Tracklist:
A1. Recourse feat. Cari Golden B1. VHS B2. Los Angeles Dub
Info:
Fall into a dream state, leave your body, here we go...
Fresh from launching his 909 Til Infinity with Option 4 and storming BPM so hard he was identified by Pulse Radio as one of the key breakthrough acts of the Mexican festival, MANIK returns to Ovum with more visceral, physical slabs of straight-up tech funk.
'Recourse' is special. Teaming up with LA word-painter Cari Golden, his fluctuating, body-popping groove is peppered with barbed purring poetry that's part existential, part party, all unique: Cari matching MANIK's every bobbing bass texture, MANIK matching Cari's every observation, everything about 'Recourse' is distinctive, exciting and full of fresh energy.
Momentum maintained throughout; things take an unexpected dubby twist as the 'VHS' shimmers and ripples with synth insistency. Rolling hi-hats, hip-snapping clap attacks and a timeless vocal shot build around each other, occasionally revealing a fully-juiced bassline swinging and rolling with total consistency. 'Los Angeles Dub' is straight up jack, no chaser: a grainy, analogue moment of total unabashed machine-melting funk. Don't be fooled by the title's locale; we could be in any party city at any period of time in the last 30 years and this will cause the same frenzied moves.
MANIK's been delivering the goods for several years, but even by his standards this is another level. Something tells us BPM isn't the only thing he'll be breaking through this year...
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Tracklist 12":
A1. Thirsty Crow B1. Weights & Measures B2. Complexity
Info:
MANIK's star has been rising for the past few years, and this latest release on Poker Flat Recordings suggests the young New Yorker has a lot up his sleeve for 2016. Having already dropped dance-floor bombs on the likes of Hot Creations and Ovum, and spun everywhere from Panorama Bar to Womb in Tokyo, the Weights and Measures EP solidifies his emerging reputation as fresh voice on the scene.

The release kicks off with 'Thirsty Crow' -
a tightly wound groove that breaks down the barriers between house and techno effortlessly. The track builds around an infectious synth melody, and the interplay between various percussive elements - all designed for maximum damage on the dance-floor.

'Weights & Measures' is a deeply acidic affair that finds space for some luscious pads to break the tension, while 'Complexity' riffs off a classic house vibe but throws in some deeply leftfield sounds and rhythms for the heads.
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UPC Barcode: 678414002332 Releasedate: September 16, 2013
A1) House Cut 1 B1) Nothing Better B2) Finch
M A N I K returns to Ovum with House Cut 1 EP. A long-standing veteran of Josh Wink's Ovum imprint, the 'House Cut 1' EP marks MANIK's fourth offering to the label and maintains the high quality we've come to expect from an artist who is comfortably at the top of his game right now. True to its name, the EP consists of a trio of raw, chunky, house-influenced cuts which vary in style and function. The title track itself lures the listener in with bubbling synths floating over a clipped 4x4 beat, before giving way to a hectic salvo of staccato clap rushes and ride cymbals. 'Nothing Better' rolls along with a propulsive, tech-house whomp, with shimmering chords building up to usher in what can only be described as a thunderous bassline. As the track progresses, hints of acid-flecked goodness converge with 808 cowbells and hi-hats to create a peak-time dancefloor monster. The EP closes on a more melodic tip with 'Finch', with a rumbling analogue bass cutting a swathe through hypnotic latticework of arpeggiated synths and orbiting claps. An atmospheric finish to an extremely versatile EP; there's undoubtedly something for everyone in this package.
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Its strange to think that it was only 2010 that saw the first records from Christopher Manik, aka M A N I K. Since exploding onto the scene with his debut Ovum release he has gone on to develop and strengthen his own sounds & styles. Never pigeonholed, the young New Yorker has confidently and creatively placed his music on a variety of the hottest labels of today, whilst always managing to maintain his own unique identity.
Today he returns to Ovum with an ode to his beloved former studio, 'Im Nice Like That', and presents a trio of new cuts, two of which were the very last productions to come out of his musical bunker. "The title track "I Got Us" is sort of a love song trapped inside a sleazier beat," says Chris, as he also owns up to having provided the vocals on the track.
"Amber Knife" comes heavy with its FM bass and 303 action before "Weekend Is 4 Lovers" rounds out the ep. "That was actually the last ever track that i wrote in the studio. I wrote the lyrics and sang on this again too. Its a song about falling for a girl whilst on a weekend away..." A fitting final hurrah for the studio and yet another impressive release from both M A N I K and Ovum recordings.
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Scoring the soundtrack of a new electronic frontier, the young New Yorker named artist to watch of 2011 by Mixmag and DJ Mag, M A N I K delivers a prototype debut album ‘Armies of The Night’ for Josh Wink’s Ovum Recordings. *As the trend for stateside dance music continues to take hold, NYC born and bred M A N I K propels it further forward with a sublimely original album. Stitched together by Ovum creator, Josh Wink, ‘Armies...’ is a continuous ebb of energy that continues to surprise as it gains momentum. *Inspired by his surroundings in New York City as well as the 1979 cult classic film, ‘The Warriors’ M A N I K portrays the raw urban grittiness of the city and mimics the picture’s rendering of the underground gang world. Track titles such as ‘We’re From Coney’, ‘City Kids’ and ‘Don’t Stop Don’t Run’ as well as frequent samples hint at this arcane theme. *Touching on a slow and seductive take on house music that fellow Americans Soul Clap, Nicolas Jaar and Wolf + Lamb have brought to the forefront of consciousness, but elevating it to new plains fusing jacking beats, acid funk basslines, and creative hip-hop sampling techniques, M A N I K carves his own niche sound through ‘Armies Of The Night’.* A diverse collection that ripples across generations, ‘Armies Of The Night’ reaches into the glamorous world of disco in ‘Nightfall’, taps into classic jacking house for ‘Ruckus 8OH8’, plays with urban flavours for ‘Haterville’ (made specifically for the Haters) and ‘Another Day’ and dives in to the eerie futuristic plains of techno in ‘Don’t Stop Don’t Run’, all the while maintaining an intoxicating nocturnal spirit.*Interspersed with playful interludes featuring M A N I K’s peers and influences, this musical voyage continually involves the listener in an interactive story of how it came to be. The result is an album that matures with each listen, apt for every situation and a true reflection of M A N I K’s pure and honest musical philosophy.


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Scoring the soundtrack of a new electronic frontier, the young New Yorker named artist to watch of 2011 by Mixmag and DJ Mag, M A N I K delivers a prototype debut album ‘Armies of The Night’ for Josh Wink’s Ovum Recordings. *As the trend for stateside dance music continues to take hold, NYC born and bred M A N I K propels it further forward with a sublimely original album. Stitched together by Ovum creator, Josh Wink, ‘Armies...’ is a continuous ebb of energy that continues to surprise as it gains momentum. *Inspired by his surroundings in New York City as well as the 1979 cult classic film, ‘The Warriors’ M A N I K portrays the raw urban grittiness of the city and mimics the picture’s rendering of the underground gang world. Track titles such as ‘We’re From Coney’, ‘City Kids’ and ‘Don’t Stop Don’t Run’ as well as frequent samples hint at this arcane theme. *Touching on a slow and seductive take on house music that fellow Americans Soul Clap, Nicolas Jaar and Wolf + Lamb have brought to the forefront of consciousness, but elevating it to new plains fusing jacking beats, acid funk basslines, and creative hip-hop sampling techniques, M A N I K carves his own niche sound through ‘Armies Of The Night’.* A diverse collection that ripples across generations, ‘Armies Of The Night’ reaches into the glamorous world of disco in ‘Nightfall’, taps into classic jacking house for ‘Ruckus 8OH8’, plays with urban flavours for ‘Haterville’ (made specifically for the Haters) and ‘Another Day’ and dives in to the eerie futuristic plains of techno in ‘Don’t Stop Don’t Run’, all the while maintaining an intoxicating nocturnal spirit.*Interspersed with playful interludes featuring M A N I K’s peers and influences, this musical voyage continually involves the listener in an interactive story of how it came to be. The result is an album that matures with each listen, apt for every situation and a true reflection of M A N I K’s pure and honest musical philosophy.


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- Debut Ovum release from Francesca Lombardo
- Releases on Crosstown Rebels, Mobilee, Leftroom, Poke Flat, Bedrock and her own Echoe and Echolette


GENRE/S: Deep House/Minimal techno

TRACKLISTS:
A1. Magic Moment feat. Viktoriia
A2. Magic Moment feat. Viktoriia (Dub)
B21. Sea

SHORT INFO:

Longtime underground star Francesca Lombardo steps up to Ovum with a trio of superb new signature sounds. Italian Lombardo has been crisscrossing the globe and headlining all its most tasteful clubs and festivals for many years. Her powerful, heartfelt grooves have come on the most influential labels of the day and her critically acclaimed debut album 'Life of Leaf' showed that she can do all sounds and styles from downtempo to pop with equal skills. Her mix of innovation and compelling grooves continues on this latest EP. The vocals on the opener 'Magic Moment' are a poem Francesca's friend Victoria sent to her. She kept them for four years before ?nding the special inspiration that encouraged her to use them in these writing sessions. They lend the tune an intimate feel and draw you in deep to the elegant house drums and warming synths. It's an uplifting and classy tune with a standout Moog bassline that will lock in the floor. After the dub version is 'Sea,' a much more twisted and peak time techno tune. The synths are spangled over jacked-up drums, with edgy textures and late-night menace all making it a sure-?re winner This is another tasteful take on techno from Francesca Lombardo.

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GENRE/S: Techno

TRACKLISTS:
A1. Be Aware
B1. Be Aware (Truncate Mix)
B2. Be Aware (Acappella)

SHORT INFO:

Josh Wink is as iconic as it gets in electronic music. The Philly artist crafted several of the genre's most enduring hits early in his career and has continued to remain at the forefront of the scene ever since. His Ovum label is part of the reason for that, as are superb new tunes like this one. Truncate is one of the new techno dons, known for his funky signature style of jackin’ tracks, along with crafting vast, all-consuming grooves that dominate dance floors. He has done so mostly on his own label and together the pair cook up some real magic on this new release. ‘Be Aware’ came about during a multi-day studio session at Truncate’s LA studio and is the first of two EPs that will be released from that same creative collaboration.Josh has been a fan of Truncate’s for years and had him remix his 2016 single 'Shoelaces' and 2017 single 'Resist', while in return Josh remixed Truncate’s 2017 tune 'Concentrate'. The timeless 'Be Aware' is a ghoulish techno track with freaky vocals that keep you looking over your shoulder. A sparse lead synth rises and falls to edgy effect, slick drums roll deep and unique tweaked effects flesh out this most well-crafted of tracks. Truncate offers his own impactful interpretation, where the tempo quickens and builds into an infectious powerful groove that has immense impact. This EP is a perfect example of an artist collaboration, where you can equally hear the signature sound of each producer in one distinctive track. This is the first coming together of these two underground icons and the results are unsurprisingly powerful.



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GENRE/S: Techno

TRACKLISTS:
A1) Balls Back (Original)
A2) Balls Back (Balls Tool)
B1) Balls Back (Marco Faraone Remix)
B2) Balls Back (Dub Mix)

Release Info:
Global techno titan Josh Wink returns to his own Ovum Recordings for big new single 'Balls Back', which comes with a remix from Marco Faraone. Philly-born DJ, legendary producer and the man behind many of techno's most iconic cuts, Josh Wink remains as prominent now as he did a quarter of a century ago. That is because of the constant sense of innovation in all he does, as well as his rare understanding of dance floor dynamics and mastery of his studio. Says Josh of his latest track, “Every time I play this people rush over asking 'what is this track that says “get your balls back”?' Its reaction after playing has been amazing and reassuring that it hits hard, works on the floor, and sticks in people's heads.“ He's not wrong: the powerful 'Balls Back' is a spatial, acid-tinged techno stormer that builds and builds until it ultimately explodes in signature Josh Wink fashion. The 303s are saturated in deep processing along with heavy 909 percussion and a ‘slap-you-in-your-face’ vocal sample that will lead to dance floor devastation. The dub version is a raw, stripped down and faster-paced bass jacker that turns up the heat, and a Balls Tool is also included for dexterous DJ deployment. Italian Marco Faraone is a fellow techno heavyweight and one of the scene’s most versatile producers. He has brought his always impactful sounds to labels like Drumcode, Rekids and Etruria Beat. His remix is typically robust: vast, rolling drums power it along while glitchy percussion peels off the groove and the percussion gets ever more wild and heavy. It's a real main room monster. This is no-nonsense techno that perfectly marries form and function into a dynamite package.

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Single 12” with full cover art.
Remix package of Josh Wink’s seminal release “Sixth Sense” with Ursula Rucker. Remixes from legendary Louie Vegas as well as techno stalwart Shlomi Aber.


Tracklist 12":
A1) Sixth Sense (Louie Vega Remix) 45 RPM 06:36
B1) Sixth Sense (Louie Vega Jump Dub) 05:50
B2) Sixth Sense (Shlomi Aber Remix)

Release Info:
You know what gravity is, right? That force that keeps our two feet, face, back, ass, ears, knees on the ground…. That force that ensures that even after 25 years Ovum can still pull out serious surprises, join more dots beyond the dots and welcome true legends to the label for their debut.
Celebrating 22 years of Josh Wink’s cult acid classic ‘Sixth Sense’ they’ve invited old friend Shlomi Aber and a bonafide Master At Work, Louie Vega for a set of remarkable updates. Celebrating his first Ovum appearance, Louie takes the lead with a whole menu of mixes that provide total mix creativity. The lead mix hits with that essential New York swing. Stripped back to its naked form, the drums bump your hips and shoulders into submission while a rubber ball bassline and Ursula Rucker’s signature spoken word lock you down. A complete flip on the paranoid, pacey original, it’s Louie Vega at his very best and most dancefloor-focused.
Vega’s remixes are joined by two equally alluring twists from long-time mate Shlomi Aber. His first is a pumping, uptempo techno twist that nods to the original while his Hidden In The Dark offers a much darker twist. Bare to the broken beat bones, it’s a trippy escapade into much shadier corners of Shlomi’s sound. Restrained, tense and cavernous; perfect for Ursula’s vocal to totally hypnotise and pull us back down to earth. Extra sensory business this summer, these aren’t remixes – they’re whole new chapters. More

The 300th OVUM release! Special Artwork. Label of The Month in DJ Mag UK

- These tracks have been road tested by Josh Wink with huge reactions and have received support from luminary DJ's like Maceo Plex, Laurent Garnier, Eats Everything, John Digweed, Joseph Capriati, Paco Osuna and more!


Tracklist: 1. Original Mix 2. Mars Beats 3. Vox

300 releases… Let's let that sink in for a moment. 300 chapters in the on-going tale of Ovum. Chapters written for the dancefloor from the heart over the course of 25 years by some of the greatest names to ever touch the controls; King Britt to DJ Sneak, Levon Vincent to Loco Dice and so many luminaries in between. Including Josh Wink. The man in the nucleus. The man who takes the honour of the 300th release with a song that resonates with his deepest core energies and sonic ideology. His 'Aries In Mars'…
"When playing this new track for the family at home. My partner stopped what she was doing and started dancing. Afterwards she waxed her feelings from the song saying how strong she felt from it and commented about how it seemed based on my astrological sign of my ruling planet Mars being in my Aries, and how the track had strong, powerful, fiery and fierce fast paced animalistic passion. So… I said 'Wow. Okay.' I went into the studio the next day and added the vocal, switching the two as it had a better rhythmic flow."
That flow needs to be heard to be understood; 'Aries In Mars' is a wily, bouncing eight minute Ovum opus that twists and turns and ricochets with physical acid charm, rolling beats and breakbeat vapour trails. It fizzes with every element of Wink's signature but is delivered with a refreshed perspective and sense of vitality. Naturally it comes with the all essential drum and vox versions for that full creative mixing spirit that Ovum has always encouraged. For those moments when all your selector stars have aligned.
Your sun, your moon, you're very welcome. The story continues… More

Tracklist: A1. Selecta (Original Mix) B1. Selecta (Instrumental Mix)

First he had us in Denial. Then he made us an offer we couldn’t Resist. Now he’s fixing our focus on the most crucial player in this whole house caper: the ‘Selecta’.

Come again? ‘Selecta’ is yet another crystalline acid body workout from the Ovum boss who’s been dishing out single sinewy shell-outs in a seriously rich vein of form of late. Galvanised by heavily swung drums, loaded and coded with a venom-like funk and characterised by a big soundsystem vocal that tears out of nowhere and disappears just as quickly; it’s yet another unique piece of 303 witchcraft, the likes of which only Wink can conjure. Deeply groovy, unabashed darkness and just a nuance of mischief with the vocal, it’s yet another precision piece from Mr Wink who’s also kindly provided an instrumental for your added creative pleasure.

Selectors, this one’s for you. You know what to do…

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Tracklist:
1 Nova Acid Mix
2 Nova Marco Faraone Remix Mathias Kaden
3 Nova Atmospheric Version
4 Nova Tension Tool

This debut from longstanding East German maestro Mathias Kaden is no exception

A bucket-list EP for the Gera-based artist whose followed and collected from Winks label since inception, Nova is both a personal showcase and a homage to a label thats inspired his tension-heavy signature. Adding to a discography that boasts some of most respected techno labels possible (Vakant, Mule Musiq, Watergate, Desolat, Freude Am Tanzen), the Nova EP flexs Kadens darkest and deepest tendencies and includes certain signatures that many of the best Ovum releases share: acid, a direct and effective single word sample, versions and a DJ tool that will blow your dancefloors heads off.

The acid mix of Nova sets the scene. Acid through Kadens perception; its warm, its subtle, it strips right back to a naked groove before thundering back into a head-shoeing finale with devastating effect. Its complemented by Mathiass alternative version; an atmospheric mix where the acid is switched out for rippling, dubby synths and a relentless drive that has just a touch of a French kiss to it. Loaded with a sweet shuffle in the percussion, you could lose your head in this for hours. Throw in the acapella/FX DJ tool and Marco Faraones turbine acid beast and you genuinely can lose yourself indefinitely in this release. Laced with a classic spoken word theme throughout, Mathias sums up Ovum perfectly
Its how I always see Ovum: The past is the future. The future is the past. Ovum is one of the most Timeless Labels I know!

You could say the same about Mathias. Get to know.

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Tracklist: A1. Original Mix A2. Reists-apella (Acid Version) B1. Truncate Mix V1 B2. Truncate Mix V2

Wink returns to the Ovum motherland after a year of big hitters on Intec, Boysnoize and R&S. And he's packing some serious substance.

The clue is in the title, the message is in the hypnotic signature vocal loop, the attitude is in the spiked-out sinewy tendrils of acid, sharped in the way only Josh knows how: 'Resist' is the sound a man who, like all of us, is confounded and frustrated with the current political and media climate. Tension, fear and adrenalin ripple throughout as we dynamically ride the tangible, visceral highs and lows in a quintessential classic Wink way.

Remix-wise Truncate forges through the blurred truths, manipulation and divisiveness with two clear dancefloor tactics: a thundering, roughly-hewn late night techno roll-out and a deeper, leaner approach for slightly earlier hours with a rising siren that acts as a call to arms for like minds to unify.

Truncate isn't alone with the multiple versions: in echoes of some of his most influential tracks 'Superfreak' and 'Don't Laugh', Josh has also provided two stripped-back acapella-style tracks to ensure the critical message is entwined beyond the track itself. And that message is clear: Exist to resist. You know what to do.

- Josh Wink is on a roll following last recent big tracks on Boys Noize, Cocoon, Soma, and of course Ovum.
- DJ support from Chris Liebing, Scuba, Len Faki, Slam, Jamie Jones, John Digweed, and more. Radio support from Eats Everything (Radio 1), B Traits (Radio 1), Coco Cole (Capital 1Xtra).

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Tracklist: A1. RHIT A2. Hover B1. Machine
Info:
Introducing Amberoom: a brand new name from three old friends… Manuel Tur, Adrian Hoffmann and Ramin Nouyan.
Operating in a similar mindset to Manuel's Ribn project a few years ago, Amberoom is a celebration of the freestyle spirit. Three mates and a bunch of machines jamming the day away with no intention but creating beautiful moments, dynamics and tones.
The spirit is evident from the off on 'Rhit': The mid tempo funk in the percussion, the breath-taking organ blasts, the casually late piano line… The track has a life of its own that could only come about through jamming and open minds. At points heads-down and tribal, at others epic, this really is powerful stuff.
The power continues on 'Hover'. The staggered woodblock beat that ignites the track gives no hint at what's about to come… Suddenly a dense fog of synths heave into the mix, harmonically weaving with a yearning cosmic far-away feel that's just as much physical as it is emotional. Genuinely majestic.
We close with 'Machine' which sums up the beauty of the project; a homage to the hardware being pumped and massaged to create these fusions, it's an awe-striking 11 minute episode of brilliantly drawn out deep, dubby funk. The guitar twangs and synth ripples creating a strong Balearic feel, the whirling, grainy FX and textures have a trippy appeal while the crunchy kicks keep everything real… This really does take you away to special places.
Magic, unique and powered by trueness: Let's hope Manuel, Adrian and Ramin return to this special place very soon because this is dynamite.
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Tracklist:
A1. Submerge B1. Bold
Info:
With over 25 years in the game, André Galluzzi can respectfully be awarded the veteran badge of honour. A mark of experience and longevity for an artist who has, as they say, been there and done it all. Today howeversees the German take on a new adventure, with his debut release for Josh Winks Ovum Recordings. As a DJ, André has held residencies at three of Germany and the worlds most influential Clubs - Tresor, Ostgutand Berghain. Been the driving force behind his own We Play Vinyl party. Managed his own Taksi (along side Paul Brtschitsch) and Aras Record labels and featured his own music on such highly acclaimed imprints as Cocoon, Cadenza, Ostgut Ton and Highgrade. Back in 2001, having released his seminal mix compilation, 'Im Garten', André embarked on a new series of events that regularly saw him play intoxicating sets of up to 10-hours. The parties went by the name of Submerge and those infamous Dj sets have inspired his beautiful brace for Ovum today. The metronomic kick drum of the title track introduces us to its immersive groove, whilst bubbling and elasticated fx vie for our attention, adding a sublime swing to Submerge. On the flip, Bold, by name and nature, ups the swing ante with its fierce acidic melody, shimmering hats and rasping snare.
Support from: Josh Wink, Pan Pot, Joris Voorn, DJ Hell, Huxley, Doc Martin, Till Von Sein, Anja Schneider, &Me, Catz N Dogz and more!
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Tracklist:
A1. Peven B1. BN 3000 B2, Lite Green
Info:
Anton Pieete is known for his classic, textured take on House & Techno. The Dutchman has spent recent years exploring the reaches of his analogue set up, releasing a string of hugely popular EPs for Joris Voorns Rejected imprint. Now he turns over his latest wares to Ovum, with another impressive offering in the shape of TheMenu.

While it may be our starter; first dish Peven is definitely more of a main course. Heady and intoxicating with itspercussive, funky drums and undulating keys, its carries us on its woozy wave of rich analogue bass.

Our appetite is further satisfied by the deeper sophisticated tones of Lite Green. Its malleable, swinging groove is governed by its pulsating bassline and dense kick-drum as lazer synths sweep and claps fire on thisclassy cosmic jam.

BN300s dramatic and ghostly strings are at odds with its frenetic bouncing bass melody and yet together theywork in complete harmony to create our final musical indulgence from The Menu.
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Tracklist: A1. Night Walk A2. Pure B1. Amazonia
Info:
From his days organising free parties in and around Northwest France during the early 2000s, Oniris has risen the classical way: years of DJing have given him an innate understanding of dancefloor dynamics and a firm crew and label to create with: Astropolis. Since breaking through in 2011, his tracks have rapidly picked up support from all the right corners: Agoria, Laurent Garnier, John Digweed, Marc Romboy and Josh Wink have all lent their support. Having already released some of his finest work on Bedrock and Systematic, its now Ovum's turn to play host to Oniris' latestwork, the Nightwalk EP. Eschewing his penchant for the peak time, Oniris steers away from the euphoric's of previous outings and, whilst retaining his melodic moves, creates a selection of deep, warm and groovy cuts with a spiky electric edge. Head-nodders, shoulder-droppers & hip-swingers rejoice, these slinky dancefloor numbers are for you.

Support Coming from: Pete Tong, Hernan Cattaneo, Guy J, Lane 8, Matthias Mayer, Christian Smith, Till Von Sein, Luca Bacchetti, Marc Romboy and more!!!!
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Tracklist:
A1. Jamsessions 001 A2. Jamsessions 002 B1. Jamsessions 003 B2. Jamsessions 004
Info:
Marco Faraone makes his debut on Josh Winks legendary Ovum Recordings with an original 4 track EP. EntitledRaw Jamsessions 001, the EP is the first of a new concept series intended for vinyl lovers and those whoappreciate the analogue sound.

The entire EP was produced live, with Marco connecting his hardware, preparing the patterns and recordinglive to Tape, unedited. The result is four high quality dance floor tools, with a raw, dusty, old-school analogueedge. Whilst each track is untitled, they each have their own distinct feel; the first is a rolling journey of echoingsynths and hefty drums, whilst the second is a long-player featuring a cascade of acid-tinged stabs. On the Bside003 makes for a laid-back yet gritty 6 minutes, whilst 004 closes off the EP with layers of percussion overa thudding bassline.

Raw Jamsessions 001 cements Marco Faraones status as a truly talented and diverse producer.

Huge Support from: Josh Wink, Josepg Capriati, Laurent Garnier, Anna, Rolando, Tommy Four Seven, Shlomi Aber, Ambivalent and more!!!
Ovum and Gel promise not to leave so long next time!
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Tracklist: A1. Raver B1. Optical B2. Akasa
Info:
Back with more Underground Bullshit! Ovum are more than proud to welcome the return of the might Gel Abril.
Gel's production career exploded with Ovum almost 10 years ago with the iconic aforementioned 'Underground Bullshit' EP. Since then he's established relationships with some of Ovum's most respected, progressive contemporaries - Defected, Mobilee, Get Physical, Be As One - but now the Israeli craftsman is back at his spiritual home with three of his biggest tracks in recent times. Get to know:
Lean, stark, iced-out; 'Raver' was tailored for Ovum. Every element plays a key role; from the oak-trunk kicks to the bellowing subs to the demonic downpitched spoken sermon by way of the life-support machine rhythmic texture... Everything comprised to create a subtle, restrained but wholly dark tech groove that refuses to quit.
With a refreshing sense of contrast, 'Optical' slaps hard from the off as a plucked riff springs from out of nowhere. A true drama-raiser that fluctuates back and forth, causing every other element from the kicks right the way up to the percussion to follow its tense pattern. Drop this and watch the panic unfold before your very eyes.
Finally we hit 'Akasa'. Tapping into the EP's heritage theme with its timeless, almost bouncy acid line, Gel establishes a tangible sensation of physical funk with increasing percussive elements and a synth lick that gets decidedly trippy and unpredictable. The type of track that takes you to destinations without you even knowing you wanted to go there, it's a fitting ending to an EP that's been long overdue…
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Tracklist:
A1. Keep It Clean B1. Transition
Info:
Ovum welcomes Leftbank Records co-boss Dudley Strangeways: a UK house and techno DJ rooted with serious residency stripes at the legendary Back To The Future Parties and appearances at the likes of Boiler Room. Hot off the back of releases on StarDub, Little Helpers and Made Of Concrete comes his Ovum debut; three tracks made constructed for one sole purpose… Melting minds in the darkest of rooms.
'Keep It Clean' is twistedly simple; a rump-busting roll in the drum department and paranormal pad leave space for a precision tuned tone that warps with the gravitas of a life support machine. Sinewy, cold and deliciously disconcerting, Dudley ensures funk and focus with delicately placed rhythmic elements and constant fluctuations.

Next we find ourselves breaking into an early 90s warehouse as 'Transition' whisks us on an acid trip with flurries of jack and a lean lead line that slithers through the ever-mutating drums and occasional FX hailstorms. Devilishly futuristic and tailored for those deep long blends, the stripped back extensive nature of this guarantees mixing bliss.

Truly, tracks built by a DJ, for DJs. Don't let this one slip…

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Tracklist: A1. Afterlife B1. Let's Play B2. Tell Me Something


Nacho Marco's 'Warm Trax Vol. 1' was an Ovum highlight in 2015 and a much welcomed return to the label for the Spanish producer. Vol. 1 with its rich analogue textures and acidic flair, picked up a wealth of support. Today Nacho returns with Vol. 2 and a new trio of Trax for our trip.

One of the most acclaimed DJ's and producers from Spain, Nacho Marco's rich musical history is evident in all of his productions. As comfortable creating a peak time acid number as he is rolling the depths of house, Nacho is clearly influenced by the early sounds of Chicago and acid house and always delivers a modern twist on what is a timeless sound. It's one thing to take influence from the past, but its quite another to ensure that you keep on pushing forward.

Hypnotic and sparse, Afterlife opens the Ep with its bubbling acid line and stripped, raw beats that bring you back to the Warehouse.

Let's Play continues with the acid theme as it ripples away under a drowsy bassline, broken by tight snare and shining hats that build to peak time bliss.

Finally we're treated to the smooth balearic vibes of Tell Me Something, with its hooky piano riff and smooth synth chords. Sunset/rise anyone?

- Nacho Marco continues his Warm Trax series on Ovum showing his diverse production talents. This is his third EP on the label and his tracks have seen the support from such luminaries as Laurent Garnier, D'julz, Danny Daze, Soul Clap, Marc Romboy, Joris Voorn, Skream and more.
- These tracks have been road tested by Josh Wink with huge reactions.


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Tracklist:
A1. Main Sounds B1. On The Move B2. Perfect Illusion
Info:
The precision-tuned tech machine that is Rob Hes continues to scale up the gears with his highly anticipated debut on Josh Wink's Ovum.
A key weapon in Rob's full-shade arsenal, 'Main Sounds' follows a solid stream of steam-powered grooves on the likes of Tronic, SCI+TEC, Elevate, KD Music and, just this month, Gregor Tresher's Breaking New Soil. It's already become the subject of ardent 'ID' theorists and demanding fan queries thanks to his recent Asia tour video... Now he's finally able to unleash it, along with two other equally dynamic grooves.
'Main Sounds' is the type of track that catches you unaware. A stately 4/4 suddenly goes into overdrive as a cathedral-shaking arpeggio penetrates to the forefront. Creepy, consistent and chilling, it will have your floor hypnotised from start to finish.
'On The Move' ups the physical sensation factor with its steam-powered drum arrangement. Each percussive element perfectly positioned to heighten the drama, the rhythm is complemented every step of the way as an icy hook entwines itself amid the lolloping energy.
Finally we hit "Perfect Illusion" where dense layers of atmospheres shroud the spectrum and chunkier brick-like kicks plough through the mists driving a shimmering hook and its acidic tendrils to the centre with restrained suspense. A fitting way to conclude his debut Ovum EP, something tells us this won't be a one-off...
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Tracklist:
A1. Recourse feat. Cari Golden B1. VHS B2. Los Angeles Dub
Info:
Fall into a dream state, leave your body, here we go...
Fresh from launching his 909 Til Infinity with Option 4 and storming BPM so hard he was identified by Pulse Radio as one of the key breakthrough acts of the Mexican festival, MANIK returns to Ovum with more visceral, physical slabs of straight-up tech funk.
'Recourse' is special. Teaming up with LA word-painter Cari Golden, his fluctuating, body-popping groove is peppered with barbed purring poetry that's part existential, part party, all unique: Cari matching MANIK's every bobbing bass texture, MANIK matching Cari's every observation, everything about 'Recourse' is distinctive, exciting and full of fresh energy.
Momentum maintained throughout; things take an unexpected dubby twist as the 'VHS' shimmers and ripples with synth insistency. Rolling hi-hats, hip-snapping clap attacks and a timeless vocal shot build around each other, occasionally revealing a fully-juiced bassline swinging and rolling with total consistency. 'Los Angeles Dub' is straight up jack, no chaser: a grainy, analogue moment of total unabashed machine-melting funk. Don't be fooled by the title's locale; we could be in any party city at any period of time in the last 30 years and this will cause the same frenzied moves.
MANIK's been delivering the goods for several years, but even by his standards this is another level. Something tells us BPM isn't the only thing he'll be breaking through this year...
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