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Mount Kimbie - Tunnelvision
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Mount Kimbie - Would Know
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Mount Kimbie - Before I Move Off
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Mount Kimbie - Blind Night Errand
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Mount Kimbie - Adriatic
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Mount Kimbie - Carbonated
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Mount Kimbie - Ruby
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Mount Kimbie - Ode To Bear
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Mount Kimbie - Field
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Mount Kimbie - Mayor
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Mount Kimbie - Between Time
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Mount Kimbie - Maybes
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Mount Kimbie - William
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Mount Kimbie - Vertical
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Mount Kimbie - Taps
In 2010, Mount Kimbie released their debut album, Crooks & Lovers, to widespread acclaim. Perfectly capturing the heady atmosphere of the moment, the album melded the wide-eyed mentality of what had become known as ‘Post-Dubstep’ with an open-minded musical sensibility that produced an instant classic. Ten years later, the album is reissued on Hotflush with a bonus disc of the band’s first ever release. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum – where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, on Crooks & Lovers Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remained – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul was cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres found a cradle in Madlib’s lax lope. Sceneless and untethered from etiquette and genre codes, "Crooks & Lovers" floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. On this special vinyl edition, the first ever Mount Kimbie transmission, the Maybes EP, is included. Originally released on Hotflush in February 2009 and out of print on vinyl for many years, it’s a crucial snapshot of the band developing their sound.
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More records from Mount Kimbie
Mount Kimbie’s fourth studio album, The Sunset Violent, is seeded in the wake of 2017’s Love What Survives and marks an important full circle moment for the group as they return to a band-like setup (Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell).
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule) More
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule) More
MK 3.5: Die Cuts | City Planning shows how Dom Maker and Kai Campos have grown over the past decade, and demonstrates the two sides of Mount Kimbie’s aesthetic coin - each side produced entirely by either member. Dom’s side, Die Cuts, is colourful and melody-led, thriving on the spark of collaboration; Kai’s, City Planning, is tactile and unpredictable, the product of a deeply personal aesthetic voyage. The two sides complement each other through their contrasts. But in other ways they’re not so different. Both artists present a unique vision which stands apart from their peers; neither side could have been made by anyone but Mount Kimbie.
Die Cuts, produced by Dom, was inspired by his move to LA half a decade ago, around the same time as the band’s old friend and collaborator James Blake. The pair began doing production sessions with a series of increasingly big names from the world of rap and hip-hop, including Jay-Z, Travis Scott, ASAP Rocky, SZA, and Rosalia, among many others. Dom’s collaborative work is going from strength to strength, hitting a recent high with his and James’ headturning work on Slowthai’s ‘Feel Away’.
Die Cuts is a reflection of this nascent community and Dom’s producerly vision. Skipping between hip-hop, RnB, and electronic pop, the album combines high class songcraft with a delicate leftfield touch, and showcases a cast of vocalists including longtime friends James Blake and Slowthai, alongside new collaborators Danny Brown, Reggie, Nomi, Keiyaa, Wiki, Liv.e, Kucka and Choker.
Kai’s side began after the duo’s finest record yet, 2017’s Love What Survives, led to a period of extensive touring. Back home, he was hungry for a change of pace. He found it in DJing, which offered a new kind of performance - unplannable, unpredictable, and thrilling. He has since become a seasoned DJ, clocking in at the finest festivals (Field Day, Dekmantel, Melt) and clubs (Printworks, Fabric, Sub Club, Concrete) and recording numerous mixes, including a slick DJ-Kicks mix in 2018. Following this, he embarked on a project of "intense listening and thinking about listening,” immersing himself in new sounds and music-making approaches.
The outcome of this creative journey is City Planning. Wild, warped and loopy, the album twists avant-garde signifiers from on and off the dancefloor into a deft and refined statement. Its sleek beats and stuttering arpeggios are caked with scuzz and personality, making for an album that’s warm and inviting even at its most confrontational.
They also share the news that for the first time ever, acclaimed photographers/directors and longtime collaborators, Tyrone Lebon & Frank Lebon are working together with Mount Kimbie alongside legendary US visual artist and sculptor Tom Shannon to create a multi-format creative campaign.
- Specs Black vinyl 2LP in printed inners in custom double sided outer sleeve, download card insert
Tracklisting:
Dom Maker - Die Cuts
A1. dvd (feat. choker)
A2. in your eyes (feat. slowthai & danny brown)
A3. f1 racer (feat. kucka)
A4. heat on, lips on
A5. end of the road (feat. reggie)
A6. somehow she’s still here (feat. james blake)
B1. kissing (feat. slowthai)
B2. say that (feat. nomi)
B3. need u tonight
B4. if and when (feat. wiki)
B5. tender hearts meet the sky (feat. keiyaa)
B6. a deities encore (feat. liv.e)
Kai Campos - City Planning
A1. Q
A2. Quartz
A3. Transit Map (Flattened)
A4. Satellite 7
A5. Satellite 9
A6. Satellite 6 (Corrupted)
B1. Zone 3 (City Limits)
B2. Zone 2 (Last Connection)
B3. Zone 1 (24 Hours)
B4. Industry
B5. Human Voices More
Die Cuts, produced by Dom, was inspired by his move to LA half a decade ago, around the same time as the band’s old friend and collaborator James Blake. The pair began doing production sessions with a series of increasingly big names from the world of rap and hip-hop, including Jay-Z, Travis Scott, ASAP Rocky, SZA, and Rosalia, among many others. Dom’s collaborative work is going from strength to strength, hitting a recent high with his and James’ headturning work on Slowthai’s ‘Feel Away’.
Die Cuts is a reflection of this nascent community and Dom’s producerly vision. Skipping between hip-hop, RnB, and electronic pop, the album combines high class songcraft with a delicate leftfield touch, and showcases a cast of vocalists including longtime friends James Blake and Slowthai, alongside new collaborators Danny Brown, Reggie, Nomi, Keiyaa, Wiki, Liv.e, Kucka and Choker.
Kai’s side began after the duo’s finest record yet, 2017’s Love What Survives, led to a period of extensive touring. Back home, he was hungry for a change of pace. He found it in DJing, which offered a new kind of performance - unplannable, unpredictable, and thrilling. He has since become a seasoned DJ, clocking in at the finest festivals (Field Day, Dekmantel, Melt) and clubs (Printworks, Fabric, Sub Club, Concrete) and recording numerous mixes, including a slick DJ-Kicks mix in 2018. Following this, he embarked on a project of "intense listening and thinking about listening,” immersing himself in new sounds and music-making approaches.
The outcome of this creative journey is City Planning. Wild, warped and loopy, the album twists avant-garde signifiers from on and off the dancefloor into a deft and refined statement. Its sleek beats and stuttering arpeggios are caked with scuzz and personality, making for an album that’s warm and inviting even at its most confrontational.
They also share the news that for the first time ever, acclaimed photographers/directors and longtime collaborators, Tyrone Lebon & Frank Lebon are working together with Mount Kimbie alongside legendary US visual artist and sculptor Tom Shannon to create a multi-format creative campaign.
- Specs Black vinyl 2LP in printed inners in custom double sided outer sleeve, download card insert
Tracklisting:
Dom Maker - Die Cuts
A1. dvd (feat. choker)
A2. in your eyes (feat. slowthai & danny brown)
A3. f1 racer (feat. kucka)
A4. heat on, lips on
A5. end of the road (feat. reggie)
A6. somehow she’s still here (feat. james blake)
B1. kissing (feat. slowthai)
B2. say that (feat. nomi)
B3. need u tonight
B4. if and when (feat. wiki)
B5. tender hearts meet the sky (feat. keiyaa)
B6. a deities encore (feat. liv.e)
Kai Campos - City Planning
A1. Q
A2. Quartz
A3. Transit Map (Flattened)
A4. Satellite 7
A5. Satellite 9
A6. Satellite 6 (Corrupted)
B1. Zone 3 (City Limits)
B2. Zone 2 (Last Connection)
B3. Zone 1 (24 Hours)
B4. Industry
B5. Human Voices More
1
Mount Kimbie, - Maybes
2
Mount Kimbie, - William
3
Mount Kimbie, - Vertical
4
Mount Kimbie, - Taps
Hotflush Recordings presents a brand new production duo that eludes classification: Mount Kimbie. Based in London, they have developed a truly unique sound whose experimental rhythms lend themselves to the fringes of dubstep, wonky and hip hop, but ooze with emotion and echoing ambient soundscapes that take the listener to an entirely different place. Due for release in the beginning of 2009, this first release features four tracks which capture their evolving sound. The minds behind Mount Kimbie, Dominic Maker and Kai Campos, both 22, met at university and began making music together in a home studio in Peckham. Hints of their influences from hip hop, jazz, dubstep and experimental electronica can be heard in their productions.
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Mount Kimbie take the reigns of the DJ-kicks series with a 23 track mix that includes one of their own new exclusives. Due for release on 28th September, it's a snapshot of exactly what the UK duo sound like in the club right now and is accompanied by a DJ-kicks tour that takes the pair to DJ and live dates all round the world. 2018 marks a decade since Kai Campos and Dominic Maker first hooked up and started making music. In the early years they refashioned dubstep into innovative new forms that drew on ambient, garage and electronica. After a critically acclaimed debut album on Hotflush, they signed to Warp Records and have consolidated their position at the forefront of the international electronic scene with two critically acclaimed albums and countless world live tours. This is a mix inspired by a mini-run of DJ gigs that Mount Kimbie played with Actress. "It was an interesting and challenging experience, and I learnt a lot on the six dates we did," says Kai, who explains that plenty of the tracks he was playing during those gigs make it into the mix. They make it a forward looking affair that calls on music the band have discovered recently; music they have found inspiring. Their own 'DJ-kicks' track was made specially for the mix and was initially influenced by Stanislav Tolkachev and Alexis Perala, who are both also included. Rather than a painstaking plan or meticulous studio approach, this session captures the improvised energy of a real DJ mix, but one where each track is given time to breath and make an impact rather than one where DJ trickery is at the fore. The result is a succinct 50 minutes that often goes deep, with roughhewn drums and grainy atmospheres from the likes of Terrence Dixon, Severed Heads, Marco Bernardi and Object Blue. It perfectly knits together stripped back rhythms, percussive tracks and more harmonic techno while seamlessly joining the dots between the old and the new. It's a well balanced mix that stays low and heady, and that sense of focussed tension is what makes it so utterly compelling throughout.
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Mount Kimbie take the reigns of the DJ-kicks series with a 23 track mix that includes one of their own new exclusives. Due for release on 28th September, it's a snapshot of exactly what the UK duo sound like in the club right now and is accompanied by a DJ-kicks tour that takes the pair to DJ and live dates all round the world. 2018 marks a decade since Kai Campos and Dominic Maker first hooked up and started making music. In the early years they refashioned dubstep into innovative new forms that drew on ambient, garage and electronica. After a critically acclaimed debut album on Hotflush, they signed to Warp Records and have consolidated their position at the forefront of the international electronic scene with two critically acclaimed albums and countless world live tours. This is a mix inspired by a mini-run of DJ gigs that Mount Kimbie played with Actress. "It was an interesting and challenging experience, and I learnt a lot on the six dates we did," says Kai, who explains that plenty of the tracks he was playing during those gigs make it into the mix. They make it a forward looking affair that calls on music the band have discovered recently; music they have found inspiring. Their own 'DJ-kicks' track was made specially for the mix and was initially influenced by Stanislav Tolkachev and Alexis Perala, who are both also included. Rather than a painstaking plan or meticulous studio approach, this session captures the improvised energy of a real DJ mix, but one where each track is given time to breath and make an impact rather than one where DJ trickery is at the fore. The result is a succinct 50 minutes that often goes deep, with roughhewn drums and grainy atmospheres from the likes of Terrence Dixon, Severed Heads, Marco Bernardi and Object Blue. It perfectly knits together stripped back rhythms, percussive tracks and more harmonic techno while seamlessly joining the dots between the old and the new. It's a well balanced mix that stays low and heady, and that sense of focussed tension is what makes it so utterly compelling throughout.
More
Mount Kimbie return with a package of four remixes from their critically lauded recent album Love What Survives, from European club music’s biggest names. Split over two 12”s, released on consecutive weeks, the bundle explores differing dancefloor twists on the album’s driving, visceral post-punk sound. The second 12” features two takes on album opener Four Years and One Day. The first is a techno belter from Marcel Dettmann, followed by Gerd Janson tweaking the bassline from the original into a hands-in-the-air euphoric acid climax. Berlin’s Ellen Allien closes the package, completely transforming the lush hazy beats of T.A.M.E.D into a techno monster. Mount Kimbie are sure to be featuring some of these cuts in their back-to-back DJ sets with Actress in a run of dates starting tomorrow. The band have also recently announced a full live band tour of the USA through May. They have been announced high on the bills of a clutch of festivals including Field Day, Primavera, Melt, Dour, Pitchfork and FYF for the summer. Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert
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First up, Nina Kraviz mutates album favourite Blue Train Lines into an extended techno trip, with snippets of King Krule’s vocals circling the maelstrom. The first 12” comes backed with two more DJ tool versions. The second 12” features two takes on album opener Four Years and One Day. The first is a techno belter from Marcel Dettmann, followed by Gerd Janson tweaking the bassline from the original into a hands-in-the-air euphoric acid climax. Berlin’s Ellen Allien closes the package, completely transforming the lush hazy beats of T.A.M.E.D into a techno monster. Mount Kimbie are sure to be featuring some of these cuts in their back-to-back DJ sets with Actress in a run of dates starting tomorrow. The band have also recently announced a full live band tour of the USA through May. They have been announced high on the bills of a clutch of festivals including Field Day, Primavera, Melt, Dour, Pitchfork and FYF for the summer.
Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert More
Spec • 12” EP in printed 3mm outer sleeve with paper inners and download card insert More
BACK IN! Very limited Vinyl pressing. Adding a percussive and experimental edge to the current class of post-dubstep pioneers, Mount Kimbie, the duo of Dominic Maker and Kai Campos - are set to release their highly anticipated debut album ‘Crooks & Lovers’ on Scuba's Hotflush label in July. Mount Kimbie’s first two EPs - ‘Maybes’ and ‘Sketch On Glass’ - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs. The experience was less like listening to music and more like eavesdropping on the machinations of a lone mind – albeit a lone mind surrounded by and retreating from millions of other minds. Difficult to categorise, the lush EPs caused a commotion when released last year with ‘Sketch On Glass’ recently undergoing reworks from the likes of Faulty DL, SCB (Scuba’s darker techno alias) and their sometime collaborator James Blake. With their own remixes (Foals and The xx) becoming hot property, Mount Kimbie have been a core part of the growing scene in London often associated with labels like Hyperdub and Hessle Audio. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum - where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remain – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul gets cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres find a cradle in Madlib’s lax lope. The band’s sound and response to the dubstep moment is very much their own. Sceneless and untethered from etiquette and genre codes, 'Crooks & Lovers' floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. Mount Kimbie – who play as a live band - have announced a string of European festivals & shows for the summer.
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More records from Hotflush
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Braille - Cost Of Living
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Braille - Suntime
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Braille - Summer Sizzle
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Braille - Ups
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Braille - Powder Keg
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Braille - Sour Patch Kiss
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Braille - While We're Free
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Braille - Cloud Monger
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Braille - Dirt Fam
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Braille - Regression
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Braille - Powers
Full of bounce and experimentation in equal measure, ‘Triple Transit,’ Braille’s new album for Hotflush is about leaving his Sepalcure project (with Machinedrum) in the rear mirror, moving back to New York and using its energy to fuel new moves, confronting our hyper layered world and overcoming personal difficulties by being creative.Focused squarely on utilising modular synthesis in sprawling studio sessions, the album covers a wide stylistic range and draws on the artist’s formidable battery of experience to craft a body of work that packs real emotional punch as well as a dancefloor sensibility.We had a quick chat with him to wet your appetite…Praveen Sharma aka Braille:Moving on from Sepalcure“That period of time when Sepalcure was at its peak was really inspiring. I’m still really in awe and humbled by the fans. It’s always amazing to hear about how music you’ve made has brightened up other people’s lives in some way, but ‘Triple Transit’ is really about transitioning from that period to something new. I’m intentionally not using many vocal samples on this album. That became quite a crutch for Sepalcure and I wanted to try and find ways to evoke those emotions and connect with the audience in other ways.”The roots of his Bounce‘Sour Patch Kiss’ and ‘While We’re Free’ are inspired by classic house and some early Detroit stuff. Songs like ‘Big Fun’ (Inner City), ‘I Wanna Be there’ (Model 500) and slowed down ‘Sex on The Beach’ (DJ Assault) have stuck with me since the beginning. I used to listen to this slowed down and doubled version of ‘Sex on The Beach’ on an early Juan Atkins mix cd on REPEAT when I was in high school.Getting ambientTriple Transit slows down and transitions through a bit of sadness and eventually acceptance at the end of the album. A lot of the music I’m making these days is trying to recreate that manic feeling so many of us have in 2024. Between social media, ridiculous hustle culture expectations and depressing global and national political events, it’s hard to not feel overwhelmed. I feel like Triple Transit is kind of a parabolic curve from mania to joy to a sober realization that yeah, actually the world is just fucked but somehow we carry on.
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Scuba - Truth
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Scuba - Riding
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Scuba - i wna doit nth bckst
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Scuba - Give Up Everything
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Scuba - Pocket Rocket
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Scuba - Storms Of Love
Welcome to ‘Hardcore Heaven III’, the third in Scuba's series of classic hardcore-inflected vinyl EPs further develops the themes, from acid house to jungle, established on the first two installments.
Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year. More
Hardcore Heaven III ups the tempo from the first two EPs, with a focus on early Jungle on ‘Truth’ and ‘Give Up Everything’. Meanwhile, ‘Riding Hi’ and ‘Pocket Rocket’ add a 4/4 kick and samples possibly best described as… borderline?
Scuba has also announced D:U:LIVE, a series of live shows inspired by his acclaimed ‘Digital Underground’ mixtape and ‘Hardcore Heaven’ vinyl EPs from last year. More
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Scuba - Safety Traxx
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Scuba - Feel The Same
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Scuba - Move Like Shadows
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Scuba - Tru Love
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Scuba - Who Knows
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Scuba - Frenchie
Hotflush continues its celebratory 20th anniversary year with a vinyl-only sequel to Scuba’s Record Store Day UK release, “Hardcore Heaven”. ‘Hardcore Heaven II’ develops the theme of that first release back in April. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets a Scuba-in-2023 update. The tracks on this EP add a twist of twisted breaks, early 2-step, and classic broken beat to the mix, as well as some moody vocal rubs and the customary dancefloor flavours. The six tracks included here are presented on red and black splatter vinyl, limited to 500 copies with definitely no represses.
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Hotflush - the label founded by Scuba in 2003 - continues its celebratory 20th anniversary year with a debut contribution to the institution that is Record Store Day UK. ‘Hardcore Heaven’ is a collection of six fresh Scuba takes on the classic era of hardcore. Taking influence from producers like Top Buzz, Nookie, and Foul Play, the familiar collision of hard-edged beats, euphoric breakdowns, and helium vocals gets something of a 2023 update from one of the UK’s most versatile and prolific producers. The tracks on this collection will appear ONLY on this release - a Neon splatter-look, 500-unit press vinyl special with no streaming platforms, no represses, and definitely no Youtube rips. OK, there will probably be Youtube rips but we will do our best to get them taken down!
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1
Toasty - - The Knowledge
2
Dense & Pika - - Colt
3
Mount Kimbie - - Maybes (James Blake Remix)
4
Sepalcure - - Pencil Pimp
5
Or:la - - UK Lonely
6
Search & Destroy - - Candyfloss (Loefah Remix)
7
Scuba - - Ruptured (Surgeon Remix)
8
Various Artists - Paul Woolford - MDMA
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Closet Yi - - Heavy
10
Various George FItzGerald - - Thinking Of You
11
Scuba - - Three Sided Shape
12
Recondite - - Caldera
13
Jimmy Edgar - - Sex Drive (Scuba's Dub Of Doom)
14
Lawrence Hart & Casually Here - - Wanderlust
15
Kiimi - - Breaking My Mind (Jacques Greene Remix)
Hotflush Recordings celebrates 20 years in the game this year, with a triple pack vinyl compilation featuring some of the key musical events in the label’s catalogue .Born in 2003, Hotflush stands as one of electronic music’s most influential labels. A multi-dimensional imprint that helped define the development of bass music throughout the mid-2000s, in the last decade it would evolve towards the liminal spaces between house, techno, and beyond - a journey which has given the dancefloor some of its true underground classics. This celebratory release covers every era and stylistic area of the Hotflush output. 2005’s proto-dubstep face melter ‘The Knowledge’ by Toasty kicks off Side A, with the key sides of bass music development all covered with tracks from James Blake, Loefah, Sepalcure, and Scuba. UK techno legend Surgeon appears with his seminal remix of Scuba’s ‘Ruptured’ (2008), while the early Paul Woolford classic ‘MDMA’ reminds us of how ended up working with Diplo. George FitzGerald and Recondite reprise some of their key formative material, while newer names Lawrence Hart, OR:LA and breakout Seoul artist Closet Yi also make appearances. Canadian mastermind Jacques Greene rounds off the release with his slamming remix of Kiimi’s Breaking My Mind. This is a compilation 20 years in the making, containing some of the key tracks from the electronic underground - curated and compiled by label boss Scuba.
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1
Mount Kimbie, - Maybes
2
Mount Kimbie, - William
3
Mount Kimbie, - Vertical
4
Mount Kimbie, - Taps
Hotflush Recordings presents a brand new production duo that eludes classification: Mount Kimbie. Based in London, they have developed a truly unique sound whose experimental rhythms lend themselves to the fringes of dubstep, wonky and hip hop, but ooze with emotion and echoing ambient soundscapes that take the listener to an entirely different place. Due for release in the beginning of 2009, this first release features four tracks which capture their evolving sound. The minds behind Mount Kimbie, Dominic Maker and Kai Campos, both 22, met at university and began making music together in a home studio in Peckham. Hints of their influences from hip hop, jazz, dubstep and experimental electronica can be heard in their productions.
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1
Scuba + DOMiNii - Touch
2
Scuba + DOMiNii - Womb
3
Scuba + DOMiNii - Out
4
Scuba + DOMiNii - Forgive Me
5
Scuba + DOMiNii - Fish
6
Scuba + DOMiNii - Tango
7
Scuba + DOMiNii - Tips
Scuba begins a new project with London vocalist and producer DOMiNii, who makes his debut with ‘Diivorce’. Paul Rose (aka Scuba) has long since explored cross-genre sounds, blending disparate elements and mining nostalgia to create cool moods and moments of pure escapism. Over four critically acclaimed albums and mix CDs for DJ Kicks, fabric, and Ostgut Ton, he’s established himself as one of the industry’s most respected artists and tastemakers. He’s continued to evade musical pigeonholing over the course of his career, never hesitating to challenge himself with new creative endeavours. The fresh sonic direction expressed on ‘Diivorce’ is one he’s been developing since 2018, when he took an indefinite break from the full-time DJ circuit. ‘Diivorce’ is a collaboration with debut artist DOMiNii, a vocalist and producer who takes influence from the likes of Wang Chung, David Newman, Arthur Russell, and The Blue Nile. Although he appeared uncredited with backing vocals on Scuba’s ‘Forgive Me’, which initially came out last summer, ‘Diivorce’ marks his first official release. fCovering areas as varied as power pop, indietronica, exuberant house, and classic rock, the project seemingly touches as many points as it can think of, something Rose acknowledged in a recent interview where he stated that “we made so many tracks, with no real set direction, so with this record I just wanted to pick a limited number that kind of showed where we’d been. We are working on something now that I’d call a ‘proper album’, which I think will come out in 2022, Diivorce is something I see as a documentation of a period of time.” The project includes illustrations by French artist Virginie Kypriotis who tells the story of ‘Diivorce’ through the eyes of DOMiNii, detailing a world of abandonment and separation against a backdrop of a faded paradise. Rose was first acquainted with Kypriotis’ work through her iconic illustration ‘A Night at Berghain’, which was later used by the club as their official flyer artwork in December 2017. The vinyl edition of ‘Diivorce’ includes previously unreleased (and vinyl-exclusive) track ‘Tricks’, and is packaged in a limited edition, numbered, screen-printed sleeve.
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mind against - Explorer
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mind against - Forevermore
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mind against - Mirage
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mind against - Forevermore (Dub)
Mind Against return to Hotflush with a four-track EP of spiralling, hypnotic techno. Delving further into their sparse brand of dark, meditative techno, the Italian duo forge an understated but emotive EP of swirling textures and subtle harmonies. Drawing upon elements of trance, ambient and IDM, Explorer? is a refined package of introspective sonic wanderings. B2. Forevermore (Dub) is vinyl exclusive.
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SCB - Test Tubes
2
SCB - Bone
3
SCB - Manufactured Consent
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SCB - The Cut
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SCB - Freedom for the Fifty
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SCB - Extinct
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SCB - Laboratory Conditions
8
SCB - Five Degrees
9
SCB - Opposition Division
10
SCB - Intelligence Fetish
11
SCB - Caibu
12
SCB - Into Consciousness
TRACKLISTING:
1. Test Tubes
2. Bone
3. Manufactured Consent
4. The Cut
5. Freedom for the Fifty
6. Extinct
7. Laboratory Conditions
8. Five Degrees
9. Opposition Division
10. Intelligence Fetish
11. Caibu
12. Into Consciousness
Release Info:
Scuba continues his uncompromising SCB moniker with 'Caibu', a twelve track LP of cerebral techno, darkened disco and broken beats out April 13th on Hotflush.
Paul Rose's career has enjoyed a unique trajectory that affords his reputation as one of the scene's most forward-thinking artists, label heads and promoters. Always the risk taker, his Hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at Berghain opened up one of the world's most revered venues to new sounds and musical possibility. Today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material.
'Caibu' is his first album as SCB and incorporates material from the 'Below the Line' and 'Old Media New Society' EPs of last year. Preceding the release, a third EP - 'Engineered Morality' - will drop 16th March, continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' and its accompanying EPs invite the listener to forge their own ideas on the development of society in the context of crisis.
Within this dystopic setting, 'Caibu' draws strength from introspection. At times trapped in a pressurized container, at others floating through vast spaces; SCB merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre. Metallic surfaces are moulded into polyrhythmic patterns replete with ricocheting drums, whilst unfamiliar acoustics provide a backdrop for the unfurling narrative.
Artwork for the three EPs and album commissioned by Jonathan Lawrence.
More
1. Test Tubes
2. Bone
3. Manufactured Consent
4. The Cut
5. Freedom for the Fifty
6. Extinct
7. Laboratory Conditions
8. Five Degrees
9. Opposition Division
10. Intelligence Fetish
11. Caibu
12. Into Consciousness
Release Info:
Scuba continues his uncompromising SCB moniker with 'Caibu', a twelve track LP of cerebral techno, darkened disco and broken beats out April 13th on Hotflush.
Paul Rose's career has enjoyed a unique trajectory that affords his reputation as one of the scene's most forward-thinking artists, label heads and promoters. Always the risk taker, his Hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at Berghain opened up one of the world's most revered venues to new sounds and musical possibility. Today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material.
'Caibu' is his first album as SCB and incorporates material from the 'Below the Line' and 'Old Media New Society' EPs of last year. Preceding the release, a third EP - 'Engineered Morality' - will drop 16th March, continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' and its accompanying EPs invite the listener to forge their own ideas on the development of society in the context of crisis.
Within this dystopic setting, 'Caibu' draws strength from introspection. At times trapped in a pressurized container, at others floating through vast spaces; SCB merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre. Metallic surfaces are moulded into polyrhythmic patterns replete with ricocheting drums, whilst unfamiliar acoustics provide a backdrop for the unfurling narrative.
Artwork for the three EPs and album commissioned by Jonathan Lawrence.
More
1
scb - Test Tubes
2
scb - Bone
3
scb - Manufactured Consent
4
scb - The Cut
5
scb - Freedom For The Fifty
6
scb - Extinct
7
scb - Laboratory Conditions
8
scb - Five Degrees
9
scb - Opposition Division
10
scb - Intelligence Fetish
11
scb - Caibu
12
scb - Into Consciousness
'Caibu' is Paul Rose's first album as SCB. The album builds on material from the 'Below The Line', 'Old Media New Society', and 'Engineered Morality' EPs which explored a fictional narrative in which a hypothetical timeline is corrupted by a climate-related disaster. The title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. As such, 'Caibu' invites the listener to forge their own ideas on the development of society in the context of crisis.
More
1
scb ( scuba ) - Test Tubes
2
scb ( scuba ) - Freedom For The Fifty
3
scb ( scuba ) - Oration
4
scb ( scuba ) - Laboratory Conditions
Scuba drops another four cuts as SCB on Hotflush Recordings this December. Paul Rose first launched his SCB moniker in 2010, going on to appear on labels like Ostgut Ton, Aus Music and Nonplus until 2014. This year saw the pioneering British producer revisit his darker alias with a dystopian themed release on Hotflush – he now returns with four more twisted and ominous productions.
More
1
scb - Five Degrees
2
scb - Opposition Division
3
scb - Confidence Trick (FX Overload Version)
4
scb - The Cut
Scuba refocuses his SCB project with ‘Below the Line’, coming this October on Hotflush Recordings. ‘Below The Line’ inaugurates a fictional timeline of events set in a hypothetical future. A climate-related disaster acts as a catalyst for a complete overturn in society, the repercussions of which will be explored subsequently.
The British producer has become one of modern dance music’s most pioneering figures, having produced four full-length albums, various EPs and contributed mix albums to renowned series such as DJ Kicks, Fabric, and for Berghain's Ostgut Ton label over the last decade. Donning the SCB name in 2010, Paul Rose’s pseudonym for esoteric techno found home on labels like Aus, Nonplus and Hotflush Recordings, not to mention its own eponymous imprint. More
The British producer has become one of modern dance music’s most pioneering figures, having produced four full-length albums, various EPs and contributed mix albums to renowned series such as DJ Kicks, Fabric, and for Berghain's Ostgut Ton label over the last decade. Donning the SCB name in 2010, Paul Rose’s pseudonym for esoteric techno found home on labels like Aus, Nonplus and Hotflush Recordings, not to mention its own eponymous imprint. More
1
or:la - Wendy Wild
2
or:la - Find
3
or:la - Limbosoup (FIT Siegel's Digestion Mix)
4
or:la - Farewell 24
A breakthrough artist who has had a massive 2017 to date, Or:la returns to Hotflush with three new tracks and a remix of Limbosoup (from her debut Hotflush EP last year) by Detroit’s FIT Siegel. Following the launch of her own label, Deep Sea Frequency, and a standout Boiler Room appearance, this new batch of fresh material cements Or:la’s position in the UK underground. Taking cues from influences ranging from classic jungle to post-dubstep, Farewell 24 offers more evidence as to why so many have tipped the Derry producer for great things. And to round things off, we are very excited to include a razor sharp remix from the one and only FIT Siegel, one of our absolute US favourites.
More
1
tml - Face Pads (Intro)
2
tml - Cold Sleep
3
tml - Crying
4
tml - Strainer
5
tml - RHU
The fourth Hotflush release of 2017 comes from Minneapolis-based DJ and producer, TML. He made his debut in 2014 with One Inch of Water, an album in cassette form via Always Human Tapes. His style takes cues from the bass and jungle halcyon days of yore, yet in his hands these influences are pestled into anything but nostalgia.
No Memory looks forward to a place where pigeonholes don’t exist; where past, present and future boil an amalgamated stew; where ‘experimental' and ‘clubby' aren’t effective antonyms. It’s an album in miniature - six tracks spanning a broad range. The unmistakable taste of jungle pervades side A, becoming increasingly less abstract as it goes: from the fractured opening of 'Face Pads’, through the dub of ‘Cold Sleep’, to the sunrise head bang that is ‘Crying’. Side two moves inside. It’s darker there. The tunes - ’Strainer’, ‘RHU’ and ‘Code Library’ - share a paredbackness. Their beats look askance as they shuffle big and bold. More
No Memory looks forward to a place where pigeonholes don’t exist; where past, present and future boil an amalgamated stew; where ‘experimental' and ‘clubby' aren’t effective antonyms. It’s an album in miniature - six tracks spanning a broad range. The unmistakable taste of jungle pervades side A, becoming increasingly less abstract as it goes: from the fractured opening of 'Face Pads’, through the dub of ‘Cold Sleep’, to the sunrise head bang that is ‘Crying’. Side two moves inside. It’s darker there. The tunes - ’Strainer’, ‘RHU’ and ‘Code Library’ - share a paredbackness. Their beats look askance as they shuffle big and bold. More
1
oliver deutschmann - Tied
2
oliver deutschmann - Blind
3
oliver deutschmann - Reduced
4
oliver deutschmann - Moment
Foreboding title, foreboding sounds. Berlin’s redoubtable Oliver Deutschmann joins the Hotflush roster with "In The Moment of Death We Have No Regret”. 3 club-ready weapons, one blissed-out ambient cut. Do we really need to describe them in flowery prose? No. Just listen and play. Loud.
More
1
blursome - A Little
2
blursome - Let's Take Off My Hair
3
blursome - Time
4
blursome - Blursome
5
blursome - Dream
6
blursome - Sleep
Hotflush welcome Lara Wehbie aka Blursome to the ranks with her debut EP “Rendition of You”. Raised in North Carolina and currently residing in Brooklyn, Wehbie has come a long way since beginning to work on music in 2011 as a way of channeling her diagnosed depression and anxiety. She describes her work as a transitional darkness, something she says defined her sound even before she could manage the software she uses to make it. In her own words, “Rendition of You EP signifies major transitions in my life over the past year and how my environment truly played a role in handling situations. It's a testament to how much happier I am now than I used to be. I still struggle but I'm truly thankful for the influences I have around me that have made me a better individual and artist.” Along the way she has attended the Red Bull Music Academy Bass Camp in 2015, and after an appearance on Scuba's 2016 fabric mix, she debuts on the label with an experimental six track EP. Side A of "Rendition of You" introduces listeners to her experimental use of vocals and heavy percussive influences from the left field genre. Side B dives straight into dance floor material with pounding kicks and and interjecting vocals, but then slowly winds down into a more melancholic ending with piercing synths rattling through to the last drop.
More
1
terr - Misantropicalia
2
terr - OutRun
3
terr - Don't Look Around
Brazillian-born Daniela Caldellas returns to Hotflush Recordings with ‘Misantropicalia’, a three track EP, with each one showing different facets of her influences, further enriching her identity as TERR. Picking up where last April’s ‘Burn The Past’ EP left off, TERR continues to develop what is becoming her retro-futurist signature. The unmistakable footprint of electro, as well as a palpable nostalgia for the early ‘80s, is present throughout. The title track perhaps even betrays a whiff of italo or hi-NRG with its Moroder-esque bass and silky guitar licks, before moving into pure body-popping, linoleum dancefloor territory on the B-side. OutRun is an invitation to do the robot worm best heard on a portable ghetto blaster, while Don’t Look Around rounds off the 12” in galvanizing style with hints of electroclash in fractured, fleeting vocals and beats of the fat variety. ‘Misantropicalia’ shows TERR with her influences on her sleeve, and her gaze fixed firmly forwards.
More
1
dxc - Rang dong
2
dxc - Sau sac
3
dxc - Chuyen dong
4
dxc - Lang Thang
We asked a well known Berlin DJ to describe this record, this was his response:
- Stripped Down / Raw
- Essential / Minimal
- Referencing golden era tech like: Mr G / Terry Francis / Eddie Richards
- Organic / Dynamic / Present / Accessible / Refreshing / On Point
- Perfectly Excecuted / No Bullshit DJ Tools
- Deep / Dope More
- Stripped Down / Raw
- Essential / Minimal
- Referencing golden era tech like: Mr G / Terry Francis / Eddie Richards
- Organic / Dynamic / Present / Accessible / Refreshing / On Point
- Perfectly Excecuted / No Bullshit DJ Tools
- Deep / Dope More
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1
Metro Area - Miura
2
Metro Area - Let's Get...
3
Metro Area - Strut
To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released. Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.
TRACKLISTING
A. Metro Area - Miura
B1. Metro Area - Let's Get...
B2. Metro Area - Strut
INFO
Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.
To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.
Metro Area 4 is the duo's fourth 12" EP, originally released in 2001. More
TRACKLISTING
A. Metro Area - Miura
B1. Metro Area - Let's Get...
B2. Metro Area - Strut
INFO
Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.
To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.
Metro Area 4 is the duo's fourth 12" EP, originally released in 2001. More
1
Niels Van Gogh - Pulverturm (ANNA Rework)
2
Niels Van Gogh - Pulverturm (Original Mix)
The second release from the Époque label is a major one, featuring Niels Van Gogh’s 1998 hit single "Pulverturm”, which earned gold certifications in Belgium and South Africa and climbed into the Top 10 in the charts of many European and worldwide countries. The esteemed Brazilian techno artist ANNA delivers a rework, adding her signature touch to this iconic track. "In 2023, while preparing for my Tomorrowland set, I was exploring iconic tracks that resonated in Belgium and could be perfect for an edit. I chose 'Pulverturm' for its powerful vocals and strong melody”, says ANNA. “What started as a quick edit turned into a labour of love, and I was so happy with the outcome that I wanted to try to release it as an official rework. We were in conversation with Niels Van Gogh when I sent the track to Charlotte de Witte, who loved it. She introduced me to Époque, and we decided to release the rework together. It's been a year since I crafted this rework, and I've never had so many artists from various genres, Techno, House, Melodic Techno, Tech House, Hard Techno, requesting a track like they did with my rework of 'Pulverturm.' It's incredibly exciting to finally share it with the world!" Charlotte de Witte adds: “I fell in love with ANNA's masterfully crafted touch on ‘Pulverturm’ the moment she sent it to me. Being a bit of a sucker for legendary tracks that have left a deep mark on the history of electronic music myself, this one just hits all the right spots. It's been a long and challenging road to make it happen but I'm incredibly proud and honoured to have Niels Van Gogh's timeless classic ‘Pulverturm’, seen through ANNA's eyes, for the second release of Époque. A label we founded earlier this year to honour nightlife, club culture and dancefloor legacies.” The original “Pulverturm” is a twitchy and hypnotic cut with trance infused synths over the top of the rumbling drums. There is progressive energy in the melodies and plenty of emotion in the vocals. ANNA’s version is driving and emotive with sensual vocals and bright, trance infused chords over rolling drums that bring the power.
More
1
DJ BORING - Beautiful Strangers
2
DJ BORING - Can't Fix A Broken Heart
3
DJ BORING - When I'm With You ft. Jasper Tygner
4
DJ BORING - False Attraction
5
DJ BORING - Memories Fade
2024 repress
Tracklist:
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
Tracklist:
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
1
Toby Ross - Tuff Breaks
2
Toby Ross - Barracks
3
Toby Ross - Anarchy
4
Toby Ross - Voyager
Tracklisting
A1 Toby Ross - Tuff Breaks
A2 Toby Ross - Barracks
B1 Toby Ross - Anarchy
B2 Toby Ross - Voyager More
A1 Toby Ross - Tuff Breaks
A2 Toby Ross - Barracks
B1 Toby Ross - Anarchy
B2 Toby Ross - Voyager More
1
John Talabot - Depak Ine
2
John Talabot - Destiny
3
John Talabot - Oro Y sangre
4
John Talabot - Last Land
5
John Talabot - Journeys
6
John Talabot - Missing you
7
John Talabot - When the past was present
8
John Talabot - El Oeste
9
John Talabot - So will be now
Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land
B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now
If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More
1
Wise & Deadly & Humb - I Get Live
2
Wise & Deadly & Humb - Shut Up
Rua Sound's sell out Foxy Jangle series returns with a ninth (second-last!) release: a double A-side featuring Bedford hardcore hero Wise & Deadly, and legend of the UK soundsystem scene, Humb. Wise & Deadly offers a cheeky take on a well known free party anthem. Humb goes in heavy on the amens for maxmium dancefloor devastation.
More
1
Theo Parrish - Chemistry featuring Vito Money, Andreya Tiana, Adi Dick, Steve Spacek, ...
2
Theo Parrish - Untitled One Featuring Duminie Deporres
Repress!
Apart from the obvious love for his musical talents, both as a producer and as a DJ, one of the reasons why we love Theo Parrish so damn much is his repressing policy. Unlike some of his peers, the man has no problem in repressing in-demand Sound Signatures from the past, and this time it's number 32 that receives a much-welcomed resurrection. The EP features singer Dummine Depores, first on the utterly hummable and soulful "Chemistry" track, and then on "Untitled One", a classically off-kilter Parrish number filled to the brim with sampling goodness and even a distant set of guitar riffs! Killers. More
Apart from the obvious love for his musical talents, both as a producer and as a DJ, one of the reasons why we love Theo Parrish so damn much is his repressing policy. Unlike some of his peers, the man has no problem in repressing in-demand Sound Signatures from the past, and this time it's number 32 that receives a much-welcomed resurrection. The EP features singer Dummine Depores, first on the utterly hummable and soulful "Chemistry" track, and then on "Untitled One", a classically off-kilter Parrish number filled to the brim with sampling goodness and even a distant set of guitar riffs! Killers. More
1
Dino Lenny - Washington Street (4am Mix)
2
Dino Lenny - Lose Control (Tea With Quincy Mix)
Dino Lenny’s latest two singles for Belgian titan R&S Records get coupled together for a vinyl release. ‘Lose Control’ and ‘Washington Street’ are both served up with alternate mixes. The London based Italian producer fired out another irresistible club heater on the ‘Lose Control’ single, racking up Top Ten chart positions across the dance DSPs. On the Tea With Quincy Mix, legendary American musician Jerry Hey in drafted in to add his unmistakable horn playing to this version of ‘Lose Control. Hey is a highly seasoned orchestrator and session musician, playing on hundreds of classic recordings including Michael Jackson’s ‘Thriller’, ‘Rock With You’ and ‘Don’t Stop ‘Til You Get Enough’, and also playing with Earth, Wind & Fire, Donna Summer, Chaka Khan, Aretha Franklin, George Benson and numerous others, including Quincy Jones, whom the mix title doffs its cap to. A special ‘4am Mix’ of ‘Washington Street’ from Dino Lenny himself sits on the flip side, a propelling and heavyweight dancefloor cut laced with seductive saxophone and climaxing with sparkling melodic electronics.
More
More
1
friday, saturday and sunday (clarence re - Potato Salad
2
friday, saturday and sunday (clarence re - There Must Be Something
Repress!
Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016. More
Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016. More
RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK
1 x 140 grs Black Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album as Record Store Day Exclusive
• The album is presented in the famous (and as to now unseen) ‘rejected’ artwork sleeve by 8vo. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Vinyl mastered by Peter Beckmann at Technology Works.
• Numbered limited edition – 2 200 copies for the World
TRACKLIST
A1. Love No More – A2. Pol in G – A3. Act I Opera – A4. People’s Pleasure Park – A5. Finding the Sea
B1. Otis – B2. They Work Every Day – B3. Act II Opera – B4. Homage to Catalonea -B5. My Country More
1 x 140 grs Black Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album as Record Store Day Exclusive
• The album is presented in the famous (and as to now unseen) ‘rejected’ artwork sleeve by 8vo. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Vinyl mastered by Peter Beckmann at Technology Works.
• Numbered limited edition – 2 200 copies for the World
TRACKLIST
A1. Love No More – A2. Pol in G – A3. Act I Opera – A4. People’s Pleasure Park – A5. Finding the Sea
B1. Otis – B2. They Work Every Day – B3. Act II Opera – B4. Homage to Catalonea -B5. My Country More
RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK
1 x Yellow Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• Numbered, limited edition on yellow vinyl only as Record Store Day 2024 Exclusive
• First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indie-rave scene of the early 90s
• Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas)
• Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’
• Vinyl cut from the original Factory Records masters
• Restored artwork by Central Station Design
• Numbered limited edition – 1 600 copies for the World
TRACKLIST
A1. Take 5 - A2. Weight Of Air - A3. Funky Munky - A4. A Change Is On Its Way - A5. Yeah Man
B1. Tour De World - B2. Wishful Thinking - B3. Shall We Take A Trip - B4. Who’s To Blame
B5. Practise Makes Perfect More
1 x Yellow Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• Numbered, limited edition on yellow vinyl only as Record Store Day 2024 Exclusive
• First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indie-rave scene of the early 90s
• Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas)
• Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’
• Vinyl cut from the original Factory Records masters
• Restored artwork by Central Station Design
• Numbered limited edition – 1 600 copies for the World
TRACKLIST
A1. Take 5 - A2. Weight Of Air - A3. Funky Munky - A4. A Change Is On Its Way - A5. Yeah Man
B1. Tour De World - B2. Wishful Thinking - B3. Shall We Take A Trip - B4. Who’s To Blame
B5. Practise Makes Perfect More