Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early `90s rap group whose work still goes criminally under-appreciated to this day. Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining - Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single "What A N*gga Know", the slippery, bass-driven "Get U Now", and the album's title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw - many times both, concurrently - the tracks gave the MC's the springboard they needed to express themselves clearly. Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X - now the sole remaining member of the group - was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album's provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.
Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION
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Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION
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More records from Rhymesayers Entertainment
When DOOM reemerged on the scene in the 90s, he firmly marked his return, capturing the theory of knowing the rules if only to better break them.
That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1SAFFRON
1.2ARROWROOT
1.3ZA'ATAR
1.4FENUGREEK
1.5SUMAC BERRIES
1.6CORIANDER
1.7SHALLOTS
1.8CHARNSUKA
1.9MONOSODIUM GLUTAMATE
2.1RED #40
2.2NETTLE LEAVES
2.3MULLEIN
2.4MUGWORT
2.5ALL SPICE
2.6LOVAGE
2.7EUCALYPTUS
2.8MYRRH
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That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1SAFFRON
1.2ARROWROOT
1.3ZA'ATAR
1.4FENUGREEK
1.5SUMAC BERRIES
1.6CORIANDER
1.7SHALLOTS
1.8CHARNSUKA
1.9MONOSODIUM GLUTAMATE
2.1RED #40
2.2NETTLE LEAVES
2.3MULLEIN
2.4MUGWORT
2.5ALL SPICE
2.6LOVAGE
2.7EUCALYPTUS
2.8MYRRH
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When DOOM reemerged on the scene in the 90s, he firmly marked his return, capturing the theory of knowing the rules if only to better break them.
That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1AGRIMONY
1.2ARABIC GUM
1.3BENZOIN GUM
1.4BERGAMOT WILD
1.5CALAMUS ROOT
1.6DRAGON'S BLOOD RESIN
1.7ELDER BLOSSOMS
1.8STYRAX GUM
2.1BLOODROOT
2.2STAR ANISE
2.3LEMONGRASS
2.4FOUR THIEVES VINEGAR
2.5GALANGAL ROOT
2.6SPIKENARD
2.7CINQUEFOIL
2.8HYSSOP
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That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1AGRIMONY
1.2ARABIC GUM
1.3BENZOIN GUM
1.4BERGAMOT WILD
1.5CALAMUS ROOT
1.6DRAGON'S BLOOD RESIN
1.7ELDER BLOSSOMS
1.8STYRAX GUM
2.1BLOODROOT
2.2STAR ANISE
2.3LEMONGRASS
2.4FOUR THIEVES VINEGAR
2.5GALANGAL ROOT
2.6SPIKENARD
2.7CINQUEFOIL
2.8HYSSOP
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When DOOM reemerged on the scene in the 90s, he firmly marked his return, capturing the theory of knowing the rules if only to better break them.
That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1PENNYROYAL
1.2LAVENDER BUDS
1.3WHITE WILLOW BARK
1.4ORANGE BLOSSOMS
1.5COFFIN NAILS
1.6KAVA KAVA ROOT
1.7VALERIAN ROOT
2.1JASMINE BLOSSOMS
2.2BLACK SNAKE ROOT
2.3HOREHOUND
2.4DRAGON'S BLOOD
2.5MYRTLE LEAF
2.6PATCHOULI LEAVES
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That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1PENNYROYAL
1.2LAVENDER BUDS
1.3WHITE WILLOW BARK
1.4ORANGE BLOSSOMS
1.5COFFIN NAILS
1.6KAVA KAVA ROOT
1.7VALERIAN ROOT
2.1JASMINE BLOSSOMS
2.2BLACK SNAKE ROOT
2.3HOREHOUND
2.4DRAGON'S BLOOD
2.5MYRTLE LEAF
2.6PATCHOULI LEAVES
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
When DOOM reemerged on the scene in the 90s, he firmly marked his return, capturing the theory of knowing the rules if only to better break them.
That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1SAFED MUSLI
1.2EMBLICA OFFICINALIS
1.3LICORICE
1.4SARSAPARILLA
1.5FO TI
1.6CAMPHOR
2.1HIGH JOHN
2.2MANDRAKE
2.3DEVIL'S SHOESTRING
2.4WORMWOOD
2.5CEDAR
2.6BUCKEYES
2.7CHRYSANTHEMUM FLOWERS
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That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1SAFED MUSLI
1.2EMBLICA OFFICINALIS
1.3LICORICE
1.4SARSAPARILLA
1.5FO TI
1.6CAMPHOR
2.1HIGH JOHN
2.2MANDRAKE
2.3DEVIL'S SHOESTRING
2.4WORMWOOD
2.5CEDAR
2.6BUCKEYES
2.7CHRYSANTHEMUM FLOWERS
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When DOOM reemerged on the scene in the 90s, he firmly marked his return, capturing the theory of knowing the rules if only to better break them.
That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1VINCA ROSEA
1.2BURDOCK ROOT
1.3VERVAIN
1.4BERGAMOT
1.5PODINA
1.6UNTITLED (MEDITATION)
1.7COLTSFOOT LEAF
2.1ORRIS ROOT POWDER
2.2PASSION FLOWER
2.3YELLOW DOCK
2.4DATURA STRAMONIUM
2.5COCA LEAF
2.6PEACH LEAF
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That sentiment was captured not only in his unique writing method, but also in his production style that birthed the moniker Metal Fingers. He seamlessly blended creative ingenuity with the all-too-obvious, and a unique ability to sample things oft-considered off limits, yet still create magic.
The 10 volume Special Herbs instrumental series captures a key moment in time of Metal Fingers DOOM as producer, assembling, and sometimes slightly reworking, select beats from albums such as MM..Food, Operation: Doomsday, & King Geedorah, as well as a collection of exclusive beats.
Tracklist:
1.1VINCA ROSEA
1.2BURDOCK ROOT
1.3VERVAIN
1.4BERGAMOT
1.5PODINA
1.6UNTITLED (MEDITATION)
1.7COLTSFOOT LEAF
2.1ORRIS ROOT POWDER
2.2PASSION FLOWER
2.3YELLOW DOCK
2.4DATURA STRAMONIUM
2.5COCA LEAF
2.6PEACH LEAF
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Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES
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Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES
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1
Kurious - Unknown Species
2
Kurious - Untainted
3
Kurious - Tis The Season
4
Kurious - Eye Of Horus
5
Kurious - 1984
6
Kurious - Teach & Forgive
7
Kurious - Separation Anxiety
8
Kurious - Cow's Eye
9
Kurious - Bacalao Opera
10
Kurious - Majical Journey
11
Kurious - Barry Gibb
12
Kurious - Par The Course (Feat. Mr. Fantastik)
13
Kurious - Open (Feat. Homeboy Sandman)
14
Kurious - Majic Interlude
15
Kurious - Come Back
By his early 20s, Kurious was already an in-demand voice on the mic. His 1994 major label debut album, A Constipated Monkey, is a classic of its style, marked by heavy beats and nimble rhymes that are razor-sharp yet frequently hilarious. Despite being hailed as one of hip-hop’s most compelling lyricists, he didn’t release another solo LP for the rest of that decade, but he continued to be sought after. Rap fans the world over know him for his verse on “?,” one of the standout songs from his longtime friend and collaborator MF DOOM’s heralded Operation: Doomsday.
As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time.
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As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time.
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Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON
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Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON
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1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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1
Aphex Twin - #1
2
Aphex Twin - #2
3
Aphex Twin - #3
4
Aphex Twin - #4
5
Aphex Twin - #5
6
Aphex Twin - #6
7
Aphex Twin - #7
8
Aphex Twin - #8
9
Aphex Twin - #9
10
Aphex Twin - #10
11
Aphex Twin - #11
12
Aphex Twin - #12
13
Aphex Twin - Blue Calx
14
Aphex Twin - #14
15
Aphex Twin - #15
16
Aphex Twin - #16
17
Aphex Twin - #17
18
Aphex Twin - #18
19
Aphex Twin - #19
20
Aphex Twin - #20
21
Aphex Twin - #21
22
Aphex Twin - #22
23
Aphex Twin - #23
24
Aphex Twin - #24
25
Aphex Twin - #25
26
Aphex Twin - th1 [evnslower]
27
Aphex Twin - Rhubarb Orc. 19.53 Rev
An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.
Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer
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Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.
From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.
The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.
- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer
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1
Tadaaki Misago's Tokyo Cuban Boys - - Sakura Sakura
2
Minoru Muraoka with New Jazz Players - - Muraiki
3
Count Buffalo & The Jazz Rock Band - - Mago-Uta
4
Kiyoshi Sugimoto Quartet - - D-51
5
Toshiyuki Miyama's The New Herd - - Adult's Day
6
Soul Media - - Breeze
7
George Otsuka - - Sea View
8
Hozan Yamamoto, Masahiko Togashi - Breath Prologue
9
Jiro Inagaki's Soul Media - - Do It!
10
Hiroshi Suzuki - - Romance
11
Masahiko Sato - - Tochi Mo Kurumi Mo Fukiotose
12
Masahiko Togashi - - Fourth Expression
13
Takeshi Inomata's Sound Ltd. - - Mustache (Live)
14
Takeo Moriyama - - Watarase
Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!
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1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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1
Godiego - The Birth Of The Odyssey - - Monkey Magic
2
Ikue Sakakibara - - This is Hot
3
Soul Media - - I Will Give You Samba
4
Hatsumi Shibata - - Purple Shadow
5
Yumi Murata - - Krishna
6
Yoshito Machida·Godiego - - Ame Wa Knife No Yo Sa
7
Pink Parachute - - Disco Great Tokyo
8
Hatsumi Shibata - - Hazumi De Daite (A Woman In A Man's World)
In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious "Do The Bus Stop" hit, Japanese label Victor put out the following year the first Japan made Disco tune with "Sexy Bus Stop", released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. "Sexy Bus Stop" became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego's monster hit "The Birth Of The Odyssey - Monkey Magic" to Pink Parachute's obscure (and excellent!) "Disco Great Tokyo" tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!
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Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.
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RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
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1
Okay Temiz - Eastern Breeze
2
Okay Temiz - Penguin
3
Okay Temiz - Galaxy Nine
4
Okay Temiz - Savsat Bari
5
Okay Temiz - Repercussions
6
Okay Temiz - Drummer Of The Two Worlds
7
Okay Temiz - Sipsi
8
Okay Temiz - Ocean Rolelr
9
Okay Temiz - Fantasia Drive
FIRST OFFICIAL REISSUE OF ONE OF THE MOST SAMPLED TURKISH RECORDS IN 45 YEARS! SAMPLED BY RAP LEGENDS LIKE SCARFACE OF THE GETO BOYS. TURKISH PSYCHEDELIC MASTERPIECE FROM 1980
Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar
A1 - Eastern Breeze
A2 - Penguin
A3 - Galaxy Nine
A4 - Savsat Bari
A5 - Repercussions
B1 - Drummer Of The Two Worlds
B2 - Sipsi
B3 - Ocean Rolelr
B4 - Fantasia Drive
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Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar
A1 - Eastern Breeze
A2 - Penguin
A3 - Galaxy Nine
A4 - Savsat Bari
A5 - Repercussions
B1 - Drummer Of The Two Worlds
B2 - Sipsi
B3 - Ocean Rolelr
B4 - Fantasia Drive
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Label:London Records
Cat-No:LMS1725320
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:London Records
Cat-No:LMS1725320
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excluding FR & UK
Packaging: 2 x Black Vinyl, Gatefold sleeve, 2x printed inner sleeve, marketing sticker
GENRE : Electronics
TRACKLIST
DOUBLE VINYLS
Side One
1. Time Becomes
2. Planet of the Shapes
Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)
Side Three
1. Remind
2. Walk Now…
Side Four
1. Monday
2. Halcyon + On + On
3. Input Out
SHORT PRODUCT INFORMATIONS
- DOUBLE BLACK LP : Double Black 140 grs Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
SHORT INFOS / KEY POINTS
- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.
- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.
- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.
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Packaging: 2 x Black Vinyl, Gatefold sleeve, 2x printed inner sleeve, marketing sticker
GENRE : Electronics
TRACKLIST
DOUBLE VINYLS
Side One
1. Time Becomes
2. Planet of the Shapes
Side Two
1. Lush 3-1
2. Lush 3-2
3. Impact (The Earth Is Burning)
Side Three
1. Remind
2. Walk Now…
Side Four
1. Monday
2. Halcyon + On + On
3. Input Out
SHORT PRODUCT INFORMATIONS
- DOUBLE BLACK LP : Double Black 140 grs Vinyl , Gatefold sleeve, printed inners, sticker. Reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
SHORT INFOS / KEY POINTS
- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.
- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.
- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year
- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Bonobo - Intro
2
Bonobo - Sleepy Seven
3
Bonobo - Dinosaurs
4
Bonobo - Kota
5
Bonobo - Terrapin
6
Bonobo - The Plug
7
Bonobo - Shadow Tricks
8
Bonobo - Gypsy
9
Bonobo - Sugar Rhyme
10
Bonobo - Silver
Repress!
An awe-inspiring showcase of a young man´s staggering musical ability. Greeted with swoons of delight and vast mountains of fawning praise from the press on its release, its heart-meltingly lysergic melodies, with everything from bellchimes to backwards vocals weaving a thick gauze of sound around the tunes, slayed practically anyone who heard it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
An awe-inspiring showcase of a young man´s staggering musical ability. Greeted with swoons of delight and vast mountains of fawning praise from the press on its release, its heart-meltingly lysergic melodies, with everything from bellchimes to backwards vocals weaving a thick gauze of sound around the tunes, slayed practically anyone who heard it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Cortex - X
2
Cortex - U
3
Cortex - Y
4
Cortex - Z
5
Cortex - P
6
Cortex - S
7
Cortex - W
8
Cortex - M
9
Cortex - I
10
Cortex - A
11
Cortex - AI
12
Cortex - AF
13
Cortex - AL
Tracklisting :
A1- X
A2 - U
A3 - Y
A4 - Z
A5 - P
A6 - S
A7 - W
A8 - M
A9 - I
A10 - A
B1 - AI
B2 - AF
B3 - AL
For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit,Insane Music) experimental spoken-word project originally released on tape in 1984.
Cortex was never intended to be a conventional musical project.
From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light.
The narrator—la récitante—was only illuminated in the face, while the rest of the stage remained in complete darkness.
This created a ghostly effect where the audience could see only her glowing face and dark silhouette. She was a beautiful young woman, with a striking presence, and beside her, Alain Neffe played synthesizer and created sonic effects.
The aim of Cortex was to deliver a minimalist and emotional experience, one centered on text and the voice of the narrator.
Most of the tracks that exist today were recorded informally during rehearsals, using two microphones placed in front of Marshall amps, captured directly to cassette.
La récitante could choose a text from a collection of hundreds. Then, the music was improvised in real time around her voice. That process, simple, direct, and instinctive produced a body of work that’s rough around the edges, but full of presence. It’s not polished, but that’s the point.
Cortex was focused entirely on the connection between voice and sound.
Limited to 300 copies
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1- X
A2 - U
A3 - Y
A4 - Z
A5 - P
A6 - S
A7 - W
A8 - M
A9 - I
A10 - A
B1 - AI
B2 - AF
B3 - AL
For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit,Insane Music) experimental spoken-word project originally released on tape in 1984.
Cortex was never intended to be a conventional musical project.
From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light.
The narrator—la récitante—was only illuminated in the face, while the rest of the stage remained in complete darkness.
This created a ghostly effect where the audience could see only her glowing face and dark silhouette. She was a beautiful young woman, with a striking presence, and beside her, Alain Neffe played synthesizer and created sonic effects.
The aim of Cortex was to deliver a minimalist and emotional experience, one centered on text and the voice of the narrator.
Most of the tracks that exist today were recorded informally during rehearsals, using two microphones placed in front of Marshall amps, captured directly to cassette.
La récitante could choose a text from a collection of hundreds. Then, the music was improvised in real time around her voice. That process, simple, direct, and instinctive produced a body of work that’s rough around the edges, but full of presence. It’s not polished, but that’s the point.
Cortex was focused entirely on the connection between voice and sound.
Limited to 300 copies
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore