Kerri Chandler, Dennis Quin and Troy Denari join forces to deliver ‘You Are In My System', a modern take on the iconic 1998 ‘You’re In My System’. The original mix of ‘You’re In My System’ has been a staple for many in House music DJ sets for the past twenty-five years, a record that perfectly encapsulates the soul of House and Kerri’s distinctive sound. Here we see Kerri Chandler put a contemporary twist on this celebrated cut from his back catalogue, this time collaborating again with vocalist Troy Denari and Dutch artist Dennis Quin, who’s delivered numerous hits on Kerri’s Madhouse imprint such as ‘Move Out Of My Way’ and the last collaboration between the three, ‘Be Strong’. Here the three artists collaborated to rework and replay the entire composition and create this new 2023 version, Kerri and Dennis using the same hardware used in the original composition and singer/songwriter Troy Denari, lends his vocals to this new version of the track, reimagining the vocals of Mic Murphy to capture the essence and spirit of the 1980's hit by American Synthpop band The System. Throughout 'You Are In My System' Kerri Chandler’s signature soulful keys, bouncy bass line and dynamic synth work ebbs and flows amongst Dennis Quin's sturdy, swinging and crisp drum style while Troy Denari's refreshed vocals then bring a modern soul and warmth to things, resulting in the dynamic future classic presented here, destined to work its way onto many late summer dancefloors and beyond. Dennis Quin also offers up his 'DQ Dub' for a more raw groove focused fix.Antal plays the Extended Club Mix at Dekmantel Selectors Early DJ Support: Antal - even more effective for nowadays attention span!Hector Romero - Very nice job on this one. On it.Domenic Cappello - Still a great tune and love these versionsSasha - very coolMassimiliano Pagliara - All time favourite!

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Kerri Chandler returns to his Kaoz Theory imprint with Lost & Found Vol. 4, the latest installment in his archive-focused series. A true pioneer of house music, Chandler continues to push boundaries, maintaining his legacy at the forefront of the genre.

With Lost & Found, Chandler delves deep into his vault, unearthing hidden gems and giving them new life. This volume features 'Since I Met You' featuring the late Michael Watford, the atmospheric 'Grandiose Garden' by Alopeke, 'Circles' featuring Natalia Kissoon, and closes with the deep, driving energy of 'The Dark One.'

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Kerri Chandler joins forces with Nae (SA) for new single ‘Caged Bird’, accompanied by remixes from the widely beloved Atjazz, and Moplen.

Leading the release is the ‘Full Vocal Media Mix’ of ‘Caged Bird’, which sees Kerri Chandler lay down emotive piano melodies, organic drums and atmospheric strings alongside soulful vocal stylings from South Africa’s Nae.

Up next is Italy’s Moplen, producer for the likes of G.A.M.M. and Lumberjacks In Hell delivers his twist on ‘Caged Bird’, shifting gears into more classic house realms, infusing drifting keys, weighty lowend tones and heavily swung drums and violin melodies with the original’s smooth house aesthetic.

On the flip side is the first ‘Atjazz Remix’ of ‘Caged Bird’, a nine minute cinematic excursion from the British composer, embracing the soulful fragments of the original and twisting them into a slow burning, subtly evolving nine minutes delicately detailed with sweeping echoes, reversed reverberations, crisp percussion and choppy stab sequences. An ‘Atjazz Remix Instrumental’ follows, as the name would suggest stripping away the vocals.

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Dreamer G, originally released on Madhouse Records in the 1990s, has been reimagined by Demuir with a fresh new rework. The release also features a brand-new re-edit by Kerri Chandler himself, revitalizing this underground anthem. Additionally, the deep mix has been meticulously remastered by Kerri, preserving the track’s original essence while enhancing its sound quality. The original vinyl remains highly sought after, a testament to the track's lasting impact.

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DJ support - Groove Armada, Sam Divine, Ame, Rampa, David Penn,Simon Dunmore, and Oliver Dollar

Kaoz Theory proudly presents Devon Miles and his new track, 'Beautifull.', executively produced by Kerri Chandler.

Featuring remixes from the legendary Kerri Chandler himself and the talented Opolopo.
Devon Miles is a self-taught Nigerian multi-instrumentalist, producer, composer, and singer/songwriter. He is driven by a deep passion to spread light, love, and truth through his music. Devon began his musical journey in his childhood church and, by the age of 16, opened his first recording studio with his older brother and two cousins. With years of experience collaborating with national and international artists, bands, and theatre troupes, Devon now invites you to explore his world through his music.

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Over the past decade Tuccillo has steadily honed his craft as a producer and is now widely known and beloved for his contemporary twist on raw groove driven House music which has found a home on the likes of Nu Groove, Kwench, Melodeum, Holic Trax his own Unblock label and of course Kaoz Theory where he returns here following 2023’s ‘The Waves’ EP.

Title-cut ‘Sundown’ leads the release on a deep house tip with a swinging drum groove, airy chord sequences, intricate filtered vocals and a funk-infused bass line. ‘Holding On’ then shifts gears into Chicago House territory via a bouncy bassline and dubbed out vocal chops, intertwined with a playful organ melody, tension building strings and skippy percussion.

‘Whatever’ then opens the b-side with a more stripped-back feel, laying focus on crisp, low-slung drums, hypnotic atmospherics, choppy dub stabs and an amalgamation of vocal murmurs. ‘Velvet City’ then concludes the EP, encapsulating the core aesthetic of deep house with wandering jazzy keys, ethereal pads, organic drums and rumbling subs all silkily ebbing and flowing amongst one another.

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Repress!

Kerri Chandler returns to his own Kaoz Theory with Vol.3 of his archive focused ‘Lost & Found’ series.

Kerri Chandler and his Kaoz Theory imprint continues to move from strength to strength still after decades at the forefront of House music. In this ‘Lost & Found’ series, Chandler dives back into his vault to unearth forgotten gems and bring them into the limelight today. For this release, Kerri also revisits ‘Let It’ from his recent ‘Spaces and Places’ LP, reworking it with a new vocalist this time round, namely AbbieLee.

Kicking things off is new version of Let It (Give Me Back My Love), laid out across six minutes, employing shimmering Rhodes melodies, fluttering arpeggios, a bumpy bass groove and crisp drums intertwined with AbbieLee’s soulful vocal stylings. ‘Another Dawn (Vocal Mix)’ follows with jazzy, bruk-tinged drums, uplifting piano chords and pulsating subs running alongside enchanting vocal lines,On the flip-side, Kerri dives into more underground basement realms with the murky basstones, shuffled dusty drums and expansive reverberations of ‘The Bassline (Kerri’s DarkMix). ‘The Breeze’ then rounds out the EP with an electro tinged 808 jam, utilising the machines classic cowbell chimes, skippy snares, rumbling toms and thunderous kicks.

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Kerri Chandler’s Kaoz Theory welcomes the return of Dj Steaw in January 2024 with his ‘Get Back To The Fonk’ EP.

Parisian House stalwart Dj Steaw has grown to become a widely respected figure in the field of
raw, underground, classic House over the past decade, racking up releases on many leading
imprints of the genre such as Hot Haus, Meta, Local Talk, Step and Phonogramme as well as his
own Steaward, Rutilance and House Puff. Here though he returns to Kaoz Theory following the
success of his ‘Colour Of Mind’ EP in 2022.

Title-cut ‘Get Back To The Fonk’ opens and sees Dj Steaw lay down a jazzy keys and stab
sequences, a bouncy bass line and heavily swung drums alongside an amalgamation of spoken
word vocals and chants. ‘Don’t Stop’ follows next and shift focus into deeper realms with warm,
fluttering chords, swaying subs and airy strings running atop of a robust rhythm.
‘In My Body’s House’ is up next to open the B-side, embracing a true House feel this time through
the use of organic piano melodies, sax licks and organ lines intertwined with a bumpy bass hook
and dubbed out vocal effects. ‘Grey Matter’ then concludes the original material, focusing on
multilayered dreamy keys, resonant flutters and skippy percussion.

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Back digging in their prized vaults, Kaoz Theory cherry pick another two classics to be released for the first time on vinyl. Up first, one of Toronto’s finest Demuir enlists the signature soulfulness of Bluey Robinson for a bumping RnB-tinged, hazy house bomb entitled ‘Lusting U’. On the flip, Chicago legend DJ Sneak hits with a underground jackin’ groover ‘Judy Russell’ in trademark Windy City style.

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Kerri Chandler, Dennis Quin and Troy Denari join forces to deliver ‘You Are In My System', a modern take on the iconic 1998 ‘You’re In My System’. The original mix of ‘You’re In My System’ has been a staple for many in House music DJ sets for the past twenty-five years, a record that perfectly encapsulates the soul of House and Kerri’s distinctive sound. Here we see Kerri Chandler put a contemporary twist on this celebrated cut from his back catalogue, this time collaborating again with vocalist Troy Denari and Dutch artist Dennis Quin, who’s delivered numerous hits on Kerri’s Madhouse imprint such as ‘Move Out Of My Way’ and the last collaboration between the three, ‘Be Strong’. Here the three artists collaborated to rework and replay the entire composition and create this new 2023 version, Kerri and Dennis using the same hardware used in the original composition and singer/songwriter Troy Denari, lends his vocals to this new version of the track, reimagining the vocals of Mic Murphy to capture the essence and spirit of the 1980's hit by American Synthpop band The System. Throughout 'You Are In My System' Kerri Chandler’s signature soulful keys, bouncy bass line and dynamic synth work ebbs and flows amongst Dennis Quin's sturdy, swinging and crisp drum style while Troy Denari's refreshed vocals then bring a modern soul and warmth to things, resulting in the dynamic future classic presented here, destined to work its way onto many late summer dancefloors and beyond. Dennis Quin also offers up his 'DQ Dub' for a more raw groove focused fix.Antal plays the Extended Club Mix at Dekmantel Selectors Early DJ Support: Antal - even more effective for nowadays attention span!Hector Romero - Very nice job on this one. On it.Domenic Cappello - Still a great tune and love these versionsSasha - very coolMassimiliano Pagliara - All time favourite!

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Two classic cuts from the Kaoz Theory vaults get released for the first time on vinyl, with a fresh remaster for the modern mind, body and soul. First up, Dam Swindle ‘Ballin’ a sumptuously smooth, groove-laden yet chunky house heater with the flip housing a late-night deep delight from Ben Rau titled ‘Be Who You Want To Be’.

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Josh Butler joins Kerri Chandler’s Kaoz Theory imprint with the ‘Piranha’ EP, featuring a collaboration with Josh Daniel and two further original compositions.

Northern England’s Josh Butler has been at the forefront of the contemporary house scene over the past decade, racking up releases for the likes of Defected, Rejected, Solid Grooves, Hot Creations, Crosstown Rebels, MÜSE and many more. Here though we see Josh returning to Kerri Chandler’s Kaoz Theory following 2023’s ‘Sunday Club’ with some fresh, dub house leaning material.

Opening the release is ‘Be There’, a collaboration with Josh Daniel, laid out across five and half minutes with dubbed out piano chords, crisp drums, a bouncy bass line and Daniel’s soulful vocal stylings.

A dub mix is offered up to follow, laying focus solely on the groove. On the flip side we have ‘Piranha’ up first, a hazy journey through dubbed out synth swells, airy vocal chants, skippy low-slung percussion and snaking sub bass tones.

‘Chess’ then rounds out the EP, laying down heavily swung minimalistic percussion, fluttering low end pulsations and ethereal atmospheric textures to create a subtly unfurling, cinematic dance floor groove.

DJ Feedback:

Junior Sanchez – Dope freshness!

Dennis Quin – Nice EP, feel the tracks

Lele Sacchi – All good deep rollers

Alexander Maier – Superb deepness in all

Ruff Stuff – Great EP! Love it!

Danny Howells – Loving this, all four tracks totally worth of support

Milos – Amazing EP, great tracks

Chris Brennan – Supremely smooth tunes, lovely lovely

Mr V – Straight fire

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Limited Edition Purple Vinyl Pressing - 500 Units Only

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the fourth in a series of vinyl album samplers.

Back with another beautiful gatefold, double 12 inch package for this fourth sampler in the series, that sees Kerri place himself slap bang in the middle of five more of the best clubs the world has to offer. Setting up a makeshift studio workspace in the dancefloor holy grails that are Ministry of Sound, Rex, Razzmatazz, De Marktkantine and Watergate, Kerri soaks up the energy, vibe and atmosphere that each distinct club has within its walls, to translate it into a track in a way that only he knows how. Trademark precision, packed with soul and delivered with a weighty bottom end, this is Kerri Chandler of the highest order.

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Italy-born, Ibiza-based producer and DJ, Tuccillo, joins the roster of Kerri Chandler’s Kaoz Theory with ‘The Waves’ EP, made up of five original compositions.

Based on the balearic island of Ibiza, Giuseppe Tuccillo, better known simply by his last name is a producer synonymous with a groove driven sound which blurs the lines between House, Deep House, Disco and Micro House with unparalleled finesse. Over the years his music has graced the likes of Nu Groove, Kwench, 20:20 Vision, Defected and Holic Trax, run by Tomoki Tamura with whom he collaborates on the Doublet project.

Here though, Tuccillo’s latest works come via the much-loved Kerri Chandler helmed, Kaoz Theory. Title-track ‘The Waves’ leads the way and winds through bright stab sequences, crisp drums and processed vocal textures. ‘Breaking Leds’ follows next and divers deep with diva vocals, classic house chords, pulsating subs and skippy drums before ‘Apple Eyes’ shifts the focus over to reduced percussion, dubbed out stabs and a snaking bass line.

Opening the flip side is ‘Good Vibration’, as the name would suggest a feel good journey through a bouncy bass line, intricately programmed organic drums and hypnotic vocal chants before ‘Around Five’ then concludes the EP, piecing together gritty bass flutters, a bumpy drum workout, subtly unfurling atmospherics and psychedelic, swirling guitars.

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Limited Edition Yellow Vinyl Pressing - 500 Units Only

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the first in a series of vinyl album samplers.

Sampler 1 sees two UK institutions from the North and South spotlighted. First up, Kerri finds himself in London’s cavernous Printworks, recording ‘Never Thought’ - a classic Kerri, piano fuelled groover, tough, melodic and perfectly accompanied by Sunchilde’s vocals.

On the flip, ‘You Get Lost In It’, recorded at Manchester mecca, The Warehouse Project, channels the electric vibe created by those hallowed surrounds. A deep, heads down heater with sultry vocals from Lady Linn.

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LTD EDITION - 500 ONLY ON RED VINYL.

The second vinyl sampler from Kerri Chandler’s Spaces and Places album, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs.

Sampler 2, a sublime gatefold, double 12 inch package sees Kerri soak up and channel the atmosphere of Dublin’s District 8, Glasgow holy grail Sub Club, NYC’s Output and Lisbon’s crowning jewel Lux into four trademark Kerri cuts, doubled up with a further mix of each track for good measure too. Piano-laden deep house, heads-down groovers, vocal-tinged soulful gems, recorded directly from each space, it’s brimming with future classics from start to finish.

Tracklist:

A1 - Kerri Chandler feat. Troy Denari - Change Your Mind (Full Vocal) [District 8]
A2 - Kerri Chandler - Subbie (Rattle The Subbie Vocal Mix) [Sub Club]
B1 - Kerri Chandler - See The Light (Original Long Vocoder Vocal Mix) [Lux]
B2 - Kerri Chandler feat. Bluey Robinson - Tenacity (No Drums Mix) [Output]
C1 - Kerri Chandler feat. Bluey Robinson - Tenacity (Full Vocal Mix) [Output]
C2 - Kerri Chandler - See The Light (Dub) [Lux]
D1 - Kerri Chandler - Subbie (The Jackpot Mix) [Sub Club]
D2 - Kerri Chandler feat. Troy Denari - Change Your Mind (Instrumental) [District 8]


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Kerri’s Kaoz Theory label unlocks the vault to two key tracks from the early days of the label that have never pressed on vinyl before.

First up the man himself, Kerri Chandler with a deep, heads down stomper ‘Who’s Afraid Of The Dark’. Kerri at his hard hitting best, as vocal refrains wash over the chunkiest of synth stabs and basslines with crunched up percussion laying the basis for a track that is readymade for smoke filled clubs and pumping sound systems.

On the flip, Josh Butler ‘Sunday Club’ goes deep down the rabbit hole effortlessly moving from ethereal elegance to twisted machine energy, showcasing that light and dark can sit together seamlessly to produce something seriously special.

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Transparent Green Vinyl, Tri Fold Sleeve with A2 Poster!

House music icon Kerri Chandler unveils his first album in 14 years, Spaces and Places, a global celebration of club and sound system culture, meticulously created by the New Jersey producer/DJ over several years on location at twenty-two of the world’s most distinguished nightclubs. Each track built on the spaces individual relationship with Kerri, often through decades of live shows or appearances, and in the process capturing unique rhythmic and emotional nuances.

Written and performed with a temporary studio on the centre of each dance floor, this jaw dropping 3 x LP pressed on transparent green vinyl in a stunningly designed tri-fold picture sleeve complete with A2 poster insert, showcases Kerri at his finest. Taking in never before heard tracks, versions and mixes separate to the four samplers that preceded it, this incredible body of work and concept has seen the album submitted for two Grammy awards.

As one of dance music’s most respected and authentic figures, Kerri Chandler is a true originator of his genre, with an impeccable discography and signature sound to match. He has unquestionably helped to shape house music’s positive outlook over the last 30 years. Not only from the DJ booth and studio, but also as an A&R via his Kaoz Theory label which has worked with contemporary talents like Jamie Jones, Seth Troxler and The Martinez Brothers. Now, Kerri Chandler is set to release a carefully rendered and truly unique body of work. Spaces and Places will undoubtedly be seen as a timeless tribute that underscores the originality that has kept him as one of the most in-demand artists for so many years.

“The first time I stepped into a nightclub was with my father as a child. I saw the magic of what a club space could sound and feel like as my Dad set up the DJ equipment at The Rallye Racquet Club. Hearing the power of those huge Altec Lansing "Voice of the Theater" Speakers and Horn-loaded JBL subwoofers fascinated me! In the late 80s, I was spoiled sonically by playing on several Richard Long Sound Systems around New York and New Jersey. This is why ever since I first ventured away from home, I have been infamous with my soundchecks at any space I have performed in. I make sure, with the help of the engineers in these “Spaces and Places”, many I have known most of my career, to get the best from each system. Each sound system is unique to each venue, even if it's the same type of gear, because of the physical space. And when you add the right audience to that specific nightclub, it comes to life! The club owners and engineers were gracious enough to let me take over each club and turn each venue, into a recording studio. I wanted to express the love of what could be possible in capturing my productions in the venue, from the heart of each space, right on the dance floor and I translate it onto this album, which I created over the course of 4 years and 24 venues later. I hope you enjoy this journey as I have. I present to you: "Spaces and Places".

With Love, Respect and Admiration.” – Kerri Chandler

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Kerri Chandler delivers ‘Lost & Found Vol.2’ this March, marking the second instalment of the series which focuses on tracks from his archives.

Kerri Chandler’s Kaoz Theory unveiled the label bosses ‘Spaces & Places’ LP in 2022, showcasing Kerri’s globetrotting career of the past few decades and featuring recordings produced on the dance floors of many leading clubs such as DC10, Sub Club, Rex, Printworks and more.

Here the label kicks off 2023 with a glimpse into Chandler’s archived material, offering up four cuts in his inimitable, iconic style.

‘Fluff Rehab’ leads the way and see Kerri offering up crisp drums, spiralling dub stabs and fluttering low-end pulsations throughout.

‘What If’ follows and tips the focus over to a more soulful feel, fusing a wandering bass line and airy textures with vocal chants, choppy keys, and a gritty drum groove.

‘Who Are You (Main Vox)’ then opens the B-side, retaining a similarly soul drenched feel, bringing Kerri’s own harmonious vocals into the mix alongside a crunchy, swinging rhythm and jazzy elements.

‘Dem Joy Ride’ rounds out the EP next, flipping the switch to a funk-infused, organic feel as brass lines, hypnotic keys, dynamic drums, and guitar licks collide across an ever unfolding five and a half minutes.

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Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.

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Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON

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Enigmatic Melbourne instrumental groupThe Pro-Teenspay tribute to late great rapper MF DOOM, reimagining 14 iconic cuts through a cinematic soul lens.
Orange Vinyl

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BACK IN! Very limited Vinyl pressing. Adding a percussive and experimental edge to the current class of post-dubstep pioneers, Mount Kimbie, the duo of Dominic Maker and Kai Campos - are set to release their highly anticipated debut album ‘Crooks & Lovers’ on Scuba's Hotflush label in July. Mount Kimbie’s first two EPs - ‘Maybes’ and ‘Sketch On Glass’ - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs. The experience was less like listening to music and more like eavesdropping on the machinations of a lone mind – albeit a lone mind surrounded by and retreating from millions of other minds. Difficult to categorise, the lush EPs caused a commotion when released last year with ‘Sketch On Glass’ recently undergoing reworks from the likes of Faulty DL, SCB (Scuba’s darker techno alias) and their sometime collaborator James Blake. With their own remixes (Foals and The xx) becoming hot property, Mount Kimbie have been a core part of the growing scene in London often associated with labels like Hyperdub and Hessle Audio. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum - where the ceilings were still ridiculously high to stop patients hanging themselves: “a cold, joyless, concrete building – the sort of building where you’d drop a pen and the sound would just go on and on in an echo.” Armed with found sound snips and a siege mentality, Kai and Dom set about turning London’s ambience into rhythm, its chaos into coherence. Traces of influence remain – the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper’s sad-eyed glow, D’Angelo’s pervert soul gets cleansed in the intimacy of Phil Elvrum’s Microphones, Angelo Badalamenti’s swollen ‘Twin Peaks’ atmospheres find a cradle in Madlib’s lax lope. The band’s sound and response to the dubstep moment is very much their own. Sceneless and untethered from etiquette and genre codes, 'Crooks & Lovers' floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect. Mount Kimbie – who play as a live band - have announced a string of European festivals & shows for the summer.


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re-release Mit seinen einzigartig intimen Klavieraufnahmen wurde der in Berlin lebende Pianist Nils Frahm zum Star der internationalen Neo-Klassik-Szene. Dabei machen seine Studioaufnahmen nur einen Bruchteil dessen aus, was auf einem Nils-Frahm-Konzert zu erwarten ist. Frahms Herz liegt nämlich in der Improvisation, in der Magie des Moments, in dem seine Finger, inspiriert vom Raum und Publikum, neue Kompositionen kreieren. "Spaces" ist eine Ode an die Lust des Livespiels, ein Ausdruck der Experimentierfreude und gleichzeitig eine Antwort auf die Frage seiner Fans nach einer Platte, die das Erlebnis eines Nils-Frahm-Konzerts widerspiegelt. Entgegen den Konventionen eines traditionellen Livealbums wurde "Spaces" über einen Zeitraum von zwei Jahren hinweg mithilfe von tragbaren Tonbandgeräten und Kassettendecks an verschiedenen Orten aufgenommen. Diese Momente wurden später in seinem Berliner Studio zu einer Art Collage an Feldaufnahmen zusammengesetzt. Mitunter mit überraschenden Momenten wie saitenhämmernden Klobürsten oder einem Huster aus dem Publikum. Das Doppelvinyl erscheint mit Downloadcode.

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Tracklist

A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract

B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering

C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective

D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole

(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.

An art performance focusing on being lost In space

``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.

Special guest: Jun Togawa

The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.

Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.

Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.


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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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• The latest chapter in the acclaimed Pacific Breeze series!
• Artwork by renowned illustrator Hiroshi Nagai
• Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)
• Newly remastered audio
• 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI
• Extensive artist bios by Yosuke Kitazawa
• Digital mockups are not an exact representation of colors
• Available in two vinyl variants: Pink or Black Vinyl

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

Tracklist:
Naomi Akimoto - Bewitched (Are You Leaving Soon), Atsuko Nina - Tonkachi, Miho Fujiwara - Heartbeat, Miharu Koshi - Scandal Night, Chu Kosaka - Shirakechimauze, Teresa Noda - Tropical Love, Makoto Matsushita - Business Man Pt. 1, Susan - Ah! Soka, Yukako Hayase - Suiyoubi Madeni Shinitaino, Parachute - Kowloon Daily, Hiroyuki Namba - Tropical Exposition (Who Done It? Version), Pizzicato Five - Boy Meets Girl, Mari Iijima - Love Sick, 1986 Omega Tribe - Cosmic Love, Osamu Shoji - Pub Casablanca, Chiemi Manabe - Untotooku

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(Pressed on Black vinyl, LP with OBI, originally released in 1970) 2023 pressing Japanese Import of the Japanese Jazz-Funk classic. The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits.


TRACKLIST
A1. Theme~Mustache
A2. Tak's Tune
A3. Joint

B1. Monster
B2. Lullaby For Yuh
B3. Scotland Scene
B4. Theme



INFO



The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and musicality with an eye on the times, formed Sound Limited at the end of the 1960s, influenced by the brass rock music that was flourishing at the time. He said, “I wanted to fuse jazz and rock and bring together young musicians to play music with vitality. I want this group to be a group with a large scale that is not confined to the small frame of modern jazz,” he said, launching a new axis. Their first album, “The Sound of Sound Limited” (1970), became their masterpiece. It is a masterpiece that is full of energy and enthusiasm throughout the album, starting with “Theme~Mustache,” which has become one of the most beloved and iconic songs of the band.



Drums, Music Director – Takeshi Inomata

Electric Bass – Jun Suzuki

Electric Guitar – Ryo Kawasaki, Shigenori Kamiya

Flute – Toshiaki Yokota

Mixed By – Eiji Uemura

Organ – Yusuke Hoguchi

Tenor Saxophone – Takao Uematsu

Trombone – Shigemichi Domoto, Takashi Imai

Trumpet – Shunzo Ohno, Takashi Kumagai

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