mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?









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Tracklist:

A1. My Heart (90s Mix)
A2. Drift
B1. Back To
B2. Fortune
B3. Roadblocks

With Australia‘s dance music scene being more prolific than ever, it‘s only fitting that one of the continent‘s hottest tickets appears in the Running Back universe. Sam Alfred‘s debut on it’s subsidiary Misfit Melodies melts the old with the new, swings the hips with the hits and unites the past with the future. The man with the adorable underground white label mp3 Shine II Dawn under his belt, is not only a DJ to die for, but also a witty, interesting and most of all enchanting studio talent. Aptly titled Roadblocks, this 5-track-EP once more underlines his appeal: his-speed house and sprinkles of retro rave meet the melodies of tomorrow.
While My Heart and Back To sound like Strictly Rhythm tracks played by UK Garage DJs, Drift and Fortune are prime examples of Sam‘s production powers. last, but not least the title track is the result of a trip to Dekmantel and a nod to the proggy bounce of the 90s. Built with love and made to last.








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Tracklist

A1. Things Can’t Go On Like This Forever (Main Mix)
A2. Things Can’t Go On Like This Forever (Instrumental)
A3. Things Can’t Go On Like This Forever (Freestyle Mix)
B1. So I Go Dancing (Gerd Janson DJ Remix)
B2. Things Can’t Go On Like This Forever (Freestyle Instrumental)
B3. Things Can’t Go On Like This Forever (Freestyle Beats)

Maximum vocal power and prime time dramatics by Chrissy and Carrie Wilds. The San Francisco based DJ and producer shows his stylistic versatility and technical capability to work with vocals, melodies and sound sources. Like a facsimile of the late 1980s house/freestyle record that you never owned, Things Can’t Go On Like This Forever ticks all the right boxes. Heartfelt vocals (by the great Carrie Wilds): check! Timely social message: check! Melodic euphoria: check! Old school house and true school freestyle flavor: check! Comes in various mixes and with a freestyle bonus beat special.

Additional airtime is given to the now classic Chrissy production So I Go Dancing. Done in a traditional remix fashion by Gerd Janson it highlights all the features of the original and again Carrie‘s enchanting voice, extends the included hysteria and adds a few snare rolls. Let‘s go dancing to brighten the darkness. Dance music in its purest and maybe most US-American form.







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Special Remarks : Rose coloured sleeve


Tracklist
A1. Modern Romance (Dusky Remix)
A2. Modern Romance (Dusky Dub)
A3. Modern Romance (Bella Boo Remix)
B1. Modern Romance (Ryan Elliott Remix)
B2. Modern Romance (Ryan Elliott Instrumental)

Release Info:
No business, like show business; The happy pill that was the Catz ‘N Dogz liaison with Gerd Janson gets a remix treatment. Dusky, Bella Boo and Ryan Elliott put their respective and requested stamps on Modern Romance.

Ladies first: Bella Boo takes the upbeat piano house of the original into a deeper sphere. A square bass, a catchy marimba hook and some vocal sprinkles make for the aural equivalent of salted caramel. Next up are everyone’s favourite peak time sweepers Dusky who open the gates to the rave. Heavily influenced by the ingredients of the proto UK bass scenery (breakbeats, ragga bass sounds, life-affirming vocals) they place Modern Romance somewhere between N-Joi and Shut Up and Dance. If that is too much for you to swallow, Ryan Elliott might have the remedy. Ostgut Ton’s „best dressed chicken in town“delivers a sleek translation that is neat as a pin and wears the influence of his hometown Detroit proudly on the sleeve. „Help me find out, what I like…“






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Special Remarks : Silver Sleeve

Tracklist
A1. Lille Vals (Original Mix)
A2. Lille Vals (Gerd Janson Talamanca Dub)
B1. Lille Vals (Patrick Topping Remix)
B2. Lille Vals (Ajaks Remix)

Shortinfo:

Storken’s „Lille Vals“ is among those type of infectious and addictive instrumentals that feel like songs without words, pop without divas or perfectly synthesized disco. Being the debut of a young and promising man from Sweden as, it received candid praise by dancers and DJs alike.
Originally „Lille Vals“ appeared as the centerpiece of Running Back’s One-swallow-sampler series, it earned its second spring on a dedicated 12inch release. Although still as much fun as the first time around, Storken’s precious little diamond gets a threepart remix treatment to season the dish. His fellow Ajaks offers a stripped down ans mesmerizing take that should make minimalists allergic sufferers of melodies happy. Newcastle’s power house Patrick Topping pulls out one of his tricks to beam it into his own world and brings out all the big elements to make it even – yes – bigger. Finally, Gerd Janson does the opposite and dubs out the highs and lows of the original to meet Augustus Pablo and Daniele Baldelli somewhere uptown.





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Tracklist
A1. Modern Romance (Original Mix)
A2. Modern Romance (Instrumental)
B1. Modern Romance (Club Mix)
B2. Modern Romance (Gerd Janson’s Club Dub)

Shortinfo:
Despite all its terrible tragedies and hardships, the whole disaster that is 2020 has had its positive sides. One might have been Danny Howard’s Radio 1 Lockdown link up. The idea behind it: bring artists together that have never worked together due to time, place or opportunity. So when the dice were tossed for possible collaborations, you might want to think they were loaded.
The Catz ‘n Dogz liaison with Gerd Janson is just that obvious - as is the result. „Modern Romance“ translates to upbeat dance music that neither shies away from vocals nor pianos and is practically the antidote to any foul mood. Or as Gerd likes to put it: „The whole thing was already laid out by the dance music masters that are Catz ’n Dogz. All I had to do was to ask Mark Barrott to help out with some piano work and finish an arrangement. Voilá!“ House music that will sound as great in clubs and parties as it will on treadmills, or on your favorite means of transportation as it does on airwaves and did so on Danny Howards Radio 1 edition.





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Special Remarks : Sleeve Image by Arno Beck

Tracklist
A1. Grouse
A2. Defy Me
B1. Revel
B2. Pang

Shortinfo:
The Helium Robots appearance on the Running Back subsidiary Misfit Melodies with one of their finest narratives so far. Subdued Neo trance and indie dance for fans of bicep curls and the border communities of yore. Or to use the words of the creator: The Grouse approaches, intent on witnessing Helium Robots release the ghouls and demons from their machines. What potent mix can this mean? Channeling the raw energy of their 2018 track Sly on Running Back, the monolithic baselines and surging, dense forces of Defy Me and The Grouse itself unfurl from the speakers. To mop fevered brows after those torrents, the alchemy changes to create the fuzzy warmth and bounce of Pang. Playful vocal samples flicker and weave through the chords, giving way to the final melodic flow of Revel. And we're done. The Grouse, unruffled, proudly turns and stalks away…




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Tracklist:
A1. Out In The Ferns
A2. Cherry Bomb
B1. Gamma
B2. Never

Shortinfo:
With the second record for Misfit Melodies and the fourth for the Running Back universe, Robert Dietz solidifies and hones his very own sound.
Heartfelt and emotive, a slice of lovers acid works as the prelude to an EP of IDM patterns, classic house tropes and something that is as much fun as it is funky. "Great Hormones at Bed Time" owes the same amount of money to Detroit as it does to Frankfurt am Main. Definitely no lullabies here.


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Tracklist:
A. ilox
A2. Ssys
B1. Rron
B2. Droeni
Short info:
A warehouse jive for number 5 on Running Back's Misfit Melodies series. Introducing new artist and shrinking violet Pistachio, "Ilox" cuts house music out of a techno cloth and vice versa. One of three direct cuts between chord memories, distant voices and space echoes, complemented by a drone piece for the times before, after and in-between. Classic soundscapes with a modern drive. Nutritious as a nut.


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Special Remarks:
Tracklist:
A. Parmacy A2. Telepathic People B1. Bone Apple Tea B2. I'm Sorry For What I Said When I Was Hungry


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Tracklist:
A. I Gave My Love (Orginal Edit)
A2. Babyphonk (Dj Chicken No Guitar edit)
B1. I Gave My Love (Shan & Gerd Janson Mix)
B2. Deep Feat. Seebase (Dj Oyster Edit)


Short info:
Some things just get better with age. House Grooves Vol. 1 mark a part in history, where a young Move D felt ignited by the classic house music sounds of the day.
Strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. "House Grooves Vol.1" embodies that special time and place with a bunch of vintage tracks saved from the abyss.

Respectfully edited and dusted with gloves, it features Move D's sought-after magic moment "I Gave My Love", a collaboration with Mannheim's house hero See-Base, the bass line swing of "Babyphonk" and a breakbeat-led remix by Shan & Gerd Janson that tries to sound like it could have happened back them.

The bottom line is: the past can make the future feel at home.


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Special remarks: 12" with sticker
Tracklist
A. Oh Sh#t! (Dj Etiquette Mix) B1. Deviant (DJ Bullsheet Mix) B2. Domain (DJ Drone Mix)
Shortinfo:
Second release on Misfit Melodies by an artists who wishes to remain unknown. Three tracks for almost any night club/rave situation - from heavy piano tracks to industrial ambient drones. Made by a DJ for DJs.


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Special Remarks: Stickered Sleeve
Tracklist:
A1. Third Eye Sunglasses (Original Version) A2. Little Heaven Fogmachine
B1. Third Eye Sunglasses (Gerd Janson & Lopazz Remix)
B2. Third Eye Sunglasses (Bad Cop Bad Cop Dub Edit)
Short info:
Underground hero LD Nero debuts on the debut of the anything-goes outfit Misfit Melodies. Tried and tested Nero deepness melts with his rave alter ego and beloved non-conformity. A more traditional deep house approach is featured on the flip with a Gerd Janson & Lopazz remix, while the blue-eyed dub reggae take of Bad Cop Bad Cop serves as the digestive.



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Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Moments Ahead
A2 Get It Together
B1 Brighter Life
B2 Futures

Release Info:
Tesfa Williams celebrates his personal ancestry and the diversity of black electronic music with a name change on his Heist Recordings debut.

First things first. T. Williams is now Tesfa Williams. And although the dot is gone after the T, by taking that away, the artist openend up a whole world of meaning, personal storytelling and recognition of his roots.

“Originally when I started "T.Williams" it felt like my African first name Tesfa wouldn't be welcomed in the scene. Something I've experienced in general from school, college, work etc….. I grew up in a Rastafarian family with Carribean heritage and my parents decided to give me and my siblings African names to connect us to our African ancestry. I now feel like I’m ready to embrace this part of me as an artist and share it with the world.”

Tesfa Williams is an artist with a long history in UK club music. Long before his critically acclaimed debut album in 2024 ‘Raves of future past’, he was knee-deep in the UK grime scene and throughout the years, he has built a strong reputation in UK funky, soulful house and Garage with remixes of Latch for Disclosure and Sam Smith (yes, that track), bumping originals on Strictly Rhythm, Local Action with Julio Bashmore, and much more. On his debut for Heist, we see the artist dig deep into his black roots and deliver an EP that celebrates his eclectic sound with 4 originals full of high notes.

The ’Beyond today’ EP kicks off with ‘Moments Ahead’, a classic filter-house jam with lovely soulful chops and the perfect amount of grit. It’s the type of funky, peak-time house track that will ignite any dancefloor with its irresistible groove. ‘Get it together’ sees the artists layer some classic R&B vocals over an infectious warehouse groove. It’s the kind of track that’ll grab anyone’s attention on a first listen. The breakbeat loop in the background gives the percussion its dry immediacy and the sparse melodic hits and irresistible vocal chops turn this track into an absolute dancefloor monster.

On the flip, the London producer merges his love for soulful house with contemporary electronics on ‘Brighter life’. There’s something deliciously breezy about this song, where the vocals, chord hits, sweeps, and hits deliver a groove that’s laidback and powerful at the same time. The electronic parts of this track are cleverly laid out to contrast the syrupy sweet vocal and underline the class of the artist’s ability to effortlessly blend genres.

The EP closes with ‘Futures’, a bottom-heavy late-night burner much in the style of Dam Swindle’s 2023 Heist outing ‘Soul’s lament’ or the percussive goodness of Alma Negra tracks such as ‘Conversation’. There’s a nice blend of trippy electronics and driving Rhodes hits, which makes this a track perfect for those moments you simply want to go deep, heads-down, and feel the music.

With ‘Beyond Today’, Tesfa Williams has written a piece of music that pays homage to so many of the genres that have influenced him as well as to his black roots. ‘Beyond Today’ is a contemporary club record that oozes positive energy just the way we like it and we can’t wait to play this one out to all of you.

Enjoy the music and get ready to dance!

Lars & Maarten


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WSNWG unveils catalog number 015 with a four track collaboration between Tbilisi-based producer Üvall and label head Rødhåd. After an intense week-long jam session at the WSNWG studio in Berlin in february 2024, the stage was set for KINVA, a vivid, straight forward mind melter.

Written & Produced by Uväll and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin
Vinyl Cut by Schnittstelle Mastering Berlin

KINVA 01 [240209.2]
KINVA 02 [240206]
KINVA 03 [240209.1]
KINVA 04 [240207]


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Format: 180g 12” Vinyl heavy cardboard full colour print

Tracklist:
A1. Edge Of Chaos
A2. Vessel
B1. Factory Streets
B2. Keys

R.M.K returns to NECHTO with his latest release, ‘NECH028’, following his previous solo record ‘NECH021’, his features on the label's VAs and numerous label event appearances. Hailing from London, R.M.K, the alias of Fossil Archive label head Roberto, brings a unique, evolving take on his sound. With over 20 years of experience, he has performed at iconic venues like Berghain, Tresor, and fabric, and collaborated with artists such as Trevino, Jamie Anderson, and Goldie.
‘NECH028’ marks a new chapter in R.M.K’s artistic growth, with the EP taking over a year to complete. The release includes four vinyl tracks, plus an additional digital-only track. R.M.K notes that while each track has its own distinct style, they collectively tell a cohesive story. He also
acknowledges the role of Nastia in pushing him to deliver the best possible quality, and he takes great pride in the result.
This release reflects the evolution of R.M.K’s sound, demonstrating his dedication to refining his craft and offering a compelling narrative through techno.

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No Return!

DJ Sommer delivers a timeless ode to the dance floor with House Music Forever, the latest release on
RAWSOUL. This four-tracker embodies the raw essence of house music, channeling a stripped-down,
old-school aesthetic while injecting it with a modern edge. Rooted in hardware-focused production,
each track resonates with the unfiltered soul of the 90s while staying fresh and relevant for today’s
scene.
From essential DJ tools to peak-time heaters, the EP strikes a perfect balance between functionality
and fire, serving up grooves that are straight for the floor. Whether you’re deep in the mix or leading a
crowd into euphoria, House Music Forever reminds us why house music remains eternal.
For fans of real, unadulterated grooves, this is a must-spin. Keep it raw, keep it soulful—keep it
forever.

Tracklist:
A1. DJ Sommer - Make Me Groove (Original MIx)
A2. DJ Sommer - Loose Style (Original MIx)
B1. DJ Sommer - Groove On (Original MIx)
B2. DJ Sommer - Calling You (Original MIx)


Master and Cut by Helmut Erler
W&P by DJ Sommer

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LP

Special remarks: 180g

Tracklist:

A1) Hatsuhinode 06:55 min
A2) Agora 02:39 min
A3) Ostinato 03:56 min
A4) Hibari 04:59 min
B1) Maya 06:55 min
B2) Shizuku 04:40 min
B3) Niwa 04:07 min
B4) Tio 08:04 min

Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.
The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto’s ‘Hibari’, the arrangements are largely improvised, letting the duo’s intuition guide the course and build the form.
Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.




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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


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Red Motorbike maestro Eddie C and Berlin's rising boogie-funk star LJ Simon drop on the ensemble with an anthemic ode to the most sought-after of desires. We’ve been keeping this secret for far too long; it’s time to bring U Be Mine into the light, complete with remixes from Lex, Da Silva and Marcello Giordani aka Italo Deviance.
It was just over a year ago when Eddie sent us the original demo of U Be Mine. I remember plugging in the speakers in my flat, pressing play. A flash from a place of love that wet, grey day. The lyrical bass, euphoric stabs, the iconic delay, the pining vox. There are times where things seem naturally bound, designed to intertwine. An instant essential. We couldn’t wait to throw it down in the disco. Much like the coveted desire of its vocoder-clad protagonist, we needed a club-ready fx. Eddie, getting the message, sent us over a quick master - the Eddie C ‘Cash’ Version. Over the next year, at parties from Lisbon to Ibiza, I saw how those swirling arps locked onto the floor, how dancers cozied up to its decadent groove. It was peak time, warm-up and wind-down all at once. In the true spirit of the ensemble, we got to work curating a cast of balearic technicians to write their distinct shade of depth onto Eddie and Simon's golden letter. And that’s where it lands.
Lex from Athens casts an exotic, eclectic spirit with his Plaka Remix, all shuffling percussions and wild, breezy strings, rejigged baselines and NYC disco tackle. Label curator Da Silva ups the ante with his 7-minute club-ready fx: tight kicks and searing acid, all the bells and whistles for your peak-time excursions. Finally, Marcello Giordani shifts into hyperdrive with the ITALO DEVIANCE ACID CONTROL version, conjuring creatures of the night in kaleidoscopic configurations, a trusted party roller for the most decadent dance floors.
We’re releasing U Be Mine on 150 pristine discs only. Claim it as yours, forevermore.

A1) U Be Mine (Eddie C Cash Version)
A2) U Be Mine (Lex (Athens) Plaka Remix)
B1) U Be Mine (Da Silva Club Mix)
B2) U Be Mine (ITALO DEVIANCE ACID CONTROL MIX)

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Territories: World excluding Japan

Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo

LP: Heavyweight 350gsm sleeve, sticker

Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18


Info

WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.

Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)

The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.

This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.


Points of interests

For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!

First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!


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GENRE/S: Bass, Jungle, Experimental Beats

LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub

Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Genre: Pop / Songwriter


Tracklist 12":

A1 – People In White Cars
A2 – Empty Pools
A3 – Ice Bear
A4 – Drinks Ain't Free
A5 – Slowly Turning Backwards
B1 – Meeting The Idiots
B2 – Man Hands
B3 – NYE Horror
B4 – The Book A Forest Died For
B5 – How Long Has It Been?


Info:

"Dear music lovers, this album represents the truest and purest essence of myself in a 'now state' at the end of my thirties. I really don't care about aging, but I care about these ten songs. They make me happy, sad, aware, they make me laugh, cry and confident - hopefully, they make you feel the same or make you feel at all, too. For me, they shatter the rising coldness in this world. This wholesome musical powerhouse is about 'people in white cars' - it's a weird metaphor. Learn all about it on this album." - Rico




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Genre: Techno, Electronic, Downtempo, Leftfield

The EP "Echolocation" sees the debut of a new German artist: Len.Leo. Moved from his hometown of Mainz, and now for a few years a Berlin resident, Len.Leo's "Echolocation" comes to Bézier's recently launched record label "Körperspannung".
In their shared concrete home inside Friedrichshain, Bézier and Len.Leo have built an immense production studio, in the heart of their apartment, around which they organize salons with friends and fam to cultivate dreams, new vocabulary to express wishes for the collective queer musical mosaic.
Cut right from the cloth of a post-punk lineage, 'Echolocation' burns and welds tracks into rails fitted for a high-speed lysergic bullet. 'Corrugation' is a subversive adventure into the wells of imagination weaving pulsating artifacts from an unknown era to craft sounds through atmospheric needlepoint. In 'Radio Silence' cascading wings flutter through the diagrams of a sunken underground compound only to be discovered to be long abandoned, cut off from receiving transmissions for who knows how long?

Tracklist:

A1 Echolocation
A2 Corrugation
B1 Radio Silence


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner

*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***

Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E

Info


WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.

Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.

Bio

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore