Territories: WORLD EXCL DE, AT, Scandinavia

CD Digipac

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

Territories: WORLD EXCL DE, AT, Scandinavia

Cassette, download code

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

After the huge success of his albums ‚The Last Resort‘ and ,The Trentemøller Chronicles‘, Trentemøller graces the Audiomatique catalogue
once again, featuring four timeless and accomplished remixes of his haunting track, ‚Miss You.‘ The original is a deeply musical study showing off Trentemøller’s unique composition skills, and for this release he presents a cut up re-rub full of classic texture and warmth. One of two more club friendly remixes on the release, his remix adds sharp hi-hats and even more hypnotic layers of melodies, creating an energetic track which sits in the ever-smoky borders between techno, house and electronica. Climbing up from deep within his unique and unmistakable river of sound, Scape‘s legendary producer Pole is next to provide a remix. Bass heavy dub-steps close around a tripped out abstraction of the original theme, allowing 7 minutes of glorious analogue experimentation to unfold. A rich cloud of defined and considered noise surfaces to very meniscus of the track, before sinking away back into the depths... One of Germany‘s longest serving figures in Techno, Pascal F.E.O.S, chooses to remain true to the musicality of the original with his drifting techno slow burner. The remix introduces melody as its central focus, but is still underpinned by the Level Non Zero figurehead‘s tough but reduced rhythm track, that drives persistently, without distorting one‘s view of the stirring melodic happenings. Finally two talented musicians from Copenhagen‘s electronic underground, Lulu Rouge and Asger Baden, take the stirring beauty of the original‘s piano melody and create a filmic, beatless interpretation. Gentle washes of warm strings and atmospheres glide subtly through the pale ether of this wonderfully restrained
remix. More

We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes, which have only been available on vinyl or on compilations, as well as some new and exclusive songs. But the fantastic Trentemøller mix on CD1 and the fine selection of remixes on CD2 make this release a great double album in its own right for extraordinary listening pleasure. It‘s almost exactly one year since Anders Trentemøller‘s debut album „The Last Resort“ (on Poker Flat) took the hearts of music lovers worldwide by storm. At that moment in time the Danish producer had built his outstanding reputation on many huge dancefloor hits such as „Rykketid“, „Polar Shift“ and „Sunstroke“. Seemingly out of the blue „The Las Resort“ left all expectations for an electronic dancefloor album far behind and presented a stunning organic, emotional and beautiful masterpiece of cinematic proportions, earning a wealth of rave reviews and critics’ awards, as well as „Album Of The Year“ plaudits in many music magazines. „Trentemøller is not only a dance floor genius, but a musical mastermind in the broader sense. Killer release!“ More

big big big. unbelivable open and intense microhouse rocker with hymn potential. no need to say much about anders trentemoller, he´s done his share of sick elecronic house smash prod and mixes. but this is to be among his best. tip! More

Territories: WORLD EXCL DE, AT, Scandinavia

CD Digipac

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

Territories: WORLD EXCL DE, AT, Scandinavia

Cassette, download code

GENRE/S:
Alternative, Independent, Shoegaze, Dreampop

TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure


SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More

Territories: WORLD EXCL DE, AT, Scandinavia

CD Digipac

Tracklist:

01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger

Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.

The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.

2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More

Territories: WORLD EXCL DE, AT, Scandinavia


Double-Vinyl + mp3, Gatefoldsleeve

Tracklist:

01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger

Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.

The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.

2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More

Territories: WORLD EXCL DE, AT, Scandinavia

Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon

Tracklist:

01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger

Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.

The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.

2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More

LP + Download

Tracklist 12":
A1. A77
A2. Lovers and Gasoline (feat. Roxy Jules)
A3. Feathers (feat. Roxy Jules)
A4. Waterfronts
A5. Our Man In Toronto
B1. Future Ruins (feat. Roxy Jules)
B2. Puzzle (feat. Roxy Jules)
B3. Computer Solidarity
B4. Fabel
B5. Disbelief In A Postmodern World

Release Info:
Two years in the making, Future Ruins, TOM And His Computer’s debut album, will be released on Trentemøller’s In My Room label in October 20th. As a 20 year veteran of the Copenhagen music scene, Thomas Bertelsen has been releasing music under the sobriquet of TOM And His Computer for five years, merging the newest technologies with the old, while squeezing fresh sounds out of equipment that’s not only obsolete, sometimes it’s barely functioning at all. “I switch back and forth between the digital and the analog worlds. I’ll utilize old guitar pedals as well as the newest software,” says Thomas Bertelsen, producer behind TOM And His Computer. “It’s never about the gear, though, but rather finding that one little sound that can trigger an idea for an entire track.” Future Ruins was also co-produced and mixed by Trentemøller. While previous offerings have taken listeners to the outer boundaries of what can be considered “electronic music,” including nods to dark wave, dream pop, krautrock and modern psych rock, Future Ruins presents those influences in a new way and represents a great leap forward for the Copenhagen based producer.
The result is a genre-less collection of songs showcasing TOM’s obsession with propelling sounds of the past into the present, and future, combining noise and edginess with his “commitment to fresh ideas with a clear sense of melodies,” according to Clash Magazine. “My tastes are eclectic and I like to flirt with many different sub genres,” says TOM. “The aim was to combine various styles while trying to maintain a common denominator,” which committing to a full-length offered as an opportunity.
More

CD Digipack Release

CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants

Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.

Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).

Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.

Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.

Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More

Double-Vinyl + mp3, Gatefoldsleeve, printed innersleeves, The vinyl package includes a black and a coloured white vinyl disc.
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).


CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants

Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.

Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).

Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.

Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.

Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More

Tracklist CASSETTE EP:

01. Uhhish, 02. Eighty Four feat. Roxy Jules, 03. Playing In The Night feat. Roxy Jules, 04. Hanoi Golden Rice Hotel, 05. Colormind

Now the new EP takes the whole adventure even a step further
and features two vocal songs featuring Julie Runa from Copenhagen
based band Roxy Jules: ‘Eighty Four’ is a killer krautrock /
post punk tune with intermittent screaming synths, while ‘Playing
in The Night’ is a more darkwave-meets-surf rock via a laboratory
of electronics and noisy guitar layers - thrilling stuff. More

limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour tank black , see articlenumber/title for size indication
Black UNISEX American Apparel 2408 Tank Top T-shirt with white print on the front and on the back. Fine Jersey (100% Cotton) construction. Fabric weight 4.3 oz/yd² (146 g/m²) Made of 100%
fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour tank black , see articlenumber/title for size indication
Black UNISEX American Apparel 2408 Tank Top T-shirt with white print on the front and on the back. Fine Jersey (100% Cotton) construction. Fabric weight 4.3 oz/yd² (146 g/m²) Made of 100%
fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

limited edition tour tank black , see articlenumber/title for size indication
Black UNISEX American Apparel 2408 Tank Top T-shirt with white print on the front and on the back. Fine Jersey (100% Cotton) construction. Fabric weight 4.3 oz/yd² (146 g/m²) Made of 100%
fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

see articlenumber/title for size indication
White UNISEX American Apparel 2408 Tank Top T-shirt with black print on the front. Fine Jersey (100% Cotton) construction. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun
combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More

Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx

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Rights: World excluding FR & UK

Packaging: 1 x140 Grs Black Vinyl, 3mm spine sleeve, printer inner , marketing sticker

SHORT BIOG / KEY POINTS

" All Orbital's classic tracks across all albums in one piece of vinyl / 1LP as cult edit versions.
" Extented 1CD edition with 6 additional tracks
" Orbital's own words about "A Beginner's Guide" : " The package you are holding in your hands is your threshold to a transformational psychoacoustic experience. An experience that will take you to spaces familiar, sonic pathways opening different times and different sounds to the chronosonic method of Orbital."


TRACKLISTING
VINYL
Side 1
01 Chime (Edit)
02 Halcyon (Edit)
03 Belfast (Edit)
04 Satan (Spawn)
05 The Box (Edit)

Side 2
06 Lush 3.1 (Edit)
07 Beached (Edit)
08 Are We Here? (Edit)
09 Are You Alive? (feat. Penelope Isles) (Edit)
10 Style (Edit)
11 Dirty Rat (Edit)

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Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics

Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.

















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GENRE/S:
Progressive House, Techno, Trance, Breaks

TRACKLISTS:
A. Café Del Mar (Orbital Remix)
B. Café Del Mar (Michael Mayer Remix)

SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Now this iconic track is being remixed by two of the most revered acts in electronic music, Orbital and Michael Mayer. Orbital, the pioneering British electronic dance duo consisting of brothers Phil and Paul Hartnoll, have continued to shape the electronic music scene since their emergence in 1989. Their remix is an ode to the golden age of rave, with clattering breakbeats and an ethereal synth line pulsing through its early stages before the iconic lead warps into view. A key figure in Cologne's electronic scene, Michael Mayer co-founded the influential Kompakt label, contributing significantly to its direction and success. For his interpretation, Mayer leans into head spinning, hypnotic rhythms, with tribal drums and the patiently evolving lead line building towards a climax that is more subtle but no less effective.




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Double-LP

GENRE/S:
House, Deep House

TRACKLIST:
A1. The Nature Of Reality
A2. Wander Being
B1. Turn To The Music
B2. At The Feeling Level
C1. Jazz Intent
C2. Thematicism
C3. Wade Away
D1. Natural Causality
D2. In The Meadow
D3. See Urchin

SHORT INFO:
DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres











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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA), NEW ZEALAND.
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode

Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun


Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.

Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.

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2023 repress

Format Notes: remastered, 180g vinyl, expanded to double LP, gatefold sleeve

Track List:
A1 : Intro Lectric Chile Goat (0:56)
A2 : Abierto (3:59)
A3 : Organism (4:07)
A4 : Thank You MK (3:50)

B1 : Tatanka (4:09)
B2 : Interlude Train Of Thought (1:20)
B3 : It Gets Heavy (3:23)
B4 : Thin Brown Layer (4:39)

C1 : Interlude So Many Years Ago (0:45)
C2 : Terra Unfirma (4:05)
C3 : Gettin It Together (3:22)
C4 : Another Brother Gone (2:28)
C5 : Broken Blood (3:47)

D1 : Interlude And The Day Goes By (1:28)
D2 : Lost Unfound (3:32)
D3 : The Color Of Life (3:57)
D4 : Falling Awake (3:56)


Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary “Bones Brigade” team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There’s a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we’re honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we’ve worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
Soul Food Taqueria continued Guerrero’s guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalogue.
Guerrero’s atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days.
As ever, the diversity on display is beguiling. From bossa nova, samba and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold; perfectly represented by ESPO’s memorable artwork. Furthermore, the title’s hybridity reflects the intoxicating sweep of stylistic flavours served up, reminding us that, however tricky it is to categorise Guerrero’s special blend, it’s always a pleasure to indulge in something so creative and adventurous.
Dubby, bass-heavy instrumentals give way to moody folk-soul – witness “It Gets Heavy”, featuring melancholic vocals from Gresham Taylor – whilst “Thank You MK” is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks – check “Lost Unfound”, “Another Brother Gone” and “Broken Blood” - built around minimalist, laid-back grooves and detailed guitar orchestrations which wouldn’t be out of place on the latest Jonny Nash release.
Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, “Falling Awake” is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. It brings proceedings to the most peaceful close. Seductively good, it reminds you just how great simplicity can sound.
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Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

A1 Uväll - Acamar
A2 Arkan - Dissonance
B1 Inox Traxx - Decision
B2 Nastia Reigel - Limit Y
C1 SAMA - Do You Love Me?
C2 UFO95 - Refuge
D1 Ø [Phase] - Exiting The Delusion
D2 Kameliia - Above You And Me
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FORMAT 12‘‘ Vinyl, full Pantone printed sleeve, download code

TRACKLIST
1. LARGE LANGUAGE MODEL 03:39
2. MULTI FUNCTIONAL ROBOTICS 03:29
3. SENSOR DATA 03:44

RELEASE INFO
DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.
Moods and titles across the EP cover artificial intelligence (LARGE LANGUGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions.
Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity’s uncertain evolution, moving as fast as the technology it creates.
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Tracklist:
A. David Mayer: The Call
B1. David Mayer & Sooma: Sooner
B2. David Mayer: Black Queen

David Mayer’s career and background is marked by a desire to keep moving and experiencing new perspectives. Having finally settled in Berlin, the German DJ and producer has built up an enviously diverse back catalogue on labels such as Connected Frontline, Objektivity, Gruuv, Audiomatique and Keinemusik. With his first release on Acid Pauli and Nico Stojan’s Ouie label, Mayer brings his trademark groove to the fore once more.

'The Call' is a mid tempo chugger built around a kick, clap and 808 blip, before a more organic groove develops. The slowed down chants and wigged out synth line take the vibe into afro cosmic territory, without losing the original energy.

'Sooner' is a little more urgent - a crisp, forward leaning rhythm and a deep, subby bass lead the way, before another frazzled synthesiser takes us on a melodic walkabout.

'Black Queen' is another example of Mayer’s slick drum programming, keeping things zesty on the dance floor but with acres of space to lose yourself in.

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Format: 180g 12” Vinyl Inside-out cut, heavy cardboard full colour print

Tracklist:
A1 Sea Swell
A2 Wave Upon Wave
B1 Following Seas
B2 Atlantic Islander


Lee Holman - NECH026
Lee Holman's forthcoming release, 'NECH026,' marks his return to NECHTO, following his 2022 EP on Nastia's imprint. With an uncompromising underground ethos, Holman has built a solid international reputation through his distinctive techno sound. His performances as a live act and DJ have taken him to prestigious venues like TRESOR Berlin, Khidi Tbilisi, and Corsica Studios London. Known for his vast record collection and dynamic performances, Holman's productions have earned international acclaim.
The upcoming EP evolved organically, with three of the five tracks being part of Holman's live shows for NECHTO events. The lead track, "Wave upon Wave," was recorded live after an event in Kyiv, while the other two were from a session at Khidi Tbilisi. Holman initially did not plan to release these tracks, keeping his live performances unique for each night. The bonus track, "It's Not Over," features a beautiful vocal piece and soulful techno accompaniment.
Inspired by nature, particularly the sea surrounding his island home, Holman channels this inspiration into his music. The five tracks of 'NECH026' reflect his signature deep, raw, and energetic techno
sound. More

2023 repress, WG Standard Sleeve

Tracklist:
A1) GameOvr A2) GameOvr (Cassy Remix) B1) Trigonometry B2) Trigonometry (La Fleur Remix)

Infotext:
Sasha continues to make this year his own as he drops his debut EP on Watergate, 'GameOvr'. The EP features two original tracks, including the long-awaited 'Trigonometry', and first class remixes from Cassy and La Fleur. After his recent critically acclaimed sell-out live shows at the Barbican and his 'Out Of Time' EP on Kompakt, not to mention gearing up for his RESISTANCE residency with John Digweed in Ibiza, Sasha officially confirms his debut release on Watergate Records. 'Trigonometry' has been a highlight in Sasha's sets in recent months and has sparked many a heated debate online, from excited pleas for a Track ID, to urgent demands for a release date. The track is as ethereal as it is compelling, constantly building up to the sublime break down and those iconic chords that have left ravers spellbound worldwide. Swedish born Berlin-based La Fleur puts her stamp on the remix, keeping the riff but adding gravitas with a rhythmic bassline. She's fast become a key player on the house and techno circuit, with a string of releases on the likes of Cocoon, Watergate, and Sasha's own Last Night On Earth imprint. 'GameOvr' shows the producer's tougher side; a strong techno track in keeping with Sasha's constant focus on the future, always exploring new directions, though his signature groove is still on board. Revered Panorama Bar resident Cassy, whose stunning album 'Donna' was one of 2016's outstanding releases, turns her hand to remixing the title track, delivering a harder edged driving cut with a heavier kick drum, echoing chords and hypnotic percussion. This EP marks yet another creative landmark in this, one of the most fruitful and exciting phases in Sasha's distinguished career.


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