1
ARMOR - La Balade De Misrakis Feat. Feras Turk
2
ARMOR - Behaviour Of Politicians
3
ARMOR - Saffron
4
ARMOR - Sacred
5
ARMOR - Cheeky Razor
6
ARMOR - No.9
7
ARMOR - Laminn
8
ARMOR - The Fields And The Wind
9
ARMOR - Chador
ARMOR, a new alias by Pascal Pinkert (Ambassade / Dollkraut). A few years ago he visited Turkey and Lebanon to collaborate with artists such as trip-hop legend Zeid Hamdan and Egyptian singer Maii. While many of these recordings found their way into Dollkraut releases, revisiting the material sparked the need for a new outlet. With ARMOR, Pinkert dives deeper into the space between folk traditions and electronic experimentation. Hypnotic drones merge with Middle Eastern percussion, while subtle rhythmic structures fuse with immersive soundscapes.
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More records from Pinkman
1
AMBASSADE - Manrira Dei Inferni
2
AMBASSADE - Witte Paarden
3
AMBASSADE - Togetherness
4
AMBASSADE - The Thurible Hymn
5
AMBASSADE - Theme From R.A.V.E. (Variation I)
6
AMBASSADE - The Influencer Accent
7
AMBASSADE - The Oracle
8
AMBASSADE - We Are All Guilty
9
AMBASSADE - Theme From R.A.V.E. (Variation III)
10
AMBASSADE - Gunslinger
11
AMBASSADE - Young Brids (JD Twitch Tribute Version)
AMBASSADE ventures into the world of Manrira - a dark, alluring feminine presence that confronts systems driven by value, profit, and power. Emerging from dystopian structures, Manrira exists in the liminal space where organic and digital forces collide, merge, and mutate. This new audiovisual work is devoted to the enchanting acoustics of the human voice and its relationship to bodies, architectures, and shifting environments. At the heart of Manrira is the human voice - alive, breathing, and full of presence. It flows like a living instrument, shaping space and emotion. Manrira explores the voice as resonance, as body, and as spatial event. Manrira moves from dynamic song compositions into extended structures, blending live bass, neo-classical elements, ethereal vocals, drum machines, breaks, and techno-driven textures. The result is an immersive experience that invites the audience to listen closely and reconsider their connection to sound, space, and their surroundings.
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Germany
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1
Bound By Endogamy - In The Swamp
2
Bound By Endogamy - Night Owl
3
Bound By Endogamy - Never Wake Up Again
4
Bound By Endogamy - MAYPH XHPA
5
Bound By Endogamy - Ruine Des Seigneurs Iniques
6
Bound By Endogamy - Krematorium
7
Bound By Endogamy - March To The Drums
8
Bound By Endogamy - Entre Ciel Et Terre
After the storm of their self-titled debut, Geneva duo Bound By Endogamy return to Pinkman with an album that trades brute force for precision. The rage remains, but it's sharpened, disciplined, and driven by melancholy rather than rupture. Their minimal synth and industrial instincts rise to the surface, carving out room for melody without softening their confrontational edge. Angular basslines coil beneath Kleio Thomaides' voice, at times detached and at times devastating, while Shlomo Balexert's drum programming and synth work build a taut metallic tension. The result is both intimate and mechanical: love songs for disenchanted souls, post-punk electronics stripped to the bare wire. Bound By Endogamy have always blurred the line between performance and survival, and here they do it with minimal gestures and maximum impact.
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1
Sexo Y Fantasia - Last Hsit
2
Sexo Y Fantasia - Jingle Bears
3
Sexo Y Fantasia - The Symbol Of Dance
4
Sexo Y Fantasia - The Room
5
Sexo Y Fantasia - Il Dub Del Diavolo
6
Sexo Y Fantasia - Mosquito Attraction
7
Sexo Y Fantasia - Stop Time
8
Sexo Y Fantasia - Burning Churches
Emerging from the sun-drenched haze of their previous releases, the Belgo-Italian duo descend into the shadows with Trabajando El Flex, their third record to date. This is their gloomiest strike yet, a mutant wave manifesto built on a raw DIY ethos. Imagine pulsing basslines and ghostly vocals soundtracking your deepest, most illicit desires. Channeling the spirit of a major influence which is Coil, this album could have been called "Music to Play in the Dark(rooms)." It's a lethal fusion where New Beat, EBM, Dub, Italo, and New Wave lock into a singular, hypnotic atmosphere. Their world is a wild ride from Bear-Santa Claus Fantasms to Burning Churches and Amphetamine rooms, reflected in both their playful - not-to-be-taken-seriously - lyrics and a genre-shattering sound. Their debut was a a lost reel; their second, a dream, Trabajando El Flex is the raw, slow-burning, and beautifully unclean night that consumes both. It's a flawless fit for the after-hours ruin of the Pinkman universe.
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1
Skelesys - The Answer
2
Skelesys - Pictures In My Mind Feat. Curses
3
Skelesys - Grey Days
4
Skelesys - Fading Echoes
5
Skelesys - Little Self
6
Skelesys - Golden Eyes
7
Skelesys - In The Dark
8
Skelesys - Digital Ghosts
9
Skelesys - Glowing
Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.
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1
L.F.T. - Electric Vampire
2
L.F.T. - Cattle Beast
3
L.F.T. - Nothing Left To Be Desired
4
L.F.T. - Asche Vox By Nils Fock
5
L.F.T. - Demonic Toys
6
L.F.T. - Viper In The Trench
After a slew of stellar releases on Mannequin, Return to Disorder, and Mechatronica, L.F.T. lands on Pinkman with a 6-tracker aimed squarely at the dancefloor. Tough drums and raw basslines are the wire frames around which spectral vocals and percussive quirks breathe and coil. Bridging the gap between Dutch electro heritage and horror-movie soundtracks without sacrificing dancefloor functionality, Electric Vampire presents a synthetic super-highway in which the only thing more pervasive than the bright lights is the solid concrete underfoot. Daring excursions in dance music from an artist stepping out on his own, and relentlessly stalking the night.
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1
Credit 00 - Music Is A Spiritual Thing
2
Credit 00 - My Utopia Is Your Dystopia
3
Credit 00 - Outtabahn
4
Credit 00 - Cars Rule Everything Around Me
5
Credit 00 - Midnightlife Crisis
6
Credit 00 - Love Warrior
7
Credit 00 - Hope
8
Credit 00 - Bouncing Bell
9
Credit 00 - Spitting Words Into The Sea
10
Credit 00 - Plague Of Men
11
Credit 00 - Leaving The Field
12
Credit 00 - Villa Park 911
Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."
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1
Adam X - Laying It On Thick
2
Adam X - Trailing Effects
3
Adam X - I've Been Here Before
4
Adam X - It Seems Like Yesterday
New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.
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1
Bertram - Lights Out
2
Bertram - It's All Good
3
Bertram - Lanta
4
Bertram - Lights Out (Chris Mitchell Remix)
5
Bertram - It's All Good (C.L.A.W.S. Remix)
6
Bertram - Doom Scroll
Bertram debuts on Dutch cult label Pinkman Records. Fueled by nostalgia, 'Lights Out' aims to execute industrial old school dancehall and dub within a raw electronics framework. It combines old drum machines, vintage synths, acid bass lines, Sherman-laced vocals by Bertram and the people in his life, and clever approaches to the creative process and production. He believes in a ''it takes a village" approach and worked closely with label head Marsman to iterate the project. The release is blessed by remixes courtesy of C.L.A.W.S. and Chris Mitchell.
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1
Credit 00 - Hope
2
Credit 00 - Hope (Instrumental)
Credit 00 arrives at the peak of festival season with a sadboi singalong to soundtrack the long summer evenings we spend all year looking forward to. Teasing his upcoming full-length, the Rat Life boss returns to Pinkman for the first time since '21 with a punchy single that draws inspiration from believe and despair. Future dancefloor karaoke anthem 'Hope' travels through time by laying 21st century autotune pop over ancient bit crushed computer beats. Watch out for the dangerously catchy hook, once it's in your head it won't be leaving anytime soon!
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1
Identified Patient - Geen Syndroom
2
Identified Patient - Nog Steeds High Van De Lak
3
Identified Patient - Ver Verijderd Van Vermoeid
4
Identified Patient - Haar Glans Altijd Strak
dentified Patient drops another calamitous record on Pinkman - 4 dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.
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1
Identified Patient & Sophie du Palais - Crush On You
2
Identified Patient & Sophie du Palais - Strictly Dominant
3
Identified Patient & Sophie du Palais - Father Figure
Repress!
Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
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Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
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1
Pablo Bozzi - Street Reign
2
Pablo Bozzi - Tornado Alley
3
Pablo Bozzi - Mental Wave
4
Pablo Bozzi - Overload
5
Pablo Bozzi - Le Quai Des Brumes
6
Pablo Bozzi - Abyss
Pinkman welcomes Pablo Bozzi to the label with a debut mini-LP "Street Reign". A well-crafted 6-tracker, in which the artist subtly weaves his 80s Italo fascination with early 90s Goa influences and weighty body music. The combination oscillates between sweaty dance-floor alertness & shimmering synth euphoria, allowing one to drift in and out of a reverie. We might live in dark times, but this sure gives hope.
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1
Henning Baer - Sui Generis
2
Henning Baer - Pacific
3
Henning Baer - Long Nights
4
Henning Baer - Faint Static
5
Henning Baer - Pentagon Papers
Henning Baer caught our attention after his first release on Adam X's Sonic Groove label. Nearly a decade after, Berlin's techno front-runner tweaked his machines into a moody electro escapade for his debut on Pinkman. Industrial tinged heavy kicks layered with futuristic mellow soundscapes. With Sui Generis Henning Baer once again shows his versatility & years of experience.
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1
Randstad - Broken Sun
2
Randstad - Spanish Caravan
3
Randstad - Rookie
4
Randstad - Brockwell
5
Randstad - Stranded
6
Randstad - Teenage Vomit
Repress!
Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.
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Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.
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1
Dreams - Slug Street Disko
2
Dreams - Cutting Teeth
3
Dreams - N.B.D.
4
Dreams - Pay No Mind
5
Dreams - Kicking Scratching
6
Dreams - Beacon Of Power
Repress!
Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.
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Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.
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1
Radiation 30376 - Lost
2
Radiation 30376 - Nietoperz
3
Radiation 30376 - Shareef
4
Radiation 30376 - Arka
Krakow's duo Olivia and Chino join Pinkman with their live project Radiation 30376. Both belonging to the generation that has seen decay turn into liberation, together they tint raw industrial soundscapes with the feelings of freedom and nostalgia. Their debut ep Arka consists of 4 uncompromised electro mutants, rich with the atmosphere of the 90s and the sound design of the future.
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1
Credit 00 - New Tech Swing
2
Credit 00 - Die Welt
3
Credit 00 - Slaves Of War
4
Credit 00 - Jus Tee Naa
Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His 'Protest Love Songs' bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.
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1
Gamma Intel - Angstig en Onzeker
2
Gamma Intel - Nonchalance
3
Gamma Intel - Nul Perspectief
4
Gamma Intel - Argwaan
5
Gamma Intel - Eigenwereld
6
Gamma Intel - Doelloos
Rotterdam's local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one's stomach when ingested, 'Generatie Desinteresse' inspects the blas? youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.
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Originally released digitally in 2021, "TOP SECRET GRAND PRIX" is a genre- blending project that fuses the nostalgic warmth of "oldies but goodies" with the high energy pulse of Drum & Bass. 8 tracks ranging from 60s soul to JOE JACKSON and a slowed down JAMIROQUAI.
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Label:Selva Discos
Cat-No:SLVDSCS11
Release-Date:04.11.2026
Genre:Brazil, Bossa, Salsa
Configuration:12"
Label:Selva Discos
Cat-No:SLVDSCS11
Release-Date:04.11.2026
Genre:Brazil, Bossa, Salsa
Configuration:12"
1
Discoteca Tropicana - Corpos Celestes
2
Discoteca Tropicana - Corpo Treme
3
Discoteca Tropicana - Tobina
4
Discoteca Tropicana - Nao Pode Acabar
Selva Discos is proud to present its latest release: the EP by the band Discoteca Tropicana. This record features 4 original tracks that celebrate the rhythms that have influenced Brazilian disco music, showcasing the best of this fusion: the swing and tropical flavour that bring sunshine to any dance floor.
The project is the result of a collaboration between Kiko Costato, the enfant terrible of the Brazilian music scene, and Zé Nigro, a producer and multi-instrumentalist who has won two Grammy Awards and has worked with major names in Brazilian and international music such as João Donato, Antonio Carlos & Jocafi and Natasha Diggs.
This EP is based on 4 different themes. For each one, Kiko and Zé Nigro recruited some of Brazil’s finest studio musicians – people who work with Seu Jorge, Céu, Criolo, Metá Metá, Cidadão Instigado and Tulipa Ruiz – as well as pioneering artists from the Brazilian Black music scene, such as the backing vocalists who work with the legendary Gilberto Gil.
“Corpos Celestes” is a more classic “disco diva” track, featuring string arrangements and a grand piano, as if it were the start of the evening, a magical moment straight from the heyday of disco in the United States; “Corpo Treme” is the sweat, the vuco-vuco, a song for that moment when you’ve already let yourself go, a sprint to the frenetic rhythm of the carimbó; “Tobina” is the meeting of Brazil and Africa, from which Brazilian swing is born, an original chant straight from the Congo, with a characteristic African guitar, adapted to Brazilian rhythms, just like the afoxé. Finally, the dancefloor hit “Não Pode Acabar”, a more urban disco track, which works just as well for kicking off a party with the right vibe as for closing a set with the highest energy.
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The project is the result of a collaboration between Kiko Costato, the enfant terrible of the Brazilian music scene, and Zé Nigro, a producer and multi-instrumentalist who has won two Grammy Awards and has worked with major names in Brazilian and international music such as João Donato, Antonio Carlos & Jocafi and Natasha Diggs.
This EP is based on 4 different themes. For each one, Kiko and Zé Nigro recruited some of Brazil’s finest studio musicians – people who work with Seu Jorge, Céu, Criolo, Metá Metá, Cidadão Instigado and Tulipa Ruiz – as well as pioneering artists from the Brazilian Black music scene, such as the backing vocalists who work with the legendary Gilberto Gil.
“Corpos Celestes” is a more classic “disco diva” track, featuring string arrangements and a grand piano, as if it were the start of the evening, a magical moment straight from the heyday of disco in the United States; “Corpo Treme” is the sweat, the vuco-vuco, a song for that moment when you’ve already let yourself go, a sprint to the frenetic rhythm of the carimbó; “Tobina” is the meeting of Brazil and Africa, from which Brazilian swing is born, an original chant straight from the Congo, with a characteristic African guitar, adapted to Brazilian rhythms, just like the afoxé. Finally, the dancefloor hit “Não Pode Acabar”, a more urban disco track, which works just as well for kicking off a party with the right vibe as for closing a set with the highest energy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gaf & The Love Supreme Arkestra - Anagan
2
Gaf & The Love Supreme Arkestra - Moon In June
3
Gaf & The Love Supreme Arkestra - Inner Sunsets
4
Gaf & The Love Supreme Arkestra - Village On The Ocean Cliff
5
Gaf & The Love Supreme Arkestra - Roque De Las Ánimas
Following the release of Ganzfeld, the Tenerife-based octet returns with Retiro Espiritual, their fourth full-length album and the second chapter in an ongoing improvisational document recorded inside one of Santa Cruz de Tenerife’s abandoned oil tanks.
Gaf & The Love Supreme Arkestra work outside conventional studio frameworks. Their music emerges from extended improvisation sessions that unfold sporadically, sometimes over several days. Built around drums, guitar, bass, modular synthesis and samplers, and expanded with vibraphone and winds (flutes, saxophone, Herreño whistle), the group continues to move between jazz, psychedelic rock and free-form experimental composition.
While Ganzfeld drew from the misty northern coast of Isla Baja, Retiro Espiritual turns toward Taganana, one of Tenerife’s most remote regions. Its isolation, Atlantic exposure and volcanic terrain inform the record’s pace and focus. The title reflects this shift: a space for retreat, collective creation and suspended time. Sonically, Retiro Espiritual leans warmer and more reflective. Flutes drift over slow grooves, extended jams unfold patiently, and traces of 70s spiritual jazz surface throughout. The experimental core remains, now shaped by repetition, space and a calmer, sunlit atmosphere.
Another autonomous transmission from a band committed to ritual, territory and long-form collective improvisation at the edge of the Atlantic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Gaf & The Love Supreme Arkestra work outside conventional studio frameworks. Their music emerges from extended improvisation sessions that unfold sporadically, sometimes over several days. Built around drums, guitar, bass, modular synthesis and samplers, and expanded with vibraphone and winds (flutes, saxophone, Herreño whistle), the group continues to move between jazz, psychedelic rock and free-form experimental composition.
While Ganzfeld drew from the misty northern coast of Isla Baja, Retiro Espiritual turns toward Taganana, one of Tenerife’s most remote regions. Its isolation, Atlantic exposure and volcanic terrain inform the record’s pace and focus. The title reflects this shift: a space for retreat, collective creation and suspended time. Sonically, Retiro Espiritual leans warmer and more reflective. Flutes drift over slow grooves, extended jams unfold patiently, and traces of 70s spiritual jazz surface throughout. The experimental core remains, now shaped by repetition, space and a calmer, sunlit atmosphere.
Another autonomous transmission from a band committed to ritual, territory and long-form collective improvisation at the edge of the Atlantic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Camisole Records
Cat-No:CAM026
Release-Date:13.10.2023
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Camisole Records
Cat-No:CAM026
Release-Date:13.10.2023
Genre:Alternative/Electronic
Configuration:LP Excl
1
Bene Gesserit - A1 - Epitaph For a One-Way Love
2
Bene Gesserit - A2 - Hymne au Ver
3
Bene Gesserit - A3 - Gloria
4
Bene Gesserit - A4 - I Killed my Basil
5
Bene Gesserit - A5- Fly To Hell
6
Bene Gesserit - A6 - We've got an sk1 and We Gonna Use it
7
Bene Gesserit - B1 - Kidnapping
8
Bene Gesserit - B2 - Erg Habbania
9
Bene Gesserit - B3 - Your Mind
10
Bene Gesserit - B4 - G.P.P.M.
11
Bene Gesserit - B5 - Orchestral Story
12
Bene Gesserit - B6 -The Man Who Hated Belgian Beer
13
Bene Gesserit - B7 -Live in China
LP,LTD300- First tape of Bene Gesserit for the first time on vinyl. Includes four unreleased tracks from Alain Neffe vault
TRACKLISTS:
1 A1 - Epitaph For a One-Way Love
2 A2 - Hymne au Ver
3 A3 - Gloria
4 A4 - I Killed my Basil
5 A5- Fly To Hell
6 A6 - We've got an sk1 and We Gonna Use it
7 B1 - Kidnapping
8 B2 - Erg Habbania
9 B3 - Your Mind
10 B4 - G.P.P.M.
11 B5 - Orchestral Story
12 B6 -The Man Who Hated Belgian Beer
13 B7 -Live in China
Underground prominent figures of the Belgian 80's scene, Alain Neffe and Nadine Bal have released and produced dozens of tapes under different monikers.
Bene Gesserit is probably their most famous and iconic one due to its multiple facets.
Originally a tape released in 1981 on their own Insane Music label, "Best Of" encaptures all the DIY and creative freedom of the band.
From the yagé vapors of "Erg Habbiana" to synth madness of "Gloria" or "Gppm" this album summarizes the full spectrum of their ethos :
Insane music without borders.
This reissue additionally includes four unreleased tracks from Alain Neffe vault.
Remastered by Krikor Kouchain and limited to 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
1 A1 - Epitaph For a One-Way Love
2 A2 - Hymne au Ver
3 A3 - Gloria
4 A4 - I Killed my Basil
5 A5- Fly To Hell
6 A6 - We've got an sk1 and We Gonna Use it
7 B1 - Kidnapping
8 B2 - Erg Habbania
9 B3 - Your Mind
10 B4 - G.P.P.M.
11 B5 - Orchestral Story
12 B6 -The Man Who Hated Belgian Beer
13 B7 -Live in China
Underground prominent figures of the Belgian 80's scene, Alain Neffe and Nadine Bal have released and produced dozens of tapes under different monikers.
Bene Gesserit is probably their most famous and iconic one due to its multiple facets.
Originally a tape released in 1981 on their own Insane Music label, "Best Of" encaptures all the DIY and creative freedom of the band.
From the yagé vapors of "Erg Habbiana" to synth madness of "Gloria" or "Gppm" this album summarizes the full spectrum of their ethos :
Insane music without borders.
This reissue additionally includes four unreleased tracks from Alain Neffe vault.
Remastered by Krikor Kouchain and limited to 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rhythm On The Loose - Break Of Dawn (Suitcase At The Door) (MASC Remix)
How time flies when we’re talking truly classic House Music. Incredibly it is 35 years since the epic BREAK OF DAWN was released. Track creator Geoff Hibbert had released the much loved A PLACE CALLED BLISS by CYCLONE on Network before coming up with the stunning BOD. It was decided that a change of artist I/D away from Techno/Bleep influenced Cyclone was required and RHYTHM ON THE LOOSE was born. Network came up with an initial limited edition 12” press on their One After D label to tie in with the Rave zeitgeist of 1991, to help kickstart a buzz on the track. Once this was ignited the “ suitcase at the door “ gem was properly released on the main Network Acclaimed as an instant classic both in the UK and USA - where Network label mate Kevin Saunderson was an enthusiastic early advocate - BREAK OF DAWN is one of the tracks that truly shaped and defined the House Music explosion. Since then it has matured like fine wine. To celebrate the 35th anniversary Network invited M.A.S.C (Mark Archer and Shadow Child) to come up with a remix that befits the as good as it gets status of the mighty BOD. They duly obliged..it’s a gem. First copies of the remix are on a unique ADVANCE DJ COPY label with the track on both a and b sides. An instant do you know the score collectors item …1991 to 2026 35th Anniversary Remix 12.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lagoss - El Picudo
2
Lagoss - Antonio
3
Lagoss - Unga
4
Lagoss - Mosca Blanca / Horcon Girl
5
Lagoss - Plata No Police
6
Lagoss - Mundo Sour
7
Lagoss - Plátano Saki
8
Lagoss - Millones De Gallinas
9
Lagoss - Plata No Licker
10
Lagoss - Los Niños del Plátano
Música para Plátanos takes its name — and much of its inspiration — from the group’s recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.
This release gathers a distilled selection from those sessions — a kind of “greatest rotten hits” distinct from their ongoing Imaginary Island Music volumes. The album functions as a living archive bringing together a distilled selection of recordings spanning more than five years: from dusty, long-forgotten sessions to evolving tunes that have become staples of the band's live sets but have never before been committed to record. These long-form sessions served as a petri dish for the Lagoss sound, allowing their experiments to putrefy into their chaotic signature strain of cyber-exotica, unstable kosmische or heavily- corroded dub.
The title obvs nods to Brian Eno’s Music for Airports, but the logic is inverted. Instead of clean, ambient drift, the record inhabits a dense and fertile environment: polyrhythmic structures, Latin-infused electronics, and shifting counter-tempos that feel weighted by the local humidity. Ultimately, Música para Plátanos is as much about the process as it is the place. Like the plantation outside, the music is subject to the elements; the tracks change shape depending on the heat of the day, what we drank, what we ate. It’s an unstable, honest harvest of sound—shaped by the weather and the state(s) of mind alike.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This release gathers a distilled selection from those sessions — a kind of “greatest rotten hits” distinct from their ongoing Imaginary Island Music volumes. The album functions as a living archive bringing together a distilled selection of recordings spanning more than five years: from dusty, long-forgotten sessions to evolving tunes that have become staples of the band's live sets but have never before been committed to record. These long-form sessions served as a petri dish for the Lagoss sound, allowing their experiments to putrefy into their chaotic signature strain of cyber-exotica, unstable kosmische or heavily- corroded dub.
The title obvs nods to Brian Eno’s Music for Airports, but the logic is inverted. Instead of clean, ambient drift, the record inhabits a dense and fertile environment: polyrhythmic structures, Latin-infused electronics, and shifting counter-tempos that feel weighted by the local humidity. Ultimately, Música para Plátanos is as much about the process as it is the place. Like the plantation outside, the music is subject to the elements; the tracks change shape depending on the heat of the day, what we drank, what we ate. It’s an unstable, honest harvest of sound—shaped by the weather and the state(s) of mind alike.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
The Sample Choir - Feelin' Lonely
2
The Sample Choir - Love Will Make Things Better
3
The Sample Choir - The Praise (God In His Hand)
4
The Sample Choir - Break Smooth
Now universally recognized as one the great ambassadors of House Music around the globe, Todd Edwards first built his reputation in the early 90’s with a string of 12" releases from some of New York’s more prominent independent labels. This was an era when on any given week you would have up to 100 new 12" releases from New York based producers, all vying for space on the 12" shop walls. In this hypercompetitive environment it was not easy for a new producer to garner a reputation. But Todd’s releases did not sound like anything else. Using an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion, he created a 4 track EP for Nervous in 1994 under the production acronym The Sample Choir. This 12" created such a massive buzz in the UK that it is now considered instrumental in helping to propel Britain’s Sunday clubscene into the genuine cultural phenomenon of speed garage.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
TAFKAMP - Friestalig
2
TAFKAMP - Trakpad 4
3
Dylan Fogarty - ADE Special
4
Dylan Fogarty - Morning Ritual
Stickered Sleeve
Hand Stamped
Tracklisting
A1 TAFKAMP - Friestalig
A2 TAFKAMP - Trakpad 4
B1 Dylan Fogarty - ADE Special
B2 Dylan Fogarty - Morning Ritual
Sales Note
Paling Trax returns with their 6th Split EP coming from labelhead TAFKAMP and the Irish multi-talent Dylan Fogarty. On the A-side we find the long anticipated release of TAFKAMP’s Friestalig, combined with some filterhouse galore on Trakpad #4! On the B-side Dylan delivers the big room banger ADE Special, and the super groover Morning Ritual to finish off the release. Highly essential!
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DE - 22113 Hamburg
Germany
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Hand Stamped
Tracklisting
A1 TAFKAMP - Friestalig
A2 TAFKAMP - Trakpad 4
B1 Dylan Fogarty - ADE Special
B2 Dylan Fogarty - Morning Ritual
Sales Note
Paling Trax returns with their 6th Split EP coming from labelhead TAFKAMP and the Irish multi-talent Dylan Fogarty. On the A-side we find the long anticipated release of TAFKAMP’s Friestalig, combined with some filterhouse galore on Trakpad #4! On the B-side Dylan delivers the big room banger ADE Special, and the super groover Morning Ritual to finish off the release. Highly essential!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Listen: https://on.soundcloud.com/B4a7F
Presenting the second thematic volume on the "Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compila-tion Aquapelago in 2022 (Discrepant ,CREP91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
From Philip Hayward and Matt Hill's liner notes:
''The album opens with Return To Chagos by emphasising human presence in the oceanic space, opening with gen-tle percussive taps and distant looped male vocalisation that gradually come into sharper focus, layered and thick-ened, accompanied by thicker percussion and mouth harp. The sense of departure is taken up in Trincomalee, which lifts over the oceanic textures, opening with slow, struck and scraped metallic sounds before thick low pitched wind instrument sounds enter, oscillating around shifting microtonal frequencies. The shore returns on Side 2, with the min-iature epic of Nicobar elaborated over looped 'atmos' sounds of birds and insects over which tonal, slightly distorted electric guitar lines enter before looped high pitched feedback squeals join the texture. Summoning tropical storms and the disruption to the region caused by western intrusion, strong and startling brass accents appear, melding with the looping guitar feedback, creating eeriness and a sense of alarm. Tuangku is permeated by restrained dynamics and an expressive, breathy, low pitched, animalistic melodic voice that offers intermittent and ambiguous utterances, Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
All songs by Mike Cooper & Pierre Bastien
Mike Cooper: Guitar, electronics
Pierre Bastien: Musical Robots, Trumpet
Artwork by Evan Crankshaw
Aquapelago concept by Phillip Wayward
Produced and Curated by Gonçalo F. Cardoso
Recorded at Espacio Cultural El Tanque, Santa Cruz de Tenerife by Jorge Lozano R.
Mastered & Cut by Kassian Troyer at D&M, Berlin
Part of the Aquapelago Residency Series for Keroxen 2022
Keroxen / Discrepant 2023
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Presenting the second thematic volume on the "Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compila-tion Aquapelago in 2022 (Discrepant ,CREP91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
From Philip Hayward and Matt Hill's liner notes:
''The album opens with Return To Chagos by emphasising human presence in the oceanic space, opening with gen-tle percussive taps and distant looped male vocalisation that gradually come into sharper focus, layered and thick-ened, accompanied by thicker percussion and mouth harp. The sense of departure is taken up in Trincomalee, which lifts over the oceanic textures, opening with slow, struck and scraped metallic sounds before thick low pitched wind instrument sounds enter, oscillating around shifting microtonal frequencies. The shore returns on Side 2, with the min-iature epic of Nicobar elaborated over looped 'atmos' sounds of birds and insects over which tonal, slightly distorted electric guitar lines enter before looped high pitched feedback squeals join the texture. Summoning tropical storms and the disruption to the region caused by western intrusion, strong and startling brass accents appear, melding with the looping guitar feedback, creating eeriness and a sense of alarm. Tuangku is permeated by restrained dynamics and an expressive, breathy, low pitched, animalistic melodic voice that offers intermittent and ambiguous utterances, Cobra (Keroxen, KRXN027) we proudly introduce an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien.
This second volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Aus-tralia, to the south west.
All songs by Mike Cooper & Pierre Bastien
Mike Cooper: Guitar, electronics
Pierre Bastien: Musical Robots, Trumpet
Artwork by Evan Crankshaw
Aquapelago concept by Phillip Wayward
Produced and Curated by Gonçalo F. Cardoso
Recorded at Espacio Cultural El Tanque, Santa Cruz de Tenerife by Jorge Lozano R.
Mastered & Cut by Kassian Troyer at D&M, Berlin
Part of the Aquapelago Residency Series for Keroxen 2022
Keroxen / Discrepant 2023
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
ce ce rogers - Someday (Club Mix)
2
ce ce rogers - Someday (Some Dub)
3
ce ce rogers - Someday (Accainstrumental)
Repress!
Ce Ce Rogers' spine tingling, seminal hit 'Someday' gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm.
Produced by Chicago's master, Marshall Jefferson, every element is unmistakable - from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of Rogers' vocals. 'Someday' is a record that truly captures the euphoric, loving nature of the early house music scene - epitomising a timeless spirit and hope for future harmony within society.
Often cited as one of the greatest dance records of all time, it's influence is clear to be seen from the sheer number of covers and records that have since sampled it. An indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12" for any record collector out there - house head or not.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Ce Ce Rogers' spine tingling, seminal hit 'Someday' gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm.
Produced by Chicago's master, Marshall Jefferson, every element is unmistakable - from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of Rogers' vocals. 'Someday' is a record that truly captures the euphoric, loving nature of the early house music scene - epitomising a timeless spirit and hope for future harmony within society.
Often cited as one of the greatest dance records of all time, it's influence is clear to be seen from the sheer number of covers and records that have since sampled it. An indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12" for any record collector out there - house head or not.
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