Label:In My Room
Cat-No:imr52cd
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382452423
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Genre:Alternative/Electronic
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
More records from Trentemøller
LP Excl
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Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4250382452416
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
TAPE Excl
pre-sale
Label:In My Room
Cat-No:imr52mc
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4250382452430
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Label:Audiomatique
Cat-No:am28
Release-Date:12.02.2008
Genre:House
Configuration:12" Excl
Barcode:827170157460
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Last in:18.11.2022
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Last in:18.11.2022
Label:Audiomatique
Cat-No:am28
Release-Date:12.02.2008
Genre:House
Configuration:12" Excl
Barcode:827170157460
1
Trentemøller - Miss You (Trentemøller Remix)
2
Trentemøller - Miss You (Pole Remix)
3
Trentemøller - Miss You (Pascal F.E.O.S. Edit)
4
Trentemøller - Miss You (Lulu Rouge Feat. Asger Baden Remix)
After the huge success of his albums ‚The Last Resort‘ and ,The Trentemøller Chronicles‘, Trentemøller graces the Audiomatique catalogue
once again, featuring four timeless and accomplished remixes of his haunting track, ‚Miss You.‘ The original is a deeply musical study showing off Trentemøller’s unique composition skills, and for this release he presents a cut up re-rub full of classic texture and warmth. One of two more club friendly remixes on the release, his remix adds sharp hi-hats and even more hypnotic layers of melodies, creating an energetic track which sits in the ever-smoky borders between techno, house and electronica. Climbing up from deep within his unique and unmistakable river of sound, Scape‘s legendary producer Pole is next to provide a remix. Bass heavy dub-steps close around a tripped out abstraction of the original theme, allowing 7 minutes of glorious analogue experimentation to unfold. A rich cloud of defined and considered noise surfaces to very meniscus of the track, before sinking away back into the depths... One of Germany‘s longest serving figures in Techno, Pascal F.E.O.S, chooses to remain true to the musicality of the original with his drifting techno slow burner. The remix introduces melody as its central focus, but is still underpinned by the Level Non Zero figurehead‘s tough but reduced rhythm track, that drives persistently, without distorting one‘s view of the stirring melodic happenings. Finally two talented musicians from Copenhagen‘s electronic underground, Lulu Rouge and Asger Baden, take the stirring beauty of the original‘s piano melody and create a filmic, beatless interpretation. Gentle washes of warm strings and atmospheres glide subtly through the pale ether of this wonderfully restrained
remix. More
once again, featuring four timeless and accomplished remixes of his haunting track, ‚Miss You.‘ The original is a deeply musical study showing off Trentemøller’s unique composition skills, and for this release he presents a cut up re-rub full of classic texture and warmth. One of two more club friendly remixes on the release, his remix adds sharp hi-hats and even more hypnotic layers of melodies, creating an energetic track which sits in the ever-smoky borders between techno, house and electronica. Climbing up from deep within his unique and unmistakable river of sound, Scape‘s legendary producer Pole is next to provide a remix. Bass heavy dub-steps close around a tripped out abstraction of the original theme, allowing 7 minutes of glorious analogue experimentation to unfold. A rich cloud of defined and considered noise surfaces to very meniscus of the track, before sinking away back into the depths... One of Germany‘s longest serving figures in Techno, Pascal F.E.O.S, chooses to remain true to the musicality of the original with his drifting techno slow burner. The remix introduces melody as its central focus, but is still underpinned by the Level Non Zero figurehead‘s tough but reduced rhythm track, that drives persistently, without distorting one‘s view of the stirring melodic happenings. Finally two talented musicians from Copenhagen‘s electronic underground, Lulu Rouge and Asger Baden, take the stirring beauty of the original‘s piano melody and create a filmic, beatless interpretation. Gentle washes of warm strings and atmospheres glide subtly through the pale ether of this wonderfully restrained
remix. More
Label:Audiomatique
Cat-No:amcd02
Release-Date:02.08.2007
Genre:House
Configuration:2CD Excl
Barcode:827170154025
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Last in:30.04.2024
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Last in:30.04.2024
Label:Audiomatique
Cat-No:amcd02
Release-Date:02.08.2007
Genre:House
Configuration:2CD Excl
Barcode:827170154025
1
Trentemøller - The Forest
2
Klovn - McKlaren (Trentemøller Remix)
3
Trentemøller - Snowflake (Live Version)
4
Trentemøller - Blood In The Streets
5
Trentemøller - Moan (Trentemøller Remix)
6
Trentemøller - Kink
7
Trentemøller - Gush
8
Trentemøller - Physical Fraction
9
Trentemøller - Killer Kat
10
Trentemøller - Rykketid
11
Trentemøller - Always Something Better (Trentemøller Remix)
12
Trentemøller - Moan (Trentemøller Remix Radio Edit)
13
Röyksopp - What Else Is There? (Trentemøller Remix)
14
Mathias Schaffhäuser - Coincidance (Trentemøller Remix)
15
The Blacksmoke Organisation - Danger Global Warming (Trentemøller Remix)
16
The Knife - We Share Our Mothers' Health (Trentemøller Remix)
17
Filur - You And I (Trentemøller Free Dub Remix)
18
Jokke Ilsøe - Feeling Good (Trentemøller Remix - Chronicles Edit)
19
Robyn - Konichiwa Bitches (Trentemøller Remix)
20
Sharon Phillips - Want 2 / Need 2 (Trentemøller Remix)
21
Tomboy - Flamingo (Trentemøller Remix)
22
Moby - Go (Trentemøller Remix)
23
Djuma Soundsystem - Les Djinns (Trentemøller Remix)
We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes, which have only been available on vinyl or on compilations, as well as some new and exclusive songs. But the fantastic Trentemøller mix on CD1 and the fine selection of remixes on CD2 make this release a great double album in its own right for extraordinary listening pleasure. It‘s almost exactly one year since Anders Trentemøller‘s debut album „The Last Resort“ (on Poker Flat) took the hearts of music lovers worldwide by storm. At that moment in time the Danish producer had built his outstanding reputation on many huge dancefloor hits such as „Rykketid“, „Polar Shift“ and „Sunstroke“. Seemingly out of the blue „The Las Resort“ left all expectations for an electronic dancefloor album far behind and presented a stunning organic, emotional and beautiful masterpiece of cinematic proportions, earning a wealth of rave reviews and critics’ awards, as well as „Album Of The Year“ plaudits in many music magazines. „Trentemøller is not only a dance floor genius, but a musical mastermind in the broader sense. Killer release!“
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Label:Audiomatique
Cat-No:am04
Release-Date:06.11.2004
Genre:House
Configuration:12" Excl
Barcode:
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Last in:19.06.2014
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Last in:19.06.2014
Label:Audiomatique
Cat-No:am04
Release-Date:06.11.2004
Genre:House
Configuration:12" Excl
Barcode:
1
Trentemøller - Physical Fraction
2
Trentemøller - Rykketid
3
Trentemøller - Prana
big big big. unbelivable open and intense microhouse rocker with hymn potential. no need to say much about anders trentemoller, he´s done his share of sick elecronic house smash prod and mixes. but this is to be among his best. tip!
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More records from In My Room
LP Excl
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Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4250382452416
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Cat-No:imr52lp
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
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Cat-No:imr52mc
Release-Date:13.09.2024
Genre:Alternative/Electronic
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Cassette, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Label:In My Room
Cat-No:imr45cd
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382444725
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
CD Digipac
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
2LP Excl
in stock
Label:In My Room
Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382445074
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Cat-No:imr45lp
Release-Date:11.02.2022
Genre:Alternative/Electronic
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Double-Vinyl + mp3, Gatefoldsleeve
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
TAPE Excl
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Label:In My Room
Cat-No:imr45mc
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4250382445661
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1
Trentemoller - 05/B1. In The Gloaming
Territories: WORLD EXCL DE, AT, Scandinavia
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
Cassette + mp3, Cassette comes with 2 bonus tracks: Golden Sun und Shaded Moon
Tracklist:
01/A1. Veil Of White
02/A2. No More Kissing In The Rain
03/A3. Darklands
04/A4. Glow
05/B1. In The Gloaming
06/B2. The Rise
07/B3. When The Sun Explodes
08/C1. Dead Or Alive
09/C2. All Too Soon
10/C3. A Summer's Empty Room
11/C4. Swaying Pine Trees
12/D1. Drifting Star
13/D2. Like A Daydream
14/D3. Linger
Danish composer, musician and producer Trentemøller announces his new studio album 'Memoria' which is set for release in early 2022 on his own label In My Room alongside the first single 'In The Gloaming' which is released September 10th 2021. Anders Trentemøller's sixth studio album, Memoria, seems to exist at the
confluence of inspiration, coincidence, and maybe even a little bit of the supernatural.
A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album's worth of material was also waiting in the wings.
As with most Trentemøller releases, it's a body of songs that are thematically linked by many melodic threads.
The first single from the upcoming album, 'In The Gloaming', which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne's dawning. Stars emerge in the form of percussive arpeggios.
2019's Trentemøller album 'Obverse' was an exercise in what could be done if the prospect of performing the songs onstage wasn't a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.
More
LP Excl
in stock
Label:In My Room
Cat-No:imr38lp
Release-Date:16.10.2020
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4250382441410
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1
TOM And His Computer - A1. A77
2
TOM And His Computer - A2. Lovers and Gasoline (feat. Roxy Jules)
3
TOM And His Computer - A3. Feathers (feat. Roxy Jules)
4
TOM And His Computer - A4. Waterfronts
5
TOM And His Computer - A5. Our Man In Toronto
6
TOM And His Computer - B1. Future Ruins (feat. Roxy Jules)
7
TOM And His Computer - B2. Puzzle (feat. Roxy Jules)
8
TOM And His Computer - B3. Computer Solidarity
9
TOM And His Computer - B4. Fabel
10
TOM And His Computer - B5. Disbelief In A Postmodern World
LP + Download
Tracklist 12":
A1. A77
A2. Lovers and Gasoline (feat. Roxy Jules)
A3. Feathers (feat. Roxy Jules)
A4. Waterfronts
A5. Our Man In Toronto
B1. Future Ruins (feat. Roxy Jules)
B2. Puzzle (feat. Roxy Jules)
B3. Computer Solidarity
B4. Fabel
B5. Disbelief In A Postmodern World
Release Info:
Two years in the making, Future Ruins, TOM And His Computer’s debut album, will be released on Trentemøller’s In My Room label in October 20th. As a 20 year veteran of the Copenhagen music scene, Thomas Bertelsen has been releasing music under the sobriquet of TOM And His Computer for five years, merging the newest technologies with the old, while squeezing fresh sounds out of equipment that’s not only obsolete, sometimes it’s barely functioning at all. “I switch back and forth between the digital and the analog worlds. I’ll utilize old guitar pedals as well as the newest software,” says Thomas Bertelsen, producer behind TOM And His Computer. “It’s never about the gear, though, but rather finding that one little sound that can trigger an idea for an entire track.” Future Ruins was also co-produced and mixed by Trentemøller. While previous offerings have taken listeners to the outer boundaries of what can be considered “electronic music,” including nods to dark wave, dream pop, krautrock and modern psych rock, Future Ruins presents those influences in a new way and represents a great leap forward for the Copenhagen based producer.
The result is a genre-less collection of songs showcasing TOM’s obsession with propelling sounds of the past into the present, and future, combining noise and edginess with his “commitment to fresh ideas with a clear sense of melodies,” according to Clash Magazine. “My tastes are eclectic and I like to flirt with many different sub genres,” says TOM. “The aim was to combine various styles while trying to maintain a common denominator,” which committing to a full-length offered as an opportunity.
More
Tracklist 12":
A1. A77
A2. Lovers and Gasoline (feat. Roxy Jules)
A3. Feathers (feat. Roxy Jules)
A4. Waterfronts
A5. Our Man In Toronto
B1. Future Ruins (feat. Roxy Jules)
B2. Puzzle (feat. Roxy Jules)
B3. Computer Solidarity
B4. Fabel
B5. Disbelief In A Postmodern World
Release Info:
Two years in the making, Future Ruins, TOM And His Computer’s debut album, will be released on Trentemøller’s In My Room label in October 20th. As a 20 year veteran of the Copenhagen music scene, Thomas Bertelsen has been releasing music under the sobriquet of TOM And His Computer for five years, merging the newest technologies with the old, while squeezing fresh sounds out of equipment that’s not only obsolete, sometimes it’s barely functioning at all. “I switch back and forth between the digital and the analog worlds. I’ll utilize old guitar pedals as well as the newest software,” says Thomas Bertelsen, producer behind TOM And His Computer. “It’s never about the gear, though, but rather finding that one little sound that can trigger an idea for an entire track.” Future Ruins was also co-produced and mixed by Trentemøller. While previous offerings have taken listeners to the outer boundaries of what can be considered “electronic music,” including nods to dark wave, dream pop, krautrock and modern psych rock, Future Ruins presents those influences in a new way and represents a great leap forward for the Copenhagen based producer.
The result is a genre-less collection of songs showcasing TOM’s obsession with propelling sounds of the past into the present, and future, combining noise and edginess with his “commitment to fresh ideas with a clear sense of melodies,” according to Clash Magazine. “My tastes are eclectic and I like to flirt with many different sub genres,” says TOM. “The aim was to combine various styles while trying to maintain a common denominator,” which committing to a full-length offered as an opportunity.
More
Label:In My Room
Cat-No:imr33cd
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382438175
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Last in:17.12.2019
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Cat-No:imr33cd
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:CD Excl
Barcode:4250382438175
1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
CD Digipack Release
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Formats:
The CD will be released as Digipac
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
2LP Excl
in stock
Label:In My Room
Cat-No:imr33lp
Release-Date:27.09.2019
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250382438182
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1
TRENTEMOLLER - Cold Comfort
2
TRENTEMOLLER - Church Of Trees
3
TRENTEMOLLER - In The Garden
4
TRENTEMOLLER - Foggy Figures
5
TRENTEMOLLER - Blue September
6
TRENTEMOLLER - Trnt
7
TRENTEMOLLER - One Last Kiss To Remember
8
TRENTEMOLLER - Sleeper
9
TRENTEMOLLER - Try A Little
10
TRENTEMOLLER - Giants
Double-Vinyl + mp3, Gatefoldsleeve, printed innersleeves, The vinyl package includes a black and a coloured white vinyl disc.
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
CD & 2LP tracklist:
Tracklist:
A1 / 01. Cold Comfort
A2 / 02. Church Of Trees
B1 / 03. In The Garden
B2 / 04. Foggy Figures
B3 / 05. Blue September
C1 / 06. Trnt
C2 / 07. One Last Kiss To Remember
D1 / 08. Sleeper
D2 / 09. Try A Little
D3 /10. Giants
Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he's most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being "what if the pressure of having to perform these songs live is removed entirely?" Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It's a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970's. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.
So it only makes sense that 'Obverse' would stray from its original roadmap. In due time, half of the nascent compositions featured singers, including Lina Tullgren, Lisbet Fritze, and jennylee, of Warpaint, another band deeply influenced by dream pop. While 'Obverse' was born from a different work ethic than previous efforts, it also continues an arc that started in 2006. Each successive effort has represented a logical next step beyond the album before, and 'Obverse' absolutely picks up where Fixion left off.
For the past decade Trentemøller has been perfecting this form of sonic chiaroscuro to conjure up images of severe landscapes, and to mirror the Scandinavian climate, where half the year the sun barely sets, and the other it barely tops the horizon. While there has been a film noir element in his previous work, 'Obverse' is the first time each song has felt like a collection of pocket soundtracks.
By fusing together a love of dream pop, dark synth-based music, film scores, and a deep connection with the stark Nordic panoramas, Anders has created an inimitable language. Ultimately 'Obverse' resides in a genre all its own.
Format:
The Double-Vinyl appears in a gatefold-sleeve, printed innersleves and includes a download code.
The vinyl package includes a black and a coloured white vinyl disc.
All download-codes are valid for mp3, aac, wav, aiff, flac etc.
Guestmusicians:
Vocals on 'Cold Comfort' are by Rachel Goswell, singer & gitarrist of the UK-band Slowdive while Danish singer/songwriter Lina Tullgren sings on 'In The Garden'. Jenny Lee of the US-band Warpaint contributes vocals for 'Try A Little' and Lisbet Fritze sings on 'Blue September' and 'One Last Kiss To Remember'. Additional performances are by Jeppe Brix (guitar), Manoj Ramdas (guitar), Silas Tinglef (guitar, bass), Jakob Høyer (drums) and Jakob Falgren (bass).
Videos:
Trentemøller himself created a series of shortfilms for 'Sleeper', 'In The Garden' and 'Blue September', while US video artist Thomas McMahan produced a video for 'Try A Little'.
Singles:
'Sleeper', 'In The Garden' and 'Try A Little' will be released before the album alongside music videos.
Artwork:
The packaging of a Trentemøller record is intrinsically linked to the songs contained therein, though it's never been more the case than with this release. Los Angeles based artist Jesse Draxler has contributed a cornerstone in the form of original art, which examines the black and the white, the dynamic vs. the serene, the big picture vs. the minutiae. It's a case study in complementary contrasts, like the album itself. More
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Genre:Alternative/Electronic
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Now the new EP takes the whole adventure even a step further
and features two vocal songs featuring Julie Runa from Copenhagen
based band Roxy Jules: ‘Eighty Four’ is a killer krautrock /
post punk tune with intermittent screaming synths, while ‘Playing
in The Night’ is a more darkwave-meets-surf rock via a laboratory
of electronics and noisy guitar layers - thrilling stuff. More
01. Uhhish, 02. Eighty Four feat. Roxy Jules, 03. Playing In The Night feat. Roxy Jules, 04. Hanoi Golden Rice Hotel, 05. Colormind
Now the new EP takes the whole adventure even a step further
and features two vocal songs featuring Julie Runa from Copenhagen
based band Roxy Jules: ‘Eighty Four’ is a killer krautrock /
post punk tune with intermittent screaming synths, while ‘Playing
in The Night’ is a more darkwave-meets-surf rock via a laboratory
of electronics and noisy guitar layers - thrilling stuff. More
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Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
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limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
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limited edition tour t-shirt black , see articlenumber/title for size indication
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
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Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
100% Fine Jersey cotton construction. Durable rib neckband. Fabric weight 4.3 oz/yd² (146 g/m²). Made of 100% fine ring-spun combed cotton, this lightweight fine jersey is exceptionally smooth and tight-knit. More
Black unisex American Apparel 2001 T-shirt with white print on the front and on the back.
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Label:R&S Records
Cat-No:RS9201X
Release-Date:31.05.2024
Genre:Techno
Configuration:2x12"
Barcode:5060944577216
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
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Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
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Barcode:4250382452416
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Genre:Alternative/Electronic
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
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LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
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Label:NOTON
Cat-No:N-064-2
Release-Date:05.07.2024
Configuration:2LP Excl
Barcode:4251804155328
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Cat-No:N-064-2
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Configuration:2LP Excl
Barcode:4251804155328
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
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Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
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Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
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Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
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A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
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Label:Hell Yeah Recordings
Cat-No:HYR7280
Release-Date:26.04.2024
Genre:Jazz
Configuration:LP
Barcode:5060202597949
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Cat-No:HYR7280
Release-Date:26.04.2024
Genre:Jazz
Configuration:LP
Barcode:5060202597949
1
Aura Safari / Jimi Tenor - Bodily Synesthesia
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Aura Safari / Jimi Tenor - Lundar Wind
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Aura Safari / Jimi Tenor - Beswitched By The Sea
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Aura Safari / Jimi Tenor - My BlueBell
5
Aura Safari / Jimi Tenor - Last Waltz In Perugia
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Aura Safari / Jimi Tenor - Gimlet
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Aura Safari / Jimi Tenor - It's Too Easy To Love You
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Aura Safari / Jimi Tenor - Your Magic Touch
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Aura Safari / Jimi Tenor - Indigo
Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
Label:Periodica Records
Cat-No:PRD1022
Release-Date:14.06.2024
Configuration:LP
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Label:Periodica Records
Cat-No:PRD1022
Release-Date:14.06.2024
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1
Mystic Jungle - Don't Stop Your Love
2
Mystic Jungle - Get Down On It
3
Mystic Jungle - Hold On Your Dreams
4
Mystic Jungle - Money Wonder
5
Mystic Jungle - Keep Alive This Fire
2024 Repress!
Mystic Jungle makes a much-awaited return with Deviant Disco, a new 12” of sun-soaked groovers released through Periodica Records. A culmination of several years of writing, vibing, and influence mining, these compositions represent the producer’s most varied and expansive works yet, and to fully realize his vision, Mystic Jungle invited the entire West Hill Studio crew to contribute narcotizing layers of pop vocal mesmerism, and additional touches of guitar, bass, percussion, and synth.
Strains of Italo disco, balearic boogie, and freaky funk are interspersed amidst passages of Nigerian highlife, soft focus AOR, kinetic Hi-NRG, and exotic lover’s rock, resulting in a personalized voyage through a paradise of sound, one that is unmoored from the concerns of modernity, and celebrates instead a hedonistic naivety, and a desire to dance all day in spiritual ecstasy. More
Mystic Jungle makes a much-awaited return with Deviant Disco, a new 12” of sun-soaked groovers released through Periodica Records. A culmination of several years of writing, vibing, and influence mining, these compositions represent the producer’s most varied and expansive works yet, and to fully realize his vision, Mystic Jungle invited the entire West Hill Studio crew to contribute narcotizing layers of pop vocal mesmerism, and additional touches of guitar, bass, percussion, and synth.
Strains of Italo disco, balearic boogie, and freaky funk are interspersed amidst passages of Nigerian highlife, soft focus AOR, kinetic Hi-NRG, and exotic lover’s rock, resulting in a personalized voyage through a paradise of sound, one that is unmoored from the concerns of modernity, and celebrates instead a hedonistic naivety, and a desire to dance all day in spiritual ecstasy. More
Label:Vega Records
Cat-No:vr201
Release-Date:24.09.2020
Configuration:2LP
Barcode:
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Last in:03.06.2021
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Label:Vega Records
Cat-No:vr201
Release-Date:24.09.2020
Configuration:2LP
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1
Anané - Let Me Love You Featuring Mike Dunn (Mike Dunn BlackBall RemixX)
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Anané - Amazing Love
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Anané - Lets Get High (Life, Love, Music) (Manoo's Touch)
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Anané - Parole Parole (David Morales Unreleased Remix)
5
Anané - Plastic People
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Anané - Figli Delle Stelle (Louie Vega EOL Mix)
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Anané - One Dream (Big Game Mix)
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Anané - Sodade (Kazukuta Remix)
Billboard magazine describes her as “combining earthiness with glamour and roots - deep afro-house music knowledge with pop wise diversity, Anané, Cape Verdean born dj / singer / songwriter, a blessed chameleon, has accomplished a great number of milestones, which includes singing the opening song “One Dream” at Super Bowl XLI with Louie Vega & their group Elements Of Life, special invited dj at Obama’s Ambassadors Inugaural Ball in Washington, her dj residency with her night “The Ritual” at Heart in Ibiza, her Nulu Movement residency at LeBain NYC, a full length solo album and CEO of her own imprints Nulu & Nulu Electronic which boasts nearly 100 impressive releases and signing artists from all parts of Africa, Europe, and South America. Whether djing, recording in studios, songwriting or singing live with the Elements Of Life, Anané has utilized all of these platforms to express herself freely. 2020, 17 years later since her first studio session she has a repertoire of over 50 recordings, and has toured the world many times over. Today she has come together with Vega Records (the label of her first ever release) with her new Album project, “Chapters Of Becoming...” Anané, which transcends through her evolution of the artist and woman she is today. A 21 track collection of her hottest originals, remixes and new remixes by Manoo, Mike Dunn (also a cameo vocal), David Morales (with an Unreleased Mix), and a special Detroit re-work by “Godson” AKA Rick Wilhite. TRACK LISTING: A1. Let Me Love You Featuring Mike Dunn (Mike Dunn BlackBall RemixX), A2. Amazing Love, B1. Lets Get High (Life, Love, Music) (Manoo's Touch), B2. Parole Parole (David Morales Unreleased Remix), C1. Plastic People, C2. Figli Delle Stelle (Louie Vega EOL Mix), D1. One Dream (Big Game Mix), D2. Sodade (Kazukuta Remix)
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Label:Food Music
Cat-No:YUMNJ4V
Release-Date:24.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Label:Food Music
Cat-No:YUMNJ4V
Release-Date:24.05.2024
Genre:House / Techno
Configuration:12"
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1
NJoi - Get Hype (Instrumental)
2
NJoi - Acid Machine (Instrumental)
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NJoi - Feel My Love (Instrumental)
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NJoi - Lovin U (Instrumental)
After huge demand, the instrumental mixes of NJOI’s unreleased tracks are now here in the shape of 'The Dubs', complimenting the duos recently unveiled 'Hidden Gems' vol 1 & 2 and their 'Collected' album. These iconic tracks became a huge part of NJOI’s original live set and the iconic mixed 'Live In Manchester' album over 30 years ago. After huge demand since their televised 1990 Brixton performance, they're finally available as fully extended individual recordings.
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Label:Scissor And Thread
Cat-No:satltd006
Release-Date:14.06.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451884
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Cat-No:satltd006
Release-Date:14.06.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451884
1
Frank & Tony - Cecile (with Eliana Glass) (Charles Webster Remix)
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Frank & Tony - By The End They Will (C.K Remix)
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Frank & Tony - Olympia (Timmy Regisford Instrumental Remix)
4
Frank & Tony - By The End They Will (Octo Octa's Dazed These Days Dub)
12”, 180 gr. vinyl
GENRE/S: Deep House
TRACKLISTS:
A1. Cecile (with Eliana Glass) (Charles Webster Remix)
A2. By The End They Will (C.K Remix)
B1. Olympia (Timmy Regisford Instrumental Remix)
B2. By The End They Will (Octo Octa's Dazed These Days Dub)
SHORT INFO:
Frank and Tony’s long history together has produced many seminal moments, and the release of the Ethos album this year on their own Scissor & Thread imprint marked yet another high point.
The album saw the friends and long term collaborators produce a body of work that was both joyous, thoughtful and politically charged. Adding to that is this five track remix EP which enlists artists of a distinct pedigree to reimagine some of the tracks, and to stunning effect. First up is Cecile featuring Eliana Glass, the pianist and singer who graces a pair of tracks on the album and this EP. Charles Webster is responsible for the flip - a typically moody and atmospheric vibe brings out new layers in the original. Eliana Glass also features on Timmy Regisford’s remix of Olympia, which exhibits some of the New York legends greatest attributes - a hypnotic, uplifting masterclass ensues. Regisford’s instrumental version of Olympia is also shared here. Elsewhere C.K brings the heat with a rework of By The End They Will, creating a bumping, raw cut. The same track is flipped by Octo Octa, who takes the vibe fathoms deep and produces an idiosyncratic ravey version while honouring the spirit of the original.
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GENRE/S: Deep House
TRACKLISTS:
A1. Cecile (with Eliana Glass) (Charles Webster Remix)
A2. By The End They Will (C.K Remix)
B1. Olympia (Timmy Regisford Instrumental Remix)
B2. By The End They Will (Octo Octa's Dazed These Days Dub)
SHORT INFO:
Frank and Tony’s long history together has produced many seminal moments, and the release of the Ethos album this year on their own Scissor & Thread imprint marked yet another high point.
The album saw the friends and long term collaborators produce a body of work that was both joyous, thoughtful and politically charged. Adding to that is this five track remix EP which enlists artists of a distinct pedigree to reimagine some of the tracks, and to stunning effect. First up is Cecile featuring Eliana Glass, the pianist and singer who graces a pair of tracks on the album and this EP. Charles Webster is responsible for the flip - a typically moody and atmospheric vibe brings out new layers in the original. Eliana Glass also features on Timmy Regisford’s remix of Olympia, which exhibits some of the New York legends greatest attributes - a hypnotic, uplifting masterclass ensues. Regisford’s instrumental version of Olympia is also shared here. Elsewhere C.K brings the heat with a rework of By The End They Will, creating a bumping, raw cut. The same track is flipped by Octo Octa, who takes the vibe fathoms deep and produces an idiosyncratic ravey version while honouring the spirit of the original.
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Label:Be With Records
Cat-No:bewith102lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804125376
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Last in:29.07.2022
Label:Be With Records
Cat-No:bewith102lp
Release-Date:20.09.2024
Genre:Soul/Funk
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Barcode:4251804125376
1
Ian Carr’s Nucleus - A1 : Roots (9:24)
2
Ian Carr’s Nucleus - A2 : Images (4:55)
3
Ian Carr’s Nucleus - A3 : Caliban (4:35)
4
Ian Carr’s Nucleus - B1 : Whapatiti (3:22)
5
Ian Carr’s Nucleus - B2 : Capricorn (4:00)
6
Ian Carr’s Nucleus - B3 : Odokamona (3:24)
7
Ian Carr’s Nucleus - B4 : Southern Roots And Celebration (7:45)
Format Notes: 2024 repress, 140g vinyl, remastered from the original analogue tapes
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
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Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
More
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Label:Be With Records
Cat-No:BEWITH028LP
Release-Date:20.09.2024
Genre:Soul/Funk
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Barcode:5050580687448
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Release-Date:20.09.2024
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Barcode:5050580687448
1
Kimiko Kasai With Herbie Hancock - No Title
2
Kimiko Kasai With Herbie Hancock - No Title
3
Kimiko Kasai With Herbie Hancock - No Title
4
Kimiko Kasai With Herbie Hancock - No Title
5
Kimiko Kasai With Herbie Hancock - No Title
6
Kimiko Kasai With Herbie Hancock - No Title
7
Kimiko Kasai With Herbie Hancock - No Title
8
Kimiko Kasai With Herbie Hancock - No Title
Territories: World ex Japan
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Cat-No:es10/bewith61lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413356
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1
Steve Hiett - Blue Beach - Welcome To Your Beach
2
Steve Hiett - Never Find A Girl (To Love Me Like You Do)
3
Steve Hiett - By The Pool
4
Steve Hiett - Roll Over, Beethoven - Out Of The Beach
5
Steve Hiett - In The Shade
6
Steve Hiett - Looking Across The Street
7
Steve Hiett - Long Distance Look
8
Steve Hiett - Hot Afternoon
9
Steve Hiett - Crying In The Sun
10
Steve Hiett - The Next Time
11
Steve Hiett - Miss B.B. Walks Away
12
Steve Hiett - Sleep Walk
13
Steve Hiett - Standing There
World excluding Japan
2024 repress
LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.
LP Track List:
A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look
B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There
Release Notes:
For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.
A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.
In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.
Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.
Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.
More
2024 repress
LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.
LP Track List:
A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look
B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There
Release Notes:
For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.
A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.
In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.
Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.
Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.
More