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Label:MG.ART
Cat-No:MG.ART302
Release-Date:08.03.2024
Configuration:CD Excl
Barcode:4260017593025
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Label:MG.ART
Cat-No:MG.ART302
Release-Date:08.03.2024
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CD Music for the silent movie "Schloss Vogelöd" (The haunted castle) by Friedrich Wilhelm Murnau, produced in 1921. Recorded live on 31st Oct and 1st Nov 2003 at the Staatstheater Braunschweig, Kleines Haus, Germany. Genres: Modern Classic, Electronica Tracklist: 1 Ouvertüre 2:01 2 The Party 9:53 3 Auf Zur Jagd 5:21 4 Der Abend 4:28 5 Die Beichte 3:04 6 Double Or Quits 2:10 7 High Noon 8:47 8 Accused 3:04 9 Saint And Sinner 9:48 10 Demaskierung 3:39 11 Leitmotiv 2:17 12 Zirkus 0:37

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Label:MG.ART
Cat-No:MG.ART405
Release-Date:05.07.2019
Configuration:CD Excl
Barcode:4260017594053
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Label:MG.ART
Cat-No:MG.ART405
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1
MANUEL GÖTTSCHING - DREAM .................. 30:14
2
MANUEL GÖTTSCHING - DESIRE .................. 22:56
3
MANUEL GÖTTSCHING - DESPAIR .................. 8:29
CD, RE Edition 2019,Sticker Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair" "Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound that would later become labeled Electronic Music." Olaf Leitner (RIAS Berlin) Tracklist: 1. DREAM .................. 30:14 2. DESIRE .................. 22:56 3. DESPAIR .................. 8:29 DREAM & DESIRE Notes to a friend… The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers; the first Achtundsechziger ('68 protestors) are actually planning to march through the institutions; rock and roll is getting heavier; and hardly noticed by the mainstream public, some West-Berlin musicians develop a world of sound, which later eventually became labelled as “Electronic Music”. Indeed, there was nothing electronically generated initially, let alone even digital. In the beginning they simply named these sound-mixtures "electro-acoustic". These compositions of slowly evolving soundscapes relating to the Minimal Music concept created a meditative mood. This was new. This was the Berliner Schule (Berlin school). Being responsible for popular music at a radio station in the 1970s was an absolute dream job. At least that’s what it was like at RIAS Berlin (Radio In the American Sector). There was no quota, no pressure, no hit-terror, and we just invited the artists, bands and musicians we liked to the studio. The artists from next door. That’s how I got to know Manuel. He was living right on the Ku-Damm (Kurfürstendamm), right in the city centre, but in the rear building, shielded from the noise. Manu didn’t have a sequencer. Everything that sounded like a sequencer was his highly focused guitar work. The slowly changing tone sequences for example. This was a physical accomplishment in itself. His minimalistic play is still part of his signature style. The musicians from Berlin, who worked in the same genre, were either friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their own careers. The scene was small, but equipped with illustrious celebrities - Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free. And my RIAS colleague Walter Bachauer. He had called the Metamusik Festival into life and brought the international avant-garde to Berlin. The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian monks or the Steve Reich Ensemble play “Drumming”. Manuel was able to start his international career pretty quickly, focusing on England, France and Japan. For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter, especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous events and art happenings. In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ that Manuel played and of which I was especially proud: I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary concert in September 1965 at the Berliner Waldbühne. Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently here on “Dream and Desire”. Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base. But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD. Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets dumped. The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after acknowledging the past. Applies also to art. The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the same time in 1977, and the track fits perfectly in style and sound. Manuel's music has been with me for now almost 50 years. I own a superb LP and CD collection of him. Dream & Desire is beautiful - what more can I say ... Olaf Leitner, March 2019

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Label:MG.ART
Cat-No:MG.ART424
Release-Date:23.09.2016
Configuration:CD Excl
Barcode:4260017594244
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Label:MG.ART
Cat-No:MG.ART424
Release-Date:23.09.2016
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Barcode:4260017594244
CD Jewel Case With 8 pages Booklet, Pictures , Notes In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART. Carefully overseen by the Master himself Total Time: 59:34 Tracks: Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00

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Liebigstrasse 2-20
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Label:MG.ART
Cat-No:MG.ART301
Release-Date:23.09.2016
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Barcode:4260017593018
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Label:MG.ART
Cat-No:MG.ART301
Release-Date:23.09.2016
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CD Digipack Manuel Göttsching´s seminal epic movie music like concept "Die Mulde". The title track 'Die Mulde' (40 min) was used as a 4-part suite for an impressive art event in the beautiful scenery of the river Mulde, near the historical place Höfgen close by Leipzig. Göttsching delivered its picturesque electronic sounds to an installation of 34 mirrors. The bonus track ' HP Little Cry' is based on a theme from 1981. In 2004, Goettsching added a guitar melody and devoted the piece to a Norwegian fan, which gave the track its title. Das Titelstück 'Die Mulde' (40 Min.) wurde als eine 4-teilige Suite für ein imposantes Kunst-Event in freier Natur komponiert, wo Manuel Göttsching am 6.9.1997 in der wunderschönen Flusslandschaft der Mulde, nah der Denkmalschmiede Höfgen bei Leipzig, zu einer Installation von 34 Spiegeln seine malerischen elektronischen Klänge lieferte. Der Bonus-Track 'HP Little Cry' basiert auf einem Thema aus dem Jahre 1981, das Göttsching 2004 um eine Gitarrenmelodie ergänzte und einem Fan in Norwegen widmete, der den Titel gab. Tracklist: 1. Die Mulde:Schöpferische Stille (2:55), 2. Die Mulde:Die Mulde (13:42), 3. Die Mulde:Die Spiegel (11:55), 4. Die Mulde:Zerfluss (11:33), 5. HP Little Cry (32:16)

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Label:MG.ART
Cat-No:MG.ART801
Release-Date:23.09.2016
Configuration:CD+DVD Excl
Barcode:4582116551981
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Label:MG.ART
Cat-No:MG.ART801
Release-Date:23.09.2016
Configuration:CD+DVD Excl
Barcode:4582116551981
CD + DVD version, plus 16 pages Booklet, NTSC Beautifully made Japanese CD (made on "SHM" material) and DVD , Limited One Time Edition of 3000. Recorded live in August 2006 at the Metamorphose Open-Air Festival, Japan Composed, performed and mixed by Manuel Göttsching, Last Available Copies are now released as MG ART Edition. Since its initial release in 1981, Manuel Göttsching's masterwork 'E2-E4' has become a milestone in electronic music and the 2006 concert marks it´s first ever live performance that you can retrieve here on CD and DVD. Total Time: #1: 62:38 (CD), #2: 69:32 (DVD)

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Label:MG.ART
Cat-No:MG.ART401
Release-Date:23.09.2016
Configuration:CD Excl
Barcode:4260017594015
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Label:MG.ART
Cat-No:MG.ART401
Release-Date:23.09.2016
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CD Jewel Case Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974. The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar. Tracklist: Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36

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Label:MG.ART
Cat-No:MG.ART901
Release-Date:23.09.2016
Configuration:Vinyl Album Excl
Barcode:4260017599010
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Label:MG.ART
Cat-No:MG.ART901
Release-Date:23.09.2016
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Barcode:4260017599010
Special Remarks: LP 180 G Vinyl Remastered by Göttsching, Long deleted Vinyl Reissue. Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974. The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar. Tracklist: Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36

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Label:MG.ART
Cat-No:mg.art904
Release-Date:23.09.2016
Configuration:LP Excl
Barcode:4260017599041
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Cat-No:mg.art904
Release-Date:23.09.2016
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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984 In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART. Carefully overseen by the Master himself Total Time: 59:34 Tracks: Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00

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Label:MG.ART
Cat-No:MG.ART305
Release-Date:23.09.2016
Configuration:CD Excl
Barcode:4260017593056
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Cat-No:MG.ART305
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1
MANUEL GÖTTSCHING - Sunrain
2
MANUEL GÖTTSCHING - Saint & Sinner
3
MANUEL GÖTTSCHING - Trunky Groove
4
MANUEL GÖTTSCHING - Die Mulde
5
MANUEL GÖTTSCHING - Shuttlecock
Manuel Göttsching Live in a terrific Japanese setting: Mount Fuji. Concert from 2006. Includes high class Sound Recording and highly sought after tracks like "Shuttlecock" and many more. Manuel Göttsching may not have released as many albums in recent decades as he did earlier in his career but when he does release something new, it's always something special. Manuel's latest release was recorded live in April 2006 during an excellent solo concert near Japan's Mount Fuji. Manuel performed the entire concert alone accompanied by stunning visuals by a polish graphic artist and he also dug into his back catalog coming up with new arrangements of classic material. The album opens with "Sunrain" which was originally from the 1976 classic "New Age of Earth". The familiar hypnotic sequencer pattern is already in place however on this new version, Manuel takes it in a slightly different direction and extends the piece to nearly 15-minutes."Saint and Sinner" is a more recent piece, which was originally heard on the 2005 release "Concert for Murnau". This laid back piece is taken a step up from its studio counterpart as Manuel adds a bluesy Clapton-esque guitar lead that wasn't there before."Trunky Groove" is a brand new piece composed for this concert and is a showcase for the psychedelic music style that was the norm for Manuel back in his very early days in Ash Ra Tempel. A techno-style rhythm is accompanied by a long drone and intense orchestrations before giving way to an effects-drenched guitar solo. "Die Mulde" is a 20-minute excerpt from Manuel's long-form 1997 piece of the same name. It begins with the "Die Spiegel" section of the piece and shifts into the closing "Zerfluss" movement. As with "Saint and Sinner", Manuel adds a guitar lead which wasn't in the original version. Finally, to close the album, we have yet another arrangement of the classic "Shuttlecock" which originally is from the 1977 masterwork "Blackouts". The arrangement is similar to the 1976 live version that appeared on the 1996 CD set "The Private Tapes" but definitely has a modern twist. Manuel's guitar playing is up front and center here and is stellar - almost like taking a trip back to the mid 70´s."Live at Mt.Fuji" is yet another great CD Tracklisting: 1. Sunrain (14:48) 2. Saint And Sinner (09:51) 3. Trunky Groove (14:42) 4. Die Mulde (19:50) 5. Shuttlecock (13:14)

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Label:MG.ART
Cat-No:MG.ART601
Release-Date:23.09.2016
Configuration:LP Excl
Barcode:4260017596019
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Label:MG.ART
Cat-No:MG.ART601
Release-Date:23.09.2016
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1
MANUEL GÖTTSCHING - Deep(er) Distance (Joaquin's Dream version)
2
MANUEL GÖTTSCHING - Ain't No Time For Tears (Sacred Rhythm version)
3
MANUEL GÖTTSCHING - Shuttlecock
LP Vinyl Special Remarks: Many of you will remember Manuel Göttsching by his Masterpiece "E2-E4? and know the fact it got sampled by far more than once. Think "Sueno Latino" to start with… and the plethora of further re-recordings by Derrick May, Joe Claussell, and a bootleg by Carl Craig that prove how "Now" and Iconic Manuel´s Work is. The 2006 edition "Joaquin Joe Claussell meets Manuel Göttsching" is the first attempt to bring these once illegal mixes finally to a broader and wider audience. It comes with 2 very rare and first time officially released tribute mixes of 1970´s Göttsching Classics, carefully remodeled by Joe Claussell (21.12 minute "Deeper Distance" plus 10.17 Minute "Ain´t No Time For Tears"). The last words, however, are left to MG himself, with "Shuttlecock", a final eighteen minute excursion, which has Manuel improvise over a soft carpet of delayed bell sounds, before the guitar fades away and the track deepens and thickens, like a dark river sweeping along ever more motives and harmonies. A perfectly balanced collaboration released on both CD and LP. Consisting of 3 concert recordings which were originally released on the 6th CD Album Private Tapes : Tracks 1 und 3 were recorded at Bataclan in Paris, 12/1976, Track 2 in Berlin 8/1979 Tracklist LP:1. Deep(er) Distance (Joaquin's Dream Version) 21:12, 2. Ain't No Time for Tears (Sacred Rhythm Version) 10:17, 3. Shuttlecock LP Edit 10:24

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:MG.ART
Cat-No:MG.ART501
Release-Date:23.09.2016
Configuration:CD Excl
Barcode:4260017595012
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Label:MG.ART
Cat-No:MG.ART501
Release-Date:23.09.2016
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Barcode:4260017595012
1
MANUEL GÖTTSCHING - Deep(Er) Distance (Joaquin's Dream Version)
2
MANUEL GÖTTSCHING - Ain't No Time For Tears (Sacred Rhythm Version)
3
MANUEL GÖTTSCHING - Shuttlecock
CD Special Remarks: Many of you will remember Manuel Göttsching by his Masterpiece "E2-E4? and know the fact it got sampled by far more than once. Think "Sueno Latino" to start with… and the plethora of further re-recordings by Derrick May, Joe Claussell, and a bootleg by Carl Craig that prove how "Now" and Iconic Manuel´s Work is. The 2006 edition "Joaquin Joe Claussell meets Manuel Göttsching" is the first attempt to bring these once illegal mixes finally to a broader and wider audience. It comes with 2 very rare and first time officially released tribute mixes of 1970´s Göttsching Classics, carefully remodeled by Joe Claussell (21.12 minute "Deeper Distance" plus 10.17 Minute "Ain´t No Time For Tears"). The last words, however, are left to MG himself, with "Shuttlecock", a final eighteen minute excursion, which has Manuel improvise over a soft carpet of delayed bell sounds, before the guitar fades away and the track deepens and thickens, like a dark river sweeping along ever more motives and harmonies. A perfectly balanced collaboration released on both CD and LP. Consisting of 3 concert recordings which were originally released on the 6th CD Album Private Tapes : Tracks 1 und 3 were recorded at Bataclan in Paris, 12/1976, Track 2 in Berlin 8/1979 Tracklist CD: 1. Deep(er) Distance (Joaquin's Dream Version) 21:12, 2. Ain't No Time for Tears (Sacred Rhythm Version) 10:17, 3. Shuttlecock 18:12

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Liebigstrasse 2-20
DE - 22113 Hamburg
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