities our entity should be able to make use of.
The needed technology is basically built on coincidental scientific observations which have been analyzed, processed and at best industrialized. This only works on repetitive or - even better - repeatable processes, because otherwise an industrialization would make no sense. As a result nature is being squeezed into our own pattern of predictability.
But there is a fundamental problem: intelligence cannot be satisfied with predictability. Entities bound to programs are always waiting for known and already categorized input. They cannot handle yet unknown impressions or re-categorize them. Intelligence is beyond predictability - it deals with the unknown and tries to integrate it into the limited and predictable world, of which itself is - and will always be - part.
We have to ask ourself: will it ever be possible? And is it worth it all?
More
1
rhauder & paul st. hilaire - molekule
2
rhauder & paul st. hilaire - molekule version
3
rhauder & paul st. hilaire - no more
4
rhauder & paul st. hilaire - no more version
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Molekule" A2 - "Molekule Version" B1 - "No More" B2 - "No More Version"
Short info:
Paul St. Hilaire's soulful voice meets Rhauder's deep & dub inspired beats.
More
Tracklist:
A1 - "Molekule" A2 - "Molekule Version" B1 - "No More" B2 - "No More Version"
Short info:
Paul St. Hilaire's soulful voice meets Rhauder's deep & dub inspired beats.
More
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Cab Ride (To Cafe De Flore)"
A2 - "Nocturne"
A3 - "P-Funk" feat. Keter Darker
B1 - "Earthbound"
B2 - "Scuba"
B3 - "The Sessions 001"
Short info:
A collection of atmospheric tracks between classical compositions, Detroit techno and oldschool deep house.
More
Tracklist:
A1 - "Cab Ride (To Cafe De Flore)"
A2 - "Nocturne"
A3 - "P-Funk" feat. Keter Darker
B1 - "Earthbound"
B2 - "Scuba"
B3 - "The Sessions 001"
Short info:
A collection of atmospheric tracks between classical compositions, Detroit techno and oldschool deep house.
More
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Lightlandscapes"
A2 - "Melody 4"
A3 - "Roden Crater Vision"
A4 - "Broken Sky"
A5 - "Lay Down"
B1 - "Curvature"
B2 - "Impact"
B3 - "Orange Rainrain"
B4 - "Melody 8"
B5 - "Polyblue"
Short info:
A collection of Tracks, skits and moods for James Turell´s visionary Roden Crater project by
The Analog Roland Orchestra.
More
Tracklist:
A1 - "Lightlandscapes"
A2 - "Melody 4"
A3 - "Roden Crater Vision"
A4 - "Broken Sky"
A5 - "Lay Down"
B1 - "Curvature"
B2 - "Impact"
B3 - "Orange Rainrain"
B4 - "Melody 8"
B5 - "Polyblue"
Short info:
A collection of Tracks, skits and moods for James Turell´s visionary Roden Crater project by
The Analog Roland Orchestra.
More
1
sascha dive - tribute
2
sascha dive - tribute, jus ed remix
3
sascha dive - tribute, disco version
Marbled Vinyl
Tracklist:
A - "Tribute" (Original Version) B1 - "Tribute" (DJ JUS-ED Deep Sleep Remix) B2 - "Tribute" (Disco Version)
Short info:
Deep and moody House excursions.
More
Tracklist:
A - "Tribute" (Original Version) B1 - "Tribute" (DJ JUS-ED Deep Sleep Remix) B2 - "Tribute" (Disco Version)
Short info:
Deep and moody House excursions.
More
1
urban force - Metal_Sunrise
2
urban force - Rippling Wave
3
urban force - Time_Regression_Study
4
urban force - Interruptions
Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Metal Sunrise" A2 - "Rippling Waves" B1 - "Time Regression Study" B2 - "Interruptions"
Short info:
Fine moody and dubbed out Techno & Electronica cuts from another space.
More
Tracklist:
A1 - "Metal Sunrise" A2 - "Rippling Waves" B1 - "Time Regression Study" B2 - "Interruptions"
Short info:
Fine moody and dubbed out Techno & Electronica cuts from another space.
More
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1
Convextion - A - Kuiper
2
Convextion - B - Miranda
3
Convextion - C - Ebulience
4
Convextion - D - Niche
NO RETURNS! -
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
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Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
More
1
Sally C - Give It To Me
2
Sally C - Downtown
3
Sally C - Nasty
Sally C returns with her long-awaited second release on eponymous label Big Saldo's Chunkers.
Led by the cult favourite 'Let's Get This', Big Saldo's Chunkers 001 was a runaway success, demanding two represses, both of which sold out within a week. Former BBC Radio 1 legend Annie Mac was a key champion of the record, hosting Sally for a ‘Homage to Hip House’ Mini Mix dedicated to Black innovators such as Fast Eddie, K-Hand and Tyree who inspire her so much. When gigs returned in summer 2021, the EP received a second life with support from the likes of TSHA and Kevin Saunderson, among others.
BSC002 continues on the same straight-up chunky tip that has become her trademark. 'Give it to Me' pops on the A-Side. Emotional and euphoric in equal measures, it brings the Big Saxophone Energy across seven thrilling minutes, as Sally omits the bass giving the sax a chance to shine alongside her signature rolling percussion. Lock this one as a summer 2022 anthem.
A much-requested track I.D at gigs over the last year, 'Downtown' kicks off the B-Side and opens with a question: 'Do you wanna dance?' And of course, we desperately do. It’s the very embodiment of a Chunker with its cool vocal, banging bassline and rolling drums. This is the ultimate all-rounder, good for opening, closing and peak-time moments. 'Nasty' does exactly what it says on the tin and hits with slamming kicks, funky breaks and Saldo's own nastiest bassline on record.
Excitement has been building for this release since Sally included all tracks on her lauded RA podcast last summer. Additionally, all BSC002 cuts went down a dream at her Panorama Bar debut in October and were clear standouts of the set. More
Led by the cult favourite 'Let's Get This', Big Saldo's Chunkers 001 was a runaway success, demanding two represses, both of which sold out within a week. Former BBC Radio 1 legend Annie Mac was a key champion of the record, hosting Sally for a ‘Homage to Hip House’ Mini Mix dedicated to Black innovators such as Fast Eddie, K-Hand and Tyree who inspire her so much. When gigs returned in summer 2021, the EP received a second life with support from the likes of TSHA and Kevin Saunderson, among others.
BSC002 continues on the same straight-up chunky tip that has become her trademark. 'Give it to Me' pops on the A-Side. Emotional and euphoric in equal measures, it brings the Big Saxophone Energy across seven thrilling minutes, as Sally omits the bass giving the sax a chance to shine alongside her signature rolling percussion. Lock this one as a summer 2022 anthem.
A much-requested track I.D at gigs over the last year, 'Downtown' kicks off the B-Side and opens with a question: 'Do you wanna dance?' And of course, we desperately do. It’s the very embodiment of a Chunker with its cool vocal, banging bassline and rolling drums. This is the ultimate all-rounder, good for opening, closing and peak-time moments. 'Nasty' does exactly what it says on the tin and hits with slamming kicks, funky breaks and Saldo's own nastiest bassline on record.
Excitement has been building for this release since Sally included all tracks on her lauded RA podcast last summer. Additionally, all BSC002 cuts went down a dream at her Panorama Bar debut in October and were clear standouts of the set. More
1
Farsight - Cadena
2
Farsight - While
3
Farsight - Not Half
4
Farsight - Mid-Winter Burning
5
Farsight - Sans Titre
6
Farsight - Door to the River
Tracklist
A1 Cadena
A2 While
A3 Not Half
B1 Mid-Winter Burning
B2 Sans Titre
B3 Door to the River
Release Info:
“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” - Willem De Kooning
For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.
United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall. Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.
More
A1 Cadena
A2 While
A3 Not Half
B1 Mid-Winter Burning
B2 Sans Titre
B3 Door to the River
Release Info:
“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” - Willem De Kooning
For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.
United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall. Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.
More
1
Todd Modes Feat. PRLZ - I Can't Stop
2
Todd Modes Feat. PRLZ - I Can't Stop (Oliver Dollar Remix)
Originally released in 2021. This record will be re-released.. on Industry Standard. Well deserved re press of an iconic original from Todd Modes. Boss man Oliver Dollar steps up to create a hypnotic remix that will definitely take you to that other place in your head. A truly masterpiece is on the way on 7th June 2024.
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1
Raredub - BAMBA
2
Raredub - Juicy Fruit Ft. Partiboi69
3
Raredub - L.L.L.
4
Raredub - Snappy Chulo
5
Raredub - Break Of Dawn
Following on from his atomic single release, Phonk On The Dancefloor, Sofia’s Raredub now presents his highly anticipated full EP via Mutual Pleasure Records. Rare, Raw and Ready is a high-voltage introduction to the Bulgarian bass baron, a title that is fully justified with this latest venture of sound.
Raredub wastes no time in setting the pace for this project, as we’re thrown straight into the searing furnace with opening track BAMBA. Having been road-tested by the likes of KETTAMA, KiNK, Skin On Skin and Raredub himself, BAMBA, with its infectious vocals, gut-hurdling bassline and devious rave-stab melodies, is a carefully constructed weapon of sound, with proven devastating results.
We’re then brought to Juicy Fruit, which sees both Raredub and Mutual Pleasure’s head-honcho Partiboi69 lock palms to create a deeply sensual, highly contagious dance-floor anthem that sees the producer masterfully blend hissing hi-hats and a series of infectious rising chord patterns and melodies which, when combined, are certainly set to cause nothing but dance-floor destruction.
Since being played as the opening track to Partibo69 and DJ Heartstring’s stingzone set, L.L.L is a track which, with its mind-warping bassline,euphoria ladened vocals and pad-work, has enjoyed a growing sense of anticipation from listeners, eager for its arrival.
Snappy Chulo sees Raredub again use a series of piercing rave-stabs to drive his sound, which is partnered with a plethora of electronic experimentation and instrumentation, before the seismic bassline of Break Of Dawn see Raredub bring the walls and ceiling crumbling down; presenting a suitably fitting finale to this atomic attack on the senses.
Rare, Raw and Ready brings Raredub’s prowess for production to the fore, as the Bulgarian producer conducts wild electronic experiments, bending genres and sound into form, to create a versatile, highly contagious and highly atomic serving of sound. More
Raredub wastes no time in setting the pace for this project, as we’re thrown straight into the searing furnace with opening track BAMBA. Having been road-tested by the likes of KETTAMA, KiNK, Skin On Skin and Raredub himself, BAMBA, with its infectious vocals, gut-hurdling bassline and devious rave-stab melodies, is a carefully constructed weapon of sound, with proven devastating results.
We’re then brought to Juicy Fruit, which sees both Raredub and Mutual Pleasure’s head-honcho Partiboi69 lock palms to create a deeply sensual, highly contagious dance-floor anthem that sees the producer masterfully blend hissing hi-hats and a series of infectious rising chord patterns and melodies which, when combined, are certainly set to cause nothing but dance-floor destruction.
Since being played as the opening track to Partibo69 and DJ Heartstring’s stingzone set, L.L.L is a track which, with its mind-warping bassline,euphoria ladened vocals and pad-work, has enjoyed a growing sense of anticipation from listeners, eager for its arrival.
Snappy Chulo sees Raredub again use a series of piercing rave-stabs to drive his sound, which is partnered with a plethora of electronic experimentation and instrumentation, before the seismic bassline of Break Of Dawn see Raredub bring the walls and ceiling crumbling down; presenting a suitably fitting finale to this atomic attack on the senses.
Rare, Raw and Ready brings Raredub’s prowess for production to the fore, as the Bulgarian producer conducts wild electronic experiments, bending genres and sound into form, to create a versatile, highly contagious and highly atomic serving of sound. More
1
Sally C - OG Chunker
2
Sally C - Let's Get This
3
Sally C - Turn That
Repress!
“Give me a chunky bassline, banging drums and a weird vocal – that’s the holy trinity! Simplicity is key - less is always more” – Sally C
The past 12 months have stamped Sally C as one of the industry’s most exciting breakthrough DJ talents. She’s graduated from putting on parties at Griessmühle, to throwing down a masterclass Boiler Room debut at AVA Festival, gigs at Berghain’s Saüle and Melt! Festival, alongside tireless zig-zagging across the UK and her native Ireland. At the same time, she’s impressed heads with a large catalogue of outstanding online mixes, ensuring that if you hadn’t seen her play in the flesh, you sure as hell know she can lay it down like no other.
Alongside breaks, techno rollers and long lost second hand cuts, it’s Sally’s deep passion for the golden era of hip house and the sounds of 88’ - 98’ that have really shaped her raw and chunky style and inspired her first productions and eponymous label Big Saldo’s Chunkers. A homage to the era she’s so obsessed with, if you will.
The three-track work encompasses tried and true bangers ready for the rave. ‘OG Chunker’ will be familiar to those who’ve followed her closely stretching back to her acclaimed Boiler Room last summer, popping with its hiplashing groove, rapid-fire vocal sequence and in your face rides. ‘Let’s Get This’ is a no-nonsense Chicago-inspired ghetto pumper, driven by low-slung bumping bass and a catchy vocal. ‘Turn That’ favours deep tribal grooves, ravey sirens, scratch effects and a bassline that fills your stomach. Chunker mode ignited.
Who is Big Saldo? “Big Saldo is a nickname friends gave me; it’s my rowdy care-free side which comes out a lot when I DJ and is now channelled into my productions. I wouldn’t call her an alter ego, rather an essence of who I am; more confident, no holds barred, bullshit-free. It’s also the intention behind the Chunkers. Raw and ready cuts ripe for the club. What you see is what you get.” – Sally C More
“Give me a chunky bassline, banging drums and a weird vocal – that’s the holy trinity! Simplicity is key - less is always more” – Sally C
The past 12 months have stamped Sally C as one of the industry’s most exciting breakthrough DJ talents. She’s graduated from putting on parties at Griessmühle, to throwing down a masterclass Boiler Room debut at AVA Festival, gigs at Berghain’s Saüle and Melt! Festival, alongside tireless zig-zagging across the UK and her native Ireland. At the same time, she’s impressed heads with a large catalogue of outstanding online mixes, ensuring that if you hadn’t seen her play in the flesh, you sure as hell know she can lay it down like no other.
Alongside breaks, techno rollers and long lost second hand cuts, it’s Sally’s deep passion for the golden era of hip house and the sounds of 88’ - 98’ that have really shaped her raw and chunky style and inspired her first productions and eponymous label Big Saldo’s Chunkers. A homage to the era she’s so obsessed with, if you will.
The three-track work encompasses tried and true bangers ready for the rave. ‘OG Chunker’ will be familiar to those who’ve followed her closely stretching back to her acclaimed Boiler Room last summer, popping with its hiplashing groove, rapid-fire vocal sequence and in your face rides. ‘Let’s Get This’ is a no-nonsense Chicago-inspired ghetto pumper, driven by low-slung bumping bass and a catchy vocal. ‘Turn That’ favours deep tribal grooves, ravey sirens, scratch effects and a bassline that fills your stomach. Chunker mode ignited.
Who is Big Saldo? “Big Saldo is a nickname friends gave me; it’s my rowdy care-free side which comes out a lot when I DJ and is now channelled into my productions. I wouldn’t call her an alter ego, rather an essence of who I am; more confident, no holds barred, bullshit-free. It’s also the intention behind the Chunkers. Raw and ready cuts ripe for the club. What you see is what you get.” – Sally C More
1
carlos nilmmns - heebiee jeebies
2
carlos nilmmns - Heebie Jeebies (Rolando Remix)
3
carlos nilmmns - Heebie Jeebies (The Analog Roland Orchestra Remix)
Special Remarks: clear marbled vinyl
Tracklist:
A - "Heebie Jeebies"
B1 - " Heebie Jeebies" (Rolando Remix)
B2 - " Heebie Jeebies" (The Analog Roland Orchestra Remix)
Short info:
Bass heavy, subtly rhythmical Detroit inspired original by Carlos Nilmmns incl. 2 substantial interpretations by DJ Rolando and The Analog Roland Orchestra
More
Tracklist:
A - "Heebie Jeebies"
B1 - " Heebie Jeebies" (Rolando Remix)
B2 - " Heebie Jeebies" (The Analog Roland Orchestra Remix)
Short info:
Bass heavy, subtly rhythmical Detroit inspired original by Carlos Nilmmns incl. 2 substantial interpretations by DJ Rolando and The Analog Roland Orchestra
More
1
Ellis Dee - Big Up Your Chest (Remix)
2
Ellis Dee - Junglist Warrior
We have done a small repress of this mega Ellis Dee release that came out originally on his CAT Label in 1994 and was repressed by us in 2021. This has been sold out for a very long time but the demand has built up, so we have decided to repress one more time.
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1
Raredub - A1 - Raredub - Highjacked
2
Raredub - A2 - Raredub- Moover
3
Raredub - A3 - Raredub- The Brothers Lionheart
4
Raredub - B1 - Raredub- Drivebuss
5
Raredub - B2 - Raredub & KiNK - How The Fire Started (Dub)
Tracklist
A1 - Raredub - Highjacked
A2 - Raredub- Moover
A3 - Raredub- The Brothers Lionheart
B1 - Raredub- Drivebuss
B2 - Raredub & KiNK - How The Fire Started (Dub)
Shortinfo:
The debut “Moover” EP from the young Bulgarian producer and DJ - Raredub (Petar Vasev) on Sofia Records features energetic and emotional music that finds its place equally in those hands-in-the-air moments in the middle of the dancefloor, as well as laying on a carpet in the afterhours.
Far from formulaic fast-food dance clichés, SOF005 offers fine and delicate layers but as always with its base in spicy street rawness.
Playing the records from start to finish one finds immersed in care-free optimistic melodies, passing through deeper and dreamy sequences, towards stripped down and honest groove. All garnished with the youthful energy that Raredub generates.
Flambéing it all, we have Sofia’s own KiNK collaborating on the track “How The Fire Started” urging all DJs and dancers to grab a fire extinguisher.
With this EP Raredub displays his unique musical personality combined with a strong execution - forming something very special that promises to age well.
More
A1 - Raredub - Highjacked
A2 - Raredub- Moover
A3 - Raredub- The Brothers Lionheart
B1 - Raredub- Drivebuss
B2 - Raredub & KiNK - How The Fire Started (Dub)
Shortinfo:
The debut “Moover” EP from the young Bulgarian producer and DJ - Raredub (Petar Vasev) on Sofia Records features energetic and emotional music that finds its place equally in those hands-in-the-air moments in the middle of the dancefloor, as well as laying on a carpet in the afterhours.
Far from formulaic fast-food dance clichés, SOF005 offers fine and delicate layers but as always with its base in spicy street rawness.
Playing the records from start to finish one finds immersed in care-free optimistic melodies, passing through deeper and dreamy sequences, towards stripped down and honest groove. All garnished with the youthful energy that Raredub generates.
Flambéing it all, we have Sofia’s own KiNK collaborating on the track “How The Fire Started” urging all DJs and dancers to grab a fire extinguisher.
With this EP Raredub displays his unique musical personality combined with a strong execution - forming something very special that promises to age well.
More
1
Le Motel - Sueños
2
Le Motel - Love Talk Bad (feat. Logan)
3
Le Motel - Libet’s Delay (feat. Cabasa)
4
Le Motel - Talking to Drums
5
Le Motel - Rápdo (feat. Clara!)
6
Le Motel - Wonteeda (feat. Bryte)
Tracklist
1 Sueños
2 Love Talk Bad (feat. Logan)
3 Libet’s Delay (feat. Cabasa)
4 Talking to Drums
5 Rápdo (feat. Clara!)
6 Wonteeda (feat. Bryte)
Release Info:
Belgian artist and Maloca Records founder Le Motel returns to the label for a new EP, ‘Sueños’, his most expansive work to date. Released on the 25th February, Le Motel draws from the worldly ethos of the label to bring together collaborators from the UK, Ghana, Spain and Brussels.
Meaning dream in Spanish, ‘Sueños’ was made during the lockdown and is inspired by the fragments for dreams and the incapacity of experiencing music and life in a physical way. On Le Motel’s two solo cuts, ‘Sueños’ and ‘Talking To Drums’, the dynamic artist showcases his signature percussive driven sound. With the global influences from the collaborators, ‘Sueños’ continues to expand across heavyweight grime on ‘Love Talk Bad’ with Logan, glitchy IDM with Cabasa on ‘Libet’s Delay’, Clara! bringing reggaeton flavours to ‘Rápido’ and Bryte provides his distinctive vocals to the heavy bass rhythms of ‘Wonteeda’.
As a music producer and film composer, Le Motel’s versatility has taken him to festivals and clubs in every direction and as a field recordist, he has ventured out to the less accessible areas of the globe to source sounds for his enriching productions. Having produced for some of Belgium’s biggest hip hop artists, Le Motel has also released on Portugal’s XXIII, LA’s TAR and New Zealand’s Cosmic Compositions.
Launching Maloca Records in 2020, Le Motel aims to bring together a global network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and more recently Griffit.
More
1 Sueños
2 Love Talk Bad (feat. Logan)
3 Libet’s Delay (feat. Cabasa)
4 Talking to Drums
5 Rápdo (feat. Clara!)
6 Wonteeda (feat. Bryte)
Release Info:
Belgian artist and Maloca Records founder Le Motel returns to the label for a new EP, ‘Sueños’, his most expansive work to date. Released on the 25th February, Le Motel draws from the worldly ethos of the label to bring together collaborators from the UK, Ghana, Spain and Brussels.
Meaning dream in Spanish, ‘Sueños’ was made during the lockdown and is inspired by the fragments for dreams and the incapacity of experiencing music and life in a physical way. On Le Motel’s two solo cuts, ‘Sueños’ and ‘Talking To Drums’, the dynamic artist showcases his signature percussive driven sound. With the global influences from the collaborators, ‘Sueños’ continues to expand across heavyweight grime on ‘Love Talk Bad’ with Logan, glitchy IDM with Cabasa on ‘Libet’s Delay’, Clara! bringing reggaeton flavours to ‘Rápido’ and Bryte provides his distinctive vocals to the heavy bass rhythms of ‘Wonteeda’.
As a music producer and film composer, Le Motel’s versatility has taken him to festivals and clubs in every direction and as a field recordist, he has ventured out to the less accessible areas of the globe to source sounds for his enriching productions. Having produced for some of Belgium’s biggest hip hop artists, Le Motel has also released on Portugal’s XXIII, LA’s TAR and New Zealand’s Cosmic Compositions.
Launching Maloca Records in 2020, Le Motel aims to bring together a global network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and more recently Griffit.
More
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
1
Joey Beltram - Energy Flash
2
Joey Beltram - Jazz 3033
3
Joey Beltram - Subsonic Trance
4
Joey Beltram - Psycho Bass
What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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