1
The Streets - A: The Streets – 3 Minutes To Midnight (Gregor Tresher remix)
2
The Streets - B: The Streets – 3 Minutes To Midnight (Gregor Tresher Dub)
12"
B-Side is vinyl exclusive
GENRE/S: Techno
TRACKLISTS
A: The Streets – 3 Minutes To Midnight (Gregor Tresher remix)
B: The Streets – 3 Minutes To Midnight (Gregor Tresher Dub)
SHORT INFO:
We take immense pride in upholding the integrity of our label's name, and we're excited to announce a remix
by Gregor Tresher for Mike Skinners legendary "The Streets”, which does just that. Gregor's admiration for
The Streets' seminal 2002 album, "Original Pirate Material,” has fuelled his unwavering support for Mike
Skinner's extraordinary musical journey.
Last year, when The Streets’ poignant EP "Brexit at Tiffany's" made its debut, Gregor crafted a remix of one
of its tracks for his DJ sets. This rework quickly became a closely-guarded secret weapon, setting dance
floors ablaze wherever he played it. The idea of reaching out to The Streets arose, driven by curiosity about
Mike's reaction to the remix. To our delight, not only did he appreciate it, but he also granted us permission
to officially release it on the label.
So without delay, we are delighted to unveil Gregor Tresher's monumental reimagining of The Streets' "3
Minutes To Midnight." This once anonymous gem has now emerged from the shadows, and we are
absolutely thrilled to bring it to your eager ears.
VITAL SALES POINTS:
First DJ Feedbacks:
Laurent Garnier: Fucking hell….. this is goooood.
Chris Liebing: Cool remix, thanks!
Mathias Kaden: Oh Geil!!
Karotte: Great Remix. Love it. Head banging mode on!
Timo Maas: Yo, die ist Dick!
Michael Mayer: finde ich super
Pan-Pot: Really cool remix!!!
Joyce Muniz: nice!
Yvan Smagghe: YES PLEASE!
Mauro Picotto: Very different and enjoyble
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
B-Side is vinyl exclusive
GENRE/S: Techno
TRACKLISTS
A: The Streets – 3 Minutes To Midnight (Gregor Tresher remix)
B: The Streets – 3 Minutes To Midnight (Gregor Tresher Dub)
SHORT INFO:
We take immense pride in upholding the integrity of our label's name, and we're excited to announce a remix
by Gregor Tresher for Mike Skinners legendary "The Streets”, which does just that. Gregor's admiration for
The Streets' seminal 2002 album, "Original Pirate Material,” has fuelled his unwavering support for Mike
Skinner's extraordinary musical journey.
Last year, when The Streets’ poignant EP "Brexit at Tiffany's" made its debut, Gregor crafted a remix of one
of its tracks for his DJ sets. This rework quickly became a closely-guarded secret weapon, setting dance
floors ablaze wherever he played it. The idea of reaching out to The Streets arose, driven by curiosity about
Mike's reaction to the remix. To our delight, not only did he appreciate it, but he also granted us permission
to officially release it on the label.
So without delay, we are delighted to unveil Gregor Tresher's monumental reimagining of The Streets' "3
Minutes To Midnight." This once anonymous gem has now emerged from the shadows, and we are
absolutely thrilled to bring it to your eager ears.
VITAL SALES POINTS:
First DJ Feedbacks:
Laurent Garnier: Fucking hell….. this is goooood.
Chris Liebing: Cool remix, thanks!
Mathias Kaden: Oh Geil!!
Karotte: Great Remix. Love it. Head banging mode on!
Timo Maas: Yo, die ist Dick!
Michael Mayer: finde ich super
Pan-Pot: Really cool remix!!!
Joyce Muniz: nice!
Yvan Smagghe: YES PLEASE!
Mauro Picotto: Very different and enjoyble
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from The Streets
180g heavyweight 12" black vinyl housed in printed outer and inner sleeves with a gloss finish.
The album is a classic Streets album - filled with Skinner's trademark lyrical wizardry and beats honed over a decade of building his other career as a legitimate bass/rap DJ in clubs - all songs written by Skinner but featuring vocal contributions from longtime collaborators Kevin Mark Trail and Robert Harvey, as well as a track featuring Teef. The songs on the album soundtrack the film and also play the role of narrator of the film at times - and whilst neither the album or film exist without each other - both can be enjoyed separately.
TRACKLISTING
Side A
1. Too Much Yayo
2. Money Isn't Everything
3. Walk Of Shame
4. Something To Hide
5. Shake Hands With Shadows
6. Not A Good Idea
7. Bright Sunny Day
Side B
1. The Darker The Shadow The Brighter The Light
2. Funny Dream
3. Gonna Hurt When This Is Over
4. Kick The Can
5. Each Day Gives
6. Someone Else's Tune
7. Troubled Waters
8. Good Old Daze
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album is a classic Streets album - filled with Skinner's trademark lyrical wizardry and beats honed over a decade of building his other career as a legitimate bass/rap DJ in clubs - all songs written by Skinner but featuring vocal contributions from longtime collaborators Kevin Mark Trail and Robert Harvey, as well as a track featuring Teef. The songs on the album soundtrack the film and also play the role of narrator of the film at times - and whilst neither the album or film exist without each other - both can be enjoyed separately.
TRACKLISTING
Side A
1. Too Much Yayo
2. Money Isn't Everything
3. Walk Of Shame
4. Something To Hide
5. Shake Hands With Shadows
6. Not A Good Idea
7. Bright Sunny Day
Side B
1. The Darker The Shadow The Brighter The Light
2. Funny Dream
3. Gonna Hurt When This Is Over
4. Kick The Can
5. Each Day Gives
6. Someone Else's Tune
7. Troubled Waters
8. Good Old Daze
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1cd, standard 15-track album housed in a 4 panel softpack with gloss finish, includes a 12 page booklet.
The album is a classic Streets album - filled with Skinner's trademark lyrical wizardry and beats honed over a decade of building his other career as a legitimate bass/rap DJ in clubs - all songs written by Skinner but featuring vocal contributions from longtime collaborators Kevin Mark Trail and Robert Harvey, as well as a track featuring Teef. The songs on the album soundtrack the film and also play the role of narrator of the film at times - and whilst neither the album or film exist without each other - both can be enjoyed separately.
TRACKLISTING
1. Too Much Yayo
2. Money Isn't Everything
3. Walk Of Shame
4. Something To Hide
5. Shake Hands With Shadows
6. Not A Good Idea
7. Bright Sunny Day
8. The Darker The Shadow The Brighter The Light
9. Funny Dream
10. Gonna Hurt When This Is Over
11. Kick The Can
12. Each Day Gives
13. Someone Else's Tune
14. Troubled Waters
15. Good Old Daze
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album is a classic Streets album - filled with Skinner's trademark lyrical wizardry and beats honed over a decade of building his other career as a legitimate bass/rap DJ in clubs - all songs written by Skinner but featuring vocal contributions from longtime collaborators Kevin Mark Trail and Robert Harvey, as well as a track featuring Teef. The songs on the album soundtrack the film and also play the role of narrator of the film at times - and whilst neither the album or film exist without each other - both can be enjoyed separately.
TRACKLISTING
1. Too Much Yayo
2. Money Isn't Everything
3. Walk Of Shame
4. Something To Hide
5. Shake Hands With Shadows
6. Not A Good Idea
7. Bright Sunny Day
8. The Darker The Shadow The Brighter The Light
9. Funny Dream
10. Gonna Hurt When This Is Over
11. Kick The Can
12. Each Day Gives
13. Someone Else's Tune
14. Troubled Waters
15. Good Old Daze
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Disc 1 - Side A 1. Turn the Page / 2. Has It Come to This? / 3. Let's Push Things Forward
Disc 1 - Side B 1. Sharp Darts / 2. Same Old Thing / 3. Geezers Need Excitement / 4. It's Too Late
Disc 2 - Side A 1. Too Much Brandy / 2. Don't Mug Yourself / 3. Who Got the Funk? / 4. The Irony of It All
Disc 2 - Side B 1. Weak Become Heroes / 2. Who Dares Wins / 3. Stay Positive
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Disc 1 - Side B 1. Sharp Darts / 2. Same Old Thing / 3. Geezers Need Excitement / 4. It's Too Late
Disc 2 - Side A 1. Too Much Brandy / 2. Don't Mug Yourself / 3. Who Got the Funk? / 4. The Irony of It All
Disc 2 - Side B 1. Weak Become Heroes / 2. Who Dares Wins / 3. Stay Positive
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Break New Soil
1
Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
2
Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
3
Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
GENRE/S: Techno
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
André Galluzzi & Daniel Stefanik - Passages
2
André Galluzzi & Daniel Stefanik - Don't Panic
3
André Galluzzi & Daniel Stefanik - Out Of The Past (Pan-Pot Remix)
4
André Galluzzi & Daniel Stefanik - Out Of The Past (Original)
GENRE/S: Techno/Tech House
TRACKLISTS:
A1: André Galluzzi & Daniel Stefanik - Passages
A2: André Galluzzi & Daniel Stefanik - Don't Panic
B1: André Galluzzi & Daniel Stefanik - Out Of The Past (Pan-Pot Remix)
B2: André Galluzzi & Daniel Stefanik - Out Of The Past (Original)
SHORT INFO:
For the next installment on Break New Soil, we are very excited to welcome two artists, who might be new additions to our label, but who are surely not new faces to the world of electronic music:
André Galluzzi and Daniel Stefanik have both cemented their status as true musical innovators with a strong sense for details and sonic quality in their productions. The three original tracks showcase their signature sound, trippy on one hand but with both feet firmly on the dance floor! For the remix, we are happy to
welcome our good friends Thomas and Tassilo, better known as the infamous Pan-Pot, who delivered one belter of a remix that sounds classic yet modern at the same time! This is a release you don't want to miss for sure!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1: André Galluzzi & Daniel Stefanik - Passages
A2: André Galluzzi & Daniel Stefanik - Don't Panic
B1: André Galluzzi & Daniel Stefanik - Out Of The Past (Pan-Pot Remix)
B2: André Galluzzi & Daniel Stefanik - Out Of The Past (Original)
SHORT INFO:
For the next installment on Break New Soil, we are very excited to welcome two artists, who might be new additions to our label, but who are surely not new faces to the world of electronic music:
André Galluzzi and Daniel Stefanik have both cemented their status as true musical innovators with a strong sense for details and sonic quality in their productions. The three original tracks showcase their signature sound, trippy on one hand but with both feet firmly on the dance floor! For the remix, we are happy to
welcome our good friends Thomas and Tassilo, better known as the infamous Pan-Pot, who delivered one belter of a remix that sounds classic yet modern at the same time! This is a release you don't want to miss for sure!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records. Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and h
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
(Dosem, Nick Curly & Patrick Siech rmxs)While he is halfway into an extensive 6-month world tour, we are now very proud to present the album remixes. Gregor invited 5 of his fav producers of the moment to remix their fav album cuts!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gregor Tresher, - Frontline
2
Gregor Tresher, - Through The Shadow Glass
3
Gregor Tresher, - Lights From The Inside
4
Gregor Tresher, - Lights From The Inside
5
Gregor Tresher, - Echelon
(Nic Fanciulli & Function (sandwell district) remixes) While he is halfway into an extensive 6- month world tour, we are now very proud to present the album remixes. Gregor invited 5 of his fav producers of the moment to remix their fav album cuts!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Sven Väth - L'Esperanza (Original Album Version)
2
Sven Väth - L'Esperanza (Hardspace Mix)
Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dubfire - Escape (Truncate Remix)
2
Dubfire - Dark Matter (Drumcell Remix)
Single 3
Tracklist:
A Dubfire - Escape (Truncate Remix)
B Dubfire - Dark Matter (Drumcell Remix)
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A Dubfire - Escape (Truncate Remix)
B Dubfire - Dark Matter (Drumcell Remix)
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Monolink - Amniotic
2
Monolink - Black Day
3
Monolink - Sirens
4
Monolink - Rearrange My Mind
5
Monolink - Frozen
6
Monolink - Father Ocean
7
Monolink - Swallow
8
Monolink - Take Me Home
9
Monolink - Riverman
10
Monolink - Return To Oz
11
Monolink - Burning Sun
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA), NEW ZEALAND.
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Total Blue - The Path
2
Total Blue - Corsair
3
Total Blue - Heart Of The World
4
Total Blue - Jaguarundi
5
Total Blue - Dorian Dial
6
Total Blue - Chaparral
7
Total Blue - Bone Chalk
8
Total Blue - Pearl Plains
Introducing ‘Total Blue’, the Los Angeles-based trio of Nicky Benedek, Alex Talan, and Anthony Calonico. Despite collaborating for over a decade, ‘Total Blue’ represents a new chapter in their artistic journey together as a trio.
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jago - I'm Going To Go (Frankie Knuckles Instrumental Plant Mix)
2
Jago - I'm Going To Go (Instrumental)
3
Jago - I'm Going To Go (Original Mix)
Classic italo track including a Frankie Knuckles remix!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Cheezy Crust Records
Cat-No:CCR005
Release-Date:10.12.2021
Genre:Acid House
Configuration:12" Excl
Label:Cheezy Crust Records
Cat-No:CCR005
Release-Date:10.12.2021
Genre:Acid House
Configuration:12" Excl
1
Mint Huus - A1 Dnarks
2
Mint Huus - A2 Snadre
3
Mint Huus - B1 Szun
4
Mint Huus - B2 Rradix
Genre: Electro
A1 Dnarks
A2 Snadre
B1 Szun
B2 Rradix
And here we go again. After making his self-titled label debut in 2019 followed up by the super limited cassette tape "Sport EP" in 2020 Mint Huus is finally back on Cheezy Crust Records - and he's back on vinyl!
Exploring "Odd Radio Circles" we see Mint Huus catering an array of four cuts, once again covering and exploring a spectrum of superbly driving, high quality electronic club music of a timeless quality which is nothing short of a truly epic manifestation of the German artists production standard and value which is up to par with the genres greats.
Sparse, yet melodic, bouncing, yet dreamy from the very start the Mainz / Germany-based producer effortly amalgamates a highly functional Electro foundation, beautifully arranged vintage retro synth layers and ever bubbling Acid modulations to further carve out and create a distinct sonic realm and niche which, due it's innate drive and well comforting depth, is set to excel way beyond the confined boundaries of the Electro genre and gain praise and recognition on many dancefloors all around the globe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scuba - Truth
2
Scuba - Riding
3
Scuba - i wna doit nth bckst
4
Scuba - Give Up Everything
5
Scuba - Pocket Rocket
6
Scuba - Storms Of Love
Welcome to ‘Hardcore Heaven III’, the third in Scuba's series of classic hardcore-inflected vinyl EPs further develops the themes, from acid house to jungle, established on the first two installments.
Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sally C - OG Chunker
2
Sally C - Let's Get This
3
Sally C - Turn That
Repress!
“Give me a chunky bassline, banging drums and a weird vocal – that’s the holy trinity! Simplicity is key - less is always more” – Sally C
The past 12 months have stamped Sally C as one of the industry’s most exciting breakthrough DJ talents. She’s graduated from putting on parties at Griessmühle, to throwing down a masterclass Boiler Room debut at AVA Festival, gigs at Berghain’s Saüle and Melt! Festival, alongside tireless zig-zagging across the UK and her native Ireland. At the same time, she’s impressed heads with a large catalogue of outstanding online mixes, ensuring that if you hadn’t seen her play in the flesh, you sure as hell know she can lay it down like no other.
Alongside breaks, techno rollers and long lost second hand cuts, it’s Sally’s deep passion for the golden era of hip house and the sounds of 88’ - 98’ that have really shaped her raw and chunky style and inspired her first productions and eponymous label Big Saldo’s Chunkers. A homage to the era she’s so obsessed with, if you will.
The three-track work encompasses tried and true bangers ready for the rave. ‘OG Chunker’ will be familiar to those who’ve followed her closely stretching back to her acclaimed Boiler Room last summer, popping with its hiplashing groove, rapid-fire vocal sequence and in your face rides. ‘Let’s Get This’ is a no-nonsense Chicago-inspired ghetto pumper, driven by low-slung bumping bass and a catchy vocal. ‘Turn That’ favours deep tribal grooves, ravey sirens, scratch effects and a bassline that fills your stomach. Chunker mode ignited.
Who is Big Saldo? “Big Saldo is a nickname friends gave me; it’s my rowdy care-free side which comes out a lot when I DJ and is now channelled into my productions. I wouldn’t call her an alter ego, rather an essence of who I am; more confident, no holds barred, bullshit-free. It’s also the intention behind the Chunkers. Raw and ready cuts ripe for the club. What you see is what you get.” – Sally C
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
“Give me a chunky bassline, banging drums and a weird vocal – that’s the holy trinity! Simplicity is key - less is always more” – Sally C
The past 12 months have stamped Sally C as one of the industry’s most exciting breakthrough DJ talents. She’s graduated from putting on parties at Griessmühle, to throwing down a masterclass Boiler Room debut at AVA Festival, gigs at Berghain’s Saüle and Melt! Festival, alongside tireless zig-zagging across the UK and her native Ireland. At the same time, she’s impressed heads with a large catalogue of outstanding online mixes, ensuring that if you hadn’t seen her play in the flesh, you sure as hell know she can lay it down like no other.
Alongside breaks, techno rollers and long lost second hand cuts, it’s Sally’s deep passion for the golden era of hip house and the sounds of 88’ - 98’ that have really shaped her raw and chunky style and inspired her first productions and eponymous label Big Saldo’s Chunkers. A homage to the era she’s so obsessed with, if you will.
The three-track work encompasses tried and true bangers ready for the rave. ‘OG Chunker’ will be familiar to those who’ve followed her closely stretching back to her acclaimed Boiler Room last summer, popping with its hiplashing groove, rapid-fire vocal sequence and in your face rides. ‘Let’s Get This’ is a no-nonsense Chicago-inspired ghetto pumper, driven by low-slung bumping bass and a catchy vocal. ‘Turn That’ favours deep tribal grooves, ravey sirens, scratch effects and a bassline that fills your stomach. Chunker mode ignited.
Who is Big Saldo? “Big Saldo is a nickname friends gave me; it’s my rowdy care-free side which comes out a lot when I DJ and is now channelled into my productions. I wouldn’t call her an alter ego, rather an essence of who I am; more confident, no holds barred, bullshit-free. It’s also the intention behind the Chunkers. Raw and ready cuts ripe for the club. What you see is what you get.” – Sally C
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Space Dimension Controller - A1. Jet Free
2
Space Dimension Controller - A2. Cryfaze
3
Space Dimension Controller - A3. Tiraquon's Final Quest
4
Space Dimension Controller - B1. 1 4 U
5
Space Dimension Controller - B2. Acid Funk Sequel (Vinyl Exclusive)
6
Space Dimension Controller - B3. Beyond2
Track list:
A1. Jet Free
A2. Cryfaze
A3. Tiraquon's Final Quest
B1. 1 4 U
B2. Acid Funk Sequel (Vinyl Exclusive)
B3. Beyond2
Highlight:
Space Dimension Controller returns to Aus Music with six tracks of superb cosmic adventure
EP arrives digitally or as a six-track 12" including exclusive vinyl-only cut 'Acid Funk Sequel' on July 26th
Space Dimension Controller is an intergalactic musical explorer. His sci-fi sounds paint technicolour pictures
in widescreen. Whether crafting definitive albums like Love Beyond The Intersect on R&S, club-ready EPs
for Aus and Running Back or dropping collections of unreleased tracks on his own Tiraquon Recordings, his
work sounds futuristic yet nostalgic for the past. It is fueled by funk and crafted on synths, hardware, tape
machines and various other imperfect tools that lend it a loveable character.
His Final Quest EP is a "French-inspired" release, which is an influence that predates the Space Dimension
Controller alias and goes back to Hamill's teenage years. It is also the last EP from his current studio before
it is dismantled and moved to Amsterdam sometime this summer.
From start to finish, this new EP showcases Hamill's ability to craft emotionally evocative melodies and
genuinely absorbing soundtracks. Opener 'Jet Free' is awash with filtered synths that are sugary sweet and
underpinned by funky guitar riffs and laissez-faire grooves. The wonderful 'Cryfaze' has rueful pads spiralling
around sleek drums that bounce along next to supple neon arps, while 'Tiraquon's Final Quest' is a bubbling
and elastic rhythm run through with soft acid squelches and pixelated pads full of cosmic charm. '1 4 U' rides
on heavier drums but is no less joyous thanks to the crystalline melodies and dreamy vocals that swell the
heart. Vinyl exclusive 'Acid Funk Sequel' is another playful moon safari with buoyant bass patterns and
snappy drum funk under ever-evolving melodic refrains and 'Beyond2' closes down with forlorn, introspective
melodies that ripple over heavy-hearted chords.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Jet Free
A2. Cryfaze
A3. Tiraquon's Final Quest
B1. 1 4 U
B2. Acid Funk Sequel (Vinyl Exclusive)
B3. Beyond2
Highlight:
Space Dimension Controller returns to Aus Music with six tracks of superb cosmic adventure
EP arrives digitally or as a six-track 12" including exclusive vinyl-only cut 'Acid Funk Sequel' on July 26th
Space Dimension Controller is an intergalactic musical explorer. His sci-fi sounds paint technicolour pictures
in widescreen. Whether crafting definitive albums like Love Beyond The Intersect on R&S, club-ready EPs
for Aus and Running Back or dropping collections of unreleased tracks on his own Tiraquon Recordings, his
work sounds futuristic yet nostalgic for the past. It is fueled by funk and crafted on synths, hardware, tape
machines and various other imperfect tools that lend it a loveable character.
His Final Quest EP is a "French-inspired" release, which is an influence that predates the Space Dimension
Controller alias and goes back to Hamill's teenage years. It is also the last EP from his current studio before
it is dismantled and moved to Amsterdam sometime this summer.
From start to finish, this new EP showcases Hamill's ability to craft emotionally evocative melodies and
genuinely absorbing soundtracks. Opener 'Jet Free' is awash with filtered synths that are sugary sweet and
underpinned by funky guitar riffs and laissez-faire grooves. The wonderful 'Cryfaze' has rueful pads spiralling
around sleek drums that bounce along next to supple neon arps, while 'Tiraquon's Final Quest' is a bubbling
and elastic rhythm run through with soft acid squelches and pixelated pads full of cosmic charm. '1 4 U' rides
on heavier drums but is no less joyous thanks to the crystalline melodies and dreamy vocals that swell the
heart. Vinyl exclusive 'Acid Funk Sequel' is another playful moon safari with buoyant bass patterns and
snappy drum funk under ever-evolving melodic refrains and 'Beyond2' closes down with forlorn, introspective
melodies that ripple over heavy-hearted chords.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Solomun - Can't Stop
2
Solomun - Follow The Disco Ball
3
Solomun - Can't Stop (Dub)
Tracklist
A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
mpeg - Pollen
2
mpeg - Bad Intel
3
mpeg - Pluto Dogs
4
mpeg - Dots
R.A.N.D. Muzik Recordings proudly welcomes Dresden’s mpeg to the label for a 4-tracker of deep tech house nostalgia.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More