Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
More records from MF DOOM
Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
More records from Rhymesayers Entertainment
Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
1
Kurious - Unknown Species
2
Kurious - Untainted
3
Kurious - Tis The Season
4
Kurious - Eye Of Horus
5
Kurious - 1984
6
Kurious - Teach & Forgive
7
Kurious - Separation Anxiety
8
Kurious - Cow's Eye
9
Kurious - Bacalao Opera
10
Kurious - Majical Journey
11
Kurious - Barry Gibb
12
Kurious - Par The Course (Feat. Mr. Fantastik)
13
Kurious - Open (Feat. Homeboy Sandman)
14
Kurious - Majic Interlude
15
Kurious - Come Back
By his early 20s, Kurious was already an in-demand voice on the mic. His 1994 major label debut album, A Constipated Monkey, is a classic of its style, marked by heavy beats and nimble rhymes that are razor-sharp yet frequently hilarious. Despite being hailed as one of hip-hop’s most compelling lyricists, he didn’t release another solo LP for the rest of that decade, but he continued to be sought after. Rap fans the world over know him for his verse on “?,” one of the standout songs from his longtime friend and collaborator MF DOOM’s heralded Operation: Doomsday.
As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time. More
As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time. More
Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early `90s rap group whose work still goes criminally under-appreciated to this day. Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining - Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single "What A N*gga Know", the slippery, bass-driven "Get U Now", and the album's title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw - many times both, concurrently - the tracks gave the MC's the springboard they needed to express themselves clearly. Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X - now the sole remaining member of the group - was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album's provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.
Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION More
Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION More
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Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.
The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.
The album will be available on black 2LP vinyl with d-side etching as well as CD.
- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.
Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10
Praise for Space 1.8:
"An ambient jazz classic" - The Guardian
"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork
"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise More
The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.
The album will be available on black 2LP vinyl with d-side etching as well as CD.
- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.
Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10
Praise for Space 1.8:
"An ambient jazz classic" - The Guardian
"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork
"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise More
1
Bartosz Kruczynski - Dream I
2
Bartosz Kruczynski - Dream II
3
Bartosz Kruczynski - Dream III
4
Bartosz Kruczynski - Dream IV
5
Bartosz Kruczynski - V
6
Bartosz Kruczynski - VI
7
Bartosz Kruczynski - Dream VII
8
Bartosz Kruczynski - Whisper I
9
Bartosz Kruczynski - Whisper II
10
Bartosz Kruczynski - Whisper III
11
Bartosz Kruczynski - Whisper IV
12
Bartosz Kruczynski - Whisper V
13
Bartosz Kruczynski - Whisper VI
14
Bartosz Kruczynski - Whisper VII
We’ve always been careful not to call Balmat an ambient label, because we like having the freedom to move, to drift, to morph. But with our 11th release, we turn our ears—proudly, blissfully—to a strain of ambient at its most timeless. The appropriately titled Dreams & Whispers comes from Warsaw’s Bartosz Kruczynski, who has recorded under a number of guises, Earth Trax, as well as his own name. Over the years, he’s touched upon deep house, breakbeats, acid, techno, electro, IDM, and more; often, the throughline running through a given album is simply the refusal to remain in any one place for long—well, that, and his unusually nuanced ear for harmony and texture.
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
1
Nala Sinephro - Space 1
2
Nala Sinephro - Space 2
3
Nala Sinephro - Space 3
4
Nala Sinephro - Space 4
5
Nala Sinephro - Space 5
6
Nala Sinephro - Space 6
7
Nala Sinephro - Space 7
8
Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
1
Flammer Dance Band - Båndet Går
2
Flammer Dance Band - Trenger Ikke Dra
3
Flammer Dance Band - Nå Nå
4
Flammer Dance Band - Ekko Av Degb Selv
5
Flammer Dance Band - Glad
6
Flammer Dance Band - Gynger
Hot off a crazy year of constant touring from January to December, which included a two-week stint as the backing band for Ghanaian Legend Funky Rob, Flammer Dance Band returned to the studio, buzzing with spontaneous energy and inspiration.
Seven musicians squeezed into a hot and sweaty soul shack, in pursuit of the funk.
Five days later, they emerged with 'Gynger', an album that captures the raw, dynamic spirit of their well-oiled, psychedelic funk machine. More
Seven musicians squeezed into a hot and sweaty soul shack, in pursuit of the funk.
Five days later, they emerged with 'Gynger', an album that captures the raw, dynamic spirit of their well-oiled, psychedelic funk machine. More
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Label:Be With Records
Cat-No:bewith166lp
Release-Date:22.03.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
1
Bahamadia - Intro (0:50)
2
Bahamadia - WordPlay (3:17)
3
Bahamadia - Spontaneity (4:08)
4
Bahamadia - Rugged Ruff (3:08)
5
Bahamadia - Interlude (0:29)
6
Bahamadia - I Confess (4:06)
7
Bahamadia - UKNOWHOWWEDU (3:35)
8
Bahamadia - Interlude (1:09)
9
Bahamadia - Total Wreck (3:26)
10
Bahamadia - Innovation (3:23)
11
Bahamadia - Da Jawn (5:19)
12
Bahamadia - Interlude (1:05)
13
Bahamadia - True Honey Buns (Dat Freak Sh t) (3:41)
14
Bahamadia - 3 Tha Hard Way (4:12)
15
Bahamadia - Biggest Part Of Me (4:51)
16
Bahamadia - Path To Rhythm (3:24)
Territories: Worldwide no restrictions
Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
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Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29
B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23
C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41
D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24
Release Notes:
Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.
The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."
With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.
With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.
Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.
Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
1
Steve Spacek - Hey There
2
Steve Spacek - Dollar (Prod. By J Dilla)
3
Steve Spacek - Thursdays
4
Steve Spacek - Slave
5
Steve Spacek - Rapid Rate (Prod. By GB)
6
Steve Spacek - The Hills (Prod. By D Bridge)
7
Steve Spacek - Reversible Top
8
Steve Spacek - 3hrs Of Fun
9
Steve Spacek - This One Feels Alright (Previously Unreleased, Prod. By J Dilla)
10
Steve Spacek - Love Yu Be
11
Steve Spacek - Slow Baby Dubb
12
Steve Spacek - I'm Glad
13
Steve Spacek - Smoke (Feat. Leon Ware On Vocals)
14
Steve Spacek - Days Of My Life
15
Steve Spacek - Callin Yu
16
Steve Spacek - Hey There
17
Steve Spacek - Look Into My Eyes
Limited edition color vinyl version timed to arrive for Black Friday 2024, but not an official RSD title. The 17 track 2005 solo debut from visionary polymath S. SPACEK is finally reissued, featuring a previously unreleased J DILLA collab! Lauded on release for its seamless blending of soul, hip hop, & intricate electronics it's as influential today as it was in 2005.
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1
Magalhães - Xangô
2
Os Panteras - Lambada Pauleira
Brazil 45, number 84.
For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras.
'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.
On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).
We are super happy to once again present these two red-hot tracks back-to-back. More
For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras.
'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.
On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).
We are super happy to once again present these two red-hot tracks back-to-back. More
1
Di Melo - Kilariô
2
Di Melo - Pernalongo
Brazil 45, number 83.
For number 83 in the Brazil 45 series, we pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.
His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian-funk sound, pleasing the Brazilian, B-Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.
For this release we selected two of our favourite cuts from this cult album, ‘Kilariô' and ‘Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilariô' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. ‘Pernalonga', with its catchy guitar and horns intro, loose break-beat drum, has the feel-good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.
Di Melo is still recording to this day, releasing an album with Cotonete on Favorite Recordings in 2019 - a true don. More
For number 83 in the Brazil 45 series, we pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.
His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian-funk sound, pleasing the Brazilian, B-Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.
For this release we selected two of our favourite cuts from this cult album, ‘Kilariô' and ‘Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilariô' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. ‘Pernalonga', with its catchy guitar and horns intro, loose break-beat drum, has the feel-good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.
Di Melo is still recording to this day, releasing an album with Cotonete on Favorite Recordings in 2019 - a true don. More
1
Dom Salvador E Abolição - Uma Vida
2
Dom Salvador E Abolição - Guanabara
3
Dom Salvador E Abolição - Hei! Você
4
Dom Salvador E Abolição - Som, Sangue E Raça
5
Dom Salvador E Abolição - Tema Pro Gaguinho
6
Dom Salvador E Abolição - O Rio
7
Dom Salvador E Abolição - Evo
8
Dom Salvador E Abolição - Number one
9
Dom Salvador E Abolição - Folia De Reis
10
Dom Salvador E Abolição - Moeda, Reza E Côr
11
Dom Salvador E Abolição - Samba Do Malandrinho
12
Dom Salvador E Abolição - Tio Macrô
180g vinyl + Deluxe hard-cardboard sleeve + OBI + resealable outer sleeve
This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.
The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.
Tracklist:
Side A: A1.Uma Vida – A2. Guanabara – A3. Hei! Você – A4. Som, Sangue E Raça – A5. Tema Pro Gaguinho – A6. O Rio
Side B: B1. Evo – B2. Number One – B3. Folia de Reis – B4. Moeda, Reza E Côr – B5. Samba Do Malandrinho – B6. Tio Macrô
More
This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.
The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.
Tracklist:
Side A: A1.Uma Vida – A2. Guanabara – A3. Hei! Você – A4. Som, Sangue E Raça – A5. Tema Pro Gaguinho – A6. O Rio
Side B: B1. Evo – B2. Number One – B3. Folia de Reis – B4. Moeda, Reza E Côr – B5. Samba Do Malandrinho – B6. Tio Macrô
More
1
Roland Haynes Jr. & Phenix - What's Going On (Live)
2
Roland Haynes Jr. & Phenix - Interview (Live)
3
Roland Haynes Jr. & Phenix - Cast Your Fate (Live)
4
Roland Haynes Jr. & Phenix - Rain Dance (Live)
5
Roland Haynes Jr. & Phenix - Europa (Live)
6
Roland Haynes Jr. & Phenix - Loving You In Autumn (Live)
7
Roland Haynes Jr. & Phenix - The Baron (Live)
8
Roland Haynes Jr. & Phenix - Titi (Live)
Roland Haynes Jr and his group Phenix released just a single 45 on their eponymous label:the sophisticated modern soul cut 'Mind Games', with a dapper jazz ballad,'The Essence of Jai' as the flipside (coming soon on the studio LP). Until now, that 1983 single has been the sole material trace of both band and artist. But like many dedicated musicians who follow their own path outside of the music industry, Haynes understood his musical worth, and the quality of his band. He had documented his work at key moments, laying down carefully worked out studio sessions and recording packed-out live gigs. The recordings that we present here are drawn from Haynes' personal archive.
This first collection presents a selection of the many live recordings made by Phenix at Quarter Moon club in Orangeburg, South Carolina. This allows us to listen in as Haynes'abundantly talented band stretches out on a tight selection of originals and covers. Together, these sets allow Roland HaynesJrtofinallystakehisclaim to a place alongside the most forward-thinking jazz and soul artists of his era.
Covers of Marvin Gaye, Santana, Hubert Laws & The Jeff Lorber Fusion as well as originals.
500 Copies Only Double Vinyl. More
This first collection presents a selection of the many live recordings made by Phenix at Quarter Moon club in Orangeburg, South Carolina. This allows us to listen in as Haynes'abundantly talented band stretches out on a tight selection of originals and covers. Together, these sets allow Roland HaynesJrtofinallystakehisclaim to a place alongside the most forward-thinking jazz and soul artists of his era.
Covers of Marvin Gaye, Santana, Hubert Laws & The Jeff Lorber Fusion as well as originals.
500 Copies Only Double Vinyl. More
Rights: World excl. FR , UK & US
Packaging: 2 x 140 Grs Black Vinyl, Gatefold sleeve with UV gloss finish, 2x white paper inner sleeve, oversized 2 panton sticker direct upon frontcover.
SHORT BIOG
"Best of 1996-2019" , the very first Cassius Best Of.
" Cassius , one of the seminal & most exciting French Touch pioneers.
" 20 track / 2LP Black gatefold sleeve with liner notes by Hubert 'Boombass" Blanc-Francard about the story of Cassius and in memory of Philippe" Zdar"Cerboneschi.
" Covering all classics of all albums : from Cassius 1999 - I < 3 U So - Feeling For You - Toop Toop to Go Up & The Sound Of Violence & Don't Let Me be.
" Including some Boombass's favourites with some rarities.
TRACKLISTING
Side A
1. Cassius 1999
2. Feeling For You
3. La Mouche
4. The Sound Of Violence (Radio Edit)
5. I'm A Woman
Side B
1. Toop Toop
2. See Me Now
3. Rock Number One
4. Go Up (feat. Cat Power & Pharrell Williams)
5. The Missing (feat. Ryan Tedder & JAW)
Side C
1. Action (feat. Cat Power & Mike D) (Edit version)
2. I <3 U SO
3. Brotherhood
4. Don't Let Me Be (feat. Owlle)
5. Calliope
Side D
1. Fame
2. Youth Speed Trouble Cigarettes
3. Ibifornia (Myd Remix) (Edit version)
4. Cause oui! (feat. Mike D)
5. Dinapoly
More
Packaging: 2 x 140 Grs Black Vinyl, Gatefold sleeve with UV gloss finish, 2x white paper inner sleeve, oversized 2 panton sticker direct upon frontcover.
SHORT BIOG
"Best of 1996-2019" , the very first Cassius Best Of.
" Cassius , one of the seminal & most exciting French Touch pioneers.
" 20 track / 2LP Black gatefold sleeve with liner notes by Hubert 'Boombass" Blanc-Francard about the story of Cassius and in memory of Philippe" Zdar"Cerboneschi.
" Covering all classics of all albums : from Cassius 1999 - I < 3 U So - Feeling For You - Toop Toop to Go Up & The Sound Of Violence & Don't Let Me be.
" Including some Boombass's favourites with some rarities.
TRACKLISTING
Side A
1. Cassius 1999
2. Feeling For You
3. La Mouche
4. The Sound Of Violence (Radio Edit)
5. I'm A Woman
Side B
1. Toop Toop
2. See Me Now
3. Rock Number One
4. Go Up (feat. Cat Power & Pharrell Williams)
5. The Missing (feat. Ryan Tedder & JAW)
Side C
1. Action (feat. Cat Power & Mike D) (Edit version)
2. I <3 U SO
3. Brotherhood
4. Don't Let Me Be (feat. Owlle)
5. Calliope
Side D
1. Fame
2. Youth Speed Trouble Cigarettes
3. Ibifornia (Myd Remix) (Edit version)
4. Cause oui! (feat. Mike D)
5. Dinapoly
More