BACK IN! Very limited Vinyl pressing. Adding a percussive and experimental edge to the current class of post-dubstep pioneers, Mount Kimbie, the duo of Dominic Maker and Kai Campos - are set to release their highly anticipated debut album ‘Crooks & Lovers’ on Scuba's Hotflush label in July. Mount Kimbie’s first two EPs - ‘Maybes’ and ‘Sketch On Glass’ - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs. The experience was less like listening to music and more like eavesdropping on the machinations of a lone mind – albeit a lone mind surrounded by and retreating from millions of other minds. Difficult to categorise, the lush EPs caused a commotion when released last year with ‘Sketch On Glass’ recently undergoing reworks from the likes of Faulty DL, SCB (Scuba’s darker techno alias) and their sometime collaborator James Blake. With their own remixes (Foals and The xx) becoming hot property, Mount Kimbie have been a core part of the growing scene in London often associated with labels like Hyperdub and Hessle Audio. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum - where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remain – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul gets cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres find a cradle in Madlib’s lax lope. The band’s sound and response to the dubstep moment is very much their own. Sceneless and untethered from etiquette and genre codes, 'Crooks & Lovers' floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. Mount Kimbie – who play as a live band - have announced a string of European festivals & shows for the summer.
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More records from mount kimbie
Mount Kimbie’s fourth studio album, The Sunset Violent, is seeded in the wake of 2017’s Love What Survives and marks an important full circle moment for the group as they return to a band-like setup (Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell).
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule)
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The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule)
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MK 3.5: Die Cuts | City Planning shows how Dom Maker and Kai Campos have grown over the past decade, and demonstrates the two sides of Mount Kimbie’s aesthetic coin - each side produced entirely by either member. Dom’s side, Die Cuts, is colourful and melody-led, thriving on the spark of collaboration; Kai’s, City Planning, is tactile and unpredictable, the product of a deeply personal aesthetic voyage. The two sides complement each other through their contrasts. But in other ways they’re not so different. Both artists present a unique vision which stands apart from their peers; neither side could have been made by anyone but Mount Kimbie.
Die Cuts, produced by Dom, was inspired by his move to LA half a decade ago, around the same time as the band’s old friend and collaborator James Blake. The pair began doing production sessions with a series of increasingly big names from the world of rap and hip-hop, including Jay-Z, Travis Scott, ASAP Rocky, SZA, and Rosalia, among many others. Dom’s collaborative work is going from strength to strength, hitting a recent high with his and James’ headturning work on Slowthai’s ‘Feel Away’.
Die Cuts is a reflection of this nascent community and Dom’s producerly vision. Skipping between hip-hop, RnB, and electronic pop, the album combines high class songcraft with a delicate leftfield touch, and showcases a cast of vocalists including longtime friends James Blake and Slowthai, alongside new collaborators Danny Brown, Reggie, Nomi, Keiyaa, Wiki, Liv.e, Kucka and Choker.
Kai’s side began after the duo’s finest record yet, 2017’s Love What Survives, led to a period of extensive touring. Back home, he was hungry for a change of pace. He found it in DJing, which offered a new kind of performance - unplannable, unpredictable, and thrilling. He has since become a seasoned DJ, clocking in at the finest festivals (Field Day, Dekmantel, Melt) and clubs (Printworks, Fabric, Sub Club, Concrete) and recording numerous mixes, including a slick DJ-Kicks mix in 2018. Following this, he embarked on a project of "intense listening and thinking about listening,” immersing himself in new sounds and music-making approaches.
The outcome of this creative journey is City Planning. Wild, warped and loopy, the album twists avant-garde signifiers from on and off the dancefloor into a deft and refined statement. Its sleek beats and stuttering arpeggios are caked with scuzz and personality, making for an album that’s warm and inviting even at its most confrontational.
They also share the news that for the first time ever, acclaimed photographers/directors and longtime collaborators, Tyrone Lebon & Frank Lebon are working together with Mount Kimbie alongside legendary US visual artist and sculptor Tom Shannon to create a multi-format creative campaign.
- Specs Black vinyl 2LP in printed inners in custom double sided outer sleeve, download card insert
Tracklisting:
Dom Maker - Die Cuts
A1. dvd (feat. choker)
A2. in your eyes (feat. slowthai & danny brown)
A3. f1 racer (feat. kucka)
A4. heat on, lips on
A5. end of the road (feat. reggie)
A6. somehow she’s still here (feat. james blake)
B1. kissing (feat. slowthai)
B2. say that (feat. nomi)
B3. need u tonight
B4. if and when (feat. wiki)
B5. tender hearts meet the sky (feat. keiyaa)
B6. a deities encore (feat. liv.e)
Kai Campos - City Planning
A1. Q
A2. Quartz
A3. Transit Map (Flattened)
A4. Satellite 7
A5. Satellite 9
A6. Satellite 6 (Corrupted)
B1. Zone 3 (City Limits)
B2. Zone 2 (Last Connection)
B3. Zone 1 (24 Hours)
B4. Industry
B5. Human Voices
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Die Cuts, produced by Dom, was inspired by his move to LA half a decade ago, around the same time as the band’s old friend and collaborator James Blake. The pair began doing production sessions with a series of increasingly big names from the world of rap and hip-hop, including Jay-Z, Travis Scott, ASAP Rocky, SZA, and Rosalia, among many others. Dom’s collaborative work is going from strength to strength, hitting a recent high with his and James’ headturning work on Slowthai’s ‘Feel Away’.
Die Cuts is a reflection of this nascent community and Dom’s producerly vision. Skipping between hip-hop, RnB, and electronic pop, the album combines high class songcraft with a delicate leftfield touch, and showcases a cast of vocalists including longtime friends James Blake and Slowthai, alongside new collaborators Danny Brown, Reggie, Nomi, Keiyaa, Wiki, Liv.e, Kucka and Choker.
Kai’s side began after the duo’s finest record yet, 2017’s Love What Survives, led to a period of extensive touring. Back home, he was hungry for a change of pace. He found it in DJing, which offered a new kind of performance - unplannable, unpredictable, and thrilling. He has since become a seasoned DJ, clocking in at the finest festivals (Field Day, Dekmantel, Melt) and clubs (Printworks, Fabric, Sub Club, Concrete) and recording numerous mixes, including a slick DJ-Kicks mix in 2018. Following this, he embarked on a project of "intense listening and thinking about listening,” immersing himself in new sounds and music-making approaches.
The outcome of this creative journey is City Planning. Wild, warped and loopy, the album twists avant-garde signifiers from on and off the dancefloor into a deft and refined statement. Its sleek beats and stuttering arpeggios are caked with scuzz and personality, making for an album that’s warm and inviting even at its most confrontational.
They also share the news that for the first time ever, acclaimed photographers/directors and longtime collaborators, Tyrone Lebon & Frank Lebon are working together with Mount Kimbie alongside legendary US visual artist and sculptor Tom Shannon to create a multi-format creative campaign.
- Specs Black vinyl 2LP in printed inners in custom double sided outer sleeve, download card insert
Tracklisting:
Dom Maker - Die Cuts
A1. dvd (feat. choker)
A2. in your eyes (feat. slowthai & danny brown)
A3. f1 racer (feat. kucka)
A4. heat on, lips on
A5. end of the road (feat. reggie)
A6. somehow she’s still here (feat. james blake)
B1. kissing (feat. slowthai)
B2. say that (feat. nomi)
B3. need u tonight
B4. if and when (feat. wiki)
B5. tender hearts meet the sky (feat. keiyaa)
B6. a deities encore (feat. liv.e)
Kai Campos - City Planning
A1. Q
A2. Quartz
A3. Transit Map (Flattened)
A4. Satellite 7
A5. Satellite 9
A6. Satellite 6 (Corrupted)
B1. Zone 3 (City Limits)
B2. Zone 2 (Last Connection)
B3. Zone 1 (24 Hours)
B4. Industry
B5. Human Voices
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1
Mount Kimbie, - Maybes
2
Mount Kimbie, - William
3
Mount Kimbie, - Vertical
4
Mount Kimbie, - Taps
Hotflush Recordings presents a brand new production duo that eludes classification: Mount Kimbie. Based in London, they have developed a truly unique sound whose experimental rhythms lend themselves to the fringes of dubstep, wonky and hip hop, but ooze with emotion and echoing ambient soundscapes that take the listener to an entirely different place. Due for release in the beginning of 2009, this first release features four tracks which capture their evolving sound. The minds behind Mount Kimbie, Dominic Maker and Kai Campos, both 22, met at university and began making music together in a home studio in Peckham. Hints of their influences from hip hop, jazz, dubstep and experimental electronica can be heard in their productions.
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1
Mount Kimbie - Tunnelvision
2
Mount Kimbie - Would Know
3
Mount Kimbie - Before I Move Off
4
Mount Kimbie - Blind Night Errand
5
Mount Kimbie - Adriatic
6
Mount Kimbie - Carbonated
7
Mount Kimbie - Ruby
8
Mount Kimbie - Ode To Bear
9
Mount Kimbie - Field
10
Mount Kimbie - Mayor
11
Mount Kimbie - Between Time
12
Mount Kimbie - Maybes
13
Mount Kimbie - William
14
Mount Kimbie - Vertical
15
Mount Kimbie - Taps
In 2010, Mount Kimbie released their debut album, Crooks & Lovers, to widespread acclaim. Perfectly capturing the heady atmosphere of the moment, the album melded the wide-eyed mentality of what had become known as ‘Post-Dubstep’ with an open-minded musical sensibility that produced an instant classic. Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum – where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, on Crooks & Lovers Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remained – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul was cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres found a cradle in Madlib’s lax lope. Sceneless and untethered from etiquette and genre codes, "Crooks & Lovers" floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. On this special vinyl edition, the first ever Mount Kimbie transmission, the Maybes EP, is included. Originally released on Hotflush in February 2009 and out of print on vinyl for many years, it’s a crucial snapshot of the band developing their sound.
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Mount Kimbie take the reigns of the DJ-kicks series with a 23 track mix that includes one of their own new exclusives. Due for release on 28th September, it's a snapshot of exactly what the UK duo sound like in the club right now and is accompanied by a DJ-kicks tour that takes the pair to DJ and live dates all round the world. 2018 marks a decade since Kai Campos and Dominic Maker first hooked up and started making music. In the early years they refashioned dubstep into innovative new forms that drew on ambient, garage and electronica. After a critically acclaimed debut album on Hotflush, they signed to Warp Records and have consolidated their position at the forefront of the international electronic scene with two critically acclaimed albums and countless world live tours. This is a mix inspired by a mini-run of DJ gigs that Mount Kimbie played with Actress. "It was an interesting and challenging experience, and I learnt a lot on the six dates we did," says Kai, who explains that plenty of the tracks he was playing during those gigs make it into the mix. They make it a forward looking affair that calls on music the band have discovered recently; music they have found inspiring. Their own 'DJ-kicks' track was made specially for the mix and was initially influenced by Stanislav Tolkachev and Alexis Perala, who are both also included. Rather than a painstaking plan or meticulous studio approach, this session captures the improvised energy of a real DJ mix, but one where each track is given time to breath and make an impact rather than one where DJ trickery is at the fore. The result is a succinct 50 minutes that often goes deep, with roughhewn drums and grainy atmospheres from the likes of Terrence Dixon, Severed Heads, Marco Bernardi and Object Blue. It perfectly knits together stripped back rhythms, percussive tracks and more harmonic techno while seamlessly joining the dots between the old and the new. It's a well balanced mix that stays low and heady, and that sense of focussed tension is what makes it so utterly compelling throughout.
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Mount Kimbie take the reigns of the DJ-kicks series with a 23 track mix that includes one of their own new exclusives. Due for release on 28th September, it's a snapshot of exactly what the UK duo sound like in the club right now and is accompanied by a DJ-kicks tour that takes the pair to DJ and live dates all round the world. 2018 marks a decade since Kai Campos and Dominic Maker first hooked up and started making music. In the early years they refashioned dubstep into innovative new forms that drew on ambient, garage and electronica. After a critically acclaimed debut album on Hotflush, they signed to Warp Records and have consolidated their position at the forefront of the international electronic scene with two critically acclaimed albums and countless world live tours. This is a mix inspired by a mini-run of DJ gigs that Mount Kimbie played with Actress. "It was an interesting and challenging experience, and I learnt a lot on the six dates we did," says Kai, who explains that plenty of the tracks he was playing during those gigs make it into the mix. They make it a forward looking affair that calls on music the band have discovered recently; music they have found inspiring. Their own 'DJ-kicks' track was made specially for the mix and was initially influenced by Stanislav Tolkachev and Alexis Perala, who are both also included. Rather than a painstaking plan or meticulous studio approach, this session captures the improvised energy of a real DJ mix, but one where each track is given time to breath and make an impact rather than one where DJ trickery is at the fore. The result is a succinct 50 minutes that often goes deep, with roughhewn drums and grainy atmospheres from the likes of Terrence Dixon, Severed Heads, Marco Bernardi and Object Blue. It perfectly knits together stripped back rhythms, percussive tracks and more harmonic techno while seamlessly joining the dots between the old and the new. It's a well balanced mix that stays low and heady, and that sense of focussed tension is what makes it so utterly compelling throughout.
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First up, Nina Kraviz mutates album favourite Blue Train Lines into an extended techno trip, with snippets of King Krule’s vocals circling the maelstrom. The first 12” comes backed with two more DJ tool versions. The second 12” features two takes on album opener Four Years and One Day. The first is a techno belter from Marcel Dettmann, followed by Gerd Janson tweaking the bassline from the original into a hands-in-the-air euphoric acid climax. Berlin’s Ellen Allien closes the package, completely transforming the lush hazy beats of T.A.M.E.D into a techno monster. Mount Kimbie are sure to be featuring some of these cuts in their back-to-back DJ sets with Actress in a run of dates starting tomorrow. The band have also recently announced a full live band tour of the USA through May. They have been announced high on the bills of a clutch of festivals including Field Day, Primavera, Melt, Dour, Pitchfork and FYF for the summer.
Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert
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Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert
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Mount Kimbie return with a package of four remixes from their critically lauded recent album Love What Survives, from European club music’s biggest names. Split over two 12”s, released on consecutive weeks, the bundle explores differing dancefloor twists on the album’s driving, visceral post-punk sound. The second 12” features two takes on album opener Four Years and One Day. The first is a techno belter from Marcel Dettmann, followed by Gerd Janson tweaking the bassline from the original into a hands-in-the-air euphoric acid climax. Berlin’s Ellen Allien closes the package, completely transforming the lush hazy beats of T.A.M.E.D into a techno monster. Mount Kimbie are sure to be featuring some of these cuts in their back-to-back DJ sets with Actress in a run of dates starting tomorrow. The band have also recently announced a full live band tour of the USA through May. They have been announced high on the bills of a clutch of festivals including Field Day, Primavera, Melt, Dour, Pitchfork and FYF for the summer. Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert
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More records from hotflush
1
Odd Occasion - WAIT.....
2
Odd Occasion - ORDER RAND
3
Odd Occasion - SIMPLE
4
Odd Occasion - SALT
5
Odd Occasion - SEE JOY
6
Odd Occasion - TAPE
Next up on the Hotflush fresh talent list comes a debut release from a totally new name - Odd Occasion. Details on the new artist are few and far between, but Perth, Australia is the home base and cutting edge UK–inflected bass skirting the edges of techno is the musical direction. Two tracks land digitally on 29 Nov, as well as a six track vinyl EP dropping at the end of February. Lots more to come from this emerging star over the course of 2025 and beyond.
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1
Braille - Cost Of Living
2
Braille - Suntime
3
Braille - Summer Sizzle
4
Braille - Ups
5
Braille - Powder Keg
6
Braille - Sour Patch Kiss
7
Braille - While We're Free
8
Braille - Cloud Monger
9
Braille - Dirt Fam
10
Braille - Regression
11
Braille - Powers
Full of bounce and experimentation in equal measure, ‘Triple Transit,’ Braille’s new album for Hotflush is about leaving his Sepalcure project (with Machinedrum) in the rear mirror, moving back to New York and using its energy to fuel new moves, confronting our hyper layered world and overcoming personal difficulties by being creative.Focused squarely on utilising modular synthesis in sprawling studio sessions, the album covers a wide stylistic range and draws on the artist’s formidable battery of experience to craft a body of work that packs real emotional punch as well as a dancefloor sensibility.We had a quick chat with him to wet your appetite…Praveen Sharma aka Braille:Moving on from Sepalcure“That period of time when Sepalcure was at its peak was really inspiring. I’m still really in awe and humbled by the fans. It’s always amazing to hear about how music you’ve made has brightened up other people’s lives in some way, but ‘Triple Transit’ is really about transitioning from that period to something new. I’m intentionally not using many vocal samples on this album. That became quite a crutch for Sepalcure and I wanted to try and find ways to evoke those emotions and connect with the audience in other ways.”The roots of his Bounce‘Sour Patch Kiss’ and ‘While We’re Free’ are inspired by classic house and some early Detroit stuff. Songs like ‘Big Fun’ (Inner City), ‘I Wanna Be there’ (Model 500) and slowed down ‘Sex on The Beach’ (DJ Assault) have stuck with me since the beginning. I used to listen to this slowed down and doubled version of ‘Sex on The Beach’ on an early Juan Atkins mix cd on REPEAT when I was in high school.Getting ambientTriple Transit slows down and transitions through a bit of sadness and eventually acceptance at the end of the album. A lot of the music I’m making these days is trying to recreate that manic feeling so many of us have in 2024. Between social media, ridiculous hustle culture expectations and depressing global and national political events, it’s hard to not feel overwhelmed. I feel like Triple Transit is kind of a parabolic curve from mania to joy to a sober realization that yeah, actually the world is just fucked but somehow we carry on.
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1
Scuba - Truth
2
Scuba - Riding
3
Scuba - i wna doit nth bckst
4
Scuba - Give Up Everything
5
Scuba - Pocket Rocket
6
Scuba - Storms Of Love
Welcome to ‘Hardcore Heaven III’, the third in Scuba's series of classic hardcore-inflected vinyl EPs further develops the themes, from acid house to jungle, established on the first two installments.
Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year.
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Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year.
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1
Scuba - Safety Traxx
2
Scuba - Feel The Same
3
Scuba - Move Like Shadows
4
Scuba - Tru Love
5
Scuba - Who Knows
6
Scuba - Frenchie
Hotflush continues its celebratory 20th anniversary year with a vinyl-only sequel to Scuba’s Record Store Day UK release, “Hardcore Heaven”. ‘Hardcore Heaven II’ develops the theme of that first release back in April. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets a Scuba-in-2023 update. The tracks on this EP add a twist of twisted breaks, early 2-step, and classic broken beat to the mix, as well as some moody vocal rubs and the customary dancefloor flavours. The six tracks included here are presented on red and black splatter vinyl, limited to 500 copies with definitely no represses.
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Hotflush - the label founded by Scuba in 2003 - continues its celebratory 20th anniversary year with a debut contribution to the institution that is Record Store Day UK. ‘Hardcore Heaven’ is a collection of six fresh Scuba takes on the classic era of hardcore. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets something of a 2023 update from one of the UK’s most versatile and prolific producers. The tracks on this collection will appear ONLY on this release - a Neon splatter-look, 500-unit press vinyl special with no streaming platforms, no represses, and definitely no Youtube rips. OK, there will probably be Youtube rips but we will do our best to get them taken down!
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1
Toasty - - The Knowledge
2
Dense & Pika - - Colt
3
Mount Kimbie - - Maybes (James Blake Remix)
4
Sepalcure - - Pencil Pimp
5
Or:la - - UK Lonely
6
Search & Destroy - - Candyfloss (Loefah Remix)
7
Scuba - - Ruptured (Surgeon Remix)
8
Various Artists - Paul Woolford - MDMA
9
Closet Yi - - Heavy
10
Various George FItzGerald - - Thinking Of You
11
Scuba - - Three Sided Shape
12
Recondite - - Caldera
13
Jimmy Edgar - - Sex Drive (Scuba's Dub Of Doom)
14
Lawrence Hart & Casually Here - - Wanderlust
15
Kiimi - - Breaking My Mind (Jacques Greene Remix)
Hotflush Recordings celebrates 20 years in the game this year, with a triple pack vinyl compilation featuring some of the key musical events in the label’s catalogue .Born in 2003, Hotflush stands as one of electronic music’s most influential labels. A multi-dimensional imprint that helped define the development of bass music throughout the mid-2000s, in the last decade it would evolve towards the liminal spaces between house, techno, and beyond - a journey which has given the dancefloor some of its true underground classics. This celebratory release covers every era and stylistic area of the Hotflush output. 2005’s proto-dubstep face melter ‘The Knowledge’ by Toasty kicks off Side A, with the key sides of bass music development all covered with tracks from James Blake, Loefah, Sepalcure, and Scuba. UK techno legend Surgeon appears with his seminal remix of Scuba’s ‘Ruptured’ (2008), while the early Paul Woolford classic ‘MDMA’ reminds us of how ended up working with Diplo. George FitzGerald and Recondite reprise some of their key formative material, while newer names Lawrence Hart, OR:LA and breakout Seoul artist Closet Yi also make appearances. Canadian mastermind Jacques Greene rounds off the release with his slamming remix of Kiimi’s Breaking My Mind. This is a compilation 20 years in the making, containing some of the key tracks from the electronic underground - curated and compiled by label boss Scuba.
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1
Mount Kimbie, - Maybes
2
Mount Kimbie, - William
3
Mount Kimbie, - Vertical
4
Mount Kimbie, - Taps
Hotflush Recordings presents a brand new production duo that eludes classification: Mount Kimbie. Based in London, they have developed a truly unique sound whose experimental rhythms lend themselves to the fringes of dubstep, wonky and hip hop, but ooze with emotion and echoing ambient soundscapes that take the listener to an entirely different place. Due for release in the beginning of 2009, this first release features four tracks which capture their evolving sound. The minds behind Mount Kimbie, Dominic Maker and Kai Campos, both 22, met at university and began making music together in a home studio in Peckham. Hints of their influences from hip hop, jazz, dubstep and experimental electronica can be heard in their productions.
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1
Scuba + DOMiNii - Touch
2
Scuba + DOMiNii - Womb
3
Scuba + DOMiNii - Out
4
Scuba + DOMiNii - Forgive Me
5
Scuba + DOMiNii - Fish
6
Scuba + DOMiNii - Tango
7
Scuba + DOMiNii - Tips
Scuba begins a new project with London vocalist and producer DOMiNii, who makes his debut with ‘Diivorce’. Paul Rose (aka Scuba) has long since explored cross-genre sounds, blending disparate elements and mining nostalgia to create cool moods and moments of pure escapism. Over four critically acclaimed albums and mix CDs for DJ Kicks, fabric, and Ostgut Ton, he’s established himself as one of the industry’s most respected artists and tastemakers. He’s continued to evade musical pigeonholing over the course of his career, never hesitating to challenge himself with new creative endeavours. The fresh sonic direction expressed on ‘Diivorce’ is one he’s been developing since 2018, when he took an indefinite break from the full-time DJ circuit. ‘Diivorce’ is a collaboration with debut artist DOMiNii, a vocalist and producer who takes influence from the likes of Wang Chung, David Newman, Arthur Russell, and The Blue Nile. Although he appeared uncredited with backing vocals on Scuba’s ‘Forgive Me’, which initially came out last summer, ‘Diivorce’ marks his first official release. fCovering areas as varied as power pop, indietronica, exuberant house, and classic rock, the project seemingly touches as many points as it can think of, something Rose acknowledged in a recent interview where he stated that “we made so many tracks, with no real set direction, so with this record I just wanted to pick a limited number that kind of showed where we’d been. We are working on something now that I’d call a ‘proper album’, which I think will come out in 2022, Diivorce is something I see as a documentation of a period of time.” The project includes illustrations by French artist Virginie Kypriotis who tells the story of ‘Diivorce’ through the eyes of DOMiNii, detailing a world of abandonment and separation against a backdrop of a faded paradise. Rose was first acquainted with Kypriotis’ work through her iconic illustration ‘A Night at Berghain’, which was later used by the club as their official flyer artwork in December 2017. The vinyl edition of ‘Diivorce’ includes previously unreleased (and vinyl-exclusive) track ‘Tricks’, and is packaged in a limited edition, numbered, screen-printed sleeve.
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1
Mount Kimbie - Tunnelvision
2
Mount Kimbie - Would Know
3
Mount Kimbie - Before I Move Off
4
Mount Kimbie - Blind Night Errand
5
Mount Kimbie - Adriatic
6
Mount Kimbie - Carbonated
7
Mount Kimbie - Ruby
8
Mount Kimbie - Ode To Bear
9
Mount Kimbie - Field
10
Mount Kimbie - Mayor
11
Mount Kimbie - Between Time
12
Mount Kimbie - Maybes
13
Mount Kimbie - William
14
Mount Kimbie - Vertical
15
Mount Kimbie - Taps
In 2010, Mount Kimbie released their debut album, Crooks & Lovers, to widespread acclaim. Perfectly capturing the heady atmosphere of the moment, the album melded the wide-eyed mentality of what had become known as ‘Post-Dubstep’ with an open-minded musical sensibility that produced an instant classic. Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum – where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, on Crooks & Lovers Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remained – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul was cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres found a cradle in Madlib’s lax lope. Sceneless and untethered from etiquette and genre codes, "Crooks & Lovers" floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. On this special vinyl edition, the first ever Mount Kimbie transmission, the Maybes EP, is included. Originally released on Hotflush in February 2009 and out of print on vinyl for many years, it’s a crucial snapshot of the band developing their sound.
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1
mind against - Explorer
2
mind against - Forevermore
3
mind against - Mirage
4
mind against - Forevermore (Dub)
Mind Against return to Hotflush with a four-track EP of spiralling, hypnotic techno. Delving further into their sparse brand of dark, meditative techno, the Italian duo forge an understated but emotive EP of swirling textures and subtle harmonies. Drawing upon elements of trance, ambient and IDM, Explorer? is a refined package of introspective sonic wanderings. B2. Forevermore (Dub) is vinyl exclusive.
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1
SCB - Test Tubes
2
SCB - Bone
3
SCB - Manufactured Consent
4
SCB - The Cut
5
SCB - Freedom for the Fifty
6
SCB - Extinct
7
SCB - Laboratory Conditions
8
SCB - Five Degrees
9
SCB - Opposition Division
10
SCB - Intelligence Fetish
11
SCB - Caibu
12
SCB - Into Consciousness
TRACKLISTING:
1. Test Tubes
2. Bone
3. Manufactured Consent
4. The Cut
5. Freedom for the Fifty
6. Extinct
7. Laboratory Conditions
8. Five Degrees
9. Opposition Division
10. Intelligence Fetish
11. Caibu
12. Into Consciousness
Release Info:
Scuba continues his uncompromising SCB moniker with 'Caibu', a twelve track LP of cerebral techno, darkened disco and broken beats out April 13th on Hotflush.
Paul Rose's career has enjoyed a unique trajectory that affords his reputation as one of the scene's most forward-thinking artists, label heads and promoters. Always the risk taker, his Hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at Berghain opened up one of the world's most revered venues to new sounds and musical possibility. Today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material.
'Caibu' is his first album as SCB and incorporates material from the 'Below the Line' and 'Old Media New Society' EPs of last year. Preceding the release, a third EP - 'Engineered Morality' - will drop 16th March, continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' and its accompanying EPs invite the listener to forge their own ideas on the development of society in the context of crisis.
Within this dystopic setting, 'Caibu' draws strength from introspection. At times trapped in a pressurized container, at others floating through vast spaces; SCB merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre. Metallic surfaces are moulded into polyrhythmic patterns replete with ricocheting drums, whilst unfamiliar acoustics provide a backdrop for the unfurling narrative.
Artwork for the three EPs and album commissioned by Jonathan Lawrence.
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1. Test Tubes
2. Bone
3. Manufactured Consent
4. The Cut
5. Freedom for the Fifty
6. Extinct
7. Laboratory Conditions
8. Five Degrees
9. Opposition Division
10. Intelligence Fetish
11. Caibu
12. Into Consciousness
Release Info:
Scuba continues his uncompromising SCB moniker with 'Caibu', a twelve track LP of cerebral techno, darkened disco and broken beats out April 13th on Hotflush.
Paul Rose's career has enjoyed a unique trajectory that affords his reputation as one of the scene's most forward-thinking artists, label heads and promoters. Always the risk taker, his Hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at Berghain opened up one of the world's most revered venues to new sounds and musical possibility. Today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material.
'Caibu' is his first album as SCB and incorporates material from the 'Below the Line' and 'Old Media New Society' EPs of last year. Preceding the release, a third EP - 'Engineered Morality' - will drop 16th March, continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' and its accompanying EPs invite the listener to forge their own ideas on the development of society in the context of crisis.
Within this dystopic setting, 'Caibu' draws strength from introspection. At times trapped in a pressurized container, at others floating through vast spaces; SCB merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre. Metallic surfaces are moulded into polyrhythmic patterns replete with ricocheting drums, whilst unfamiliar acoustics provide a backdrop for the unfurling narrative.
Artwork for the three EPs and album commissioned by Jonathan Lawrence.
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1
scb - Test Tubes
2
scb - Bone
3
scb - Manufactured Consent
4
scb - The Cut
5
scb - Freedom For The Fifty
6
scb - Extinct
7
scb - Laboratory Conditions
8
scb - Five Degrees
9
scb - Opposition Division
10
scb - Intelligence Fetish
11
scb - Caibu
12
scb - Into Consciousness
'Caibu' is Paul Rose's first album as SCB. The album builds on material from the 'Below The Line', 'Old Media New Society', and 'Engineered Morality' EPs which explored a fictional narrative in which a hypothetical timeline is corrupted by a climate-related disaster. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' invites the listener to forge their own ideas on the development of society in the context of crisis.
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1
scb ( scuba ) - Test Tubes
2
scb ( scuba ) - Freedom For The Fifty
3
scb ( scuba ) - Oration
4
scb ( scuba ) - Laboratory Conditions
Scuba drops another four cuts as SCB on Hotflush Recordings this December. Paul Rose first launched his SCB moniker in 2010, going on to appear on labels like Ostgut Ton, Aus Music and Nonplus until 2014. This year saw the pioneering British producer revisit his darker alias with a dystopian themed release on Hotflush – he now returns with four more twisted and ominous productions.
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1
scb - Five Degrees
2
scb - Opposition Division
3
scb - Confidence Trick (FX Overload Version)
4
scb - The Cut
Scuba refocuses his SCB project with ‘Below the Line’, coming this October on Hotflush Recordings. ‘Below The Line’ inaugurates a fictional timeline of events set in a hypothetical future. A climate-related disaster acts as a catalyst for a complete overturn in society, the repercussions of which will be explored subsequently.
The British producer has become one of modern dance music’s most pioneering figures, having produced four full-length albums, various EPs and contributed mix albums to renowned series such as DJ Kicks, Fabric, and for Berghain's Ostgut Ton label over the last decade. Donning the SCB name in 2010, Paul Rose’s pseudonym for esoteric techno found home on labels like Aus, Nonplus and Hotflush Recordings, not to mention its own eponymous imprint.
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The British producer has become one of modern dance music’s most pioneering figures, having produced four full-length albums, various EPs and contributed mix albums to renowned series such as DJ Kicks, Fabric, and for Berghain's Ostgut Ton label over the last decade. Donning the SCB name in 2010, Paul Rose’s pseudonym for esoteric techno found home on labels like Aus, Nonplus and Hotflush Recordings, not to mention its own eponymous imprint.
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1
or:la - Wendy Wild
2
or:la - Find
3
or:la - Limbosoup (FIT Siegel's Digestion Mix)
4
or:la - Farewell 24
A breakthrough artist who has had a massive 2017 to date, Or:la returns to Hotflush with three new tracks and a remix of Limbosoup (from her debut Hotflush EP last year) by Detroit’s FIT Siegel. Following the launch of her own label, Deep Sea Frequency, and a standout Boiler Room appearance, this new batch of fresh material cements Or:la’s position in the UK underground. Taking cues from influences ranging from classic jungle to post-dubstep, Farewell 24 offers more evidence as to why so many have tipped the Derry producer for great things. And to round things off, we are very excited to include a razor sharp remix from the one and only FIT Siegel, one of our absolute US favourites.
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1
tml - Face Pads (Intro)
2
tml - Cold Sleep
3
tml - Crying
4
tml - Strainer
5
tml - RHU
The fourth Hotflush release of 2017 comes from Minneapolis-based DJ and producer, TML. He made his debut in 2014 with One Inch of Water, an album in cassette form via Always Human Tapes. His style takes cues from the bass and jungle halcyon days of yore, yet in his hands these influences are pestled into anything but nostalgia.
No Memory looks forward to a place where pigeonholes don’t exist; where past, present and future boil an amalgamated stew; where ‘experimental' and ‘clubby' aren’t effective antonyms. It’s an album in miniature - six tracks spanning a broad range. The unmistakable taste of jungle pervades side A, becoming increasingly less abstract as it goes: from the fractured opening of 'Face Pads’, through the dub of ‘Cold Sleep’, to the sunrise head bang that is ‘Crying’. Side two moves inside. It’s darker there. The tunes - ’Strainer’, ‘RHU’ and ‘Code Library’ - share a paredbackness. Their beats look askance as they shuffle big and bold.
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No Memory looks forward to a place where pigeonholes don’t exist; where past, present and future boil an amalgamated stew; where ‘experimental' and ‘clubby' aren’t effective antonyms. It’s an album in miniature - six tracks spanning a broad range. The unmistakable taste of jungle pervades side A, becoming increasingly less abstract as it goes: from the fractured opening of 'Face Pads’, through the dub of ‘Cold Sleep’, to the sunrise head bang that is ‘Crying’. Side two moves inside. It’s darker there. The tunes - ’Strainer’, ‘RHU’ and ‘Code Library’ - share a paredbackness. Their beats look askance as they shuffle big and bold.
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oliver deutschmann - Tied
2
oliver deutschmann - Blind
3
oliver deutschmann - Reduced
4
oliver deutschmann - Moment
Foreboding title, foreboding sounds. Berlin’s redoubtable Oliver Deutschmann joins the Hotflush roster with "In The Moment of Death We Have No Regret”. 3 club-ready weapons, one blissed-out ambient cut. Do we really need to describe them in flowery prose? No. Just listen and play. Loud.
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1
blursome - A Little
2
blursome - Let's Take Off My Hair
3
blursome - Time
4
blursome - Blursome
5
blursome - Dream
6
blursome - Sleep
Hotflush welcome Lara Wehbie aka Blursome to the ranks with her debut EP “Rendition of You”. Raised in North Carolina and currently residing in Brooklyn, Wehbie has come a long way since beginning to work on music in 2011 as a way of channeling her diagnosed depression and anxiety. She describes her work as a transitional darkness, something she says defined her sound even before she could manage the software she uses to make it. In her own words, “Rendition of You EP signifies major transitions in my life over the past year and how my environment truly played a role in handling situations. It's a testament to how much happier I am now than I used to be. I still struggle but I'm truly thankful for the influences I have around me that have made me a better individual and artist.” Along the way she has attended the Red Bull Music Academy Bass Camp in 2015, and after an appearance on Scuba's 2016 fabric mix, she debuts on the label with an experimental six track EP. Side A of "Rendition of You" introduces listeners to her experimental use of vocals and heavy percussive influences from the left field genre. Side B dives straight into dance floor material with pounding kicks and and interjecting vocals, but then slowly winds down into a more melancholic ending with piercing synths rattling through to the last drop.
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Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.
Orange Vinyl
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Orange Vinyl
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Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON
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Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON
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1
The Pro-Teens - The Gas Face
2
The Pro-Teens - The Time We Faced DOOM
3
The Pro-Teens - Peachfuzz
4
The Pro-Teens - Curls
5
The Pro-Teens - Doomsday
6
The Pro-Teens - Sofa King
7
The Pro-Teens - Kon Queso
8
The Pro-Teens - One Beer
9
The Pro-Teens - Can I Watch?
10
The Pro-Teens - A Dead Mouse
11
The Pro-Teens - Microwave Mayo
12
The Pro-Teens - Supervillain Theme
13
The Pro-Teens - Benzie Box
14
The Pro-Teens - Charsnuka
Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.
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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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Germany
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re-release Mit seinen einzigartig intimen Klavieraufnahmen wurde der in Berlin lebende Pianist Nils Frahm zum Star der internationalen Neo-Klassik-Szene. Dabei machen seine Studioaufnahmen nur einen Bruchteil dessen aus, was auf einem Nils-Frahm-Konzert zu erwarten ist. Frahms Herz liegt nämlich in der Improvisation, in der Magie des Moments, in dem seine Finger, inspiriert vom Raum und Publikum, neue Kompositionen kreieren. "Spaces" ist eine Ode an die Lust des Livespiels, ein Ausdruck der Experimentierfreude und gleichzeitig eine Antwort auf die Frage seiner Fans nach einer Platte, die das Erlebnis eines Nils-Frahm-Konzerts widerspiegelt. Entgegen den Konventionen eines traditionellen Livealbums wurde "Spaces" über einen Zeitraum von zwei Jahren hinweg mithilfe von tragbaren Tonbandgeräten und Kassettendecks an verschiedenen Orten aufgenommen. Diese Momente wurden später in seinem Berliner Studio zu einer Art Collage an Feldaufnahmen zusammengesetzt. Mitunter mit überraschenden Momenten wie saitenhämmernden Klobürsten oder einem Huster aus dem Publikum. Das Doppelvinyl erscheint mit Downloadcode.
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1
Kerri Chandler & Dennis Quin Feat. Troy - Extended Club Mix
2
Kerri Chandler & Dennis Quin Feat. Troy - DQ Dub
LTD EDITION BLUE VINYL
Kerri Chandler, Dennis Quin and Troy Denari join forces to deliver ‘You Are In My System' this September, a modern take on the iconic 1998 ‘You’re In My System’.
The original mix of ‘You’re In My System’ has been a staple for many in House music DJ sets for the past twenty-five years, a record that perfectly encapsulates the soul of House and Kerri’s distinctive sound. Here we see Kerri Chandler put a contemporary twist on this celebrated cut from his back catalogue, this time collaborating again with vocalist Troy Denari and Dutch artist Dennis Quin, who’s delivered numerous hits on Kerri’s Madhouse imprint such as ‘Move Out Of My Way’ and the last collaboration between the three, ‘Be Strong’.
Here the three artists collaborated to rework and replay the entire composition and create this new 2023 version, Kerri and Dennis using the same hardware used in the original composition and singer/songwriter Troy Denari, lends his vocals to this new version of the track, reimagining the vocals of Mic Murphy to capture the essence and spirit of the 1980's hit by American Synthpop band The System.
Throughout 'You Are In My System' Kerri Chandler’s signature soulful keys, bouncy bass line and dynamic synth work ebbs and flows amongst Dennis Quin's sturdy, swinging and crisp drum style while Troy Denari's refreshed vocals then bring a modern soul and warmth to things, resulting in the dynamic future classic presented here, destined to work its way onto many late summer dancefloors and beyond. Dennis Quin also offers up his 'DQ Dub' for a more raw groove focused fix.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Kerri Chandler, Dennis Quin and Troy Denari join forces to deliver ‘You Are In My System' this September, a modern take on the iconic 1998 ‘You’re In My System’.
The original mix of ‘You’re In My System’ has been a staple for many in House music DJ sets for the past twenty-five years, a record that perfectly encapsulates the soul of House and Kerri’s distinctive sound. Here we see Kerri Chandler put a contemporary twist on this celebrated cut from his back catalogue, this time collaborating again with vocalist Troy Denari and Dutch artist Dennis Quin, who’s delivered numerous hits on Kerri’s Madhouse imprint such as ‘Move Out Of My Way’ and the last collaboration between the three, ‘Be Strong’.
Here the three artists collaborated to rework and replay the entire composition and create this new 2023 version, Kerri and Dennis using the same hardware used in the original composition and singer/songwriter Troy Denari, lends his vocals to this new version of the track, reimagining the vocals of Mic Murphy to capture the essence and spirit of the 1980's hit by American Synthpop band The System.
Throughout 'You Are In My System' Kerri Chandler’s signature soulful keys, bouncy bass line and dynamic synth work ebbs and flows amongst Dennis Quin's sturdy, swinging and crisp drum style while Troy Denari's refreshed vocals then bring a modern soul and warmth to things, resulting in the dynamic future classic presented here, destined to work its way onto many late summer dancefloors and beyond. Dennis Quin also offers up his 'DQ Dub' for a more raw groove focused fix.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Greg Foat - Baby Boy
2
Greg Foat - Tropical Love
3
Greg Foat - Above the Clouds
4
Greg Foat - Underwater Fantasy
5
Greg Foat - Psychosynthesis Part 1
6
Greg Foat - Artic Cavern
7
Greg Foat - Psychosynthesis Part 2
8
Greg Foat - The Green Odyssey
9
Greg Foat - Riding into Battle
10
Greg Foat - The Investigation
11
Greg Foat - World of Tiers
12
Greg Foat - Subterranean Lake
13
Greg Foat - Fatherhood
14
Greg Foat - Crystal Gardens
The prolific Greg Foat returns with a new Synthesiser soundscape double album. Recorded during the 2020 Lockdown. This is the follow up to 'Photosynthesis' this time featuring drummer Morgan Simpson (Black Midi)
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DE - 22113 Hamburg
Germany
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1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
The Pro-Teens - Doomsday
2
The Pro-Teens - Curls
Within Melbourne's burgeoning cinematic soul scene mysteriously sit The Pro-Teens. Helmed by prolific drummer Hudson Whitlock (Karate Boogaloo, Surprise Chef), this breakaway studio project involves an interchangeable collective of incognito instrumentalists playing under outlandish pseudonyms such as 'Dead Honest' Dean Amazing and Libby Clique-Baite. This release presents two iconic MF DOOM tracks reinterpreted by The Pro-Teens. It follows breakout album Snooch Dodd & The Pro-Teens - I Flip My Life Every Time I Fly (College Of Knowledge/Mr Bongo), which received BBC 6 Music's Album Of The Day. This is the second 7" single of The Pro-Teens' MF DOOM tribute material, following 2021's Peachfuzz b/w One Beer, taken from forthcoming full-length album tribute to MF DOOM.
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DE - 22113 Hamburg
Germany
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1
Jeff Mills - The Extremist 04:13
2
Jeff Mills - Solid Sleep 03:49
3
Jeff Mills - Life Cycle 03:52
4
Jeff Mills - Workers 03:15
5
Jeff Mills - Wrath Of The Punisher 03:46
6
Jeff Mills - DNA 03:40
7
Jeff Mills - Condor to Mallorca 5:37
8
Jeff Mills - Basic Human Design 5:53
2025 REPRESS….
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Illusion First Mix) 11:18
2
SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Emotion Second Mix) 4:31
3
SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Final Third Mix) 5:00
– original release on CREATIVE LABEL - CREA 001
SPECIAL EDITION 12” single MARBLED YELLOW vinyl /400 copies
180 gr.
TRACKLIST:
A01 – SUEÑO LATINO (Derrick May Illusion First Mix) 11:18
B01 – SUEÑO LATINO (Derrick May Emotion Second Mix) 4:31
B02 – SUEÑO LATINO (Derrick May Final Third Mix) 5:00
VITAL SALES POINTS:
"CCR - Club Culture Rarities" the record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 11th release on "CCR - Club Culture Rarities" SUEÑO LATINO Derrick May Remix originally released on Creative Label 1992
Built around Manuel Göttsching’s astral classic E2-E4, Sueño Latino is, with no doubts, one of the most iconic records of the late 80's electronic music. Several remixes have followed the 1989 original release, but above all stands up Derrick May’s “Illusion First Mix” that adds his typical tribal motifs to the euphoric carpet of stars, tropical birds and cowbells. This reissue of Detroit genius’ version of Sueño Latino gives wings to our imagination making us fly on the most joyful nights of Ibiza.
Ask for it and stay tuned.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
SPECIAL EDITION 12” single MARBLED YELLOW vinyl /400 copies
180 gr.
TRACKLIST:
A01 – SUEÑO LATINO (Derrick May Illusion First Mix) 11:18
B01 – SUEÑO LATINO (Derrick May Emotion Second Mix) 4:31
B02 – SUEÑO LATINO (Derrick May Final Third Mix) 5:00
VITAL SALES POINTS:
"CCR - Club Culture Rarities" the record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 11th release on "CCR - Club Culture Rarities" SUEÑO LATINO Derrick May Remix originally released on Creative Label 1992
Built around Manuel Göttsching’s astral classic E2-E4, Sueño Latino is, with no doubts, one of the most iconic records of the late 80's electronic music. Several remixes have followed the 1989 original release, but above all stands up Derrick May’s “Illusion First Mix” that adds his typical tribal motifs to the euphoric carpet of stars, tropical birds and cowbells. This reissue of Detroit genius’ version of Sueño Latino gives wings to our imagination making us fly on the most joyful nights of Ibiza.
Ask for it and stay tuned.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore