It's out of the shadows and into the light with the next release on Ornate music. At the reins is OCH, a name you might not have heard in a while, but whose solid and reliable CV names Sect, All Inn, Baby Ford's Trelik and PalL SL among his label references. In all honesty, it's like he never went away. We get three cuts of precision deepness. Lean, rather than minimal, these are fat-free, perfectly balanced excursions into the ethereal edges of house. Tight claps, subtle, eerie vocal samples that drift in and out of the mix, the mood is uplifting without any need for euphoric histrionics. This is refined music that won't sound out of place on the floor at CDV or Sunwaves, whenever we can return to the dancefloor. Or, in the meantime, kicking back at home when the sun unexpectedly brightens the winter mood. if you ever wanted to know what a beautiful day sounds like, now you know.

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OCH's release rate has been sturdy since he first emerged in 2010, but he's hitting his stride like never before as he follows up last year's "Love Unconditional" for London's Trelik with a new double 12" EP for his own Autoreply label. All the hallmarks of his sound are in place, from intricate and delicate melodic threads to immersive house and techno rhythms, all draped in the kind of atmospheric finery that can't fail to transport you to otherworldly places. By keeping a cool head about what to use and when, OCH has once again demonstrated his talent for reduced but verdant dance music that speaks volumes without having to shout.


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London's Trelik returns to an artist perfectly in tune with the current stance of the British house and techno institution. OCH has been grafting in the European underground for more than ten years shaping out a truly formidable back catalogue. He first appeared on Trelik with Whalesong in 2011, while he's also contributed to Baby Ford's equally revered PAL SL label on more than one occasion. In addition, highly-regarded outposts such as All Inn, Systematic and Bass Culture have all given OCH the stamp of approval, while his own Autoreply label has continued to be a vital facet on the frontline of the scene. This latest three-track EP finds OCH on sublime form, working to a crisp, classic house template with the uncluttered precision one expects from a Trelik release. The title track struts proudly out in front with its hooky DX7 lead, while "More Journeys" builds up to a tougher, psychotropic blend. "Sunday Love" provides a perfect soulful tonic to round the EP off, rich with warm keys and irresistible shuffle. Mastered at D & M.


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London born D. Lean lives in the windswept Swedish countryside on the outskirts of Stockholm. His surroundings have a notable influence on the sound of the Autoreply Music boss. Expansive and absorbing techno with a nod to the classic sounds and techniques of the genre. After two excellent 10" singles and a remix of Ken Ishii and Romboy's single "Taiyo", Lean released an appetiser ahead of this double CD album of the same name, "Time Tourism. This long player is a classy, deep and delicate dark electronica album in the tradition of Detroit techno, which gets taken on a trippy, tracky and repetitive journey.


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D. Lean comes originally from London but lives in the countryside of Sweden, not far away from Stockholm. And this geographical circumstance seem to influence has sound because the label owner of Autoreply Music likes dark and Detroitish techno music a lot. After two highly anticipated 10" single and a remix of Ken Ishii and Romboy's single "Taiyo", Lean releases the forerunner track of his upcoming double CD album which has the same name "Time tourism", out in March 2016. The package comes around with three totally different versions: OCH's original in a techno influenced classical deep house coat, Baby Ford in a typical trippy and repetitive tracky way and Romboy shows us his groovier shades we know from his remixes for Terrence Parker on Planet e or his remix for Gorge on Freerange.

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FarFromNormal are happy to announce the first vinyl only release of 2016 will be from the legend himself OCH. Coming from the back of years of musical experience we are proud to share with you a stunning original 4 track EP. The Hypnotic Distribution Systems EP is a perfectly produced record with a mixture of feelings through the EP on each track. This whole record just speaks for itself.

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Following on from his 2010 "Dickens Tracks" EP for London's PAL SL, OCH drops the eagerly awaited 2nd edition to the series. As a producer his sound stands out through fusing stripped-back, jackin' drums with sharp, swinging hats always adding an injection of analog warmth through sparse, synth arrangements.A A1's "Cross Check" stays true to the labels early roots by using the bare essentials of house music to create a hypnotic, highly effective floor-mover.A On the flip, "Star Of Hope" is an interlude, set-starter or vinyl DJ tool. B2's "The Magic Flute" has a relaxed, sunny chicago feeling teasing with lush samples, driving bass and rock-solid beats. Mastered at D & M.


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Autoreply boss Dicken Lean aka OCH returns to Sect, a UK label waddling in the dubbier end of techno. OCH first appeared on Sect in 2011 when the label released It's All For You, compilation, an extensive selection of deeper techno cuts from artists like Jeroen Search, Jolka, AnD and Fanon Flowers. OCH's track "Tears" made the cut, which reappears on his latest Surveillance Network missive, only having undergone a murky Skirt remix. "Linear Progression" sees OCH's love of tribal percussion thrown in among resonators and reverb, while "Up For Lost" features unusually suitable bongo drumming pitched against filtered saw waves that sweep across the tracks face. "Shattered Dreams" closes the EP with something Disney sounding, but given the cloudy Actress treatment.


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Hot on the heels of his critically acclaimed Whalesong EP for Trelik, OCH returns with another equally crucial deep club orientated two tracker. The A Side cut, "Sophisticated Animated", contains a level of funk and energy that is often lost in today's house music. Being constantly inspired by the US pioneers of the genre, OCH presents stripped back Chicago grooves alongside heavy analogue bass and jacking percussion, teasing with a sprinkling of 303 acid and a sparse yet deadly piano solo. Up next, "Moonlight Sonata" is OCH's deepest work to date, incorporating dubstep inspired drums and ambience with lush old-school synth chords which build and modulate before the track climaxes into a thundering four to the floor workout. Shrink-wrapped clear vinyl pressing.



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London based house imprint Trelik presents OCH who under this anonym initially stepped up for PAL SL and has since bagged winners on Autoreply, Stuga Musik and soon SECT. With a compulsive passion for the dying art of crate-digging combined with a love for modern synthesis techniques he manages to put together a 12" that could easily be described as psychedelic Chicago. Whalesong is a pulsating floor work-out which references the US greats whilst building an emotive sub-aqua soundscape. Blind is The Wind follows with a sneaky chord driven spoken interlude which creates an air of tension before climaxing into Last Chance Saloon. This is deep yet driving showcasing haunting vocals with lush chords alongside the original principles of house music and plenty of bass. Mastered by Rashad at D & M.

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Autoreply Music marks the coming of the summer season with a very tidy little 10" from OCH. This man recently recorded for Baby Ford's PAL SL imprint, gaining support from a diverse range of DJing luminaries including ZIP, Sammy Dee and Efdemin. Now the mysterious producer steps up with a big room floor rocker that has been described as Ian Pooley's "Chord Memory" meets Christian Vogel. Thunderous drums, hypnotizing chords and a cheeky sample that the old house heads will be sure to recognise make this one for the peak time. Claro Intelecto's Warehouse Sessions on Modern Love is regarded by many as one of the most definitive collections of contemporary techno to hit the shelves in recent years. Fresh back from remixing Depeche Mode he takes time out of his busy schedule for remix duties. Taking his cues from the warehouse classics that accompanied him through years in Manchester's revered clubs like the Hacienda, Home and Paradise Factory, he serves up a powerful, stripped down reworking of the original track that is equally suited to sweaty dance floors. Fasten your seatbelts.

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Bass Culture is very proud to welcome in the family one of the most talented french producer of his génération : Flabaire !

Between his work as co-owner of Parisian label D.KO Records, playing bass with Secret Value Orchestra, his more recent psych-rock project Aboukir, and his own solo electronic productions as Flabaire, Ralph Maruani has carved his own cosmic melodic universe. Now at the age of 30, three albums already released and a number of EPs, appearances and remixes, Flabaire appeared already throughout France, and across borders (Tresor, Hoppetosse, Pratersauna, …).
His music has been recognised by legendary artists such as Move D or Point G/DJ Gregory as well as many others of his most accomplished peers. He recently released an acclaimed EP on Jimpster’s latest label Cyphon Recordings & just released a new EP on Rawax/Housewax

He is now on Bass Culture records with this amazing 5 tracks EP full of timeless funk and extra deep moodyness. Including a remix of the label boss D’Julz here in charge of beefing things up but keeping the orignal vibe intact.

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First up in D’Julz’s ‘The School of Night’ EP on his Bass Culture label is ‘Nu Bass’, a fresh and upbeat house sound with kinetic percussion and well-swung drums. Steamy vocal coos and deft synth stabs build a compelling future vibe before ‘Spooky Electrik’ comes in with more punchy but deep house sound. Dancing hi-hats pepper the groove along with curious little synth motifs, bringing a cosmic feel while the all-important bassline powers things forward. D’Julz’s knack for cooking up killer grooves is evident again on ‘Money, Honey, Monday?’ which is jacked up and percussive but also hugely seductive, with the smeared vocals and warming pads keeping things classy and soulful. Last of all, ‘Triperie’ is more menacing and stripped back – a paranoid lead synth roams about the mix as the crisp drums rise and fall in a fashion that will get floors marching late into the night.

Happy to welcome a new D’Julz release from Bass Culture family !

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D’Julz’s Bass Culture Records signs up ZKY for four exceptional deep house cuts.

ZKY’s ‘New Standards’ EP on Bass Culture opens up with ‘Zycho’, a lithe house sound with wispy pads that bring cosmic colour to its dynamic groove. It’s endlessly on the move and ramps up the tension with tripped-out chord movements. The fantastic ‘Floating Phonk’ then slows things down via funky loops and sprinkles of organic percussion. Filtered, cut-up vocal samples enter the mix next to smudged pads, adding warmth to ice-cold beats and otherworldly vocal murmurs.

‘Sonar Train’ showcases ZKY’s machine mastery, continuing his ‘New Standards’ EP on Bass Culture with grounded drum sounds accompanied by infectious synth work, making for a track set to light up any dance floor. ‘Feeling’ rounds out the release with muted chords and crawling, soft acid bass, swinging drum grooves getting things moving in this timeless new outing on D’Julz’s Bass Culture.

Co-founder of Cabinet Records and running his own Ground Service Records, ZKY has been in the thick of the scene since the 90s, putting out an array of sounds across the house, minimal and tech spectrum as one half of Cab Drivers, and under aliases including Horseshoe, Warten Borgmann, Compass and more.

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Following his brilliant remix on D’Julz latest release. Jorge Savoretti is back on Bass Culture with this long-awaited first E.P.!

With more than 20 years in the electronic music world, Jorge is an iconic name in the South American scene.

Beyond his DJ sets, he is well known for the quality music he has released on many respected labels such as Raum…Muzik, Visionquest, Infuse, Atipic, Telegraph, and his very own Savor music.

These 3 original tracks demonstrate perfectly the rich musical history and diversity of the Argentinean maestro.

The 4th one is Bass Culture’s label boss’s own interpretation of the title track.

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Bass Culture Records is excited to welcome a new family member, Velvet Velour.

The Bristol producer is already known for the brilliant music he has released in the past on some key labels and collectives in the underground scene like Butter Side Up, MINDHELMET, Small Hours and Lisbon based Welt Discos.

This debut EP on BC is packed with energy and uplifting feels that will keep you on the dancefloor with a smile on your face.

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In the beginning of last year D’Julz relaunched his Bass Culture label with EST 1992 E.P.

Due to its success and to celebrate the start of this new year we thought it would be a great idea to ask some of D’Julz ’s favorite artists to remix a track of this EP.

Janeret, Huerta, Jorge Savoretti and the legendary Francesco Farfa all brought their A game doing so and we couldn’t be happier with the quality and diversity of the result!

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After his very successfull Moment E.P released on Bass Culture Limited , we are extremely happy to welcome back DJ Honesty on the label with a new release full of funkyness ,breakbeats and classy deepness. More over our friend Brawther graced us with one of his rare remix to complete a very strong package

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After deilvering a huge bomb for the 10 years anniversary of Bass Culture Records , Franco Cinelli finaly retuns back on the label with a long awaited E.P.The Argentinian maestro has been releasing music on Bass culture since almost a decade so it’s great pleasure to weclome him back home with this righly titled Get Bac E.P

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Boss himself on Bass Culture remixed by Point G., Carl Finlow & Mifnight special ! Huge !

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10 Years Of Bass Culture: Part 3
The third and final part of Bass Culture’s 10th anniversary package is here and we end on a high with two of the label’s brothers alongside the bossman himself, D’Julz. Also contributing to this milestone celebration are Leo Pol and Mr. G. For 10 years Bass Culture has maintained the highest standards when it comes to house and techno, releasing some seminal productions and becoming a go-to label for many of the scene’s true connoisseurs. This final installment of the 10 Years Of Bass Culture series keeps the quality as high as ever...
D’Julz leads the way with ‘Synchronicity’ a smooth groove that wraps you up in its smoky atmosphere. Once it gets rolling a mystical, flute-driven riff drifts in, evoking Middle Eastern rhythms as it dances above the seductive bassline. Subtle percussive elements shimmy and slide around the main break loop, keeping the energy levels on point. Magnifique!
Leo Pol steps up next with ‘Established 1991’. As the title suggests this cut has a retro-leaning outlook, conjuring up images of a warehouse rave on the outskirts of Paris in the early nineties. A deep bassline works alongside soft pads and strings with a stripped back drum arrangement. The beats really kick in just after the two minute mark, with the kicks and claps adding a dynamic layer to this simmering cut.
Last, but certainly not least, the right honourable Mr. G steps up with ‘Now Is The Time!’. As you might expect, the production and energy on this cut are utterly compelling. A moody start is peppered with a classic reggae sample as the tension slowly builds. Mr. G takes a considered approach, keep it dark and deadly without overcooking any of the elements, the brooding vibe simmering away from start to end. A masterclass and a perfect way to close the EP...




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Unveiling the second installment from Bass Culture’s 10th anniversary package. Over the past decade D’Julz has established Bass Culture as one of the most respected outlets for authentic house and techno, focused squarely on the underground, designed to work the floor and give your body, mind and soul a large dose of bass-driven groove. Across three EPs, the label is unleashing fresh new music from an all-star cast of core family members - artists who have been part of the label’s success from the very early days, up until now. On Part Two we kick off with ‘Haze 1997’ by Mark Ambrose. With rugged, tribal-esque beats at its foundation this cut is taking no prisoners. Soon, a heinous bassline rolls in giving this one its fierce character. Cosmic pads drift in, with chirps and chimes that balance out the thick low end frequencies. Next up is Lady Blacktronika with ‘Congrats Bitch’, a typically bouncy production with skippy percussion and a seriously gnarly bassline. This one will send tremors through the dance floor. Add in the wistful analogue stabs that punctuate the top end and you’ve got a potent weapon to work the clubs with…On the flip side Alex Picone steps up with a contemplative yet punchy cut entitled ‘Melting Moon’. This is a soulful, groovy little number that will have your hips slinking from side to side, as it captivates your mind with its glistening effects and smooth b-line. Alex gives this one a touch of class, as only he can. Lastly, Chicago bossman DJ Skull delivers a funky cut to close the EP. ‘Mood’ blends jazz, funk and soul with the core foundations of real house music to create a wonderfully energetic track full of sexy, sassy vibes. The soundtrack to hot late night loving.... Stay tuned for Part Three...

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It’s a big one for Bass Culture this year as the label celebrates its 10th anniversary. Over the last decade D’Julz has established his label as one of the most respected undergroundhouse and techno platforms around. A go-to label for connoisseurs and a home for some of the scene’s most renowned artists Bass Culture has never wavered from its high standards.To celebrate the 10th anniversary D’Julz has curated a three-part compilation, gathering fresh cuts from core members of the Bass Culture family for the special edition series. Franco Cinelli gets things started with a cosmic bass odyssey aptly-titled ‘BC’. He combines a punchy beats with a heavy, groovy low end to create a propulsive energy. It has a retroaesthetic with the main riff transporting you back to the early nineties. A breakdown close to the end allows for a slight breather before the track closes in a similar vein. Next up John Jastszebski brings us ‘Wonder’, a smooth deep house cut with mesmerising pads and crisp percussion. The vibe slowly grows and evolves until we enter the main bodyof the track, which has a potency that juxtaposes the soft pads perfectly. A lush, potent cut to send floating into infinity…Finally Sebo K steps up with ‘The Scene’ a crisp, techy track with a heady atmosphere andhypnotic b-line. This one will wrap you up in its mystical vibe, keeping your body moving and your mind elevated to a higher plane.It begins, 10 Years of Bass Culture… Look out for the next installments.

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If anyone epitomises the Bass Culture ethos it’score family member Mr. G. An artistwho’s been representing with his undisputed championship styles fromday one, Mr. G is widely acknowledged across the world as a fearsomeproducer and an outstanding performer.

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As we move into 2019, the captain of the good ship Bass Culture steers the label to its latest release with D’Julz delivering a hot new three­track EP. The seasoned Parisian maestro channels his years of experience into this new release, with a polished collection of tracks, all centred on the dance floor with subtle, yet persuasive production across all three cuts. As you may expect from D’Julz and Bass Culture, there is plenty of depth, energy and low end to keep those hips swinging and heads nodding… On side A things get off to a bouncy start with ‘Lemon Juice’, a funky little number with lively drum programming and a very spirited bassline. Quite minimal in its production, this cut uses its relative simplicity to grab you and keep you hypnotised until the very end. Flip the record over and side B starts with ‘Wrecka Stow’ taking us on a dark side ride. D’Julz kicks off side B in style with this driving techy cut. A simmering energy pervades throughout as he gently builds the tension, working from a spellbinding riff that repeats over and over. Occasional dips and rises in the energy create electrifying moments, as this rolls out with a deadly rhythm. Lastly, there’s ‘Singularity’, a sombre dance into the wilderness. This dreamy, mellow cut is pushed along by softened breaks and a subdued bassline. D’Julz tantalises our emotions with wistful atmospherics that send chills down your spine as you venture ever deeper into he misty realms of the eerie world he has created. A fitting end to the EP.... There we have it, D’Julz returns to his beloved label with a formidable new collection of tracks. Genial!

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Chicago pioneer DJ Skull steps up for the latest Bass Culture release bringing that original energy as only a native of the Windy City can do. After remixing ‘Houdini’ by D’Julz earlier this year it’s an honour to welcome DJ Skull back to the label for his debut EP. Skull’s depth of experience dates back the mideighties when he began to play house music when he was just 10 years old. Fast forward to 2018 and he’s still deeply involved with the music, keeping the passion alive and traveling across the world to spread the house music gospel. On this threetrack EP he brings the funk, undiluted and fresh with chunky bass, crisp beats and hints of acid coming through.On the Aside we have ‘Powered Funk’, a delightful cut with a laid back groove and a contagious rhythm that gets under your skin immediately. The beats skip along with precision, keeping the energy levels high while the low end keeps your hips swinging and head nodding. The main melody is uplifting and evolves into a symphony of positive vibrations. Flip the record over and side B kicks off with ‘Bopping’, a pianoled jam with the keys working in tandem with the gentle flutter of a flute and a jazzy double bass providing the heart and soul of the cut. Skull rolls this one out masterfully, with gentle progression and non stop energy throughout. Finally, we have the aptlynamed ‘Aseed’, a 303inspired track which uses that infamous acidsound to great effect. The low end rumbles along purposefully, with crisp 4x4 beats pushing things forward and that irresistable acid riff inducing the listener into a state of hypnosis. A great all round EP from a man whose years in the game make him a force to be reckoned


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Bass Culture welcomes Frenchman Leo Pol to the fold for this fresh new four-tracker full of analogue vibes. Leo’s penchant for synthesisers and the warmth of his beloved machines is evident throughout this new release, with a retro soul spliced with modern sensibilities and, of course, visions of the future. Things get off to an energetic start with ‘Caliente’, a track that combines a killer main riff, scintillating pads and steam-powered percussion to really get those feet moving. This is followed by ‘Fnc Burning’, which totally slips the script with its off-kilter rhythm and UK-influenced breakbeat-esque sound. Get ready for a sublime breakdown, with more UK rave stylings in the second half… fresh!On the flip side we get ‘Dark Outside, which harks back to the early days of post-electro Detroit. Those formative years when masters like Juan Atkins were the soundtrack of Motor City… from the hushed, silky vocal to the cosmic bleeps, this is a homage to the ghosts of techno’s past, with a contemporary sheen.Finally, we finish up with ‘Techyes No!’, a dark, marauding stomper with a menacing atmosphere and spinetingling strings to really amplify the eerie feeling that pervades throughout. A diverse, yet cohesive collection of killer cuts from the young master Leo Pol and another superb Bass Culture release. Only the finest from D’Julz’s excellent label…



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A UK techno powerhouse returns to Bass Culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from D’Julz’s respected label. Ben Sims appears under his Ron Bacardi alias with a follow up to 2015’s debut release, ‘Rock Your Body/First Effort’. Much like the first EP, Sims’ new release is fired up and ready to deliver its potent energy to the dance floors of the world.On the A side we’re met with ‘Windy City’, which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. This is followed by ‘Ready For Action’ a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.

The flipside continues in a similar vein as ‘One Left In The Chamber’ brings a smooth vibe, though with the emphasis still on the percussive side of things. Sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. The last track is a ‘Beats Mix’ of ‘Ready For Action’, highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. This is music par excellence from an artist who is a consummate professional, enjoy!



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It’s time for the next release on long-running Paris label Bass Culture and owner D’Julz has invited a crack team of talented individuals to deliver the magic to this latest instalment in the label’s release schedule. This extra special remix package features contributions from the legendary DJ Skull, along with Sebo K, Henrik Bergqvist and Romanian MP. The bossman’s own 2015 EP ‘Houdini’ is the subject of this exquisite bunch of reworks, giving the whole release a fresh lick of paint from a group of artists handpicked by D’Julz to get to work on his productions. The title track ‘Houdini’ is first in line, with the mighty DJ Skull on remix duty. The Chi-town legend has been a favourite of D’Julz since the early nineties when he was releasing on labels such as Djax-Up-Beats. The funk-imbued workout he creates from the original production is superb and a testament to someone who has been involved in music for three decades and still going strong. Keeping DJ Skull’s remix company on the A-side is Sebo K with his take on ‘Serendipity’. Following on from his outstanding EP ‘Brock Wild’, Sebo returns to Bass Culture with another taught dance floor cut, full of swing and groove, pushed along with a strong, insistent energy. On the flipside the deep sultry flavours continue to bubble up. Two more dynamic artists bring their unique touch to Bass Culture and the first is the Romanian wonderkid MP (Mihai Popescu), who has previously released on the sub-label Bass Culture Limited. His reinterpretation of ‘Serendipity’ is deep, nuanced and quirky with a simmering atmosphere throughout.Last but certainly not least is the Swedish maestro Henrik Bergqvist. ‘Waiting 4 Visa’ gets a kick in its step, with mysterious cosmic FX layered over a mesmerising bassline and a collection of bleeps and chirps that really bring the remix to life. And there it is, four superb new mixes of three great tracks… enjoy!



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