1
Adam X - Laying It On Thick
2
Adam X - Trailing Effects
3
Adam X - I've Been Here Before
4
Adam X - It Seems Like Yesterday
New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.
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More records from Adam X
1
Adam X - No Title
2
Adam X - No Title
3
Adam X - No Title
4
Adam X - No Title
5
Adam X - No Title
6
Adam X - No Title
7
Adam X - No Title
8
Adam X - No Title
9
Adam X - No Title
10
Adam X - No Title
11
Adam X - No Title
Trends come and go as we have seen, unlike many, Brooklyn-born Adam X isn't one to follow trends, but rather set them. Now entering his 30th year of DJing and 25th year running his Sonic Groove label much of the world of dance music has come full circle since Adam started back in 1990. With that said there was no better time to explore his vast back catalog then the present as it's all the more relevant right now.
As many younger contemporary techno djs have taken to the faster, harder, stronger route as of late, this was par for the course back in 1992, where this compilation begins. What we have here is a collection of formative psychedelic acid tracks specifically made for the raves that were happening all over the world at the time.
Many of the tracks here had previously appeared on cutting edge labels such as Direct Drive, Drop Bass Network and Magnetic North, who were all spearheading the sound at the time, we also get two unreleased cuts from the vaults, plus a rare collab with Thomas Heckmann.
Back then the goal was simple- to push the limits of this fresh sound, and see how far they could actually go with their 303s; this music now filling warehouses and clubs worldwide. The eleven tracks on this record undoubtedly take rave-extremity to new heights whilst keeping the integrity (and brutality) of the music intact and the crowd in a frenzy.
Guaranteed to destroy the club as much now as they did in back 1992.
Remastered at Dadub Mastering.
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As many younger contemporary techno djs have taken to the faster, harder, stronger route as of late, this was par for the course back in 1992, where this compilation begins. What we have here is a collection of formative psychedelic acid tracks specifically made for the raves that were happening all over the world at the time.
Many of the tracks here had previously appeared on cutting edge labels such as Direct Drive, Drop Bass Network and Magnetic North, who were all spearheading the sound at the time, we also get two unreleased cuts from the vaults, plus a rare collab with Thomas Heckmann.
Back then the goal was simple- to push the limits of this fresh sound, and see how far they could actually go with their 303s; this music now filling warehouses and clubs worldwide. The eleven tracks on this record undoubtedly take rave-extremity to new heights whilst keeping the integrity (and brutality) of the music intact and the crowd in a frenzy.
Guaranteed to destroy the club as much now as they did in back 1992.
Remastered at Dadub Mastering.
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Label:prologue music
Cat-No:prg016
Release-Date:10.12.2010
Genre:techno / minimal
Configuration:12" Excl
Label:prologue music
Cat-No:prg016
Release-Date:10.12.2010
Genre:techno / minimal
Configuration:12" Excl
1
Adam X, - Downbursts
2
Adam X, - Wind Shear Detection
This EP is an Outflow Boundary inspired by the Outflow Boundary that formed over NYC on September 16th, 2010. ENJOY !
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Detroit originator Blake Baxter with a massive return to form here. Four mixes of the sexy floor-rocker "Sexuality", an old school tribute to the naughty naughty. Mixes range from midtempo Detroit house/techno to peak hour, percussive techno and warehouse acid a la old school Djax and Hardfloor, with Ben Sims, Frankie Bones and Dietrich Schoenmann on duty.
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More records from Pinkman
1
Skelesys - The Answer
2
Skelesys - Pictures In My Mind Feat. Curses
3
Skelesys - Grey Days
4
Skelesys - Fading Echoes
5
Skelesys - Little Self
6
Skelesys - Golden Eyes
7
Skelesys - In The Dark
8
Skelesys - Digital Ghosts
9
Skelesys - Glowing
Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.
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1
L.F.T. - Electric Vampire
2
L.F.T. - Cattle Beast
3
L.F.T. - Nothing Left To Be Desired
4
L.F.T. - Asche Vox By Nils Fock
5
L.F.T. - Demonic Toys
6
L.F.T. - Viper In The Trench
After a slew of stellar releases on Mannequin, Return to Disorder, and Mechatronica, L.F.T. lands on Pinkman with a 6-tracker aimed squarely at the dancefloor. Tough drums and raw basslines are the wire frames around which spectral vocals and percussive quirks breathe and coil. Bridging the gap between Dutch electro heritage and horror-movie soundtracks without sacrificing dancefloor functionality, Electric Vampire presents a synthetic super-highway in which the only thing more pervasive than the bright lights is the solid concrete underfoot. Daring excursions in dance music from an artist stepping out on his own, and relentlessly stalking the night.
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1
Credit 00 - Music Is A Spiritual Thing
2
Credit 00 - My Utopia Is Your Dystopia
3
Credit 00 - Outtabahn
4
Credit 00 - Cars Rule Everything Around Me
5
Credit 00 - Midnightlife Crisis
6
Credit 00 - Love Warrior
7
Credit 00 - Hope
8
Credit 00 - Bouncing Bell
9
Credit 00 - Spitting Words Into The Sea
10
Credit 00 - Plague Of Men
11
Credit 00 - Leaving The Field
12
Credit 00 - Villa Park 911
Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."
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1
Bertram - Lights Out
2
Bertram - It's All Good
3
Bertram - Lanta
4
Bertram - Lights Out (Chris Mitchell Remix)
5
Bertram - It's All Good (C.L.A.W.S. Remix)
6
Bertram - Doom Scroll
Bertram debuts on Dutch cult label Pinkman Records. Fueled by nostalgia, 'Lights Out' aims to execute industrial old school dancehall and dub within a raw electronics framework. It combines old drum machines, vintage synths, acid bass lines, Sherman-laced vocals by Bertram and the people in his life, and clever approaches to the creative process and production. He believes in a ''it takes a village" approach and worked closely with label head Marsman to iterate the project. The release is blessed by remixes courtesy of C.L.A.W.S. and Chris Mitchell.
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1
Credit 00 - Hope
2
Credit 00 - Hope (Instrumental)
Credit 00 arrives at the peak of festival season with a sadboi singalong to soundtrack the long summer evenings we spend all year looking forward to. Teasing his upcoming full-length, the Rat Life boss returns to Pinkman for the first time since '21 with a punchy single that draws inspiration from believe and despair. Future dancefloor karaoke anthem 'Hope' travels through time by laying 21st century autotune pop over ancient bit crushed computer beats. Watch out for the dangerously catchy hook, once it's in your head it won't be leaving anytime soon!
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1
Identified Patient - Geen Syndroom
2
Identified Patient - Nog Steeds High Van De Lak
3
Identified Patient - Ver Verijderd Van Vermoeid
4
Identified Patient - Haar Glans Altijd Strak
dentified Patient drops another calamitous record on Pinkman - 4 dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.
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1
Identified Patient & Sophie du Palais - Crush On You
2
Identified Patient & Sophie du Palais - Strictly Dominant
3
Identified Patient & Sophie du Palais - Father Figure
Repress!
Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
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Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
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1
Pablo Bozzi - Street Reign
2
Pablo Bozzi - Tornado Alley
3
Pablo Bozzi - Mental Wave
4
Pablo Bozzi - Overload
5
Pablo Bozzi - Le Quai Des Brumes
6
Pablo Bozzi - Abyss
Pinkman welcomes Pablo Bozzi to the label with a debut mini-LP "Street Reign". A well-crafted 6-tracker, in which the artist subtly weaves his 80s Italo fascination with early 90s Goa influences and weighty body music. The combination oscillates between sweaty dance-floor alertness & shimmering synth euphoria, allowing one to drift in and out of a reverie. We might live in dark times, but this sure gives hope.
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1
Henning Baer - Sui Generis
2
Henning Baer - Pacific
3
Henning Baer - Long Nights
4
Henning Baer - Faint Static
5
Henning Baer - Pentagon Papers
Henning Baer caught our attention after his first release on Adam X's Sonic Groove label. Nearly a decade after, Berlin's techno front-runner tweaked his machines into a moody electro escapade for his debut on Pinkman. Industrial tinged heavy kicks layered with futuristic mellow soundscapes. With Sui Generis Henning Baer once again shows his versatility & years of experience.
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1
Randstad - Broken Sun
2
Randstad - Spanish Caravan
3
Randstad - Rookie
4
Randstad - Brockwell
5
Randstad - Stranded
6
Randstad - Teenage Vomit
Repress!
Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.
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Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.
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1
Dreams - Slug Street Disko
2
Dreams - Cutting Teeth
3
Dreams - N.B.D.
4
Dreams - Pay No Mind
5
Dreams - Kicking Scratching
6
Dreams - Beacon Of Power
Repress!
Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.
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Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.
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1
Radiation 30376 - Lost
2
Radiation 30376 - Nietoperz
3
Radiation 30376 - Shareef
4
Radiation 30376 - Arka
Krakow's duo Olivia and Chino join Pinkman with their live project Radiation 30376. Both belonging to the generation that has seen decay turn into liberation, together they tint raw industrial soundscapes with the feelings of freedom and nostalgia. Their debut ep Arka consists of 4 uncompromised electro mutants, rich with the atmosphere of the 90s and the sound design of the future.
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1
Credit 00 - New Tech Swing
2
Credit 00 - Die Welt
3
Credit 00 - Slaves Of War
4
Credit 00 - Jus Tee Naa
Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His 'Protest Love Songs' bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.
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1
Gamma Intel - Angstig en Onzeker
2
Gamma Intel - Nonchalance
3
Gamma Intel - Nul Perspectief
4
Gamma Intel - Argwaan
5
Gamma Intel - Eigenwereld
6
Gamma Intel - Doelloos
Rotterdam's local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one's stomach when ingested, 'Generatie Desinteresse' inspects the blas? youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.
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1
Olivia - No Title
2
Olivia - No Title
3
Olivia - No Title
4
Olivia - No Title
Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. "Dancing Snake" takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.
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1
Pasiphae - No Title
2
Pasiphae - No Title
3
Pasiphae - No Title
4
Pasiphae - No Title
Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, 'Possessed Realms' offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.
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1
Alessandro Adriani & Cosimo Damiano - No Title
2
Alessandro Adriani & Cosimo Damiano - No Title
3
Alessandro Adriani & Cosimo Damiano - No Title
4
Alessandro Adriani & Cosimo Damiano - No Title
Italian dark electronics aficionados Alessandro Adriani and Cosimo Damiano come together for a debut collaborative EP on Pinkman. Belonging to different generations but both deeply influenced on one side by "the Sound of Rome", with pioneers like Gabriele Rizzo, Leo Anibaldi and Lory D, and on the other side by the raw electro Dutch legacy of Bunker Records, the two strike a golden middle of their styles with a clanging, raw and packed to the brim with coarseness electro-techno hybrid. Inspired by the cyber dystopia narratives, 'Neurodreamers' reflect on the hi-tech surveillance and the promise of AI which unfolds itself into the prospect of dehumanization. Taking the listener through turmoil and anger, the brutish 4-tracker weave the elements of grubby baselines, coarse synths and erratic percussions with the brain-melting hints of acid and Alessandro Adriani's own recorded vocals. A living warning to us all.
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1
Jenson Interceptor - No Title
2
Jenson Interceptor - No Title
3
Jenson Interceptor - No Title
4
Jenson Interceptor - No Title
Strings of Fear is a glance into a damaged, yet ubiquitous beauty fetishism, when succumbing to the collective consciousness means walking a thin line between vanity, sanity and self-loathing. The four-tracker ties into a journey through fear, confusion, anger, desire and loathing, all fitted into one shot of adrenaline in a form of an EP.
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10
Wolfgang Tillmans - Kardio Loop (b)
11
Wolfgang Tillmans - Can't Escape into Space
12
Wolfgang Tillmans - Kardio Loop (c)
13
Wolfgang Tillmans - Celloloop / Stronger Than This
14
Wolfgang Tillmans - Im Treppenhaus (a)
15
Wolfgang Tillmans - Late For The Webinar
16
Wolfgang Tillmans - Kardio Loop (d)
17
Wolfgang Tillmans - Kantine
18
Wolfgang Tillmans - Ocean Walk
19
Wolfgang Tillmans - Give Me A Shadow
LP - 2023 Repress Edition in BioVinyl
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Debut album by Wolfgang Tillmans. Artwork designed by the artist.
GENRE:
Electronic
Pop
Abstract
TRACKLISTS:
CD / Vinyl
Celloloop / More That Connects Us
Rain Gutter
Fourth Floor
Nairobi Traffic Light
Possibility / Kardio Loop (a)
Stonerella
Don't Kill It By Naming It
Insanely Alive
El Condor Pasa
Kardio Loop (b)
Can't Escape into Space
Kardio Loop (c)
Celloloop / Stronger Than This
Im Treppenhaus (a)
Late For The Webinar
Kardio Loop (d)
Kantine
Ocean Walk
Give Me A Shadow
SHORT INFO:
Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Opening with more that connects us than divides us, 'Celloloop / More That Connects Us', a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he's left his "place in security." And, "you're shining … All the way down to this glittering place … you're shining." Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a 'Rain Gutter' later caught by the soft, warm rhythmic bounce between two synth notes on 'Fourth Floor' where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity, which Tillmans peppers with arpeggiated synth riffs.
A composition of multiplicities, Tillmans' album debut is a collage of sounds, field recordings, words, studio jam sessions and live recordings, voice, soundscapes, and instrumentation scored with audible space to breathe along the way. Keeping pace, the first 'Kardio Loop' is a vocal callisthenics contemplating 'the possibility of a happy life' and/or the propositional properties of its semantic constructions backed by the recording of a heartbeat from a cardiogram. This movement is gradually accompanied by a set of orchestral synth pads that build to a crescendo before the soft, twirling melody of 'Stonerella' carries us along a carousel-like melodic, pop, instrumental timed in the percussive clapping of pebbles.
Not knowing where one leaves off and the other begins is part of this album's enigma, as we move in and out of these aural spaces choreographed with the slightest, open hand, where we can float through 'Don't Kill It by Naming It' before dancing along 'Insanely Alive' all the while contemplating the inherent, fragile complexities of language and being.
This enigma also stems from the raw vulnerability of Tillmans' voice. Whether lyrically playful or introspective, it is always giving: intimately unfolding as in the surprising take on Simon & Garfunkel's 'El Condor Pasa' or shapeshifting in 'Can't Escape into Space' or fully naked as raw material expression in 'Kantine' and 'Ocean Walk'.
Whether it's Tillmans voice or voices overheard, a field recording or a pop synth melody, these sounds defy track listings, audibly held together as one of many in an aural space that becomes a reflective cycle that develops over the course of the album. The accumulative effect of which (reminiscent of the artist's installations), drives the singularity of each of the album's elements into a complete, unconsolidated whole. Like a phenomenon that marks time, Moon in Earthlight is the shadow and the reflection, fifty-three minutes in time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bas Amro - Chained
2
Bas Amro - Nearing
3
Bas Amro - Chained (Roger Gerressen Remix)
Repress!
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
IRENICSPC002 brings us two new tracks by Bas Amro, best known for his releases on Freerange Records and Wolfskuil Records. For this EP he takes an unusual straight-forward approach; ‘Chained’ is a driving dub track with beautiful chords, while ‘Nearing’ leans towards the deeper side of the techno spectrum. With both tracks being very suitable for the dancefloor, the b-side finds label boss Roger Gerressen changing pace, delivering a remix for the early hours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mac Jr. - Elephant Song (Vocal Version)
2
Mac Jr. - Elephant Song (Instrumental Version)
3
Mac Jr. - Elephant Song (Flemming Dalum Remix)
4
Mac Jr. - Elephant Song (The Ri-Mix)
Reissue of this italo disco rarity from 1984 with Flemming Dalum & F. Ricci remixes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unbroken Dub - Gabba
2
Unbroken Dub - Acid On High
3
Unbroken Dub - Murky
4
Unbroken Dub - Spectral Wind
RAWAX presents one again the man who is the driving force fo the label. Unbroken Dub - Highway Sleepers EP
Highly recommended!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Highly recommended!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Josh Wink - 12 Months Of Longing
2
Josh Wink - Sexy Bot
3
Josh Wink - Used To Be
4
Josh Wink - Used To Be (Instrumental)
An EP based on nostalgic feelings of bygone days. Deep electronic grooves and melodies are mixed with intense emotional musicality that transports you to the past… Resulting in a 'hands up in the air' feeling, where the rush of music bathes you in warmth and remembrance, showcasing Wink’s diverse range of production and artistry on each cut.
"12 months of Longing" begins with a pounding 909 kick that soon gets flooded with funky percussion building up to the 1st break of lush keys and swirling beats. The production continues leading into bouncing bass and a serious groove, that evolves into a rhythmic pause where soaring strings, and melodies build and build leading to an intense crescendo that will blow the roof off.
"Sexy Bot” is a title which suits this sexy tune. It’s journey begins with latin rhythms and is quickly joined with repetitive stabs and ascending pads, that spirals around you, directing the path of music that unfolds into a Detroit inspired musical progression. Symphonic string plucks leads you into a break of serious sexy melodies that explodes into a rolling bassline that will elevate any listener into another sexy feel good echelon.
“Used to Be” quickly guides you to a signature wink acid bassline, that writhes its way to an infectious groove that is soon complimented by a hauntingly smooth analog synth, advancing into a sensual musical progression. Wink then adds his voice to the song, with simple and effective contemplative words “The way I used to be”, endorsing the overall nostalgic feeling of this unique and diverse EP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"12 months of Longing" begins with a pounding 909 kick that soon gets flooded with funky percussion building up to the 1st break of lush keys and swirling beats. The production continues leading into bouncing bass and a serious groove, that evolves into a rhythmic pause where soaring strings, and melodies build and build leading to an intense crescendo that will blow the roof off.
"Sexy Bot” is a title which suits this sexy tune. It’s journey begins with latin rhythms and is quickly joined with repetitive stabs and ascending pads, that spirals around you, directing the path of music that unfolds into a Detroit inspired musical progression. Symphonic string plucks leads you into a break of serious sexy melodies that explodes into a rolling bassline that will elevate any listener into another sexy feel good echelon.
“Used to Be” quickly guides you to a signature wink acid bassline, that writhes its way to an infectious groove that is soon complimented by a hauntingly smooth analog synth, advancing into a sensual musical progression. Wink then adds his voice to the song, with simple and effective contemplative words “The way I used to be”, endorsing the overall nostalgic feeling of this unique and diverse EP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Floorfillers - A1. Floorfillers - Love Is Growing
2
Floorfillers - A2. Floorfillers - Pussy
3
Floorfillers - A3. Floorfillers - Trainwreck
4
Floorfillers - B1. Floorfillers - Unwashed
5
Floorfillers - B2. Floorfillers - Ah Babe
6
Floorfillers - B3. Floorfillers - Bless The Funk
Zaratustra is a young French producer strongly inspired by indie dance, italo disco, EBM, new beat, acid and ethnic music. His style matured over the course of this year & we actually received this extraordinary "uprising" demo. This track symbolizes the perfect mix of rock, italo and EBM, for the older ones we will notice the incredible similarity in the voice with Ian Astbury singer of The Cult. A bit as if this fabulous group would have teleported to 2022 accompanied by a very modern production. It is once again STOLT who strikes the blow with one of his finest vocal performances. We called again on the brilliant Lauer for a rereading halfway between Suicide, Alan Vega & The cramps. This record is more than a statement, it's a miracle.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Piccolo JT - 1969
2
Piccolo JT - Juke Joints Liqour Houses
3
Rio Love - My Country
4
Rio Love - I'm Not Tough But I'm Tired
Alleviated Records is proud to present the Spoken-Word vibes of Sharpsburg, NC's PICCOLO JT and Chicago's RIO LOVE to some lush Larry Heard grooves. 1969: "recollections about the NYC social & black music/party scenes on top of a driving afro-tribal groove.." JUKE JOINTS - LIQUOR HOUSES: "insights on early Southern social & black music/party scenes flowing on a moody deep-soulful music-bed.." MY COUNTRY: "social questions/observations on a slammin' deep Future-Tech flavored vibe.." I'M NOT TOUGH BUT I'M TIRED: "social questions/observations on a slammin' deep Future-Ragga/Tech flavored vibe.."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kepler - Lowlife
2
Kepler - Control
3
Kepler - Stranded (Ft. Wickham)
4
Kepler - Need
Minimal don Kepler strikes a balance between dancefloor utility and introspection on his latest record, and debut for X-Kalay. Big house and techno incursions straight out of Yorkshire – Leeds, to be precise. It’s a strong testament to the region’s long standing reputation as a hotbed for late-night minimalism.
Subtle flourishes and details stand out across all four tracks. Uncovering relics from ancient futures, ‘Lowlife’ stimulates the pineal gland with a mescaline-strength take on classic ‘90s tech house. While it dials the trippier elements down just a tad, ‘Control’, like its predecessor, recalls golden era Wiggle or Asad Rizvi under his Silverlining moniker.
No half measures on the next one. Bringing heft in spades, ‘Stranded’ comes hurtling in with swinging, jacking 4 AM NRG. It’s some serious gear, which makes the EP closer such an unexpected left-turn. ‘Need’ offers proper heads-down introspection, complete with widescreen, nebulous chords that ripple out into the vastness of space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Subtle flourishes and details stand out across all four tracks. Uncovering relics from ancient futures, ‘Lowlife’ stimulates the pineal gland with a mescaline-strength take on classic ‘90s tech house. While it dials the trippier elements down just a tad, ‘Control’, like its predecessor, recalls golden era Wiggle or Asad Rizvi under his Silverlining moniker.
No half measures on the next one. Bringing heft in spades, ‘Stranded’ comes hurtling in with swinging, jacking 4 AM NRG. It’s some serious gear, which makes the EP closer such an unexpected left-turn. ‘Need’ offers proper heads-down introspection, complete with widescreen, nebulous chords that ripple out into the vastness of space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Love Boat People - 3 Some
2
Love Boat People - To The Other Woorld
3
Love Boat People - Dontcha Know? (Sunday Morning Mix)
4
Love Boat People - Dontcha Know? (Sunday Night Mix)
Nathan Micay is pleased to present the fifth re-issue on Eternal Schvitz: Love Boat People - 3 Some. Originally released in 1998 during the infamous Gulliani NYC nightlife crackdowns, this is the first record ever made by Bryan Keller of duo Automagic. A unique and timeless record that was Bryan's battle cry to what was happening at the time. A-sides '3Some' and 'To the Other Woorld' are as psychedelic and groovy as they come, making great use of a 70's era Crumar Spirit Synth and some truly wild vocals. B-sides "Dontcha Know? (Sunday Morning Mix/Sunday Night Mix) are equally banging with 'The Sunday Night Mix' conceived for Emjay's Sunday Night Very Gay Who's-Who Roundup Party at Crowbar, while the 'Saturday Night Mix' was made for Big Room, where it could be heard regularly in the sets of Danny Tenaglia, Junior and other DJ's around the city.
As always, Schvitz gives back. Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As always, Schvitz gives back. Eternal Schvitz release will be providing 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Zaratustra - A1. Zaratustra feat. Stolt - Uprising (vocal mix)
2
Zaratustra - A2. Zaratustra feat. Stolt - Uprising (instrumental mix)
3
Zaratustra - B1. Zaratustra feat. Stolt - Uprising (Lauer Ghost rider version)
4
Zaratustra - B2. Zaratustra feat. Stolt - Uprising (Lauer Ghost rider instrumental version)
Zaratustra is a young French producer strongly inspired by indie dance, italo disco, EBM, new beat, acid and ethnic music. His style matured over the course of this year & we actually received this extraordinary "uprising" demo. This track symbolizes the perfect mix of rock, italo and EBM, for the older ones we will notice the incredible similarity in the voice with Ian Astbury singer of The Cult. A bit as if this fabulous group would have teleported to 2022 accompanied by a very modern production. It is once again STOLT who strikes the blow with one of his finest vocal performances. We called again on the brilliant Lauer for a rereading halfway between Suicide, Alan Vega & The cramps. This record is more than a statement, it's a miracle.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Strange Haze - Mental Breakdown
2
Strange Haze - Mystery Traxxx
3
Strange Haze - Outer Body Experience
4
Strange Haze - Nihilistic Sedation
Outside In returns with some new-school, acid inspired sounds made for the club, by a producer some of you will already know.
It's not just the 4 tracks shown here, grab one to find out.
Only 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It's not just the 4 tracks shown here, grab one to find out.
Only 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More