Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."

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Tracklisting:
A1 Credit 00 - Count 8
A2 Credit 00 - Ratlife In The Sunshine
B1 Credit 00 - Breathe One Two
B2 Credit 00 - The Mental Voice
B3 Credit 00 - Cosmic Ghetto

Sales Note
Following up on his Data Phobia and Beats For The Streets EPs on Mechatronica, Credit 00 returns to the Berlin label with a mind-bending blend of past, present and future, carefully pieced together in a way that could come from no other. From the mind to the floor, from dark and cold machinefunk to blazed-out sun grooves, Credit 00 leaves no sonic traveler yearning.


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Credit 00 is back on track with four monsters in his bag that are almost too dangerous to get unleashed. The Uncanny Valley regular from Leipzig sends us down into the electronic vortex while taking some detours to places that haven't been visited in a long time. Thanks to his DIY attitude and an open mindedness for all kinds of music, you can find traces of jungle, garage, trance or even 90s pop and gabber in this hard rocking machine funk. He's juggling with sounds and genres like no one else. It's just so much fun to listen and dance to these tunes. Indeed, there is no other...

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Repress!

Two years ago Credit 00 was lucky enough to find a flat with a winter garden in the midst of the city's concrete vastness. Setting up his studio there, surrounded by plants, facing the backyard oasis with its trees, bushes and birds singing all day was quite the opposite of his usual work environment. The contrast of being in nature whilst surrounded by an urban neighbourhood is explored on Credit 00's latest outing on Uncanny Valley. Two different settings represented on either side of the vinyl record. The street side of the building is Credit 00's typical habitat: rough drums, face melting acid and ghetto style track arrangement. R U READY 2 JACK pays tribute to Belgium New Beat and wants to sound like Hardcore that is coming from the heart. TRUE 2 THE GEHM is an ode to one of the true German Acid innovators, Andreas Gehm (R.I.P.), originally written in 2016 for a compilation, which raised money to help him cover expenses incurred due to his severe health issues. The backyard side reveals the influence of flora and fauna on Credit 00's work. On both THE GARDEN and DEEP IN THE JUNGLE, you can hear his synthetic interpretation of mother nature's repertoire. Birds chirping, acid frogs croaking and the wind blowing through the trees to the sound of jungle drums. Despite all the differences between the concrete and the green jungle, there are also a lot of similarities. As the artwork (hand-drawn by Credit 00 himself) illustrates, graffiti spreads all over buildings like wild vine grows on rocks: chaos reigns everywhere, whether in natural or man-made environments!

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2022 Repress

Release Info:
A1 Credit 00 - Let It Roll
A2 Credit 00 - Islamatronic
B1 Credit 00 - Streets
B2 Credit 00 - Electromotive Force


Release Info:
Merciless machine funk, haunting soundscapes and rugged electro styles, drenched in concrete and vigorously fortified by the iconic German producer's sonic development through 90s street culture. Credit 00 moves like no one else.

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Tracklisting:
A1 Credit 00 - Data Phobia
A2 Credit 00 - Being Baked
B1 Credit 00 - Fatty Acid
B2 Credit 00 - Control Z

Release Note
Credit 00 links back up with Mechatronica, this time in their White series, to manifest a lawless mirage of digital dread, paranoid energy and hallucinatory desire. Limited to 500 copies, no repress.

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Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His 'Protest Love Songs' bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.

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For more than half a decade Alexander Dorn has shaken electronic sounds, stirring shapes and forms as Credit 00 that adhere to few genre tags. His Bordello A Parigi debut is no exception. The alumnus of Uncanny Valley and Ratlife arrives with four tracks under the banner of The Cosmic Funk collection. Drawing on a spectrum of influences, the Leipzig based musician melts reimagined house with broken beats, blends Eastern acid aromatics with jazz abstractions and achieves a sound that is stunningly unique. Within this sonic cocktail you’ll also encounter dashes of samples, a peppery head of 90s anthems and a liberal glug of freestyle funk. A one of a kind record from a one of a kind artist.

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Alex Dorn aka Credit 00 takes a sidestep from his Uncanny Valley/Rat Life camp to showcase his rumbling, industrial machine funk and bad-ass attitude on Pinkman. Vision gets blurry and panic sets in as the A-Side track "Exctasy Overdose" blasts with vibrating basslines and shrieking sirens. On the flip we have the stripped slowbeat electro cut "Data Control", showing a huge middle finger to online mass surveillance. The EP ends with the weirdo jam "Weg von diesem Ort" in which Alex samples synth and covers vocals of an obscure, industrial cassette tape from the early 80s."

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From Conrad Schnitzler in the 1960s to the pioneers of Detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. Schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into Japanese electronic music equipment. With his new piece The Metal Beat EP, Credit 00 wants to get in line with this tradition of transforming factory sounds into music. Each of the three tracks reflects on the role of the human being in an industrial environment. The never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. The blues played by machines--modern work songs for a post-industrial society!

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Credit 00 delivers his debut album "Game Over". After four EPs for Uncanny Valley the Leipzig based musician is now ready to let loose his electronic visions on full length. As everybody can confirm who saw him playing live or DJing, the head behind Uncanny Valley's sub label Rat Life is a slave to the rhythm on a full-time basis. Obsessed with sound, he can't stop pushing the buttons of his synthesizers and drum machines like someone torturing the controls of an Arcade machine. "Game Over" is an electronic love letter to the romantic fantasy worlds of classic video games and their bleepy and clonky sounds which used to be common also in repetitive electronic dance music. Collecting tracks from the last six years, "Game Over" is also a passion project that channels all his influences. You can get a glimpse of the ingredients that make up his record collection. Whether it is Hip Hop,Techno, Electro Boogie, New Beat, Italo, Jungle, Reggae, House or Chill Out. Though, all those different sounds and styles do not tear this album apart. It's a bit of a miracle that it feels so flawless for what happens between the appetizing "Level One" and the final track "The Last March". Those beats on "Game Over" can be brutally effective like the fatalities in Mortal Kombat while the overlying sounds can be smooth like the lemmings' animations in the eponymous Amiga game. Just listen to the title track. Or the instant hip shaker "Breakers Revenge" that comes with a little help from friends like Sara Stammburg on vocals and Max Rademann on Rhodes. Without losing sight on the dance floor Credit 00 creates an electronic wonderland that delights dancers and connoisseurs at the same time. To top things off the wonderful artwork was created by Alexander Dorn a.k.a. Credit 00 himself. The double 12" comes with an arcade video game inspired sticker designed by Credit 00 himself.

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Back in the days at the west-Saxon highlands there was a missile, which marked the starting point. When Credit 00 saw the legendary rocket rise on Tetris’ final screen, it was the first time he became aware of electronic music at all. Since then it actually hasn’t changed that much. He keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed After moving to Dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of Dresden’s club-canalisation. He quickly made himself a name as a DJ, who is just doing his own thing and got popular for that reason. As a part of the Idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. This led to “Robo Dance”, Dresden’s only and (also for some other reasons) best Electro club night featuring guests like DMX Krew, Luke Eargoogle or Imatran Voima. The track Credit made with Randy Barracuda of Imatran Voima has probably been created some time after the show. Apparently, Randy was not in good shape anymore and so “Lebensraum” unmistakably bears Credit’s hallmarks. For his own music he’s inspired by cannibal movies, number theory and birds. Still, his music is not easy to pigeonhole. After all, he loves Synth Wave, Electro, Afro, Kraut, Kosmische, Disco, Italo, Miami Bass and other Proto stuff – a lot of machine music.


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Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.

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After a slew of stellar releases on Mannequin, Return to Disorder, and Mechatronica, L.F.T. lands on Pinkman with a 6-tracker aimed squarely at the dancefloor. Tough drums and raw basslines are the wire frames around which spectral vocals and percussive quirks breathe and coil. Bridging the gap between Dutch electro heritage and horror-movie soundtracks without sacrificing dancefloor functionality, Electric Vampire presents a synthetic super-highway in which the only thing more pervasive than the bright lights is the solid concrete underfoot. Daring excursions in dance music from an artist stepping out on his own, and relentlessly stalking the night.

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Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."

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New York techno luminary Adam X debuts on Pinkman with 4 tabs of extra-strength acid specially designed for peak-time club sets. Opening in typically thunderous fashion, the overdriven kick of A1's aptly-named Laying It On Thick sets a tone that doesn't relent for the duration of the record. No-nonsense and straight to the action, Adam X's distinct approach to crafting dancefloor hits shines throughout as multiple 303 refrains weave through stripped back drum patterns for unforgettably hypnotic results. While A2's Trailing Effect drops the tempo a couple of notches, its head-scrambling acid psychedelia would take any bustling dancefloor on a trip long into the early hours. The three remaining tracks give no let-up, fostering a frenetic energy that just can't be contained. In the game since the very beginning, the Sonic Groove label-head has dedicated years to his craft and they're all on display here with slick, classy productions that punch through the speakers to move bodies and minds.

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Bertram debuts on Dutch cult label Pinkman Records. Fueled by nostalgia, 'Lights Out' aims to execute industrial old school dancehall and dub within a raw electronics framework. It combines old drum machines, vintage synths, acid bass lines, Sherman-laced vocals by Bertram and the people in his life, and clever approaches to the creative process and production. He believes in a ''it takes a village" approach and worked closely with label head Marsman to iterate the project. The release is blessed by remixes courtesy of C.L.A.W.S. and Chris Mitchell.

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dentified Patient drops another calamitous record on Pinkman - 4 dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.

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Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.

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Pinkman welcomes Pablo Bozzi to the label with a debut mini-LP "Street Reign". A well-crafted 6-tracker, in which the artist subtly weaves his 80s Italo fascination with early 90s Goa influences and weighty body music. The combination oscillates between sweaty dance-floor alertness & shimmering synth euphoria, allowing one to drift in and out of a reverie. We might live in dark times, but this sure gives hope.

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Henning Baer caught our attention after his first release on Adam X's Sonic Groove label. Nearly a decade after, Berlin's techno front-runner tweaked his machines into a moody electro escapade for his debut on Pinkman. Industrial tinged heavy kicks layered with futuristic mellow soundscapes. With Sui Generis Henning Baer once again shows his versatility & years of experience.

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Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. 6 tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.

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Private Selection Records founder and curator Dreams comes crashing in with a 6-tracker falling between thick body music and gnarly, frenzied electro. With ragged rhythms, reverberating synths and heart-wrenching vocal elements these tracks tie together a dystopian journey beginning with sheer rampage, leading to devastation and ending in hopeless ruin.

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Krakow's duo Olivia and Chino join Pinkman with their live project Radiation 30376. Both belonging to the generation that has seen decay turn into liberation, together they tint raw industrial soundscapes with the feelings of freedom and nostalgia. Their debut ep Arka consists of 4 uncompromised electro mutants, rich with the atmosphere of the 90s and the sound design of the future.

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Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His 'Protest Love Songs' bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.

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Rotterdam's local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one's stomach when ingested, 'Generatie Desinteresse' inspects the blas? youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.

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Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. "Dancing Snake" takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.

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Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, 'Possessed Realms' offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.

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Italian dark electronics aficionados Alessandro Adriani and Cosimo Damiano come together for a debut collaborative EP on Pinkman. Belonging to different generations but both deeply influenced on one side by "the Sound of Rome", with pioneers like Gabriele Rizzo, Leo Anibaldi and Lory D, and on the other side by the raw electro Dutch legacy of Bunker Records, the two strike a golden middle of their styles with a clanging, raw and packed to the brim with coarseness electro-techno hybrid. Inspired by the cyber dystopia narratives, 'Neurodreamers' reflect on the hi-tech surveillance and the promise of AI which unfolds itself into the prospect of dehumanization. Taking the listener through turmoil and anger, the brutish 4-tracker weave the elements of grubby baselines, coarse synths and erratic percussions with the brain-melting hints of acid and Alessandro Adriani's own recorded vocals. A living warning to us all.

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Strings of Fear is a glance into a damaged, yet ubiquitous beauty fetishism, when succumbing to the collective consciousness means walking a thin line between vanity, sanity and self-loathing. The four-tracker ties into a journey through fear, confusion, anger, desire and loathing, all fitted into one shot of adrenaline in a form of an EP.

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Kalita are proud to release the first ever 12” single of Emerson’s 1988 mythical electro boogie grail ‘Sending All My Love Out’, accompanied by two remixes courtesy of the genre’s most respected innovators, Egyptian Lover and Detroit In Effect.

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Chilean artist Magda Rot makes a head-turning debut here with some ice-cold electro rhythms on the Return To Disorder label which is now fast approaching a quarter century of releases. There is no messing with these sounds - they're built on tight, kinetic rhythms with fierce sound designs and stark futurism. 'Triads' is a mix of crisp hits and gurgling synths with dramatic background chords. 'Black Sense' is a slamming cut with a twisted bassline and hammering drum funk and 'Coincidences' brings the chilliness with its frosted lines and cold waves of synth. 'Unusual Theory' shuts down with a far sighted sense of electro-techno doom.

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Djedjotronic delivers four pieces of pure Electro futurism EBM with an epic collaboration with Rein on ”Smog on the Dancefloor”. Frenchman Djedjotronic debuts on Italo Moderni with a mega EP after release music on Boysnoize Records, CPU and ZONE, following nearly a decade of individual experimentation in the game returns with more energy than ever, ready to smashing the dancefloors with his unique darky and groovy basslines. We welcome Djedjotronic on Italo Moderni family.

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Emotional Rescue's vital Konduko reissue series sadly comes to an end here with a look at the label's final years. In those days it moved away from reggae, disco and boogie towards an enduring electro sound that had a vast and lasting impact on the Miami scene. The biggest tune from that time was when Noel Williams linked with local songwriter Lawrence Dermer aka Der Mer for the track reissued here. 'Fall Out' soon became a hit with its driving electro-funk rhythms. The original sits next to the later Fresh '86" mix as well as a NAD disco mix from Dan Tyler, best known as one of the Idjut Boys. It's an irresistible package of body-popping electro with hooks for days.

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Tracklisting:
A1 Sinitsin - Replica
A2 Sinitsin - Suburban Electro
A3 Sinitsin - Roswell
B1 Sinitsin - From A to B
B2 Sinitsin - You'll be Back
B3 Sinitsin - The Future Is Not Yours

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For SPACEDUST7, we welcome Jay Gadian to the label, who steps up 4 forward-thinking electro cuts for 'The Mispress' EP.

On side A, murmurs from beneath the warbling top line of 'Sensory' evoke memories of dark, heady corners of the dance floor, whilst the fog clears with the sharp percussion work of Green Dimension.

The flip opens in a more subdued manner with the circuitry of '20 or More' gently weeping, before 'East' closes off the record with laser beam synths cutting through washes of tense strings alongside further crisp drum work.

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