With the inaugural release "Show Yourself", Xosar introduces her new label Gyrocyre. When people on our planet hold built up psychic tensions under the skin, the energy gestates in a womb-like growth until it's ready to burst through the flesh manifest as a creature called a Gyrocyre. Many people opt out of ever letting the beast emerge, happy to function at levels they can predict without having to face the challenge brought on by the Gyrocyre. It grows heavy and bloated with untapped potential. Those who embrace the change slice through the flesh and let it out. It fuses with the host, covering his or her skin like a mask. Depending on the nature of their heart, it gives them tools to save or destroy the world. We invite you to embrace the change and let your Gyrocyre out.


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Xosar established herself with an infectious live show, on display at regular appearances throughout the world, and with releases on labels like Rush Hour, Creme Organization and L.I.E.S. Xosar's new release for Valcrond Video marks the onset of a darker, more dungeons & dragons oriented point of view. The four tracks feature both propulsive, doom-laden beats and expansive drum-free dream spaces. These sounds, appropriate for perved-out DJs and depressed teens alike, trace a narrative of pursuit, captivity, and erotic exsanguination. Held in a stone tower, a prisoner's fluids are harvested for carnal application, before he is finally allowed to drain and find release in euphoric fields: bare dead trees, empty veins.


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Ensemble is dedicated to togetherness and deep, timeless house music, initiated by 22tracks.com Brussels house selectors Gratts and Kong. First release by none less then Xosar plus a remix by Xan Xosa aka.. Check! The EP kicks off with X(osar) Files. Like its title suggests, it's an anthemic journey through retro-future spacescapes, combining a smoldering bassline with eerie synths that drift in and out and a cryptic vocal layered with sensuality so thick it would make Mulder and Scully blush. The theme tune to the best sci-fi flick never made. Taking on a one-time moniker that has him sounding like an original series Star Trek villain, San Soda – or rather, Xan Xoda – turns in a mature reinterpretation of dreamy off-cut Gone Is Yesterday, turning it into a tightly honed Panorama Bar jam, centered firmly around its simple but ultra-effective bassline. B1 track Paranormal Detective picks up where X(osar) Files left off, with more ultra-cinematic pads and undulations coming together to create a slow-burning groover that balances maximalist flourishes with an entirely more delicate undercurrent. Rounding off the release, Lycropolis is pure interstellar funk, chugging along with an infectious analogue groove and carnival-esque, swinging percussion, as if the cast of the Mos Eisley Cantina had decided to trade jazz for techno and try their hand at an underground rave.



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Two hot new tracks for all children of the new age... the wonderful artwork says it all.



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Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.

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After a slew of stellar releases on Mannequin, Return to Disorder, and Mechatronica, L.F.T. lands on Pinkman with a 6-tracker aimed squarely at the dancefloor. Tough drums and raw basslines are the wire frames around which spectral vocals and percussive quirks breathe and coil. Bridging the gap between Dutch electro heritage and horror-movie soundtracks without sacrificing dancefloor functionality, Electric Vampire presents a synthetic super-highway in which the only thing more pervasive than the bright lights is the solid concrete underfoot. Daring excursions in dance music from an artist stepping out on his own, and relentlessly stalking the night.

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Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."

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New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.

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Bertram debuts on Dutch cult label Pinkman Records. Fueled by nostalgia, 'Lights Out' aims to execute industrial old school dancehall and dub within a raw electronics framework. It combines old drum machines, vintage synths, acid bass lines, Sherman-laced vocals by Bertram and the people in his life, and clever approaches to the creative process and production. He believes in a ''it takes a village" approach and worked closely with label head Marsman to iterate the project. The release is blessed by remixes courtesy of C.L.A.W.S. and Chris Mitchell.

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Credit 00 arrives at the peak of festival season with a sadboi singalong to soundtrack the long summer evenings we spend all year looking forward to. Teasing his upcoming full-length, the Rat Life boss returns to Pinkman for the first time since '21 with a punchy single that draws inspiration from believe and despair. Future dancefloor karaoke anthem 'Hope' travels through time by laying 21st century autotune pop over ancient bit crushed computer beats. Watch out for the dangerously catchy hook, once it's in your head it won't be leaving anytime soon!

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dentified Patient drops another calamitous record on Pinkman - 4 dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.

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Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.

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Pinkman welcomes Pablo Bozzi to the label with a debut mini-LP "Street Reign". A well-crafted 6-tracker, in which the artist subtly weaves his 80s Italo fascination with early 90s Goa influences and weighty body music. The combination oscillates between sweaty dance-floor alertness & shimmering synth euphoria, allowing one to drift in and out of a reverie. We might live in dark times, but this sure gives hope.

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Henning Baer caught our attention after his first release on Adam X's Sonic Groove label. Nearly a decade after, Berlin's techno front-runner tweaked his machines into a moody electro escapade for his debut on Pinkman. Industrial tinged heavy kicks layered with futuristic mellow soundscapes. With Sui Generis Henning Baer once again shows his versatility & years of experience.

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Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.

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Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.

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Krakow's duo Olivia and Chino join Pinkman with their live project Radiation 30376. Both belonging to the generation that has seen decay turn into liberation, together they tint raw industrial soundscapes with the feelings of freedom and nostalgia. Their debut ep Arka consists of 4 uncompromised electro mutants, rich with the atmosphere of the 90s and the sound design of the future.

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Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His 'Protest Love Songs' bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.

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Rotterdam's local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one's stomach when ingested, 'Generatie Desinteresse' inspects the blas? youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.

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Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. "Dancing Snake" takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.

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Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, 'Possessed Realms' offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.

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Italian dark electronics aficionados Alessandro Adriani and Cosimo Damiano come together for a debut collaborative EP on Pinkman. Belonging to different generations but both deeply influenced on one side by "the Sound of Rome", with pioneers like Gabriele Rizzo, Leo Anibaldi and Lory D, and on the other side by the raw electro Dutch legacy of Bunker Records, the two strike a golden middle of their styles with a clanging, raw and packed to the brim with coarseness electro-techno hybrid. Inspired by the cyber dystopia narratives, 'Neurodreamers' reflect on the hi-tech surveillance and the promise of AI which unfolds itself into the prospect of dehumanization. Taking the listener through turmoil and anger, the brutish 4-tracker weave the elements of grubby baselines, coarse synths and erratic percussions with the brain-melting hints of acid and Alessandro Adriani's own recorded vocals. A living warning to us all.

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