Tracklist:

A1. My Heart (90s Mix)
A2. Drift
B1. Back To
B2. Fortune
B3. Roadblocks

With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.








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Tracklist

A1. Things Can’t Go On Like This Forever (Main Mix)
A2. Things Can’t Go On Like This Forever (Instrumental)
A3. Things Can’t Go On Like This Forever (Freestyle Mix)
B1. So I Go Dancing (Gerd Janson DJ Remix)
B2. Things Can’t Go On Like This Forever (Freestyle Instrumental)
B3. Things Can’t Go On Like This Forever (Freestyle Beats)

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.







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Tracklist

A1 Fiesta 2000 (2023 Remaster)
A2. Fiesta 2000 – Sally C Remix
B1. Hitter Mane
B2. Fiesta 2000 – Matisa Remix

Even a pandemic can have its upsides. Fiesta 2000 proves this debatable statement. Conceived by Raphael Schön during a Covid-19 lockdown and originally released in 2021 as part of I’ll Be The Energy on Freeride Millenium (*thanks, guys! Ed.), it is one of those godsend tracks that cannot be duplicated, recreated or planned. The prohibition of any kind of hedonism, the yearning for collective pleasure, post-teenage-angst and rave romanticism all make up this delicious cocktail. Now served again on the Running Back subsidiary Misfit Melodies and freshly remastered, it is a hard one to put down.

Especially, since it has been supplemented with the just as charming tearjerker Hitter Mane: melancholic, hopeful and motivating in equal parts. The original of Fiesta 2000 is also backed up by remixes from Matisa respectively Sally C (who directed Gerd Janson’s attention to the track in the first place). Both brilliant in their own right, Matisa shifts the track into turbo-mode that will please the ruff necks amongst you, while Sally C brings off the feat of uniting pumping house, breakbeats and balearic piano moments in one go. Fiesta forever and ever ever!






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Special Remarks : Rose coloured sleeve


Tracklist
A1. Modern Romance (Dusky Remix)
A2. Modern Romance (Dusky Dub)
A3. Modern Romance (Bella Boo Remix)
B1. Modern Romance (Ryan Elliott Remix)
B2. Modern Romance (Ryan Elliott Instrumental)

Release Info:
No business, like show business; The happy pill that was the Catz ‘N Dogz liaison with Gerd Janson gets a remix treatment. Dusky, Bella Boo and Ryan Elliott put their respective and requested stamps on Modern Romance.

Ladies first: Bella Boo takes the upbeat piano house of the original into a deeper sphere. A square bass, a catchy marimba hook and some vocal sprinkles make for the aural equivalent of salted caramel. Next up are everyone’s favourite peak time sweepers Dusky who open the gates to the rave. Heavily influenced by the ingredients of the proto UK bass scenery (breakbeats, ragga bass sounds, life-affirming vocals) they place Modern Romance somewhere between N-Joi and Shut Up and Dance. If that is too much for you to swallow, Ryan Elliott might have the remedy. Ostgut Ton’s „best dressed chicken in town“delivers a sleek translation that is neat as a pin and wears the influence of his hometown Detroit proudly on the sleeve. „Help me find out, what I like…“






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Special Remarks : Silver Sleeve

Tracklist
A1. Lille Vals (Original Mix)
A2. Lille Vals (Gerd Janson Talamanca Dub)
B1. Lille Vals (Patrick Topping Remix)
B2. Lille Vals (Ajaks Remix)

Shortinfo:

Storken’s „Lille Vals“ is among those type of infectious and addictive instrumentals that feel like songs without words, pop without divas or perfectly synthesized disco. Being the debut of a young and promising man from Sweden as, it received candid praise by dancers and DJs alike.
Originally „Lille Vals“ appeared as the centerpiece of Running Back’s One-swallow-sampler series, it earned its second spring on a dedicated 12inch release. Although still as much fun as the first time around, Storken’s precious little diamond gets a threepart remix treatment to season the dish. His fellow Ajaks offers a stripped down ans mesmerizing take that should make minimalists allergic sufferers of melodies happy. Newcastle’s power house Patrick Topping pulls out one of his tricks to beam it into his own world and brings out all the big elements to make it even – yes – bigger. Finally, Gerd Janson does the opposite and dubs out the highs and lows of the original to meet Augustus Pablo and Daniele Baldelli somewhere uptown.





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Tracklist
A1. Modern Romance (Original Mix)
A2. Modern Romance (Instrumental)
B1. Modern Romance (Club Mix)
B2. Modern Romance (Gerd Janson’s Club Dub)

Shortinfo:
Despite all its terrible tragedies and hardships, the whole disaster that is 2020 has had its positive sides. One might have been Danny Howard’s Radio 1 Lockdown link up. The idea behind it: bring artists together that have never worked together due to time, place or opportunity. So when the dice were tossed for possible collaborations, you might want to think they were loaded.
The Catz ‘n Dogz liaison with Gerd Janson is just that obvious - as is the result. „Modern Romance“ translates to upbeat dance music that neither shies away from vocals nor pianos and is practically the antidote to any foul mood. Or as Gerd likes to put it: „The whole thing was already laid out by the dance music masters that are Catz ’n Dogz. All I had to do was to ask Mark Barrott to help out with some piano work and finish an arrangement. Voilá!“ House music that will sound as great in clubs and parties as it will on treadmills, or on your favorite means of transportation as it does on airwaves and did so on Danny Howards Radio 1 edition.





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Special Remarks : Sleeve Image by Arno Beck

Tracklist
A1. Grouse
A2. Defy Me
B1. Revel
B2. Pang

Shortinfo:
The Helium Robots appearance on the Running Back subsidiary Misfit Melodies with one of their finest narratives so far. Subdued Neo trance and indie dance for fans of bicep curls and the border communities of yore. Or to use the words of the creator: The Grouse approaches, intent on witnessing Helium Robots release the ghouls and demons from their machines. What potent mix can this mean? Channeling the raw energy of their 2018 track Sly on Running Back, the monolithic baselines and surging, dense forces of Defy Me and The Grouse itself unfurl from the speakers. To mop fevered brows after those torrents, the alchemy changes to create the fuzzy warmth and bounce of Pang. Playful vocal samples flicker and weave through the chords, giving way to the final melodic flow of Revel. And we're done. The Grouse, unruffled, proudly turns and stalks away…




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Tracklist:
A1. Out In The Ferns
A2. Cherry Bomb
B1. Gamma
B2. Never

Shortinfo:
With the second record for Misfit Melodies and the fourth for the Running Back universe, Robert Dietz solidifies and hones his very own sound.
Heartfelt and emotive, a slice of lovers acid works as the prelude to an EP of IDM patterns, classic house tropes and something that is as much fun as it is funky. "Great Hormones at Bed Time" owes the same amount of money to Detroit as it does to Frankfurt am Main. Definitely no lullabies here.


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Tracklist:
A. ilox
A2. Ssys
B1. Rron
B2. Droeni
Short info:
A warehouse jive for number 5 on Running Back's Misfit Melodies series. Introducing new artist and shrinking violet Pistachio, "Ilox" cuts house music out of a techno cloth and vice versa. One of three direct cuts between chord memories, distant voices and space echoes, complemented by a drone piece for the times before, after and in-between. Classic soundscapes with a modern drive. Nutritious as a nut.


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Special Remarks:
Tracklist:
A. Parmacy A2. Telepathic People B1. Bone Apple Tea B2. I'm Sorry For What I Said When I Was Hungry


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Special remarks: 12" with sticker
Tracklist
A. Oh Sh#t! (Dj Etiquette Mix) B1. Deviant (DJ Bullsheet Mix) B2. Domain (DJ Drone Mix)
Shortinfo:
Second release on Misfit Melodies by an artists who wishes to remain unknown. Three tracks for almost any night club/rave situation - from heavy piano tracks to industrial ambient drones. Made by a DJ for DJs.


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Special Remarks: Stickered Sleeve
Tracklist:
A1. Third Eye Sunglasses (Original Version) A2. Little Heaven Fogmachine
B1. Third Eye Sunglasses (Gerd Janson & Lopazz Remix)
B2. Third Eye Sunglasses (Bad Cop Bad Cop Dub Edit)
Short info:
Underground hero LD Nero debuts on the debut of the anything-goes outfit Misfit Melodies. Tried and tested Nero deepness melts with his rave alter ego and beloved non-conformity. A more traditional deep house approach is featured on the flip with a Gerd Janson & Lopazz remix, while the blue-eyed dub reggae take of Bad Cop Bad Cop serves as the digestive.



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Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

A1 Uväll - Acamar
A2 Arkan - Dissonance
B1 Inox Traxx - Decision
B2 Nastia Reigel - Limit Y
C1 SAMA - Do You Love Me?
C2 UFO95 - Refuge
D1 Ø [Phase] - Exiting The Delusion
D2 Kameliia - Above You And Me


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Oxia's classic 'Domino' gets reworked for it's ten year anniversary - in 2 vinyl parts.

A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.

Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.

"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA

Tracklisting Vinyl 1

A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)


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2023 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.


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GENRE/S: Techno, House : Melodic, Dub, Minimal

TRACKLISTS:
A1 / Getting Into It
A2 / I Told You We’d Make It
B1 / Exhilaration
B2 / The Offering

SHORT INFO:
Martinou lands on Turbo for the very first time, as the Swedish producer connects with Tiga’s Montreal-based label following years of mutual admiration. His melancholic sound, dripping in masterfully balanced tones, continues to impact both heady at-home listeners & season club dancers. A pair of albums on Rotterdam’s Nous’Klaer Audio have both been on constant rotation throughout the Turbo community, thus adding to the widespread excitement for Martinou’s debut on the imprint.
The Sheltered Planet is a four-track record at the cross-section of Martinou’s bespoke sound & Turbo’s historic Techno influence. The aptly titled opener - Getting Into It - elevates senses through an exploitative and rising
soundscape, flowing right into the beat-driven house cut - I Told You We’d Make It; crisp drum programming opens way to soaring melodics, with a deeply analog feel to the A2 groover.
On the flip, Martinou effortlessly glides through another movement-laden melody, as Exhilaration turns the dial ever-so-slightly towards the Swede’s take on a peak-time selection - The Offering. Rounded yet punchy synth lines ebb & flow from the distance, oozing into the groove by the time the break lifts brings us to the EP’s crescendo; a masterful dance track for the finest of dance parties.


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Tracklist:
A1: Azaka
B1: Kosanba

Release info:

We are pleased to present you the second EP of the infernal duo INTERNACIONAL ELECTRICAL RHYTHMS formed of Trikk and Mathias Schober.

Let’s dive right in and start with "Azaka" and it’s live recorded percussions. This track just builds and builds until it falls back into that irresistible and sexy main groove. It reminds a bit of old DJ Gregory tracks - just 10 BPM less. Some would even say it is epic, we wouldn’t argue though. Anyways, it serves the dance floor well and proved it many times in the past.

The second track "Kosanba" keeps the EP in balance. "Kosanba" sounds more like a Sci-Fi movie soundtrack at first listen. A basic rhythm built around a modular sequence, upright piano, washed out guitars and an eerie spacey melody with tons of reverb form a track that still works in a club context, yet it’s definitely one of those tracks for the right moments as it sets a different tone for sure.

Bruno and Mathias sure continue what they’ve started so well last year with their INTERNACIONAL ELECTRICAL RHYTHMS disguise.


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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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After a year long break Pepe Bradock is back on the regular Atavisme Catalogue Number Order. And back to straight up long and "burning" 4 2 the floor House - at it´s deepest. #12"@LAST!

Be (a) ware of ATA 017 // #12"@Last !
The new orna-mental Atavisme explores the rebirth of Pépé Bradock.
After the Dirty Baby incident and the numerous & consuming time traveling trips to Villa-Beonis;
deciphering the precious lines of medieval sequencing - they can't be read with numbers;
Trésors & Tsundoku are a sudden return to approximative and abstract dancing containers, with or without filters,
but often on the edge of the nerve-wracking pepexit for obvious reasons.
It is an evocation of a spiritual ballroom haunted with unmatched awkwardness and a healthy dose of invisible whirling mascarons.
Would you kiss an ox for the sake of peace of mind ?
Well, you should ....

Tracklisting:
A TRÉSORS
B TSUNDOKU




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