Tracklist 12" and Digital:
A1. 010103 07:18 Min
A2. And The Temper 01:53 Min
A3. Mars (Epoch Mix) 06:52 Min
B1. Arash 07:24 Min
B2. Fine fine 04:04Min
B3. Strategie '98 03:25 Min



Short Info:
Berlin-based music software technician by day and producer's producer by night, Iron Curtis (AKA Johannes Paluka), returns to Office Recordings for his third release on the label entitled 'And The Temper' EP.

Following his 'Upstream Color' LP late last year, And The Temper explores introverted tempos and timbres, while traversing a diversity of themes contained within six tracks, portraying a ying/yang of world-class analogue and digital engineering.

From the meticulously programmed acid lines and dissonant chords of '010103', through to the infectiously groovy and damn right funky-and-ridiculous 'Mars (Epoch Mix)', the EP closes out with a weightless cushion entitled 'Strategie '98', highlighting Paluka's on-the-fly jams and passion for purist machine funk!

TIP!
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Special Remarks: Artwork by Jennifer Nastanovich

Tracklist 12":
A1 Riders 8:05 min
A2 Cream 4:36 min
B1 Unwind 6:05 min
B2 Unwind (Force / Emerge Remix) 7:10 min
Info:
Iron Curtis has felt like a Polytone artist for quite a while now. He recently delivered a breathtaking remix for Matthias Vogt, and shared a split EP with the man himself, Terrence Dixon.
He's also played several label nights, but indeed "Unwind" is his first very own EP on Polytone.
The opening track "Riders" is our floor filler here. A subsonic bass experience of the more intensive kind. It´s a pure groover, with a surprisingly long lasting breakdown that never lacks on intensity.
'Cream' on the A2 is a stellar ambient joint, with rhythmic elements and cosmic pads.
On the flip we have the title track, 'Unwind', with an unconventional basic groove, bleepy touches and trademark 707 drum machine sounds. Pure and stunning deepness. The Final track is a remix from Force/Emerge and leads "Unwind" into techno territory. Polytone stands for diversity, and again demonstrates the labels vision of versatility here.
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Office 04 circles in memories: The record is about Johannes “Iron Curtis” Paluka’s time at Karl-Marx-Straße Berlin where he used to live next door to label head Baaz and graphic designer Chris Fladung. A1 track “Magnet” is an ecstatic piece of house music holding all elements IC’s production is esteemed and loved for : Heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. ‘What happened happened’ surely marks up as another proof of Curtis’ fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. Adapting elements to their own agenda, clandestine groove explorers Berg turn ‘What happened’ into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. Berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the ‘reductions’ aim: keep the dancer dancing.
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Your favourite vinyl-only label kicks off its 2012 discography with another episode of the Treats saga! If the previous volume were associated with straightup dancefloor goodies, Number 4 is more focused on musicianship as Session Victim, The Hints (Quarion & Jules Etienne) and Iron Curtis & Leaves pick up the instruments to compose 3 songs drenched in Funk and Soul with an undeniable 21st century House feeling! Fresh off their acclaimed The Haunted House Of House album, Session Victim fire up the ep with something that seldom occurs nowadays: the cover of a modern Dance classic! Originally released on Deeply Rooted House by the enigmatic Rootstrax, Harlequin has already achieved mythical status thanks to its amazing bassline. Clocking in at almost eight minutes, svm's version is a proper Funk workout that begins with rhodes chords, percussion, guitar melodies and saxophone licks over a long yet exciting intro. But as soon as the live bassline kicks in, you know that it's game over and that people with or without true dancing skills will sweat it out on the floor! Add to that an enigmatic vocal, some rhodes and sax riffs coming at every turn as well as a few chord changes and this piece really is the closest Session Victim have ever been to sound like a proper band. Wow! … More

track name
A1 Session Victim - Good Intentions
Nebraska Soho Samba Mix

B1 Iron Curtis & Leaves - A & F
Session Victim 612 Remix

B2 Session Victim - Black Cream
Quarion’s White Smoke Remix

Seven years and five volumes of »Treats« down the line, Retreat flips the script in 2016 and introduces a brand new remix series (cheekily) entitled »Re-Treats«! With Nebraska, Session Victim and Quarion reworking stables fromthe RTR back catalogue, »Re-Treats Vol.1« is a brilliant showcase of the art of the remix as each artist comes up with a truly personal take on the original material.

RTR18 starts in high fashion with digger extraordinaire Nebraska tackling the label’s most famous track so far, »Good Intentions« from Session Victim. It’s merely impossible to rework a bonafide modern classic but the english producer manages this task with ease and stays close to the original by breaking down the main loop into a one bar groove with super crisp beats. This would already suffice as the core for a powerful track but the real action begins after a short break: Nebraska brings the original four bar loop back at the forefront while adding a wicked samba twist to it! And as the kick comes back in, you can help but dance with your arms in the air and a big smile on your face. The »Soho Samba Mix« is an irresistible tune with that unmistakable »London« flair, not to mention a proper dancefloor anthem in its own right!

Turn the record over for Session Victim’s take on »A & F« from Iron Curtis & Leaves. It will only take a few bars for you to feel that you’re in for a special ride with the one and only »Two Man House Band« at the commands. Matthias’ and Hauke’s version of »A & F« is much more a cover than a traditional remix as SVM add percussion, layers of juicy synths, loose drum fills and quirky samples over the original chords and vocals. There are shades of Jazz, Soul, Reggae and even a bit of Pop in the »612 Remix« but the vibe is 100 % Session Victim. The lads really excel in sun-drenched grooves and this remix is bound to become another staple in their dynamic live set for this summer’s festival season.

If the previous two reworks manage to somewhat stay close to the original material, then Quarion’s version of »Black Cream« takes an alternative route and propels Session Victim’s track into another dimension. Constructed around a tough beat and an hypnotic synth, the »White Smoke Remix« is thrusted by a powerful bassline and flying hi-hats that evolve in rapid succession. Parts of the original (a vocal here, a guitar there) are being fragmented to molecular level and clash with each other at light speed, as if Quarion managed to run these elements through the CERN’s Large Hadron Collider. It’s a dense, yet fluid remix and a thrilling conclusion to this first volume of »Re-Treats«.


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track name : A1 Summer Games , B1 Black Cream , B2 Finderlohn

After last month’s »Busted Moniker« EP from Quarion, Retreat is thrilled to announce a new 12" courtesy of house music’s most energetic duo, the incomparable Session Victim! The aptly titled »Two Man House Band EP« is the lads’ first record since their 2014 magnum Opus »See You When You Get There« and perfectly transcribes the energy that Session Victim pour into their incendiary live show. Tailormade for a night out in the club or a joyous day at the festival, the »Two Man House Band EP« once again prooves that Session Victim are unstoppable in their pursuit of the ultimate groove!

»Summer Games« is an ode to that most festive of seasons and could easily hold the claim of being Retreat’s »biggest« track so far. Built around an Hypnotic organ loop, »SummerGames« completely blurs the lines between house, funk and soul : rolling breakbeats, catchy vocal snippets and a very groovy bassline are the core elements of this anthem that could rock any party. Yet Session Victim add a slight twist in the form of a melancholic string motive that appears in two chiseled breakdowns. It’s a little reminder that summers do not last forever and that one should enjoy them while they last ...

Flip the record in order to dive into the deeper realms of »Black Cream«, a more reflective track for the late hours. With its jazzy (almost broken) beat, guitar licks, rhodes pads, subtle percussion and ethereal vocals, »Black Cream« is the soundtrack to an exciting underwater trip with Matthias and Hauke at the controls. Thanks to the captains’ lively drum programming, the track flows effortlessly and we’re treated with many surprises along the way before a gradual rise brings us back to the surface.

»Finderlohn« is a smokey downtempo workout which finds Session Victim digging deep in their collection to demonstrate their prowess in manipulating samples. Beginning with an instanly classic guitar and piano loop, »Finderlohn« allows a shuffly breakbeat to take center stage, sometimes reinforced with double-time hihats for a more dramatic effect. The tune is definitely a headnodder’s paradise and the listener is taken that little bit higher thanks to a mystical flute solo that concludes »Finderlohn« in a psychedelic way.


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track name
A1 Lost Coordinates , A2 A Thousand Questions , B1 Burnin’ , B2 You Were The Only

FFinally putting to rest a one-year break, Retreat is back in full swing in order to bring more heat this summer thanks to the "Busted Moniker EP" from Quarion! With four tracks that showcase a jazzier, somewhat wilder side of the Retreat co-founder, "Busted Moniker" has the stamp of a producer on top of his game, squeezing out all of the funk from his machines and letting loose without too much over-thinking. Can you handle it?
The ambient introduction "Lost Coordinates" represents a direct follow-up to Quarion's offering on the "Treats Vol.5" Compilation. Built around a circular four note theme, white noise percussion and a distant choir, "Lost Coordinates" evokes a ghost spaceship that is drifting through the void, his destination unknown and his point of origin long forgotten.
The bumpy house beat of "A Thousand Questions" teleports us back to a more familiar territory: this is proper club music with a sweet jazzy touch. Not holding back on his skills as a musician, Quarion treats us with a Rhodes bassline, deep piano chords and many drum fills. The tune moves along nicely and just when you think it couldn't get any better, Quarion surprises us with a break that introduces energetic Juno stabs and a booming new bassline. Slick!
"Burnin'" is maybe the EPs hottest track (all puns intended) and is sure to light fires on dancefloors all over. Beginning with a deep bassline atop a shuffled beat, the groove becomes irresistible as soon as the cheeky vocal samples arrive, but it's the entrance of an infectious and offbeat Rhodes loop that is sure to make the dancers go crazy. As the track gets stronger, the theme breaks down in descending chords and we're left with just the kick drum and a percussive noise. The loop soon emerges anew from the background now coupled with a phased cymbal for one more everlasting burn... Ouch!
"You Were The Only" is the EP's conclusion, a jazzy Broken Beat workout reminiscent of what came out of West London at the turn of the millennium. Starting with a catchy synth, the track truly opens up when the additional sub bass and skippy Juno chords come into play, but the real magic happens after a short break. The bassline evolves into an 8-bar sequence with beautiful chords to match and we're instantly taken on a jazz journey with sprinkling keys, ethereal strings and more Juno stabs. A perfect finish to a very juicy EP!
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Retreat slipmats "Homeis where the turntable is"

2x slipmats silk screen print
Colour:r mango
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Retreat slipmats "Homeis where the turntable is"

2x slipmats silk screen print
Colour:r white
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Releasedate 18.8.2014
Artist/track name
A1 Jamie Lloyd/Spiro Hustle A2 Session Victim/Much Too Strong A3 Johannes Albert/Co Co Jam Boo B1 Reverend G/Pam’s Cleavage B2 Kim Brown/I Am Batman C1 Quarion/Enter Coordinates C2 Mr Beatnick/Hold On To Your Dreams D1 Iron Curtis/Love Commitment D2 Robert Oh/Blush
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Rounding up a year which saw crucial releases from Iron Curtis and Quarion, "Can't Help It" is the long awaited return of sample wizards Session Victim to the ep format. This Retreat 3-tracker is a profound, subtle and quite melancholic affair, perfect for those emotional moments in the early morning. Skillfully arranged and featuring the impeccable playing of Linnart Ebel, "Can't Help It" is once again an essential statement from one of House Music's most fascinating duo. "Pass The Diesel" begins with a stuttering beat, seagulllike noises and muted chords that wouldn't be out of place on a vintage Group Home instrumental. Staying on the aquatic tip, Session Victim introduce a beautiful rhodes sequence which takes the track into a dream-like - dare we say californian? - direction. Spiced up with gentle synth noodlings, ethereal vocal snippets and a magical strings motive, "Pass The Diesel" bathes in the deeper shades of House without ever drowning in a cliché, thanks to its snapping drums and vivid arrangement. Slowing things down a notch, "Hyuwee" starts off with what is maybe the most unconventional instrument in Session Victim's repertoire, the banjo! But the fear of witnessing these down-to-earth-boys actually becoming the boys-down-south vanishes after 30 seconds: a melancholic 3-Chord theme, snappy 808 patterns and funky drum fills lead the tune in a familiar (but vast) territory. Linnart Ebel's talent is put to great use with subtle guitar licks that give a lively feel to the whole song. You will notice that Session Victim have labeled "Hyuwee" as an "instrumental". More

Retreat celebrates its first double-digit release with something out of the ordinary: an ep from Session Victim’s Matthias Reiling that blends House, Hip-Hop and UK Bass music in a very unique way. After two highly praised albums on Giegling, the Hamburg – based producer further develops his musical persona with the help of dusty samples, bouncy beats, tense atmospheres and a strong cinematic feel. More

Is there a better way to introduce a label than by releasing 2 exclusive tracks from its founders? Quarion and Session Victim (featuring Hauke Freer) show what RETREAT stands for with this pancake-hot split EP!" More

More than a year after his last EP, Quarion returns to Retreat for a fantastic expedition: a journey to the "Moons around Jupiter". Consisting of four tracks dedicated to the four Galilean satellites, "Moons around Jupiter" is a sonic masterpiece that blurs the lines between House, Techno,
Broken Beat and Disco. A certain Detroit mystique (the futurism & outer space themes) also surrounds thismesmerizing ep which Quarion himself ranks as possibly his best work to date … come and take a ride! We may share the ultimate bond with the moon Europa: the presumption of oceans underneath its crust of ice as well as an atmosphere that is mostly filled with oxygen make this satellite a good candidate for possible extra-terrestrial life (more micro-organisms than 3-eyed aliens though). Quarion's "Europa" hopes to reveal the secrets underneath the ice layer: beginning with a skippy beat and
a tinkling piano, the track evolves rapidly as subtle keys and a cosmic choir appear from beyond. .. More

We're thrilled to welcome Iron Curtis as a new character in the retreat saga! Hailing from Nuernberg but now based in Berlin, Mr. Curtis is known for his contemporary take on the classic Chicago House sound and has been making waves for the past two years with quality releases on Mirau, Morris Audio, Mule Electronic and Jackoff. However, we strongly believe that Iron Curtis is presenting a different aspect of his personality with "Stumbled Across", an EP that ventures in weirder territories with the help of Hip-Hop, dubstep and techno influences. A definitive statement froma blossoming producer who brings the element of surprise back to the dancefloor More

After their hot contributions for Treats Vol. 2, session victim
prove indeed that they are On The Roll with a funkafied
and no holds barred EP that pays homage to their Hip-Hop
Roots. Move Me So starts rather simply, with just a guitar
and a vocal, but you can hear a moving bassline and
distant rhodes chords creeping up from the background.
Two minutes into the track and there’s still no kick drum,
although the level of excitement produced by the magnetic
groove is almost unbearable. A filtered drum break finally
gives way to a four to the floor beat that should turn any
dancefloor into a frenetic party. The track builds with high
energy, as the pounding bassline seems to be directly
lifted from an early 90’s Hip-Hop classic. The breakdown
sees the vocal/guitar loop being played differently until the
second part shifts gear and brings more surprises in the
mix with the intro rhodes chords coming in and out. … More

One year old and four releases deep, RETREAT present
its first 2010 offering with the long awaited second volume
of the "Treats" series. Featuring 3 exclusive tracks from
Session Victim and Quarion, "Treats vol.2" showcases the
producers' ability to move beyond the traditional House
sound, incorporating more Soul and Disco influences as
well as coming up with a few surprises! SESSION VICTIM
start things off with the magical "Danish Daughters", a slow
groover that begins in a gentle but assured way, sparking
your interest with its infectious guitar and piano loop until
the beat kicks in and makes you irrepressibly shake that
thang. Adding a synth line here or a bell sound there, the
duo keep the pace of the track steady until a startling guitar
riff breaks it down, giving way to the original loop to return
in its full glory, complete with extra organ dashes! More

Just in time to conclude a bittersweet summer (at least in
Berlin), Retreat brings the heat with a soulful EP from one of
his founders, hotshot producer Quarion. As the name implies,
Dusty Fingers sees the beatmaker return to his Hip-Hop roots
and dig in the crates for a sample-based deep & dirty 3
tracker!
Quarion was last seen circling around Venus and we hope he
won't be More

big with: Ripperton (Perspectiv), Mr
Scruff (Ninja Tune), Soultourist
(Drumpoet), Audio Werner (Hartchef),
Langenberg (Dessous), Julius Steinhof
(Smallville), ND Baumecker (Pbar),
Nathan Mclay (Future Classic),…
+ DEBUG CHARTS # 3
Welcome to the second chapter of the Retreat saga!
"Contribute" was just a teaser for SESSION VICTIM so
with "Out On Love”, Hauke Freer and Matthias Reiling
show their true potential through 3 tracks of undiluted
funkiness. The first track on the EP starts off quite simply
but your excitement builds as promising chords and a
Detroit-style acid-synth give you an idea where "Memory
Lane" is heading. After a dramatic break that features a
notorious groove legend proclaiming that he's "out on
love", the chords reveal their full potential and the track
rolls into a major floor filler, complete with tight drum
patterns, extra sub bass and some more vocal snippets.
Yes! Flip the record and the beat of "Calypso Strut"
introduces a mysterious pad, decorated with wild
percussion and playful cut-up samples. 2 minutes in and
the pad morphs into a drunken piano that propels the track
into another dimension. More

12" Marbled Purple Color Vinyl, full colour jacket

Volume number 8 of 8 Vinyls, for the 16 Years of Illegal Alien Records

GENRE/S: Techno
TRACKLISTS:

A1. Oscar Mulero - Figures of Light
A2. Adriana Lopez - Espacio Infinito
B1. Zadig - Crystal Boy
B2. Ricardo Garduno - Trust in Dirt

4. SHORT INFO:
We are extremely happy and proud to present you Volume number 8 of our 16-year anniversary project which will
be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a total
of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all the
artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and contributing
with their music to make this release even more special, it's a true honor to count with all of you, thank you for
being part of our history.
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GENRE/S: Melodic House/Techno

TRACKLISTS:

A1. Reveries
A2. Harp
B1. Prophet
B2. Dawn

SHORT INFO:

Italian duo Mind Against deliver a 4-tracker to Maeve that shows a different side to their famed sound. Reveries is a deeper exploration littered with beautiful melodies and we're proud to add it as our 23rd release on the label.





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2LP

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.





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Watch the intergalactic and highly entertaining Videos that explain the full story and genesis of ONE here:

https://www.youtube.com/playlist?list=PLxp2F-dkCn4e4zfPCumcsLsbKsxuNbwbd

Noema’s new album is a surreal cosmic journey. The music on it is part of a comprehensive art piece that includes remixes, interactive choreography and stage design, theatre, and costumes called ONE.

In ONE, Noema tells the story of his interdimensional space explorations, in which he manifests as four different entities. Because of the energetic state of humanity, these entities became trapped in our dimension and now put on performances to re-power their portal, so that we can all be interdimensional again! During the performance five actors invite up to 120 people from the audience to join the action.

Sun Ra meets Steve Reich meets Larry Levan - imagine it as a “happening” from the 70s.

The music from ONE is loosely based on the minimal music classic “In C" by Terry Riley. It consists of 56 melodic patterns, which are repeated and consecutively played from the first to the last. Every player can move on to the next pattern at their own pace.

VITAL SALES POINTS:



First full-length album by The Magic Movement’s label owner, Noema.

Part of an interactive performance concert that consists of music, storytelling, interactive performance and stage design, theatre, costumes, and remixes.

The gatefold cover contains a visually stunning comic telling the story of ONE.

ONE Remix EP coming out in winter 2024 includes artists such as Lauer, Kalabrese, Shubostar, Panthera Krause, Mehmet Aslan.


12" Gatefold Vinyl:
A - ONE (00:00 - 22:31)
B - ONE (22:32 - 42:51) More

Back stock

Tracklist:
A1 Intro
A2 moppal kiff
B1 dukktus
B2 outro


The new FAT comes off similar to a 12 step program without the raised index finger or narcotic dependence. The final report: intoxicating music is always better than madness by intoxication!
Fact is that this statement clears it all up – bellowing is redolence. It don’t stop with two intelligent digital rock waves. The one psycho with a proper nozzle in the veins, the other one purposefully en march on the tunnel opening to the hearts warmth! The ring of fire is presented in the House of the Wighnomy Brothers

Intro – Pele speaks:
We say YES to the new generation!
Track 1:
The British football legend George Best with the rest of the brew on the pitch - On goal regardless straight to the brain of everyone in the proximity of the dance floor! The just about typical Wignomy waterwheel, propelled through the waters with the 4 x 4 drive train, paired
with easy jazz sizzling, interspersed with a rocket from psychotic wellness for a tumble through the nightly orbit! This is pure moon music!

Track 2:
Breath a little sigh, charge it to the music. My blood needs from now on to create in the brain this new sound scape.
With driven strength the optimum of the heart is opened by a melody of the positive vibe needed to leisurely progress in the dark reality, in order to shine brighter! That is pure sunshine! Building dream machines to wake us up!

Created by: oliver goldt More

Track List:

A1 Dub 1
A2 Dub Cafe

B1 Dub 2
B2 Dub 3

info text :

svn's dub cafe
written and produced by svn
at nd studio 2023 More

Introducing yet another sonic tale by Moving Pictures coming from the overseas. Our forthcoming record marks label's 10th vinyl release and welcomes Philadelphia based artist Alex Burkat to the roster.

The EP features two original tracks by Alex Burkat and Hungarian musician Kin Teal, including slow-burning remix from Los Angeles based artist Dean Grenier. Last but not least, label's in-house power duo Aerial join in on remix duties and deliver a hypnotic closing track.

Tracklist:
I. Alex Burkat - Waistline
II. Alex Burkat - Waistline (Dean Grenier Remix)
III. Alex Burkat and Kin Teal - Northern Lights
IV. Alex Burkat and Kin Teal - Northern Lights (Aerial Remix) More

12"
B-Side is vinyl exclusive

GENRE/S: Techno

TRACKLISTS
A: The Streets – 3 Minutes To Midnight (Gregor Tresher remix)
B: The Streets – 3 Minutes To Midnight (Gregor Tresher Dub)

SHORT INFO:
We take immense pride in upholding the integrity of our label's name, and we're excited to announce a remix
by Gregor Tresher for Mike Skinners legendary "The Streets”, which does just that. Gregor's admiration for
The Streets' seminal 2002 album, "Original Pirate Material,” has fuelled his unwavering support for Mike
Skinner's extraordinary musical journey.
Last year, when The Streets’ poignant EP "Brexit at Tiffany's" made its debut, Gregor crafted a remix of one
of its tracks for his DJ sets. This rework quickly became a closely-guarded secret weapon, setting dance
floors ablaze wherever he played it. The idea of reaching out to The Streets arose, driven by curiosity about
Mike's reaction to the remix. To our delight, not only did he appreciate it, but he also granted us permission
to officially release it on the label.
So without delay, we are delighted to unveil Gregor Tresher's monumental reimagining of The Streets' "3
Minutes To Midnight." This once anonymous gem has now emerged from the shadows, and we are
absolutely thrilled to bring it to your eager ears.

VITAL SALES POINTS:
First DJ Feedbacks:
Laurent Garnier: Fucking hell….. this is goooood.
Chris Liebing: Cool remix, thanks!
Mathias Kaden: Oh Geil!!
Karotte: Great Remix. Love it. Head banging mode on!
Timo Maas: Yo, die ist Dick!
Michael Mayer: finde ich super
Pan-Pot: Really cool remix!!!
Joyce Muniz: nice!
Yvan Smagghe: YES PLEASE!
Mauro Picotto: Very different and enjoyble More

With its tenth record from Fortunato Durutti Marinetti, Quindi, in collaboration with Soft Abuse, continues to celebrate songwriting and storytelling framed by curious musicality. In keeping with the label's trajectory to date, this is an album which draws on a universal human sentimentality and presents it with an uncommon flair. In the case of Toronto-based Daniel Colussi, the man behind Eight Waves In Search Of An Ocean, his melancholic poetry cuts through with a clarity which calls to mind all-time greats from Anette Peacock through to Lou Reed and Leonard Cohen.

Turin-born Colussi has drifted through various bands, guises and styles over the past 20 years, but since settling into Fortunato Durutti Marinetti as a vehicle for his songs, he’s found a strong expressive impetus which transcends genre to become entirely hinged on the power of his words and melodies. The first album under this alias was a 2020 cassette album, Desire, later pressed on vinyl due to demand in tandem with the release of 2022’s Memory’s Fool. On each record, Colussi has found distinct arrangements of players to set the mood, ranging from gently lilting art and folk rock through to orchestrated balladry, but Eight Waves In Search Of An Ocean widens the palette of Fortunato Durutti Marinetti to create an album in which each song feels like a tale unto itself.

Colussi’s renewed approach is instantly apparent as album opener ‘Lightning On A Sunny Day’ unfurls, informed greatly by producer Sandro Perri’s input pursuing a hybrid electro-organic sound. The addition of drum machines and synths to the musical palette bring with them the strong connotations of pop while the sax and violin sounds similarly smooth and silky, and one can’t help but think of John Martyn’s slide into the digital sound of Sapphire or Kraftwerk’s bittersweet synthetic tenderness.

Within this sound, there’s still space for the energy to fluctuate according to the whims of songs. ‘The Flowers’ turns inward with a soft-touch composition as delicate as the petals Colussi describes falling to the floor. ‘Misfit Streams’ and first single ‘Clerk Of Oblivion’ savour the fluid, luxuriant tone of fretless bass with all the 80s connotations intact. Colussi remains the central focus whatever happens around him, in possession of the kind of unforced charisma which drives a song deep into the listener’s heart. It’s at once entirely his own style and yet comforting and familiar. The lyrics might sweep you into the singer’s inner world, similarly to the experience listening to late 60s Tim Buckley, or you might well inhale the mellow jazziness of the harmonic movement like you would Joni Mitchell on Hejira.

The emotional direction of each track is never linear - ‘Smash Your Head Against The Wall’ snarls its rhythm section before the strings sow their aching beauty to cool the song’s temper, winding up as a track of distinct halves jabbing at each other. “I Need You More’ leaves space for spiralling flute solos and strangely stiff, militaristic drum rolls in the midst of a sweet, slightly sad synth ballad, the final wave receding back into the tidal undulations of Colussi’s unique exploration of his muse.

The artist himself dubs his musical expression as “poetic jazz rock” with a sideways glance - it’s not exactly poetry, far from trad jazz and it doesn’t really rock, yet the tag feels uncannily like it fits, just like the curious music it’s used to describe.

VITAL SALES POINTS:

Produced by Sandro Perri, Canadian singer-songwriter Fortunato Durutti Marinetti releases his third album on the Italian label Quindi together with American label Soft Abuse, following the successful release in 2022 of his previous work entitled "Memory's Fool", moving from synth pop songs to his characteristic "poetic jazz rock' style.
“For an introduction to Fortunato Durutti Marinetti, there’s no better way to start than letting Eight Waves wash over you” Jess Locke - Aquarium Drunkard
“With an hybrid of analog and synthesized sounds, Turin-born Daniel Colussi creates sophisticated, smooth art pop brimming with emotion” New & Notable - Bandcamp
“It’s a smooth ride, but it’s still a journey” Rosy Overdrive
“Each part of the whole, despite its diversity (from synthetic beats to jazzy interweavings), contributes to creating a compositional balance and achieving sonic organicity: many small musical worlds in one.” Kalporz

Tracklist:

A1. Lightning On A Sunny Day
A2. The Flowers
A3. Misfit Streams
A4. The Movie Of Your Life
B1. Clerk Of Oblivion
B2. Smash Your Head Against The Wall
B3. Tomorrow's Poem
B4. I Need You More


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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More

2023 repress

Special remarks:
180G VINYL // VINYL ONLY // NEW PRINTED SLEEVE

Tracklist 12":

A1 Nima Gorji - You & I
A2 Irv.in - Future Vision
B1 James Dexter - Small Talk
B2 Sous Sol - All Around


German label Bondage Music delivers the eighth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Nima Gorji, James Dexter, Irv.in and Sous Sol.


Vinyl pressed on 180g, vinyl only release.




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Territories: WORLD minus UK and US


2023 Repress

FORMAT 12", dl card

TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01


Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More