12"
Tracklist

A1. Crane Song (HnH Mix)
A2. Deranged Self Therapy
B1. Crane Song (Dopanin Mix)
B2. Centro Di Gravita
B3. Any Plan(t)s This Weekend



Johann Wolfgang von Goethe is always a reliable source for a good quote: "We must always change, renew, rejuvenate ourselves; otherwise, we harden." Sure as death, there is an excerpt of his that states the opposite. In the case of Robert Dietz, it holds true. Since his first appearance on Running Back in 2009 (Forward Snipping), he did a marvelous job staying on his toes as a producer and DJ.
Rejuve-Nation showcases his talent in various alleys of electronic (dance) music with Crane Song being the prime cut here. You will get exposed to proggy house with an intelligent brush in two slightly different mixes. Imagine if Euro dance went to get a college degree or a bumper car floor and you are almost there: an almost irresistible sing a long without lyrics.
If you need help afterwards, Deranged Self Therapy is exactly what you need. IDM meets new wave drums, poignant synths mix with an upbeat hook to create a ballet piece for lovesick robots.
Centro Di Gravita reconnects those qualities with the aforementioned Crane Song ones, while giving it an acid spin, before the ambient salts of Any Plan(t)s This Weekend closes the EP off like a confident sketch for the end of a beautiful summer. A bouquet of bangers for different needs.

Short: One Rejuve-Nation EP under a groove with Robert Dietz' return on Running Back. Proggy meets acid house, IDM leanings mix with stylistic devices of new wave and extra special ambient aerobatics round out the EP. Special attention goes to Crane Song and its peak time perfection. A bouquet of bangers for different needs.







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Tracklist:
A1. Out In The Ferns
A2. Cherry Bomb
B1. Gamma
B2. Never

Shortinfo:
With the second record for Misfit Melodies and the fourth for the Running Back universe, Robert Dietz solidifies and hones his very own sound.
Heartfelt and emotive, a slice of lovers acid works as the prelude to an EP of IDM patterns, classic house tropes and something that is as much fun as it is funky. "Great Hormones at Bed Time" owes the same amount of money to Detroit as it does to Frankfurt am Main. Definitely no lullabies here.


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Tracklist:
A1. Vitello Tornado
A2. Kinda Nice
B1. Shesout
B2. Quadruples
B3. B-Ebene

Shortinfo:
They expect me to write something informative about the tracks on this EP here but I find it really difficult to express music in words. On top of it I went out last night, to Club Der Visionäre, and I feel hungover and empty inside my head. So now I'm sitting here and all I can think of is, "can't you just take a listen to the music?!"
The EP contains 5 tracks all made in the last couple of lousy summer months here in Berlin in nostalgia for the better days. It's about house and a bit of electro, no gimmicks.


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Tracklist:
A1. Prom Night A2. Okasio B1. Kleptogracy B2. Whoja Vu

Shortinfo:
4th Release
4 Tracks
4 Times Fun For The Floors For 4 Different Times Of The Night.
Stop reading rather listen.


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UPC: 827170578463 Release : 19.01.2015
Special remarks : 12" with printed sleeve, 180g Vinyl, Endlos-Loop-Rille A & B side, B3 Vinyl Only - Gimmick
Tracklist A1 Radio Raheem A2 C.A.C B1 7 Turn arounds feat. Eddie Fowlkes B2 Orion feat. Markus Fix
Shortinfo:
Named after Internet abbreviation 'TBT', Truth Be Told is the acclaimed label of DJ and producer Robert Dietz. He created the label along with close friend and business partner Hendrik Schneider, combining their visions to infuse an alternative from what's current in the electronic music world right now, Truth Be Told Records aims for originality, creativity, and boasts music with character. Dietz launches his imprint, making sure the label's commitment to innovation remains at the forefront no matter how much action is taking place in the background. He not only uniquely focuses on exposing other artists to the limelight; he continues to make new music of his own in his own way. Dietz returns to the scene of notably fresh house grooves that the Frankfurt producer has recently excelled in. This works alongside a vision that is as much in line with that of his patient, confident evolution as a DJ Producer. Here responsible for an array of exciting talent, Truth Be Told sees Dietz welcome a development trend and take a proud step into the heart of the labels A&R process.


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UPC: 4260148770845 Release : 14.7..2014
Tracklist 12": A1. Pherrox A2. Sweatshop B1. Mind Trap B2. Who Am I
Short info:
FRANKFURT'S ROBERT DIETZ FIRST SOLO RELEASE ON DESOLAT
Robert Dietz has been one of the most consistent producers around in recent years, with releases on a diverse assortment of labels including Cecille, Cadenza, Running Back and Saved Records. While Robert's 'Your So Hood' track featured on the Desolat X Sampler back in March, then this will be his long-awaited debut solo release on Desolat, and as one would expect from such a talented producer it is a an striking EP.
'Pherrox' kicks the EP off in startling style. The track has a brooding tone and trudges along, characterised by a sharp beat and a dark distorted vocal, with computerised stabs piercing the soundscape. 'Sweatshop' follows in a different vein and builds, with punchy hi-hats, acid bass, spoken word samples, a panning siren combining brilliantly and resulting in a medley of hedonistic vibes.
Next up is 'Who Am I', which takes a techier-tangent and sees an off-kilter beat, another gloriously manipulated vocal, and percussion spirals effortlessly merge on this mechanical monster. Rounding things up is 'Mind Trap', which is another robotic mutation featuring a disfigured vocal, electronic squelches, and swirling pulses of bass.
On the 'X' EP it is clear that Robert has lived up to his billing as one of the most consistently brilliant producers over the last few years. The X EP is evidence that Robert Dietz has drawn upon all his years of experience to craft an accomplished debut record for Desolat full of distorted textures, striking details and mechanical sounds.


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Barcode: 827170510166 Rel date 26.8.2013
Special Remarks: 12 Inch Single with stickered sleeve
Tracklist: A1.Common A2. Doul B1.Nostlajack B2. Interrude
Robert Dietz returns to Running Back with old fashioned Frankfurt sounds techno soul leanings, Rhein-Neckar ambient, bold melody moves and Todd Terry rave house reminiscences. 4 tracks 4 hits 4 you 4 ever.


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Cadenza's latest release comes from a man who has made an undisputable impact on a host of A-list labels since he first began spreading his unique and invigorating sound spectrum in 2008. Hailing from Frankfurt and dividing his time between a hectic touring schedule that see's him travel the world and his studio where he compiles his exciting and technically compound productions , Robert Dietz joins Cadenza for the second time with the 'Slinger' EP.
Eclipsing the A-side is the percussion heavy and show stopper "Pandemic". Infused with sheer funk and relentless groove from its initial doors, "Pandemic" screams of sweat drenched dance floors, grinding movement and unstoppable force. Rebellious and cheeky in its sexual Latino wriggle yet modern and forward thinking in its structure; tight guitars pluck excitedly between intricate rhythm sections; so fast and furious that lines blur and beats blend in a never ending affair with the dance floor. Steaming ever forward with wriggling motion, this belting house track cannot help but infect as it rises and falls, pushes and pulls until exhaustion. Fitting its title like a glove, "Pandemic" is infectious and gripping with jazzy piano melodies and thunderous musicality. As a digital bonus, "Amesons Dub Mix" of "Pandemic" encases the original in a steel and echoing interpretation; hardened edges of metallic drums slide between piercing brass projections for a dub infused and contrasting mix.
On the flip, "Red Tops" is an adrenaline pumped fairground ride; exhilarating, dangerous and manic the smacking hand claps, jazzy cymbal crashes and spiralling drum rolls make way for a lush and rolling b-line with speeding hat's. Slurring sensually, Dietz's lyrics of "Like to ride, like to get high, like to feel the ride" say it all with their rich attitude, naughty nature and reckless allure. Summer may be drawing to an end but the "Slinger" EP is fiercely rhythmic, rife with texture and streams bright light shafts across our dance floors as darkness ascends.
Tracklisting:
A1 - Pandemic - Original Mix
B1 - Red Tops





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Are you feeling energetic? Actually, don't even bother answering. Because after hearing Robert Dietz' "Soup Opera," you'll have stamina for days. It's a charging, standup bass burner that puts house sounds to techno purposes; it's a wolf in sheep's clothing, a rainstorm at the open-air-a monster, simply put, that leaves you drenched and grinning from ear to ear. Frankfurt's Dietz has been on fire for the past couple of years, turning out tight, percussive and above all memorable tech-house concoctions for the likes of Runing Back and Cecille Numbers, but none of his productions to date have had the full-on intensity of "Soup Opera." Raw, Chicago hi-hats lash out against a rising/falling bassline as midrange drones and fluttering tones keep frothing higher and higher; the way he mans the filters feels more like sculpture than music, carving away the bass to create a dizzying sense of floating in space, until gravity comes crashing home again. Laced with birdsong, "Aurel in Wonderland" is a more pastoral affair, dappled with rich, acoustic percussive sounds, its African palette opening up into a bittersweet minor-key melody. For all its sensitive heart, the track's got backbone, with a whipcrack jack offset by supple, unquantized drums; beat after beat, it's a slack rope pulled taut, and the force sends you soaring into a galaxy of butterflies.


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Tracklist:

A1. My Heart (90s Mix)
A2. Drift
B1. Back To
B2. Fortune
B3. Roadblocks

With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.








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Tracklist

A1. Things Can’t Go On Like This Forever (Main Mix)
A2. Things Can’t Go On Like This Forever (Instrumental)
A3. Things Can’t Go On Like This Forever (Freestyle Mix)
B1. So I Go Dancing (Gerd Janson DJ Remix)
B2. Things Can’t Go On Like This Forever (Freestyle Instrumental)
B3. Things Can’t Go On Like This Forever (Freestyle Beats)

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.







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Tracklist

A1 Fiesta 2000 (2023 Remaster)
A2. Fiesta 2000 – Sally C Remix
B1. Hitter Mane
B2. Fiesta 2000 – Matisa Remix

Even a pandemic can have its upsides. Fiesta 2000 proves this debatable statement. Conceived by Raphael Schön during a Covid-19 lockdown and originally released in 2021 as part of I’ll Be The Energy on Freeride Millenium (*thanks, guys! Ed.), it is one of those godsend tracks that cannot be duplicated, recreated or planned. The prohibition of any kind of hedonism, the yearning for collective pleasure, post-teenage-angst and rave romanticism all make up this delicious cocktail. Now served again on the Running Back subsidiary Misfit Melodies and freshly remastered, it is a hard one to put down.

Especially, since it has been supplemented with the just as charming tearjerker Hitter Mane: melancholic, hopeful and motivating in equal parts. The original of Fiesta 2000 is also backed up by remixes from Matisa respectively Sally C (who directed Gerd Janson’s attention to the track in the first place). Both brilliant in their own right, Matisa shifts the track into turbo-mode that will please the ruff necks amongst you, while Sally C brings off the feat of uniting pumping house, breakbeats and balearic piano moments in one go. Fiesta forever and ever ever!






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Special Remarks : Rose coloured sleeve


Tracklist
A1. Modern Romance (Dusky Remix)
A2. Modern Romance (Dusky Dub)
A3. Modern Romance (Bella Boo Remix)
B1. Modern Romance (Ryan Elliott Remix)
B2. Modern Romance (Ryan Elliott Instrumental)

Release Info:
No business, like show business; The happy pill that was the Catz ‘N Dogz liaison with Gerd Janson gets a remix treatment. Dusky, Bella Boo and Ryan Elliott put their respective and requested stamps on Modern Romance.

Ladies first: Bella Boo takes the upbeat piano house of the original into a deeper sphere. A square bass, a catchy marimba hook and some vocal sprinkles make for the aural equivalent of salted caramel. Next up are everyone’s favourite peak time sweepers Dusky who open the gates to the rave. Heavily influenced by the ingredients of the proto UK bass scenery (breakbeats, ragga bass sounds, life-affirming vocals) they place Modern Romance somewhere between N-Joi and Shut Up and Dance. If that is too much for you to swallow, Ryan Elliott might have the remedy. Ostgut Ton’s „best dressed chicken in town“delivers a sleek translation that is neat as a pin and wears the influence of his hometown Detroit proudly on the sleeve. „Help me find out, what I like…“






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Special Remarks : Silver Sleeve

Tracklist
A1. Lille Vals (Original Mix)
A2. Lille Vals (Gerd Janson Talamanca Dub)
B1. Lille Vals (Patrick Topping Remix)
B2. Lille Vals (Ajaks Remix)

Shortinfo:

Storken’s „Lille Vals“ is among those type of infectious and addictive instrumentals that feel like songs without words, pop without divas or perfectly synthesized disco. Being the debut of a young and promising man from Sweden as, it received candid praise by dancers and DJs alike.
Originally „Lille Vals“ appeared as the centerpiece of Running Back’s One-swallow-sampler series, it earned its second spring on a dedicated 12inch release. Although still as much fun as the first time around, Storken’s precious little diamond gets a threepart remix treatment to season the dish. His fellow Ajaks offers a stripped down ans mesmerizing take that should make minimalists allergic sufferers of melodies happy. Newcastle’s power house Patrick Topping pulls out one of his tricks to beam it into his own world and brings out all the big elements to make it even – yes – bigger. Finally, Gerd Janson does the opposite and dubs out the highs and lows of the original to meet Augustus Pablo and Daniele Baldelli somewhere uptown.





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Tracklist
A1. Modern Romance (Original Mix)
A2. Modern Romance (Instrumental)
B1. Modern Romance (Club Mix)
B2. Modern Romance (Gerd Janson’s Club Dub)

Shortinfo:
Despite all its terrible tragedies and hardships, the whole disaster that is 2020 has had its positive sides. One might have been Danny Howard’s Radio 1 Lockdown link up. The idea behind it: bring artists together that have never worked together due to time, place or opportunity. So when the dice were tossed for possible collaborations, you might want to think they were loaded.
The Catz ‘n Dogz liaison with Gerd Janson is just that obvious - as is the result. „Modern Romance“ translates to upbeat dance music that neither shies away from vocals nor pianos and is practically the antidote to any foul mood. Or as Gerd likes to put it: „The whole thing was already laid out by the dance music masters that are Catz ’n Dogz. All I had to do was to ask Mark Barrott to help out with some piano work and finish an arrangement. Voilá!“ House music that will sound as great in clubs and parties as it will on treadmills, or on your favorite means of transportation as it does on airwaves and did so on Danny Howards Radio 1 edition.





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Special Remarks : Sleeve Image by Arno Beck

Tracklist
A1. Grouse
A2. Defy Me
B1. Revel
B2. Pang

Shortinfo:
The Helium Robots appearance on the Running Back subsidiary Misfit Melodies with one of their finest narratives so far. Subdued Neo trance and indie dance for fans of bicep curls and the border communities of yore. Or to use the words of the creator: The Grouse approaches, intent on witnessing Helium Robots release the ghouls and demons from their machines. What potent mix can this mean? Channeling the raw energy of their 2018 track Sly on Running Back, the monolithic baselines and surging, dense forces of Defy Me and The Grouse itself unfurl from the speakers. To mop fevered brows after those torrents, the alchemy changes to create the fuzzy warmth and bounce of Pang. Playful vocal samples flicker and weave through the chords, giving way to the final melodic flow of Revel. And we're done. The Grouse, unruffled, proudly turns and stalks away…




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Tracklist:
A1. Out In The Ferns
A2. Cherry Bomb
B1. Gamma
B2. Never

Shortinfo:
With the second record for Misfit Melodies and the fourth for the Running Back universe, Robert Dietz solidifies and hones his very own sound.
Heartfelt and emotive, a slice of lovers acid works as the prelude to an EP of IDM patterns, classic house tropes and something that is as much fun as it is funky. "Great Hormones at Bed Time" owes the same amount of money to Detroit as it does to Frankfurt am Main. Definitely no lullabies here.


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Tracklist:
A. ilox
A2. Ssys
B1. Rron
B2. Droeni
Short info:
A warehouse jive for number 5 on Running Back's Misfit Melodies series. Introducing new artist and shrinking violet Pistachio, "Ilox" cuts house music out of a techno cloth and vice versa. One of three direct cuts between chord memories, distant voices and space echoes, complemented by a drone piece for the times before, after and in-between. Classic soundscapes with a modern drive. Nutritious as a nut.


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Tracklist:
A. I Gave My Love (Orginal Edit)
A2. Babyphonk (Dj Chicken No Guitar edit)
B1. I Gave My Love (Shan & Gerd Janson Mix)
B2. Deep Feat. Seebase (Dj Oyster Edit)


Short info:
Some things just get better with age. House Grooves Vol. 1 mark a part in history, where a young Move D felt ignited by the classic house music sounds of the day.
Strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. "House Grooves Vol.1" embodies that special time and place with a bunch of vintage tracks saved from the abyss.

Respectfully edited and dusted with gloves, it features Move D's sought-after magic moment "I Gave My Love", a collaboration with Mannheim's house hero See-Base, the bass line swing of "Babyphonk" and a breakbeat-led remix by Shan & Gerd Janson that tries to sound like it could have happened back them.

The bottom line is: the past can make the future feel at home.


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Special remarks: 12" with sticker
Tracklist
A. Oh Sh#t! (Dj Etiquette Mix) B1. Deviant (DJ Bullsheet Mix) B2. Domain (DJ Drone Mix)
Shortinfo:
Second release on Misfit Melodies by an artists who wishes to remain unknown. Three tracks for almost any night club/rave situation - from heavy piano tracks to industrial ambient drones. Made by a DJ for DJs.


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Special Remarks: Stickered Sleeve
Tracklist:
A1. Third Eye Sunglasses (Original Version) A2. Little Heaven Fogmachine
B1. Third Eye Sunglasses (Gerd Janson & Lopazz Remix)
B2. Third Eye Sunglasses (Bad Cop Bad Cop Dub Edit)
Short info:
Underground hero LD Nero debuts on the debut of the anything-goes outfit Misfit Melodies. Tried and tested Nero deepness melts with his rave alter ego and beloved non-conformity. A more traditional deep house approach is featured on the flip with a Gerd Janson & Lopazz remix, while the blue-eyed dub reggae take of Bad Cop Bad Cop serves as the digestive.



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