Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382419587
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Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382419587
release: 07 10. 2013 EAN: 4250382419587
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed More
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed More
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2023 repress
We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes and includes one extremely excellent exclusive track Trentemoellers hymn against global warming: A1: The Blacksmoke Organisation: Danger Global Warming (Trentmøller Remix) * , A2: Trentemøller: The Forest , B1: Mathias Schaffhäuser: Coincidance (Trentemøller Remix) , B2: Jokke Ilsøe: Feeling Good (Trentemøller Remix Chronicles Edit)*, C1: Röyksopp: What Else Is There? (Trentemøller Remix), C2: Trentemøller: Gush , D1: The Knife: We Share Our Mother‘s Health (Trentemøller Remix), D2: Trentemøller: Kink More
We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes and includes one extremely excellent exclusive track Trentemoellers hymn against global warming: A1: The Blacksmoke Organisation: Danger Global Warming (Trentmøller Remix) * , A2: Trentemøller: The Forest , B1: Mathias Schaffhäuser: Coincidance (Trentemøller Remix) , B2: Jokke Ilsøe: Feeling Good (Trentemøller Remix Chronicles Edit)*, C1: Röyksopp: What Else Is There? (Trentemøller Remix), C2: Trentemøller: Gush , D1: The Knife: We Share Our Mother‘s Health (Trentemøller Remix), D2: Trentemøller: Kink More
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Cat-No:pfr81
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:827170116566
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Cat-No:pfr81
Release-Date:24.11.2023
Genre:Techno
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Barcode:827170116566
1
trentemoller - Moan (Trentemoller Remix)
2
trentemoller - Moan (Radioslave Remix)
2022 repress
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
2LP Excl
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Label:In My Room
Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382445074
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Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:2LP Excl
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Label:In My Room
Cat-No:imr45cd
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382444725
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Cat-No:imr45cd
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Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382444725
1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
TAPE Excl
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Label:In My Room
Cat-No:imr45mc
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4250382445661
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
2LP Excl
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Label:In My Room
Cat-No:imr33lp
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382438182
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Cat-No:imr33lp
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Genre:Alternative/Electronic
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1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
Double-Vinyl + mp3, Gatefoldsleeve, printed innersleeves, The vinyl package includes a black and a coloured white vinyl disc.
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
Label:In My Room
Cat-No:imr33cd
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382438175
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Last in:17.12.2019
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in stock
Last in:17.12.2019
Label:In My Room
Cat-No:imr33cd
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382438175
1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
CD Digipack Release
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
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Label:Poker Flat
Cat-No:PFRLP18x
Release-Date:08.06.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4250382435914
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Genre:House
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1
trentemoller - Take Me Into Your Skin
2
trentemoller - Vamp
3
trentemoller - Evil Dub
4
trentemoller - Always Something Better
5
trentemoller - While the Cold Winter Waiting
6
trentemoller - Nightwalker
7
trentemoller - Like Two Strangers
8
trentemoller - The Very Last Resort
9
trentemoller - Snowflake
10
trentemoller - Chameleon
11
trentemoller - Into The Trees (Serenetti Part 3)
12
trentemoller - Moan
13
trentemoller - Miss You
2018 Reissue, 3LP , Gatefold, Complete Tracklisting 1st Time on Vinyl!
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Tracklist:
A1. Take Me Into Your Skin
A2. Vamp
B1. Evil Dub
B2. Always Something Better
C1. While the Cold Winter Waiting
C2. Nightwalker
D1. Like Two Strangers
D2. The Very Last Resort
E1. Snowflake
E2. Chameleon
F1. Into The Trees (Serenetti Part 3)
F2. Moan
F3. Miss You
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Trentemøller's debut album remains one of the few genre-defining and groundbreaking
albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13
instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.
Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl
release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.
More
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Tracklist:
A1. Take Me Into Your Skin
A2. Vamp
B1. Evil Dub
B2. Always Something Better
C1. While the Cold Winter Waiting
C2. Nightwalker
D1. Like Two Strangers
D2. The Very Last Resort
E1. Snowflake
E2. Chameleon
F1. Into The Trees (Serenetti Part 3)
F2. Moan
F3. Miss You
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Trentemøller's debut album remains one of the few genre-defining and groundbreaking
albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13
instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.
Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl
release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.
More
Vinyl Album Excl
backorder
Label:In My Room
Cat-No:imr21lpltd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
Barcode:4250382432944
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Last in:08.11.2016
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Last in:08.11.2016
Label:In My Room
Cat-No:imr21lpltd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
Barcode:4250382432944
1
TRENTEMOLLER - One Eye Open
2
TRENTEMOLLER - Never Fade
3
TRENTEMOLLER - Sinus
4
TRENTEMOLLER - Redefine
5
TRENTEMOLLER - Phoenicia
6
TRENTEMOLLER - River In Me
7
TRENTEMOLLER - My Conviction
8
TRENTEMOLLER - November
9
TRENTEMOLLER - Spinning
10
TRENTEMOLLER - Circuits
11
TRENTEMOLLER - Complicated
12
TRENTEMOLLER - Where The Shadows Fall
Limited Deluxe Collectors Edition 2LP,180g, Gatefold with Spot Varnish+ MP3 Download + Download Bonus Track Rework!
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
Label:In My Room
Cat-No:imr21cdltd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382432937
in stock
Last in:17.07.2019
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in stock
Last in:17.07.2019
Label:In My Room
Cat-No:imr21cdltd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382432937
1
TRENTEMOLLER - One Eye Open
2
TRENTEMOLLER - Never Fade
3
TRENTEMOLLER - Never Fade
4
TRENTEMOLLER - River In Me
5
TRENTEMOLLER - Phoenicia
6
TRENTEMOLLER - Redefine
7
TRENTEMOLLER - My Conviction
8
TRENTEMOLLER - November
9
TRENTEMOLLER - Spinning
10
TRENTEMOLLER - Circuits
11
TRENTEMOLLER - Complicated
12
TRENTEMOLLER - Where The Shadows Fall
CD Digipack Release
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
Label:In My Room
Cat-No:imr21cd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382432425
in stock
Last in:18.01.2021
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Label:In My Room
Cat-No:imr21cd
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382432425
1
TRENTEMOLLER - One Eye Open
2
TRENTEMOLLER - Never Fade
3
TRENTEMOLLER - Sinus
4
TRENTEMOLLER - River In Me
5
TRENTEMOLLER - Phoenicia
6
TRENTEMOLLER - Redefine
7
TRENTEMOLLER - My Conviction
8
TRENTEMOLLER - November
9
TRENTEMOLLER - Spinning
10
TRENTEMOLLER - Circuits
11
TRENTEMOLLER - Complicated
12
TRENTEMOLLER - Where The Shadows Fall
CD Digipack Release
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall
More
Label:In My Room
Cat-No:imr21lp
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382432432
in stock
Last in:15.11.2023
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Label:In My Room
Cat-No:imr21lp
Release-Date:16.09.2016
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382432432
1
TRENTEMOLLER - One Eye Open
2
TRENTEMOLLER - Never Fade
3
TRENTEMOLLER - Sinus
4
TRENTEMOLLER - Redefine
5
TRENTEMOLLER - Phoenicia
6
TRENTEMOLLER - River In Me
7
TRENTEMOLLER - My Conviction
8
TRENTEMOLLER - November
9
TRENTEMOLLER - Spinning
10
TRENTEMOLLER - Circuits
11
TRENTEMOLLER - Complicated
12
TRENTEMOLLER - Where The Shadows Fall
2LP+Download !
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall More
In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller.
With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
CD & 2LP tracklist:
Tracklist:
01/A1. One Eye Open , 02/A2. Never Fade , 03/A3. Sinus , 04/B3. River In Me , 05/B2. Phoenicia , 06/B1. Redefine , 07/C1. My Conviction , 08/C2. November , 09/C3. Spinning , 10/D1. Circuits , 11/D2. Complicated , 12/D3. Where The Shadows Fall More
More records from In My Room
Label:In My Room
Cat-No:imr52cd
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382452423
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
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Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
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pre-sale
Label:In My Room
Cat-No:imr52mc
Release-Date:13.09.2024
Genre:Alternative/Electronic
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Barcode:4250382452430
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Genre:Alternative/Electronic
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Label:In My Room
Cat-No:imr45cd
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382444725
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
2LP Excl
in stock
Label:In My Room
Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382445074
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Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
TAPE Excl
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Label:In My Room
Cat-No:imr45mc
Release-Date:11.02.2022
Genre:Alternative/Electronic
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Barcode:4250382445661
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
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1
TOM And His Computer - A1. A77
2
TOM And His Computer - A2. Lovers and Gasoline (feat. Roxy Jules)
3
TOM And His Computer - A3. Feathers (feat. Roxy Jules)
4
TOM And His Computer - A4. Waterfronts
5
TOM And His Computer - A5. Our Man In Toronto
6
TOM And His Computer - B1. Future Ruins (feat. Roxy Jules)
7
TOM And His Computer - B2. Puzzle (feat. Roxy Jules)
8
TOM And His Computer - B3. Computer Solidarity
9
TOM And His Computer - B4. Fabel
10
TOM And His Computer - B5. Disbelief In A Postmodern World
LP + Download
Tracklist 12":
A1. A77
A2. Lovers and Gasoline (feat. Roxy Jules)
A3. Feathers (feat. Roxy Jules)
A4. Waterfronts
A5. Our Man In Toronto
B1. Future Ruins (feat. Roxy Jules)
B2. Puzzle (feat. Roxy Jules)
B3. Computer Solidarity
B4. Fabel
B5. Disbelief In A Postmodern World
Release Info:
Two years in the making, Future Ruins, TOM And His Computer’s debut album, will be released on Trentemøller’s In My Room label in October 20th. As a 20 year veteran of the Copenhagen music scene, Thomas Bertelsen has been releasing music under the sobriquet of TOM And His Computer for five years, merging the newest technologies with the old, while squeezing fresh sounds out of equipment that’s not only obsolete, sometimes it’s barely functioning at all. “I switch back and forth between the digital and the analog worlds. I’ll utilize old guitar pedals as well as the newest software,” says Thomas Bertelsen, producer behind TOM And His Computer. “It’s never about the gear, though, but rather finding that one little sound that can trigger an idea for an entire track.” Future Ruins was also co-produced and mixed by Trentemøller. While previous offerings have taken listeners to the outer boundaries of what can be considered “electronic music,” including nods to dark wave, dream pop, krautrock and modern psych rock, Future Ruins presents those influences in a new way and represents a great leap forward for the Copenhagen based producer.
The result is a genre-less collection of songs showcasing TOM’s obsession with propelling sounds of the past into the present, and future, combining noise and edginess with his “commitment to fresh ideas with a clear sense of melodies,” according to Clash Magazine. “My tastes are eclectic and I like to flirt with many different sub genres,” says TOM. “The aim was to combine various styles while trying to maintain a common denominator,” which committing to a full-length offered as an opportunity.
More
Tracklist 12":
A1. A77
A2. Lovers and Gasoline (feat. Roxy Jules)
A3. Feathers (feat. Roxy Jules)
A4. Waterfronts
A5. Our Man In Toronto
B1. Future Ruins (feat. Roxy Jules)
B2. Puzzle (feat. Roxy Jules)
B3. Computer Solidarity
B4. Fabel
B5. Disbelief In A Postmodern World
Release Info:
Two years in the making, Future Ruins, TOM And His Computer’s debut album, will be released on Trentemøller’s In My Room label in October 20th. As a 20 year veteran of the Copenhagen music scene, Thomas Bertelsen has been releasing music under the sobriquet of TOM And His Computer for five years, merging the newest technologies with the old, while squeezing fresh sounds out of equipment that’s not only obsolete, sometimes it’s barely functioning at all. “I switch back and forth between the digital and the analog worlds. I’ll utilize old guitar pedals as well as the newest software,” says Thomas Bertelsen, producer behind TOM And His Computer. “It’s never about the gear, though, but rather finding that one little sound that can trigger an idea for an entire track.” Future Ruins was also co-produced and mixed by Trentemøller. While previous offerings have taken listeners to the outer boundaries of what can be considered “electronic music,” including nods to dark wave, dream pop, krautrock and modern psych rock, Future Ruins presents those influences in a new way and represents a great leap forward for the Copenhagen based producer.
The result is a genre-less collection of songs showcasing TOM’s obsession with propelling sounds of the past into the present, and future, combining noise and edginess with his “commitment to fresh ideas with a clear sense of melodies,” according to Clash Magazine. “My tastes are eclectic and I like to flirt with many different sub genres,” says TOM. “The aim was to combine various styles while trying to maintain a common denominator,” which committing to a full-length offered as an opportunity.
More
Label:In My Room
Cat-No:imr33cd
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1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
CD Digipack Release
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
2LP Excl
in stock
Label:In My Room
Cat-No:imr33lp
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382438182
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1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
Double-Vinyl + mp3, Gatefoldsleeve, printed innersleeves, The vinyl package includes a black and a coloured white vinyl disc.
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
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Genre:Alternative/Electronic
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Tracklist CASSETTE EP:
01. Uhhish, 02. Eighty Four feat. Roxy Jules, 03. Playing In The Night feat. Roxy Jules, 04. Hanoi Golden Rice Hotel, 05. Colormind
Now the new EP takes the whole adventure even a step further
and features two vocal songs featuring Julie Runa from Copenhagen
based band Roxy Jules: ‘Eighty Four’ is a killer krautrock /
post punk tune with intermittent screaming synths, while ‘Playing
in The Night’ is a more darkwave-meets-surf rock via a laboratory
of electronics and noisy guitar layers - thrilling stuff. More
01. Uhhish, 02. Eighty Four feat. Roxy Jules, 03. Playing In The Night feat. Roxy Jules, 04. Hanoi Golden Rice Hotel, 05. Colormind
Now the new EP takes the whole adventure even a step further
and features two vocal songs featuring Julie Runa from Copenhagen
based band Roxy Jules: ‘Eighty Four’ is a killer krautrock /
post punk tune with intermittent screaming synths, while ‘Playing
in The Night’ is a more darkwave-meets-surf rock via a laboratory
of electronics and noisy guitar layers - thrilling stuff. More
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limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
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limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
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limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
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100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
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1
Kenji Kawai - 01 - Making of Cyborg
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Kenji Kawai - 02 - Ghost Hacker
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Kenji Kawai - 03 - Puppet Master
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Kenji Kawai - 04 - Virtual Crime
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Kenji Kawai - 05 - Ghost City
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Kenji Kawai - 06 - Access
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Kenji Kawai - 07 - Night Stalker
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Kenji Kawai - 08 - Floating Museum
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Kenji Kawai - 09 - Ghost Dive
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Kenji Kawai - 10 - Reincarnation
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Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
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Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Nu Jazz
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1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
Label:imbalance computer music
Cat-No:ML-036CD
Release-Date:06.09.2024
Configuration:CD Excl
Barcode:5051142068910
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Digipak, 4C print
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
pre-sale
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Label:imbalance computer music
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Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:Because Music
Cat-No:BEC5543358
Release-Date:16.03.2018
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5060525433580
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Last in:07.11.2023
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Last in:07.11.2023
Label:Because Music
Cat-No:BEC5543358
Release-Date:16.03.2018
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5060525433580
1
The Jimmy Castor Bunch - - Creation (Epilogue)
2
Ann Peebles - The Handwriting Is On The Wall
3
The Dells vs. The Dramatics - Tune Up
4
Sydney Joe Qualls - How Can You Say Goodbye
5
Jackie Moore - If
6
The Supremes - It's Time To Breakdown
7
Judy Clay - It Ain't Long Enough
8
Barbara & The Browns - In My Heart
9
Willie Mitchell - Mercy Mercy Mercy
10
Joe Tex - I'll Never Do You Wrong
11
The Sweet Inspirations - You Roam When You Don't Get It At Home
12
Bobby Bland - Ain't No Love In The Heart Of The City
13
B.B. King - Chains And Things
14
Rufus Thomas - The Breakdown Part 2
15
Freddie Waters - Groovin' On My Baby's Love
16
David Porter - Hang On Sloopy (Single Version)
17
Dionne Warwick - You're Gonna Need Me
18
Ann Sexton - I'm His Wife (You're Just His Frien
19
The Rimshots - Takin' It
20
The Persuasions - Gypsy Woman
Nonexclusive Release - Exportrights Only, 2LP in gatefold sleeve with CD included. EAN: 5060525433580
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Cut from original masters. Original packaging, beautifully and precisely reproduced to the Original Standards. Original year of release: 2014
Tracklisting:
A1. The Jimmy Castor Bunch – Creation (Epilogue)
A2. Ann Peebles – The Handwriting Is On The Wall
A3. The Dells vs. The Dramatics – Tune Up
A4. Sydney Joe Qualls – How Can You Say Goodbye
A5. Jackie Moore – If
B1. The Supremes – It’s Time To Breakdown
B2. Judy Clay – It Ain’t Long Enough
B3. Barbara & The Browns – In My Heart
B4. Willie Mitchell – Mercy Mercy Mercy
B5. Joe Tex – I’ll Never Do You Wrong
C1. The Sweet Inspirations – You Roam When You Don’t Get It At Home
C2. Bobby Bland – Ain’t No Love In The Heart Of The City
C3. B.B. King – Chains And Things
C4. Rufus Thomas – The Breakdown Part 2
C5. Freddie Waters – Groovin’ On My Baby’s Love
D1. David Porter – Hang On Sloopy (Single Version)
D2. Dionne Warwick – You’re Gonna Need Me
D3. Ann Sexton – I’m His Wife (You’re Just His Friend)
D4. The Rimshots – Takin’ It
D5. The Persuasions – Gypsy Woman
Short Info
Legendary Deep Soul French complation(s) featuring many Soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest Hip-Hop acts.
More
Label:WRWTFWW
Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
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Last in:06.04.2023
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Last in:06.04.2023
Label:WRWTFWW
Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
1
Midori Takada - Mr. Henri Rousseau's Dream
2
Midori Takada - Crossing
3
Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
More
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
More
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
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Last in:26.03.2024
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in stock
Last in:26.03.2024
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
More
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
More
LP Excl
pre-sale
Label:Modern Obscure Music
Cat-No:MOM051
Release-Date:02.08.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804181990
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Label:Modern Obscure Music
Cat-No:MOM051
Release-Date:02.08.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804181990
1
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part I
2
Eiko Ishibashi / Jim O'Rourke / Tatsuhis - Sakuraza part II
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
More
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.
TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN
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Last in:24.02.2022
Label:cocoon
Cat-No:CORLP019X
Release-Date:08.04.2022
Genre:Techno
Configuration:3LP Excl
Barcode:4251804128728
1
Extrawelt - Dark Side Of My Room
2
Extrawelt - Wippsteert
3
Extrawelt - Trümmerfeld
4
Extrawelt - Must Attack
5
Extrawelt - Wolkenbruch
6
Extrawelt - Added Planet
7
Extrawelt - Daten Raten
8
Extrawelt - Lost In Willaura
9
Extrawelt - Kurt Curtain (Skit)
10
Extrawelt - One Tree Hill
11
Extrawelt - Messy Machinery (Rough Mix)
12
Extrawelt - Homing
13
Extrawelt - Bright Side Of My Room
3x12" Gatefold White Vinyl (Download Code Inside)
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
More
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
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2CD Excl
in stock
Label:London Records
Cat-No:lms5521937
Release-Date:01.09.2023
Genre:Pop
Configuration:2CD Excl
Barcode:5060555219376
in stock
Last in:07.07.2023
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in stock
Last in:07.07.2023
Label:London Records
Cat-No:lms5521937
Release-Date:01.09.2023
Genre:Pop
Configuration:2CD Excl
Barcode:5060555219376
Rights: World excluding France, UK
Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
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Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
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CD Excl
pre-sale
Cat-No:ERE1009
Release-Date:05.07.2024
Genre:HipHop/Rap/Urban
Configuration:CD Excl
Barcode:197342611091
pre-sale
Last in:-
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pre-sale
Last in:-
Cat-No:ERE1009
Release-Date:05.07.2024
Genre:HipHop/Rap/Urban
Configuration:CD Excl
Barcode:197342611091
About:
Following his most commercially and critically successful year to date, Conway the Machine returns with his first full length offering of 2024, “Slant Face Killah.” Long teased as the second half of the chart-topping 2023 album, “WON’T HE DO IT,” fans see Conway the Machine embracing his killer instincts on the mic, and doing so with versatility - rapping over the familiar gritty, dark beats fans remember discovering him on during his come up (Milano Nights, Pt. 1) to more unconventional beats, showcasing his ability to adapt and grow (Raw!). With an impressive feature list including Method Man, Raekwon, Joey Bada$$, Larry June, Key Glock, Jay Worthy & more, and production from heavyweight producers such as The Alchemist, Daringer, Conductor Williams, Cardo, Swizz Beatz & more, The Machine illustrates both his reach in today’s rap game, as well as his ability as a tastemaker. Known for consistently delivering quality music for his die-hard fans, The Machine is back to put his stamp on 2024. 2xLP Vinyl, includes Gatefold Jacket.
Key Marketing/Selling:
• Conway the Machine is a member of the well known Hip-Hop collective, Griselda, which includes artists such as Westside Gunn & Benny the Butcher
• Griselda/Drumwork titles are heavy physical movers and rarely offered at retail
• Documentary detailing the album creation process released on YouTube
• Features include Stove God Cooks, Larry June, Method Man, SK Da King, Flee Lord, Joey Bada$$, Key Glock, Rya Maxwell, Tech N9ne, Jay Worthy, T.F., 2 Eleven, Ab-Soul & Raekwon, with production handled by The Alchemist, Swizz Beatz, Cool & Dre, Camouflage Monk, Beat Butcha, Conductor Williams, Cardo, Don Cannon, Cubeatz, Daringer, Napes & More
• Music videos released for several tracks, with more videos to come post release
• Album trailer released, including footage of him linking up with pop star Dua Lipa
• Press/radio coverage from outlets such as RapRadar, HotNewHipHop, XXL, Essence, HipHopDX, Revolt, BrooklynVegan & more
• Interview released with Clash Magazine
• Recently concluded impressive European run
Tracklist:
A1/1. Despertar
A2/2. Mutty (feat. Stove God Cooks)
A3/3. Give & Give (feat. Cool & Dre)
A4/4. Milano Nights, Pt. 1
B1/5. Kin Xpress (feat. Larry June)
B2/6. Meth Back! (feat. Method Man, SK Da King & Flee Lord)
B3/7. Ninja Man (feat. Swizz Beatz)
C1/8. Vertino (feat. Joey Bada$$)
C2/9. Ten / Rya Interlude (feat. Key Glock & Rya Maxwell)
C3/10. Dasani
C4/11. Raw! (feat. Tech N9ne)
D1/12. Surf & Turf (feat. Jay Worthy, T.F, 2 Eleven & Ab-Soul)
D2/13. Karimi
D3/14. The Red Moon In Osaka (feat. Raekwon)
Socials:
Twitter: 142.3k followers
IG: 664k followers
FB: 121k followers
YT: 216k subs / 123M+ views
More
Following his most commercially and critically successful year to date, Conway the Machine returns with his first full length offering of 2024, “Slant Face Killah.” Long teased as the second half of the chart-topping 2023 album, “WON’T HE DO IT,” fans see Conway the Machine embracing his killer instincts on the mic, and doing so with versatility - rapping over the familiar gritty, dark beats fans remember discovering him on during his come up (Milano Nights, Pt. 1) to more unconventional beats, showcasing his ability to adapt and grow (Raw!). With an impressive feature list including Method Man, Raekwon, Joey Bada$$, Larry June, Key Glock, Jay Worthy & more, and production from heavyweight producers such as The Alchemist, Daringer, Conductor Williams, Cardo, Swizz Beatz & more, The Machine illustrates both his reach in today’s rap game, as well as his ability as a tastemaker. Known for consistently delivering quality music for his die-hard fans, The Machine is back to put his stamp on 2024. 2xLP Vinyl, includes Gatefold Jacket.
Key Marketing/Selling:
• Conway the Machine is a member of the well known Hip-Hop collective, Griselda, which includes artists such as Westside Gunn & Benny the Butcher
• Griselda/Drumwork titles are heavy physical movers and rarely offered at retail
• Documentary detailing the album creation process released on YouTube
• Features include Stove God Cooks, Larry June, Method Man, SK Da King, Flee Lord, Joey Bada$$, Key Glock, Rya Maxwell, Tech N9ne, Jay Worthy, T.F., 2 Eleven, Ab-Soul & Raekwon, with production handled by The Alchemist, Swizz Beatz, Cool & Dre, Camouflage Monk, Beat Butcha, Conductor Williams, Cardo, Don Cannon, Cubeatz, Daringer, Napes & More
• Music videos released for several tracks, with more videos to come post release
• Album trailer released, including footage of him linking up with pop star Dua Lipa
• Press/radio coverage from outlets such as RapRadar, HotNewHipHop, XXL, Essence, HipHopDX, Revolt, BrooklynVegan & more
• Interview released with Clash Magazine
• Recently concluded impressive European run
Tracklist:
A1/1. Despertar
A2/2. Mutty (feat. Stove God Cooks)
A3/3. Give & Give (feat. Cool & Dre)
A4/4. Milano Nights, Pt. 1
B1/5. Kin Xpress (feat. Larry June)
B2/6. Meth Back! (feat. Method Man, SK Da King & Flee Lord)
B3/7. Ninja Man (feat. Swizz Beatz)
C1/8. Vertino (feat. Joey Bada$$)
C2/9. Ten / Rya Interlude (feat. Key Glock & Rya Maxwell)
C3/10. Dasani
C4/11. Raw! (feat. Tech N9ne)
D1/12. Surf & Turf (feat. Jay Worthy, T.F, 2 Eleven & Ab-Soul)
D2/13. Karimi
D3/14. The Red Moon In Osaka (feat. Raekwon)
Socials:
Twitter: 142.3k followers
IG: 664k followers
FB: 121k followers
YT: 216k subs / 123M+ views
More
12" Excl
backorder
Label:SUPERSTITION RECORDS
Cat-No:2854
Release-Date:18.11.2022
Configuration:12" Excl
Barcode:4250382447085
backorder
Last in:22.04.2024
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backorder
Last in:22.04.2024
Label:SUPERSTITION RECORDS
Cat-No:2854
Release-Date:18.11.2022
Configuration:12" Excl
Barcode:4250382447085
1
ENERGY 52 - Café Del Mar (Nalin & Kane Remix)
2
ENERGY 52 - Café Del Mar (Deadmau5 Remix)
Vinyl only
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
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GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.
After about 15 years this cult classics are finally available again on vinyl in a new cutting.
More