1
E.R.P. - One4Rekab
2
E.R.P. - Onwards
3
E.R.P. - Multipole Vector II
4
E.R.P. - Self Unemployed
Placid aka Paul Wise is the operator in chief at ‘We’re Going Deep’ – an online community and record label born out of a lifelong love affair with the many shades of electronic rhythm, and an obsession for collecting records since 1988. With a mission to share and release new music via his We’re Going Deep and We’re Going Back imprints, you’ll find only the best in underground Acid, Electro, IDM, Techno and House for the dance floor and your listening pleasure.
Up next in the label series, We’re Going Deep is excited to welcome 4 tracks of fresh material from pivotal electronic music maker Gerard Hanson, under his much prized E.R.P. alias. Renown for keeping his profile below the radar and letting the machines do all the talking for him. Hanson’s work as a producer has been much coveted since his debut back in the mid 90s as Convextion. Hailing from Dallas, Texas, he has become something of a hero in the underground Electro community. His work as E.R.P. has left a huge impression on labels such as Frustrated Funk, Bleep43 and Semantica over the years. Renown for his distinctive shimmering machine funk aesthetic, he ably summons the outer reaches of deep space listening thanks to his innate mastery of brooding, sci-fi soundscapes that few can equal.
Following releases for Apnea and Synchrophone, Hanson lifts off with a heartfelt tribute to our recently departed friend James Baker on ‘One4ReKab’. Ascending with the pulse of a steady kick drum, precision snares take hold as whispered vocals seep in and out of consciousness. Underpinned by trademark angular bass tones, soaring strings inject a deep sense of foreboding as all the parts fuse with a fierce glow. Stepping things a notch back as the sonic trajectory levels out, ‘Onward’ takes a more contemplative stance in a fusion of hypnotic drum programming that leads the fray whilst subtle arpeggios flow, all whilst wistful melodies wind you in.
Over on the flipside, Hanson revisits his 2008 composition “Multipole Vector” to launch yet another interstellar cruise by mission in the shape of “Multipole Vector II”. Leading with the simplest of bass progressions and metronomic beat programming, twinkling synth elements reach across the void as chords sweep to and fro to powerful effect. Ending out on the uplifting yet almost IDM inflected tones of “Self Unemployed”, this low tempo air rounds the EP off on an equally captivating note filled with playful charm, that makes this collection of music all the more pleasing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Up next in the label series, We’re Going Deep is excited to welcome 4 tracks of fresh material from pivotal electronic music maker Gerard Hanson, under his much prized E.R.P. alias. Renown for keeping his profile below the radar and letting the machines do all the talking for him. Hanson’s work as a producer has been much coveted since his debut back in the mid 90s as Convextion. Hailing from Dallas, Texas, he has become something of a hero in the underground Electro community. His work as E.R.P. has left a huge impression on labels such as Frustrated Funk, Bleep43 and Semantica over the years. Renown for his distinctive shimmering machine funk aesthetic, he ably summons the outer reaches of deep space listening thanks to his innate mastery of brooding, sci-fi soundscapes that few can equal.
Following releases for Apnea and Synchrophone, Hanson lifts off with a heartfelt tribute to our recently departed friend James Baker on ‘One4ReKab’. Ascending with the pulse of a steady kick drum, precision snares take hold as whispered vocals seep in and out of consciousness. Underpinned by trademark angular bass tones, soaring strings inject a deep sense of foreboding as all the parts fuse with a fierce glow. Stepping things a notch back as the sonic trajectory levels out, ‘Onward’ takes a more contemplative stance in a fusion of hypnotic drum programming that leads the fray whilst subtle arpeggios flow, all whilst wistful melodies wind you in.
Over on the flipside, Hanson revisits his 2008 composition “Multipole Vector” to launch yet another interstellar cruise by mission in the shape of “Multipole Vector II”. Leading with the simplest of bass progressions and metronomic beat programming, twinkling synth elements reach across the void as chords sweep to and fro to powerful effect. Ending out on the uplifting yet almost IDM inflected tones of “Self Unemployed”, this low tempo air rounds the EP off on an equally captivating note filled with playful charm, that makes this collection of music all the more pleasing.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from E.R.P.
1
E.R.P. - Lunar Ruins
2
E.R.P. - Into The Distance
3
E.R.P. - Mimosa Canopy
2025 Solid Red vinyl version.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
E.R.P. - A1.5080 JD 800
2
E.R.P. - A2.Microcentric
3
E.R.P. - B2.Four Alone
4
E.R.P. - B1.5080 JD 800 (Convextion Remix)
Heavyweight groove from ERP — deep electro pressure with Microcentric on the flip, plus a killer Convextion remix. Pure machine soul for late-night heads.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
E.R.P. - Luctu
2
E.R.P. - Tuga
3
E.R.P. - Pith
Repress on clear crystal clear / solid blue vinyl!
2023 Repress with alternate label-art. Collectable FF release alert by E.R.P. aka Convextion aka Gerard Hanson.. The man with the tear-jerking string electro-techno, maybe even better known for pioneering Texas rooftop alligator wrestling. Highly recommended!!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2023 Repress with alternate label-art. Collectable FF release alert by E.R.P. aka Convextion aka Gerard Hanson.. The man with the tear-jerking string electro-techno, maybe even better known for pioneering Texas rooftop alligator wrestling. Highly recommended!!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
E.R.P. - Let's Amble
2
E.R.P. - Miami Nice
3
E.R.P. - Easy Afternoon
4
E.R.P. - Loose Trucks
5
E.R.P. - Comfortable Pants
6
E.R.P. - Cape Earl
7
E.R.P. - Summer Nights
8
E.R.P. - El Camino Part II
For its 9th release after its relaunch, Apnea Records proudly presents another ERP record, this time in the form of a 2x12" Album "Faded Caprice" is a mesmerizing journey into the heart of summer's fading glow. Crafted with meticulous attention to detail, each track is a sonic tableau, capturing the essence of hot afternoons and wistful sunsets. E.R.P.'s signature blend of deep, cosmic funky electro gems resonates with emotional depth, inviting listeners to lose themselves in its hypnotic embrace. From the pulsating rhythms of "Miami Nice" to the introspective melodies of "Cape Earl "Faded Caprice" is a testament to E.R.P.'s artistry and vision. A testament to Gerard Hanson's music landscape, offering audiences a glimpse into the boundless possibilities of sound and emotion.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
E.R.P. - Vox Automation
2
E.R.P. - Nerve Play
3
E.R.P. - Perfume Persuasion
4
E.R.P. - Alsoran
5
E.R.P. - Lament Subrosa
6
E.R.P. - Irma
Repress!
Gator wrestlers power pack... Beware..!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Gator wrestlers power pack... Beware..!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
E.R.P. - Lake Bachman
2
E.R.P. - Summer Springs
3
E.R.P. - Myrtle
4
E.R.P. - Station Wagon
E.R.P. is back with 4 electro cuts drenched in soul, machine funk and style. Pure E.R.P. dopeness
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
e.r.p. - Burning Question
2
e.r.p. - Overcast
3
e.r.p. - Wishing Still
4
e.r.p. - Insomnia
5
e.r.p. - Remembrance
6
e.r.p. - Spurned
7
e.r.p. - Noetic
8
e.r.p. - Forlorn
deep Electro cuts from the man from Texas.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
E.R.P. - No Title
2
E.R.P. - No Title
Third part of the Evoked Potentials Series. 2020 repress! Comes with new artwork.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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More records from We're Going Deep
1
DFD - One More Time
2
DFD - One More Time (E.R.P. Remix)
3
DFD - Evening At Kokopelli
4
DFD - Metallic Dreams
Placid aka Paul Wise is the chief operating officer at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong love affair with the many shades of electronic rhythm and an obsession for collecting records since 1988. With a mission to share and release new music via his We’re Going Deep and We’re Going Back imprints: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor and your listening pleasure.
Kicking off 2025, the next WGD release welcomes the sounds of self confessed stateside Techno poser Troy Anderson to the imprint. A core part of the much treasured Down Low crew from Texas, he has previously released some mightily excellent records as Cityboy and Waverider way back when, both of which were recently re-issued on We're Going Back. As DFD, Anderson first appeared on Down Low Music compilation 'Satellite Cities' back in 2001. However, it took until 2024 for his first full EP to materialize. A somehow wonderful glitch in time, DFD productions fit easily into the early 00s canon of purist machine made magic, harboring a timeless resonance that emanates equally from a future dimension. Bringing an all important touch of human feeling to his work that is as essential as it’s comes.
Offering up 3 original cuts alongside a top shelf rework from ERP (aka Convextion), the A Side kickstarts with an all encompassing, yet subtly acid inflected Electro jam. As gently sweeping rhythms breeze into your consciousness, a deftly programmed 303 creeps underneath a bubbling lead that takes center stage. Wave after wave of chorded atmosphere builds as the track takes shape, it bursts further into life as glorious high notes add another simmering layer to the mix. A wild yet sumptuous ride, this is craftmanship of the highest order. Accompanied with a remix from the original Texan space cruiser ‘ERP’, the remix injects a touch more pace to the original and drifts fully into realms of photonic fields, drenched in cavernous reverb and outerworldly effects.
On the flip side, B1 ‘Evening At Kokopelli’ orbits back towards earthly plains as Anderson veers into swirling melodics and lushly stringed elements, all powered by a solid 909 rhythm structure and bubbling acid line. A display of playful prowess that is as hypnotising, as it is enchanting. The soundscape is invitingly warm and shifts your optic over to a whole new dimension. Ending out on the pacey 2 step beat of ‘Metallic Dreams’, Anderson opts for a sparser approach as splashes and layers of filtered pads take their course, as melodic elements rise above powerful FM bass tones and fill the void with perfect measure. On this evidence, the music has most definitely been worth the wait and on this form – DFD is a name to keep sight of in the years ahead.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kicking off 2025, the next WGD release welcomes the sounds of self confessed stateside Techno poser Troy Anderson to the imprint. A core part of the much treasured Down Low crew from Texas, he has previously released some mightily excellent records as Cityboy and Waverider way back when, both of which were recently re-issued on We're Going Back. As DFD, Anderson first appeared on Down Low Music compilation 'Satellite Cities' back in 2001. However, it took until 2024 for his first full EP to materialize. A somehow wonderful glitch in time, DFD productions fit easily into the early 00s canon of purist machine made magic, harboring a timeless resonance that emanates equally from a future dimension. Bringing an all important touch of human feeling to his work that is as essential as it’s comes.
Offering up 3 original cuts alongside a top shelf rework from ERP (aka Convextion), the A Side kickstarts with an all encompassing, yet subtly acid inflected Electro jam. As gently sweeping rhythms breeze into your consciousness, a deftly programmed 303 creeps underneath a bubbling lead that takes center stage. Wave after wave of chorded atmosphere builds as the track takes shape, it bursts further into life as glorious high notes add another simmering layer to the mix. A wild yet sumptuous ride, this is craftmanship of the highest order. Accompanied with a remix from the original Texan space cruiser ‘ERP’, the remix injects a touch more pace to the original and drifts fully into realms of photonic fields, drenched in cavernous reverb and outerworldly effects.
On the flip side, B1 ‘Evening At Kokopelli’ orbits back towards earthly plains as Anderson veers into swirling melodics and lushly stringed elements, all powered by a solid 909 rhythm structure and bubbling acid line. A display of playful prowess that is as hypnotising, as it is enchanting. The soundscape is invitingly warm and shifts your optic over to a whole new dimension. Ending out on the pacey 2 step beat of ‘Metallic Dreams’, Anderson opts for a sparser approach as splashes and layers of filtered pads take their course, as melodic elements rise above powerful FM bass tones and fill the void with perfect measure. On this evidence, the music has most definitely been worth the wait and on this form – DFD is a name to keep sight of in the years ahead.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mark Thibideau - Circulate
2
Mark Thibideau - Rotation
3
Mark Thibideau - Overcome Gravity
4
Mark Thibideau - The Fading Future
Placid aka Paul Wise is the chief operator at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.
Bringing the sounds of another highly experienced underground House and Techno fusionist to the next WGD solo series edition, Mark Thibideau is an enduring force. Hailing from Wallaceburg (Ontario) alongside his twin Brother Matt, he has been conjuring his own brand of sonic sorcery as far back as the 90s via various aliases and projects. Renown for his deeply soaked sound design that straddles the depths of Basic Channel’s aesthetic with a more altogether velours finish. Thibideau has graced the likes of Joule and Berg Audio in recent times, releasing some much sought after EPs.
Offering up 4 equally silk edged yet powerfully crafted dub infused grooves, going against convention and heading straight for the B side, the EP kicks off with the refreshing roll of B1 “Overcome Gravity” – a breezy flight through the upper reaches of the atmosphere. Combining tightly swung percussion with shimmering synthesis, all wrapped in undulating elements that basque in the warm glow of a mid summers evening. It’s a much welcome invitation. Accompanied with the slightly more introspective tones of B2 “The Fading Future” – minor chords lead to metronomic beats, leaving the bassline follow their path as the track twists and turns to take hold. An equally masterful trip to other worldly territory, you can’t help but admire his poise.
On the flip side, A1 “Circulate” ramps up the energy factor a notch as Thibideau unleashes a slice of pure understated, bass rumbling, heady workout all shot through a slow filter. The type of hypnotic cut that’s designed to do maximum damage at HIGH volume. Seriously restrained magic! It conjures up the magic of Mike Huckaby’s (RIP) Mix of “The Final Step”. Ending on the upward trajectory of A2 “Rotation”, here he continues his mission in the same vein but with more open frequencies – propelling to the outer reaches and leaving you wanting a whole lot more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Bringing the sounds of another highly experienced underground House and Techno fusionist to the next WGD solo series edition, Mark Thibideau is an enduring force. Hailing from Wallaceburg (Ontario) alongside his twin Brother Matt, he has been conjuring his own brand of sonic sorcery as far back as the 90s via various aliases and projects. Renown for his deeply soaked sound design that straddles the depths of Basic Channel’s aesthetic with a more altogether velours finish. Thibideau has graced the likes of Joule and Berg Audio in recent times, releasing some much sought after EPs.
Offering up 4 equally silk edged yet powerfully crafted dub infused grooves, going against convention and heading straight for the B side, the EP kicks off with the refreshing roll of B1 “Overcome Gravity” – a breezy flight through the upper reaches of the atmosphere. Combining tightly swung percussion with shimmering synthesis, all wrapped in undulating elements that basque in the warm glow of a mid summers evening. It’s a much welcome invitation. Accompanied with the slightly more introspective tones of B2 “The Fading Future” – minor chords lead to metronomic beats, leaving the bassline follow their path as the track twists and turns to take hold. An equally masterful trip to other worldly territory, you can’t help but admire his poise.
On the flip side, A1 “Circulate” ramps up the energy factor a notch as Thibideau unleashes a slice of pure understated, bass rumbling, heady workout all shot through a slow filter. The type of hypnotic cut that’s designed to do maximum damage at HIGH volume. Seriously restrained magic! It conjures up the magic of Mike Huckaby’s (RIP) Mix of “The Final Step”. Ending on the upward trajectory of A2 “Rotation”, here he continues his mission in the same vein but with more open frequencies – propelling to the outer reaches and leaving you wanting a whole lot more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Carl Finlow - Equi
2
Carl Finlow - Aether
3
Carl Finlow - Affinity
4
Carl Finlow - Septagon
Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.
Bringing the sounds of a true pioneer of Electro and Techno fusion to the next WGD solo series edition, Carl Finlow is renown for seamlessly blending the rhythmic intricacies of Electro with the hypnotic allure of Techno: creating a unique sonic identity that resonates deep down to this day.
As a founding member of the iconic 20/20 Vision label, there is no doubting his pivotal role or pedigree in shaping the sounds of the Electronic music landscape, having released timeless music that has transcended genres over the past decades.
A master of the sonic journey that blends futuristic textures with a timeless essence, he sets out his stall with the creeping drawl of ‘Equi’ on A1, leading with heavyweight bass that’s set to cycle as metronomic snares pop to sci-fi synthesis that can’t help but make your body twitch. It is however the lush shimmer of ‘Aether’ A2 that really captures the heart and soul. A tour de force in emotive Electronics that arise from the depths of Atlantis to sweep you into a whole other moment of existential bliss. A superlatively crafted composition fuelled by the power of the DX-100, awash with melancolic strings and whispy melodies that are combined to perfection – ANTHEM alert!
Over on the reverse, the menacing rumble of ‘Affinity’ takes hold on B1 as Finlow exercises a certain prowess balancing airy textures with the visceral, creeping to the finish line with nothing but gold on his mind. Lastly, the 80s spectrum tinged tones of ‘Septagon’ B2 lead us on to another level as you’re lured in by downright gnarly bottom end, as glassy arps and atmospheric touches complete his vision.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Bringing the sounds of a true pioneer of Electro and Techno fusion to the next WGD solo series edition, Carl Finlow is renown for seamlessly blending the rhythmic intricacies of Electro with the hypnotic allure of Techno: creating a unique sonic identity that resonates deep down to this day.
As a founding member of the iconic 20/20 Vision label, there is no doubting his pivotal role or pedigree in shaping the sounds of the Electronic music landscape, having released timeless music that has transcended genres over the past decades.
A master of the sonic journey that blends futuristic textures with a timeless essence, he sets out his stall with the creeping drawl of ‘Equi’ on A1, leading with heavyweight bass that’s set to cycle as metronomic snares pop to sci-fi synthesis that can’t help but make your body twitch. It is however the lush shimmer of ‘Aether’ A2 that really captures the heart and soul. A tour de force in emotive Electronics that arise from the depths of Atlantis to sweep you into a whole other moment of existential bliss. A superlatively crafted composition fuelled by the power of the DX-100, awash with melancolic strings and whispy melodies that are combined to perfection – ANTHEM alert!
Over on the reverse, the menacing rumble of ‘Affinity’ takes hold on B1 as Finlow exercises a certain prowess balancing airy textures with the visceral, creeping to the finish line with nothing but gold on his mind. Lastly, the 80s spectrum tinged tones of ‘Septagon’ B2 lead us on to another level as you’re lured in by downright gnarly bottom end, as glassy arps and atmospheric touches complete his vision.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Owen Jay & Melchoir Sultana - Going Deep
2
Owen Jay & Melchoir Sultana - Dub Setting
3
Owen Jay & Melchoir Sultana - Chi-Town Love
4
Owen Jay & Melchoir Sultana - The Beginning
Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.
For the latest solo series edition, Paul reaches out across the Mediterranean straights to the island nation of Malta to the formidable Owen Jay & Melchior Sultana – two of Europe’s finest purveyors of heads-down House and sultry deep grooves. Having both worked on solo projects and together for well over a decade now, their joint projects have graced the likes of Underground Quality, Moods & Grooves, Deep Explorer alongside their own imprint Batti Batti: a perfect match.
Laying down 4 cuts of impeccable late night fuel, the EP opens with A1 ‘Going Deep’ a subtle yet expansive 4/4 mover that holds the floor with a trance inducing lead and dubby effects. Sweeping in with sun kissed melodics and spacious percussion – A2 ‘Dub Setting’ is an ode to the Maltese morning haze if there ever was one.
On the flip, B1 ‘Chi-Town Love’ steps up a notch with tight drums and rolling bassline, as layered chords fizz away and build into their rhythm. Last but not least, B2 ‘The Beginning’ brings things home as punchy 909 percussion and stringed melodics tease for several minutes. Before heavy Juno bass action drops and leaves you jackin’ the freak to close out in style.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For the latest solo series edition, Paul reaches out across the Mediterranean straights to the island nation of Malta to the formidable Owen Jay & Melchior Sultana – two of Europe’s finest purveyors of heads-down House and sultry deep grooves. Having both worked on solo projects and together for well over a decade now, their joint projects have graced the likes of Underground Quality, Moods & Grooves, Deep Explorer alongside their own imprint Batti Batti: a perfect match.
Laying down 4 cuts of impeccable late night fuel, the EP opens with A1 ‘Going Deep’ a subtle yet expansive 4/4 mover that holds the floor with a trance inducing lead and dubby effects. Sweeping in with sun kissed melodics and spacious percussion – A2 ‘Dub Setting’ is an ode to the Maltese morning haze if there ever was one.
On the flip, B1 ‘Chi-Town Love’ steps up a notch with tight drums and rolling bassline, as layered chords fizz away and build into their rhythm. Last but not least, B2 ‘The Beginning’ brings things home as punchy 909 percussion and stringed melodics tease for several minutes. Before heavy Juno bass action drops and leaves you jackin’ the freak to close out in style.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Remote_ - Ionic Shuffle
2
Steven Simpson - Acid 13
3
JS Zeiter - Entropy
4
Suddi Raval - Flight to Mars
Placid aka Paul Wise is chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. He’s spent the last 3 decades moving heads and feet at select venues, parties and fields across the UK and beyond.
On a mission to share and release new music via his label, you’ll only find the best selections in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or your headphones making the cut. For the next (and penultimate) edition of his various artist series, he turns to the talents of 4 superlative UK based producers. All of whom make equally excellent contributions to this latest missive.
Synonymous with the legendary Smallfish imprint, Bristol based artist Remote_ opens with ‘Ionic Shuffle’ - a fresh slice of 4/4 machine-funk swing. Invoking the motorcity spirit through a tightly programmed mix of Roland drum machines and crisp evolving lead, a hefty 303 bassline burrows it’s way to lead us to the outer limits. Following on with the graceful ‘Acid 13’, a delicate space aged cut from relative newcomer Steven Simpson. Airy stabs and star-shot sonics interweave to perfection as sawtooth waves find their place amongst the dubbed out ether.
Mancunian maestro J.S.Zeiter returns on the flips with the foreboding ‘Entropy’, a dense acidic chugger that revels in cyclical note action and a simple kick. Fusing minimal elements for maximal output, you can only marvel at the outcome. Rounding off with the eerie electroid infusion of ‘Flight to Mars’ from Suddi Raval, off-kilter synths hang in the air and deep bass shakes the foundations.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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On a mission to share and release new music via his label, you’ll only find the best selections in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or your headphones making the cut. For the next (and penultimate) edition of his various artist series, he turns to the talents of 4 superlative UK based producers. All of whom make equally excellent contributions to this latest missive.
Synonymous with the legendary Smallfish imprint, Bristol based artist Remote_ opens with ‘Ionic Shuffle’ - a fresh slice of 4/4 machine-funk swing. Invoking the motorcity spirit through a tightly programmed mix of Roland drum machines and crisp evolving lead, a hefty 303 bassline burrows it’s way to lead us to the outer limits. Following on with the graceful ‘Acid 13’, a delicate space aged cut from relative newcomer Steven Simpson. Airy stabs and star-shot sonics interweave to perfection as sawtooth waves find their place amongst the dubbed out ether.
Mancunian maestro J.S.Zeiter returns on the flips with the foreboding ‘Entropy’, a dense acidic chugger that revels in cyclical note action and a simple kick. Fusing minimal elements for maximal output, you can only marvel at the outcome. Rounding off with the eerie electroid infusion of ‘Flight to Mars’ from Suddi Raval, off-kilter synths hang in the air and deep bass shakes the foundations.
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1
Affie & Leila Yusuf - Dublovr
2
Zobol - Sense The Consensus
3
Acidulant - The View Of Her Shade
4
Type-303 - Knowhere
Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that keeps you coming back for more. Born out of a lifelong affair with the many shades of electronic rhythm and an obsession for collecting records since 1988, Paul is known and respected by many in the realms of underground House and Techno. Renowned for making hips and feet move at parties, clubs and fields across the UK and beyond over the last few decades.
As a label owner, his mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, front room or even just your headphones. Rather than staying too hung up on the past, he continues to serve up the freshest in Acid, Electro, Techno, Deep House alongside sweet slices of Electronica.
Sticking to the format of 4 superlative cuts from equally talented producers, the quality remains unquestionably consistent on Volume 8 of his various artist series. Kicking off A1 in style with a family affair from Acid House aficionado Affie Yusef and his daughter Leila, ‘Dublovr’ is a Class A slice of pure late night chug that rides clockwork rhythms to a rolling bassline. As dubbed out synths ring out to lift you skywards – eerie sweeping undertones add another dimension. Tried and tested since the summer season, the added layer of a TB-303 brings everything nicely to a head. Not to be outdone, Bristol based Electro emissary Zobol delivers a pure slice of machinist joy on A2 ‘Sense The Consesus’, showing his ability to finesse and balance uplifting melodies with warm synthesis on this finest of jams.
Over on the flipside, Maltese producer Acidulant takes up the reins with the hushed tones of ‘The View of Her Shade’ on B1 – a thoughtful excursion into electro hinterland that’s a textbook lesson in making more with less. Last but not least, mysterious I Love Acid affiliate Type-303 turns out an exquisite IDM inflected serving of woozy broken Electronica on the mysterious ‘Knowhere’. Steeped in rippling melodies and aquatic atmosphere, the depth of focus resonates with a singular clarity that enchants on repeated listening.
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As a label owner, his mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, front room or even just your headphones. Rather than staying too hung up on the past, he continues to serve up the freshest in Acid, Electro, Techno, Deep House alongside sweet slices of Electronica.
Sticking to the format of 4 superlative cuts from equally talented producers, the quality remains unquestionably consistent on Volume 8 of his various artist series. Kicking off A1 in style with a family affair from Acid House aficionado Affie Yusef and his daughter Leila, ‘Dublovr’ is a Class A slice of pure late night chug that rides clockwork rhythms to a rolling bassline. As dubbed out synths ring out to lift you skywards – eerie sweeping undertones add another dimension. Tried and tested since the summer season, the added layer of a TB-303 brings everything nicely to a head. Not to be outdone, Bristol based Electro emissary Zobol delivers a pure slice of machinist joy on A2 ‘Sense The Consesus’, showing his ability to finesse and balance uplifting melodies with warm synthesis on this finest of jams.
Over on the flipside, Maltese producer Acidulant takes up the reins with the hushed tones of ‘The View of Her Shade’ on B1 – a thoughtful excursion into electro hinterland that’s a textbook lesson in making more with less. Last but not least, mysterious I Love Acid affiliate Type-303 turns out an exquisite IDM inflected serving of woozy broken Electronica on the mysterious ‘Knowhere’. Steeped in rippling melodies and aquatic atmosphere, the depth of focus resonates with a singular clarity that enchants on repeated listening.
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Germany
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1
Dircsen - Nothing Remains
2
Dircsen - Artificial Mind
3
Dircsen - Nervous Disorder
4
Dircsen - Imminent Flow
Placid aka Paul Wise is the leading light behind ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.
Known to many in underground House and Techno circles, he’s spent the last few decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: only the best in Acid, Electro, Techno and Deep House for the dance floor, front room or even just your headphones makes the cut.
For the latest We’re Going Deep solo series edition, Paul welcomes the mysterious talent and touch of Dircsen. Whilst little is known about this impressive producer hailing from Germany, his superbly rounded set of releases for the Hague’s Soundtravels and Croatian outfit Beef Records have certainly captured the ear and the imagination. With a penchant for the purest sounding waves of TB-303, soaring synths and punchy percussion – there’s nothing but magic when it comes to his work.
Kicking off with the hypnotic, dubby tinged tones of ‘Nothing Remains’ on A1 – the stripped back shuffle of percussion and shimmering stabs evolve in ghostly fashion as an evocative mood prevails: a purist exercise in restraint and calm. Balanced with gnarly intent of ‘Artificial Mind’ on A2, he lands the cutting SAW of his trusty synth to an unfaltering 808 groove. That simply grows in intensity and growl – burying itself in your psyche in the process.
B1 ‘Nervous Disorder’ drives on even further into twilight zone, unleashing a soaring lead to the punch of a swinging 909 that’s designed for pure pleasure – an ode to Chicago’s finest. Ending out on the mellower, house inflected tones of ‘Imminent Flow’ on B2. The cyclical roll of the melody and gentle sub compliment each other perfectly as airy pads lift the atmosphere and bring the EP to a dreamy conclusion.
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Known to many in underground House and Techno circles, he’s spent the last few decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: only the best in Acid, Electro, Techno and Deep House for the dance floor, front room or even just your headphones makes the cut.
For the latest We’re Going Deep solo series edition, Paul welcomes the mysterious talent and touch of Dircsen. Whilst little is known about this impressive producer hailing from Germany, his superbly rounded set of releases for the Hague’s Soundtravels and Croatian outfit Beef Records have certainly captured the ear and the imagination. With a penchant for the purest sounding waves of TB-303, soaring synths and punchy percussion – there’s nothing but magic when it comes to his work.
Kicking off with the hypnotic, dubby tinged tones of ‘Nothing Remains’ on A1 – the stripped back shuffle of percussion and shimmering stabs evolve in ghostly fashion as an evocative mood prevails: a purist exercise in restraint and calm. Balanced with gnarly intent of ‘Artificial Mind’ on A2, he lands the cutting SAW of his trusty synth to an unfaltering 808 groove. That simply grows in intensity and growl – burying itself in your psyche in the process.
B1 ‘Nervous Disorder’ drives on even further into twilight zone, unleashing a soaring lead to the punch of a swinging 909 that’s designed for pure pleasure – an ode to Chicago’s finest. Ending out on the mellower, house inflected tones of ‘Imminent Flow’ on B2. The cyclical roll of the melody and gentle sub compliment each other perfectly as airy pads lift the atmosphere and bring the EP to a dreamy conclusion.
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1
Fatboy Slim & The Rolling Stones - Satisfaction Skank
LIMITED EDITION SO PLEASE MAKE SURE YOU PRE-SALE AS THIS WILL SELL OUT QUICKLY
After 25 years as a fan-favourite in his DJ sets, Fatboy Slim’s ‘Satisfaction Skank’ arrives with full approval from The Rolling Stones and access to the original stems.
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After 25 years as a fan-favourite in his DJ sets, Fatboy Slim’s ‘Satisfaction Skank’ arrives with full approval from The Rolling Stones and access to the original stems.
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Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic, Electronica
Configuration:2LP
Label:Field Records
Cat-No:FIELD35
Release-Date:26.05.2023
Genre:Electronic, Electronica
Configuration:2LP
1
Monolake - Cyan
2
Monolake - Index
3
Monolake - Lantau
4
Monolake - Macau
5
Monolake - Arte
6
Monolake - Occam
7
Monolake - Mass Transit Railway
Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.
The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”
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The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.
While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.
Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”
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Germany
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1
Kangding Ray - Mauve Deepens
2
Kangding Ray - Supraverde
3
Kangding Ray - Twilight Seven
4
Kangding Ray - Bitter Keylime
5
Kangding Ray - Neo Rouge
6
Kangding Ray - Pearls & Lichens
7
Kangding Ray - Pervinca Lucente
8
Kangding Ray - Late Coral Glow
9
Kangding Ray - Antiblau
10
Kangding Ray - Sage Aqua
“ In search for unseen colours beyond the visible spectrum, Kangding Ray explored the outer fringe of club music and came back with a set of prismatic sonic crystals ”
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1
IVAN IACOBUCCI AND STELLA FIORE - TRIUMPH
2
IVAN IACOBUCCI AND STELLA FIORE - WAITING FOR MY LOVE
3
IVAN IACOBUCCI AND STELLA FIORE - CLOSE THE DOOR
4
IVAN IACOBUCCI AND STELLA FIORE - FEAR AND MADNESS IN THE DESERT
Tracklist:
A1 TRIUMPH
A2 WAITING FOR MY LOVE
B1 CLOSE THE DOOR
B2 FEAR AND MADNESS IN THE DESERT
Brilliant 4 track E.P. by Ivan Iacobucci and Stella Fiore.
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A1 TRIUMPH
A2 WAITING FOR MY LOVE
B1 CLOSE THE DOOR
B2 FEAR AND MADNESS IN THE DESERT
Brilliant 4 track E.P. by Ivan Iacobucci and Stella Fiore.
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1
Sweely - Shake Dat Thang
2
Sweely - Uno Dos Tres
3
Sweely - Le Son Dancefloor
4
Sweely - Hash'n Funk'n
The Sound of Limo arrives at its grand finale and 20th release. There's no one more fitting for the closing than Sweely, one of our generation's great house producers, with four proven nuggets taken from his inimitable live set, including the pièce de résistance, Shake Dat Thang. What happens next is anybody's guess!
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1
Akufen - Breakin' Free (feat Dominique Fils Aime)
2
Akufen - You Naughty Scamp
3
Akufen - Rubber Ducky
4
Akufen - Sensitive People (With So Much To Give)
Canadian minimal titan Akufen dominated the scene at the turn of the new millennium and has a fine back catalogue full of classics. Now the Montreal man is back with new music though and it's like he never went away - 'Breakin' Free' (feat Dominique Fils Aime) is a slow, smoochy sound with low-slung drums and r&b vocals, while 'You Naughty Scamp' is a little more propulsive as it rolls through deep house and bright, textured synth melody. 'Rubber Ducky' is another playful jam with jazzy top notes, sampled vocals cut up and smeared through the mix and languid bass funk. 'Sensitive People (With So Much To Give)' is another symphonic and soulful house sound.
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1
Model 500 - Jazz Is The Teacher
2
Model 500 - What's The Game
3
Model 500 - The Flow
4
Model 500 - The Future
5
Model 500 - Ocean 2 Ocean
6
Model 500 - Starlight
7
Model 500 - I Wanna Be There
8
Model 500 - I See The Light
9
Model 500 - The Passage
Following the celebrated reissue of Classics Vol. 1, Metroplex unveils Model 500 - Classics Vol. 2, a powerful new collection of essential works from Juan Atkins--pioneer of Techno and architect of some of the most forward-thinking electronic music ever recorded. Bringing together key cuts, rare mixes, and long-sought favorites from across Atkins' groundbreaking output, this compilation highlights the full spectrum of his sonic universe: deep, rolling machine funk, shimmering electro-techno hybrids, and timeless futurist grooves that helped shape generations of electronic artists. Each track has been carefully remastered to enhance its original energy while preserving the raw spirit and space that define the Model 500 sound. From expansive, atmospheric journeys to soulful vocal transmissions and Detroit-powered rhythmic science, Classics Vol. 2 presents Juan Atkins at his most inspired--an essential document of a visionary whose influence continues to echo across dancefloors worldwide. Three decades on, these tracks have lost none of their immediacy, imagination, or futuristic pull. Restored for a new era, Classics Vol. 2 celebrates the legacy of Model 500 with pristine sound and renewed force. Pure Detroit heritage. Eternal future music.
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1
Montecarla - L'Insegnante
2
Montecarla - Doing It
3
Montecarla - Tempi Caldi
4
Montecarla - Grazie Nonna
5
Montecarla - Malizia Erotica
6
Montecarla - Io Valentino
7
Montecarla - Interno Notte
8
Montecarla - Bye Bye Donna
9
Montecarla - La Supplente
10
Montecarla - Il Sesso Della Strega
Montecarla is a new Italian duo born from the idea of creating the soundtrack to a film that doesn’t exist. Blending modern disco, Italian library music and playful cinematic flair, they turn the sensual and ironic mood of 70s/80s erotic soundtracks into something fresh and contemporary.
Their debut album, “Primo Appuntamento,” introduces the Montecarla universe: a fictional Mediterranean city where elegance, desire and mischief shape the music’s identity. Real instrumentation, theatrical details and a refined groove transform each piece into a miniature scene familiar, yet entirely reinvented.
Montecarla position themselves at the crossroads of nostalgia and innovation, offering a stylish, compact sound ideal for playlists exploring Italian groovers, nu-disco, lounge atmospheres and retro-future aesthetics.
“Primo Appuntamento” is both an introduction and an invitation seductive, cinematic, unmistakably Italian.
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Their debut album, “Primo Appuntamento,” introduces the Montecarla universe: a fictional Mediterranean city where elegance, desire and mischief shape the music’s identity. Real instrumentation, theatrical details and a refined groove transform each piece into a miniature scene familiar, yet entirely reinvented.
Montecarla position themselves at the crossroads of nostalgia and innovation, offering a stylish, compact sound ideal for playlists exploring Italian groovers, nu-disco, lounge atmospheres and retro-future aesthetics.
“Primo Appuntamento” is both an introduction and an invitation seductive, cinematic, unmistakably Italian.
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1
UPSKIBOO - Vi Leger Med Biler
2
UPSKIBOO - Bil Fri Jazz
Tracklisting
A1 UPSKIBOO - Vi Leger Med Biler
B1 UPSKIBOO - Bil Fri Jazz
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A1 UPSKIBOO - Vi Leger Med Biler
B1 UPSKIBOO - Bil Fri Jazz
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1
Leslie Lello / Paul Older - African Layers
2
Leslie Lello / Paul Older - Acid Bass
3
Leslie Lello / Paul Older - There's Light
4
Leslie Lello / Paul Older - Winners
Disco Mind keeps the vibes flowing in the New Year with this delicious new collaboration with fellow italian label Polyamore Artists. It's an extravagant collision of Afro, disco and house styles from Leslie Lello and Paul Older. 'African Layers' opens with rich percussion and organic grooves that bring the heat, then 'Acid Bass' has a more synth-driven sound and electronic edge, but with retro disco motifs. 'There's Light' is a chugger that keeps the pressure on with slapping hits and drum rolls, and 'Winners' then cuts loose with a more sentinel sound full of roomy chords and loved-up whimsy. Useful stuff.
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1
Guile - Execute
2
Guile - Tren
3
Guile - Double U
4
Guile - Recycled
Seguim Records returns with its fourth release, SEGUIM004, presenting “Execute EP” by rising Argentinian talent Guile.
Execute EP navigates the space where tech-house precision meets progressive feeling, blending evolving textures with hypnotic energy. Across four tracks, Guile delivers a cohesive journey designed for long, club-focused nights.
The A side opens with “Execute”, the title track of the EP, a finely crafted cut driven by modulating basslines, acid-tinged riffs, and crispy drums. It’s followed by “Tren”, a deeper and more hypnotic track where chopped vocals and rolling rhythms guide the listener through an immersive journey.
On the B side, “Double U” sets the tone with a progressive edge, as stabs and melodic phrases carefully interplay, leaving space for each element to breathe while steadily building momentum. The EP closes with “Recycled”, a high-energy track characterized by its catchy melody and uplifting atmosphere, bringing the journey to a powerful conclusion.
Four dancefloor-ready tracks, crafted to push the night further.
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Execute EP navigates the space where tech-house precision meets progressive feeling, blending evolving textures with hypnotic energy. Across four tracks, Guile delivers a cohesive journey designed for long, club-focused nights.
The A side opens with “Execute”, the title track of the EP, a finely crafted cut driven by modulating basslines, acid-tinged riffs, and crispy drums. It’s followed by “Tren”, a deeper and more hypnotic track where chopped vocals and rolling rhythms guide the listener through an immersive journey.
On the B side, “Double U” sets the tone with a progressive edge, as stabs and melodic phrases carefully interplay, leaving space for each element to breathe while steadily building momentum. The EP closes with “Recycled”, a high-energy track characterized by its catchy melody and uplifting atmosphere, bringing the journey to a powerful conclusion.
Four dancefloor-ready tracks, crafted to push the night further.
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1
Danser's Inferno - Sombre Guitar
2
Danser's Inferno - Badinage
We’re back on PANORAMA Records with a stone cold cult classic from Danser’s Inferno, lifting “Sombre Guitar” off their elusive 1973 LP Creation One and giving it a fresh run on 7inch. Long treasured by jazz heads and deep-digging DJs, it’s one of those records that has been in the bags of discerning music lovers for years, moving dancers.
Musically, “Sombre Guitar” sits in that sweet spot between Latin jazz and jazz-funk – rolling congas, driving kit, tight horn lines and that drifting, melodic guitar figure that pulls everything together. It’s lively and percussive enough for the dancefloor, but still has that slightly cinematic, reflective feel that rewards proper listening too. A true jazz dance cut that works just as well at home as it does in a warm-up or end-of-night moment.
This PANORAMA edition brings it back into reach, cut loud and clear so it can do what it was always meant to do: move a room.
As ever, PANORAMA Records is about unearthing and reintroducing rare and essential music to new ears. From German jazz and Brazilian fusion to Latin-leaning grooves like this, the focus is on records with real soul and longevity, remastered with care and treated with the respect they deserve.
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Musically, “Sombre Guitar” sits in that sweet spot between Latin jazz and jazz-funk – rolling congas, driving kit, tight horn lines and that drifting, melodic guitar figure that pulls everything together. It’s lively and percussive enough for the dancefloor, but still has that slightly cinematic, reflective feel that rewards proper listening too. A true jazz dance cut that works just as well at home as it does in a warm-up or end-of-night moment.
This PANORAMA edition brings it back into reach, cut loud and clear so it can do what it was always meant to do: move a room.
As ever, PANORAMA Records is about unearthing and reintroducing rare and essential music to new ears. From German jazz and Brazilian fusion to Latin-leaning grooves like this, the focus is on records with real soul and longevity, remastered with care and treated with the respect they deserve.
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