Tracklist
a1 Clint - Bliss Science
a2 Aldonna - Pisa 97
b1 Sam Goku - Walking Drums
b2 Rosa Red – Rhapsody (Known Artist Remix)
b3 Third Son & Baldo - This Is Your Brain On Music

Short Info
This is a 5 track vinyl sampler taken from the new Permanent Vacation Selected Label Works 11
compilation.
Vinyl comes in transparent green, in a rose colour sleeve.

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Tracklist
01 Will You Hate Me
02 Is It Really Love (Dub)
03 Back For More
04 What To Do With That

Short Info
Austrian powerhouse Demuja debuts on Permanent Vacation with a deep four-tracker. A name long in the spotlight of the global house and disco scenes, Demuja has previously releasedhis deep, soulful sounds on the likes of Aus Music, Shall Not Fade, Nervous, and his own MUJA label. On his latest EP, he turns to Benjamin Frohlich and Tom Bioly’s revered Permanent Vacation imprint, showcasing four tracks of deep sonic bliss across the ‘Bring Back Love’ EP, which has already garnered support from Laurent Garnier, Stacey Pullen, Alinka, and more.


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Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land

B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Tracklist:
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Tracklist:

Album
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional


ƒin outtakes & remixes
01 Tragedial
02 Destiny feat. Pional (Bullion Version)
03 Matilda's Dream (LP Version)
04 Mai Mes
05 Last Land (Kenton Slash Demon Remix)
06 Zanzibar (80’s Tapemix)
07 I Want Tonite
08 Journeys feat. Ekhi (Bostro Pesopeo Remix)
09 When The Past Was Present (Pachanga Boys Purple Remix)


If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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DE - 22113 Hamburg
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Tracklist:
A1 Si Si Si
A2 Burnt Deep
A3 Like
A4 Out Of Reach
A5 Day In Shock

B1 The OK Hole
B2 I Wanna Be Adored
B3 Strobe
B4 With The Night At Our Feet

New Jackson marks his long awaited follow-up to 2017’s From Night To Night with its successor OOPS!... POP for long-time collaborators Permanent Vacation. A concise triumph in techno pop, its 9 tracks elevate his signature electronic sounds into anthemic new heights.
David Kitt is a prolific sonic polymath who’s enjoyed a colourful career making whatever he likes.
While releasing music under a vast array of aliases and collaborations for close to two and a half decades, New Jackson has remained his irregular home since 2011 for when ‘at one with the machines’. It offers a kaleidoscopic window into his love of dance music, and on his debut album under the alias From Night To Night (released in 2017 on Dublin’s All City label) he unfurled his singular vision; a dilated suite of nocturnal soul coaxed from his beloved electronic equipment with songwriter’s nous, sonically etched as blunted whispers coalesced from the dusky billows of Dublin bay. Further EPs and singles followed, alongside a beloved live show he toured globally, plus detours with his critically-lauded Garies duo (with Lumigraph) and a David Kitt solo album.
In the time since his New Jackson debut, he’s slowly distilled his studio methodology to help mine the true core of his musical self. Within this experimentation, he has stumbled upon the bounty that is OOPS!... POP, his most direct and euphoric body of work to date. Recorded across the span of five years and three different countries, Kitt has managed to transform his beloved alias into a leaner beast, tightening the screws around arrangements and songwriting to inspire an album sonically effortless in demeanour and spontaneously playful in structure and form. Aided by a stacked cast of collaborators including Rita Lynn, Donnacha Costello, Riche “Jape” Egan, Yenkee, Kean Kavanagh, Margie Jean Lewis, Meg Cronin and Fehdah, it bears the hallmarks of the studio albums of yesteryear in its dynamism and gratification while drawing on his rich bouquet of influences across a century of recorded music.
Opener SI SI SI lulls you in with its smothered vocoder’d croons and patient groove, BURNT DEEP next yields a surprising deep house turn, lit gently with casual hedonism. LIKE rewires the playbook entirely, shuffling along its minimal 80’s boogie groove with a cheeky grin, before lead single OUT OF REACH further mines the golden pastures with its glorious stuttering techno power-pop fit with that anthemic chorus. DAY IN SHOCK digi-dubs around the wonderful vocal turn of Fehdah in purest heads-down manner, then THE OK HOLE and STROBE both descend the psychedelic wormhole of anaesthetised breaks and electro with its entranced dancefloor gaze. I WANNA BE ADORED, the Madchester anthem from The Stone Roses, is then surprisingly reimagined as a lost kraut-pop robo sung classic while WITH THE NIGHT AT OUR FEET is our climactic conclusion, a mechanised symphony of dual proportions; a humane core of angelic harmonies chugging along in electro rhythm before soaring strings take us on our way.
New Jackson’s oeuvre, indeed David Kitt’s musical world, is vast; OOPS!... POP then might just be his opus across it all, a towering achievement of soaring catharsis in melody and song that soundtracks the most direct transmissions from his heart to yours.



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Tracklist
1. Ride The Night (Red Axes Remix)
2. Ride The Night (Alex Neri Remix)
3. Ride The Night (Jennifer Loveless Remix)
4. Ride The Night (Original Version)

Short Info
Baldo's electrifying track "Ride The Night" has been making waves across the global dance music scene, captivating audiences and dominating dancefloors with its infectious energy. Now, the hit single receives a fresh spin from acclaimed artists Red Axes, Alex Neri, and Jennifer Loveless in a highly anticipated vinyl release, marking a new chapter in the evolution of this standout track.
Originally unleashed as a dancefloor anthem, "Ride The Night" has solidified Barcelona's Baldo's reputation as a maestro of electronic beats. Its pulsating rhythms, captivating melodies, and euphoric atmosphere have earned it widespread acclaim, garnering support from DJs and fans alike. In this special vinyl edition, the magic of "Ride The Night" is reinvented through the unique perspectives of three distinguished remixers:

1. Red Axes: Renowned for their eclectic blend of genres and signature psychedelic soundscapes, Red Axes inject their remix with an otherworldly groove that pushes the boundaries of sonic exploration.
2. Alex Neri: A stalwart of the electronic music scene, Italian's Alex Neri brings his decades of experience to the table, delivering a remix that seamlessly blends classic house vibes with a contemporary edge, ensuring dancefloor domination.
3. Jennifer Loveless: With her innovative approach to DJing and production, Jennifer Loveless infuses her remix with a pulsating energy that captivates from start to finish, offering a fresh perspective on "Ride The Night" that is bound to ignite dancefloors worldwide.

This vinyl release marks the first time these remixes are available in physical format, offering fans and collectors alike the opportunity to own a piece of electronic music history. Each remix brings a distinct flavor to the table, showcasing the versatility and timelessness of Baldo's original composition.
"Ride The Night" on vinyl is a must-have for any discerning DJ or electronic music aficionado, serving as a testament to the enduring power of Baldo's music and the boundless creativity of the remixers involved.



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A
Kicking And Screaming
High Noon
Locked Groove A
B
How To Dream
Flat Footed Laurence

Short Info
SNECKER is the musical union of German born Panorama Bar resident DJ nd_baumecker and American musician and performer Snax. An initial foray making a bootleg remix of a Lady Gaga track led to weekly meetings at Baumecker's studio on the legendary Berghain nightclub campus. Jams would last for hours as Baumecker tinkered with his vast array of gear, Snax hoped from keyboard to keyboard and everything was recorded. At Snax's studio across town, arrangements were solidified and vocals added. Soon, files and files of heady, psychedelic and groovy music was piling up on hard drives and after Snecker's first release on Vienna's Freeride Millenium and a track on the 8th Permanent Vacation compilation, the boys now present "How To Dream" EP on Permanent Vacation. Four tracks (and some tools for creative DJs to be found on the vinyl release) full of blends of House, Boogie and Disco only a duo with a long creative history can provide.


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Tracklist

A1 Spumatore
A2 Giro D'Italia
A3 Decathlon
A4 Fracture
A5 Pendio Acid

B1 No No No
B2 Dillingen
B3 Obereggen
B4 Corporate Mind Disintegration
B5 Alpha Synthauri



Short Info


A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.

Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.

The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.



Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.

For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.

So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.



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LP incl Digital Download Voucher

Tracklist

A Side

01 Yellow River Drone
02 Cycles
03 Lotus Drive
04 Libellenflug
05 Things We See When We Look Closer

B Side

01 Mangrove Railways
02 Sky And Sand
03 Silver Rushing Streams
04 Zoom Out
05 Life By The Pond


Short Info

It's album time for Sam Goku aka Robin Wang: "Things We See When We Look Closer" is the second album from the Chinese-German artist, releasing nearly two years after his debut album "East Dimensional Riddims", that combined traditional Asian instruments and field recordings with his own modern take on dance music that focuses on fluid rhythms, beautiful melodies and ambient haze.

Based in Munich, things came together naturally with Permanent Vacation as a label for the DJ and producer. Not only sharing the same hometurf, but also a certain eclectic approach on music. After two EPs on the label, that found their way into DJ Sets from the likes of Ben Ufo & Four Tet, DJ Voices, Call Super and many more, Robin is drawing ever wider circles with his new album.

On eleven tracks he is refining his unique approach in his productions, probably described best as a deeply nature-rooted and aethereal sound from twinkling ambience over bright, bouncy kickdrums to shuffling breaks. Robin is hunting for the bigger picture by taking a closer look. Finding new life in the different microcosms and gaining new perspectives on things by switching the angle and developing a meditative and psychedelic swirl.



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2-LP incl Digital Download Voucher

Tracklist

Vinyl #1:

A1. Half-time Dreams feat. INIT
A2. Persistently There
A3. See you In Paradise feat. Vanessa

B1. Reset feat. Fort Romeau & Coloray
B2. Snap Out feat. Snax

Vinyl #2:

C1. Nocturnal Prowler
C2. Intense Affectionate
C3. Non Attachment

D1. Pepper On The Tongue Feat. Curses
D2. Mitate



Short Info

Massimiliano Pagliara returns to Permanent Vacation with his fourth studio album "See You In Paradise". After the highly acclaimed "Nothing Stays In One Place For Long" EP from 2020, this is the first full-length from the Italian-raised and Berlin-based producer for the label. Albums in the dance music genre can often be a challenge in terms of finding the right balance between the dancefloor and listening at home. Massimiliano, however, mastered this craftmanship perfectly while reviving the art of the album format.
Mostly written and produced in the lockdown period of spring 2020 these 10 tracks offer the whole sonic spectrum from the "Massi universe". The hardware enthusiast blends analogue-heavy and bright synthesizer melodies, pop hooks, Chicago house groove with more technoid tracks and atmospheric soundscapes. Taking you on a journey through his mind, body and soul: From his underground disco passion and pulsating dancefloor moments to ethereal and meditative ambience.

Inspired, both musically and aesthetically - one of his favourite carnal catchphrases titles the album - by Disco hero Patrick Cowley, Massimiliano channelled past, present and future in searching for new adventures within his music. For the first time working with live musicians (saxophone and piano) to bring a new facet on the table, that flows with the production seamlessly.

Communication and getting into a dialogue is a crucial part for Massimiliano as an artist. Whether it used to be as a ballet dancer, as a DJ, most prominently as a resident of the legendary Berghain / Panorama Bar, a producer and in collaboration with other artists and musicians: Maestro Massi has gathered an illustrious group of friends and like minded artist such as Snax, Fort Romeau and Init (with whom he has worked before), as well as new collaborators including Curses, Coloray and Vanessa. Under the artistic direction of Massimiliano each artist was able to bring his own unique talent into the album's coherent production and together with Massimiliano they created something that is more than the sum of its parts: A refuge full of beauty and harmony and free from worries in an upside down world. In other words: "See You In Paradise”


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Tracklist

A1 On Your Mind
A2 Piano Dance
A3 Cocktail
B1 Veto
B2 Got To Keep On
B3 Night Walk

Short Info
Fresh from delivering standout performances at Berlin’s renowned Panorama Bar and Amsterdam’s DGTL, Theo
Kottis presents his first solo release on Permanent Vacation, the sparkling ‘On Your Mind’ EP, released on 1
July (vinyl & digital).
The creation of the six tracks on ‘On Your Mind’ EP, provided moments of escapism for Theo Kottis, during the
depths of lockdown 2020. His nods to synth pop and italo fun, inspired by bands of the new wave era, are
intended to bestow upon the listener those same blissed out moments. There’s more to these tracks than meets
the ear, particularly stand out ‘On Your Mind’, the product of relentless pursuit. For Theo, the collaboration with
Permanent Vacation was long awaited and is a memorable mark within his thriving career.
Theo Kottis said: “Thrilled to finally share these tracks, I worked on them 2 years ago and was fortunate enough
to find them a home at Permanent Vacation, which has long been one of the labels I've admired most. As these
tracks were a solo lockdown project, I've loved collaborating with PV on the release - particularly the creation of
the vinyl. Next up - I can't wait to play them out IRL in parties this summer.”
Edinburgh-born and now London-based Theo Kottis is set for a big summer with a host of high profile worldwide
festival and club dates, with forthcoming dates including his Beautiful Strangers label Off Sonar showcase party in
Barcelona with KiNK, Saoirse, & a B2B with Ryan Elliott, Warehouse Project, El Dorado Festival, Ijland
Amsterdam, Pikes Ibiza and Lost Village Festival.

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LP

Tracklist
a1 party life
a2 show her your soul
a3 audrey
a4 show me
b1 thought you were the one
b2 anything
b3 the key
b4 party life (dub mix)

Short Info
After the re-release of the classic "Nu Romantix" album, Ed DMX aka DMX Krew returns to Permanent Vacation
with his new album "Party Life". This time the long-haired UK legend is taking a step back from his trademark
Electro and Techno sound and putting on his romancing suit. Ed is crooning over 80's styled Boogie, Disco and
Funk tracks in a way only he can do it and that will either make you jump for joy or cruising down the coastal
promenade. "Party Life" is another example why Ed is a master of all crafts in the ever expanding DMX Krew
universe.






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Tracklist
A1 The Night Mail
A2 Hussle Free
B1 Shoot Out The Lights
B2 It's Not Over

Short Info
Completely new mastered vinyl re-issue of the classic and highly sought after New Jackson EP from 2011.





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WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.netMore

Vinyl LP with digital download voucher

Tracklist
A Side
1. Monday Funday
2. Sponge Bob
3. Planets & Orbits
4. Pixie Crop
B Side
1. Feathered Flip
2. Telemark
3. Angry Professor
4. Techno Power

Short Info
The Covid Pandemic hit Germany in March 2020 and by the 15th of March all of the public life was shut down. It
was the same day where my son Rio was born.
For me, this early stage of the pandemic had something very intimate and private, since I was forced to stay at
home with my young family for weeks. In Mai 2020 I started to leave the house, for other occasions then just
going to the shop or taking a walk and that was the time I started working on “Hotel Solaris”. It was an intense
creative rush: in 8 weeks the album was written, performed and produced in one flow. I had two days every week,
where I could go to the studio for 4 hours and that time the album was done. It had a corpus in a sense that I
knew I wanted a faster or a slower track at points, but the whole hotel idea came when I saw photos of the old
Hotel Arkada on the Croatian island Hvar, that my extremely talented friend Marcella Zanki shot on her holidays.
They show a well preserved socialist-brutalist hotel architecture in the middle of the beautiful Adriatic and for me it
was like looking at pictures from a timeless place, without knowing where and when it exactly was, totally surreal.
I liked that idea of a hote that stands as an escape symbol from the real world, which was something everyone
needed when the pandemic was building stronger and stronger. I decided to call it Hotel Solaris, inspired by the
novel from Stanislav Lem, where Solaris is a planet covered by an ocean which triggers our subconscious mind to
become reality. It all fit at the end and “Hotel Solaris” was done.






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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Repress. Vinyl 12" in black standard sleeve

Tracklist

A1 Original
A2 Perel Remix

B1 Krystal Klear Remix
B2 Theo Kottis Remix

Short Info

Midnight Magic's, New York's No.1 Disco Band, evergreen "Beam Me Up" gets the anniversary remix treatment by some of today's experts in this area: First up is Running Back regular Krystal Klear, who gives the original the electronic disco do-over transporting "Beam Me Up" into the new decade. Whizz-Kid and Wonder Woman Perel steps up with an 80's flavoured and synth-heavy Cosmic Disco version. Scotland's finest Theo Kottis, turns up the euphoria level with his piano house meets italo version. A hit is a hit is a hit.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
A1. Melodies On The Meridian
A2. Quantum Field Trip

B1. The Final Front Ear
B2. Journey To Now-Here

Short Info
Hailing from Donald Street in Brunswick, Melbourne, James and Peter Isaacs are the brotherly duo Donald’s House. Taking influence from Paradise Garage styled disco, early 90s house, Italo and anything with a DMX drum kit, their take on dance music is as refreshing as it is familiar. After two EP releases with Nick Höppner’s label, Touch From A Distance, James and Peter present their first full length EP for Permanent Vacation: "Final Frontier" with 4 tracks that show their prolific productions skills on all i's glory.





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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)


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2024 Repress


- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork

Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation

We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.

Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.

The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.

Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).


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2024 Repress!

TRACKLISTS:

A1 Movement
A2 Moments with Ann
B1 Moments with Ann (Ron Basejam Remix)
B2 Soul Patron

Dj Jauche´s "Movement and Soul Ep" include a Massive Remix bei Crazy P´s - Ron Basejam

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From Edit To Edit (Limited Repress)



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last repress of tiger & woods gin nation. please preorder now!
12" Album Sampler for Tiger & Woods' debut long player "Through The Green". Featuring the dynamic duo's top secret super hit "Gin Nation" and the brand-new ecstasy epic "Kissmetellme" - including the DJ-friendly beat-up heat-up "Kissmetellmemore". You're in for some top notch Editainment. Shrouded in mystery! Here today, won't be gone tomorrow…

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DE - 22113 Hamburg
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Format Notes: 2024 first-time vinyl reissue, 140g vinyl, mastered by Simon Francis

Track List:

A1 The Fall (Maurice Fulton Remix)
B1 The Fall

Release Notes:

Maurice Fulton's outrageous remix of "The Fall" by Rhye has been cherished as a stone-cold masterpiece for the past decade. Out of print almost immediately, its legend has only grown and for too long it's been impossible to find a copy without parting with considerable cash. We've wanted to remedy this situation for years so we're delighted to announce that we've finally given it the Be With treatment.

The word ‘genius’ is bandied about liberally but it's fair to anoint Maurice Fulton with such lofty praise. Sheffield’s king of oddball disco, Fulton is one of our favourite artists, an outerspace-minded producer with roots in Baltimore club music who has no problem injecting dank interplanetary funk into the smoothest of acts. And so it goes with his remix of "The Fall". Rich and typically off-kilter, this is spellbinding disco par excellance. Fulton arms the track with a juddering electro-funk synth-bassline before shifting to a twanging disco reverb and conga-led, crash-cymbal-elevated groove.

Essential doesn't even cover it; it's just astonishingly good.

The gorgeous original, situated here on the flip, is a sublime serenade, all twinkling strings and sweet, sumptuous vocals over smooth, jazzy piano styles. It earned comparisons to Sade, Air and the xx upon initial release and it's still easy to understand why; it's warm and buoyant yet deeply melancholy. Elegantly downlifting, you could say.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every year.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore