James Shinra continues his ‘Shinra Electro Company’ series with 4 acid-laced tracks exploring different aspects of his sound. Opener ‘Acid Every Day’ keeps it simple by combining hard hitting drums with a 303, while ‘Back’ adds a soulful touch with vocal snippets and dubby chords. On the B-side, 2 sub-rattling DJ tools.

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James Shinra presents Shinra Electro Company Vol 1, a collection of dancefloor electro tracks showcasing a tougher, more bassy side to his sound. Lead track Poppin has had heavy support from Bicep, including featuring in their Coachella 2024 set.

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Having James Shinra back on AF is always a cause for celebration, and doubly so this time because we present 'Meteorites', his second album following the highly acclaimed Vital Heat (2018). During 2023-24, James uploaded a series of digital releases called 'Meteorites', a set of dreamy and introspective tracks where the artist showed his evolution and maturity, refining the emotive sound that's his trademark and has garnered so much praise in recent years. We should do justice to that material, giving it a worthy treatment/format, so we decided to release all together. James has revisited and reworked many of the tracks for the occasion, polishing, adding, removing... and the result is 'Meteorites', the album. A MUST for all braindance sensibilities and nonconformist electronic heads. We're sure it will remind you exactly why you loved this talented guy for so long and why he's one of the most uncompromising artists working in electronic music these days.

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Repress!

James Shinra's whirlwind year is rounded off with a some final words via Craigie Knowes. Darkroom EP features his signature style of Techno and Electro across 4 varied cuts. From Aphex-style chords to choppy breaks, emotional rises and gritty kicks and acid - it's got it all. A final chapter of a busy year for both artist and label, with a fairly sinister, wintery, feel.

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Fierce rolling tracks with emotive strings and fresh beats on this new James Shinra ep! All previous releases from James have been some of the highlights on Analogical Force and also this one is from the same high quality! Written while the world is undergoing some turbulence... but this release calms the mind and energizes the body! Recommended!

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James Shinra return to Analogical Force, and it needs no introduction. 'Reverie' is the new 4-track EP where James plunges us into his fantasy world again and will remind you exactly why you fell in love with this talented guy. JUST DIVE IN.

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After the stunning 'Meteor EP' (AF006 / 2017), James Shinra returns embracing his classic trademark of electro, acid braindance and addictive synth-laden tracks. 'Supernova EP' is operating in new, and uncharted ways. Classical future sound.

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Next in the We’re Going Deep label series, he welcomes 4 tracks of completely fresh material from a relatively unknown Italian producer, Davide Tonini. Hailing from the much fabled Adriatic coastal party town of Rimini in Italy, Davide has been shaping and sculpting Electronic sounds for well over 3 decades now. Having first started releasing music under his ‘Wet Basement’ alias back in 2015, his sonic palette traverses IDM, Techno, Deep House, Acid and Ambient soundscapes.

Having spent decades honing his practice, he has both self-released his music and worked with the long standing Odrex Music in Berlin. And there’s something deeply irresistible about his output that screams class and quiet dedication. In his own words, in around 2005 he got into the world of Eurorack and a few years later, Serge Modular. Since then, he’s been totally hooked...

In more recent times, Davide has recorded and released 2 digital LPs worth of material for ‘Detroit Underground’ under his own name, so it seems fitting that We’re Going Deep are now hosting a debut 12” cut – offering up 4 cuts of trademark sumptuousness. Bringing together the best of influences that touch on the likes of Aril Brikha, David Alvarado, Deepchord, Convextion and Basic Channel, he weaves together their respective magic to a new whole point of inflection that is both of this world and the other. All tinged with a warmth and smile that could only originate in Mediterranean climes.

The aptly named ‘A-1’ kick starts the EP in fine fashion as shimmering chords cut through rays of floatingly filtered synthesis, all beautifully dubbed out to a steady rolling kick and neatly shuffled high-hats, with precision bass notes interjecting to add an additional layer of funk. With bliss set to maximum, this is nothing short of genius. Followed by ‘Bilateral’, Davide offers a touch more space and lets the bottom end lead, whilst neatly filtered chords flicker to and fro - seeping their way into your consciousness as the tight drum work brings you to groove mode.

On the reverse, ‘Drive’ burrows further into emotive depths as Davide bathes you in layers of dub and twinkling melodics, all passed through a hazy film of goodness. Rounding off the EP with the deft touch of Distanze Logaritmiche – a soft roller that steeps you in undulating chords and cavernous effects. This is high class music that deserves patience and your attention to reap the ultimate rewards from a true master of his craft.

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Placid aka Paul Wise is the operator in chief at ‘We’re Going Deep’ – an online community and record label born out of a lifelong love affair with the many shades of electronic rhythm, and an obsession for collecting records since 1988. With a mission to share and release new music via his We’re Going Deep and We’re Going Back imprints, you’ll find only the best in underground Acid, Electro, IDM, Techno and House for the dance floor and your listening pleasure.

Up next in the label series, We’re Going Deep is excited to welcome 4 tracks of fresh material from pivotal electronic music maker Gerard Hanson, under his much prized E.R.P. alias. Renown for keeping his profile below the radar and letting the machines do all the talking for him. Hanson’s work as a producer has been much coveted since his debut back in the mid 90s as Convextion. Hailing from Dallas, Texas, he has become something of a hero in the underground Electro community. His work as E.R.P. has left a huge impression on labels such as Frustrated Funk, Bleep43 and Semantica over the years. Renown for his distinctive shimmering machine funk aesthetic, he ably summons the outer reaches of deep space listening thanks to his innate mastery of brooding, sci-fi soundscapes that few can equal.

Following releases for Apnea and Synchrophone, Hanson lifts off with a heartfelt tribute to our recently departed friend James Baker on ‘One4ReKab’. Ascending with the pulse of a steady kick drum, precision snares take hold as whispered vocals seep in and out of consciousness. Underpinned by trademark angular bass tones, soaring strings inject a deep sense of foreboding as all the parts fuse with a fierce glow. Stepping things a notch back as the sonic trajectory levels out, ‘Onward’ takes a more contemplative stance in a fusion of hypnotic drum programming that leads the fray whilst subtle arpeggios flow, all whilst wistful melodies wind you in.

Over on the flipside, Hanson revisits his 2008 composition “Multipole Vector” to launch yet another interstellar cruise by mission in the shape of “Multipole Vector II”. Leading with the simplest of bass progressions and metronomic beat programming, twinkling synth elements reach across the void as chords sweep to and fro to powerful effect. Ending out on the uplifting yet almost IDM inflected tones of “Self Unemployed”, this low tempo air rounds the EP off on an equally captivating note filled with playful charm, that makes this collection of music all the more pleasing.

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Placid aka Paul Wise is the chief operator at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

Bringing the sounds of another highly experienced underground House and Techno fusionist to the next WGD solo series edition, Mark Thibideau is an enduring force. Hailing from Wallaceburg (Ontario) alongside his twin Brother Matt, he has been conjuring his own brand of sonic sorcery as far back as the 90s via various aliases and projects. Renown for his deeply soaked sound design that straddles the depths of Basic Channel’s aesthetic with a more altogether velours finish. Thibideau has graced the likes of Joule and Berg Audio in recent times, releasing some much sought after EPs.

Offering up 4 equally silk edged yet powerfully crafted dub infused grooves, going against convention and heading straight for the B side, the EP kicks off with the refreshing roll of B1 “Overcome Gravity” – a breezy flight through the upper reaches of the atmosphere. Combining tightly swung percussion with shimmering synthesis, all wrapped in undulating elements that basque in the warm glow of a mid summers evening. It’s a much welcome invitation. Accompanied with the slightly more introspective tones of B2 “The Fading Future” – minor chords lead to metronomic beats, leaving the bassline follow their path as the track twists and turns to take hold. An equally masterful trip to other worldly territory, you can’t help but admire his poise.

On the flip side, A1 “Circulate” ramps up the energy factor a notch as Thibideau unleashes a slice of pure understated, bass rumbling, heady workout all shot through a slow filter. The type of hypnotic cut that’s designed to do maximum damage at HIGH volume. Seriously restrained magic! It conjures up the magic of Mike Huckaby’s (RIP) Mix of “The Final Step”. Ending on the upward trajectory of A2 “Rotation”, here he continues his mission in the same vein but with more open frequencies – propelling to the outer reaches and leaving you wanting a whole lot more.

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Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

Bringing the sounds of a true pioneer of Electro and Techno fusion to the next WGD solo series edition, Carl Finlow is renown for seamlessly blending the rhythmic intricacies of Electro with the hypnotic allure of Techno: creating a unique sonic identity that resonates deep down to this day.
As a founding member of the iconic 20/20 Vision label, there is no doubting his pivotal role or pedigree in shaping the sounds of the Electronic music landscape, having released timeless music that has transcended genres over the past decades.

A master of the sonic journey that blends futuristic textures with a timeless essence, he sets out his stall with the creeping drawl of ‘Equi’ on A1, leading with heavyweight bass that’s set to cycle as metronomic snares pop to sci-fi synthesis that can’t help but make your body twitch. It is however the lush shimmer of ‘Aether’ A2 that really captures the heart and soul. A tour de force in emotive Electronics that arise from the depths of Atlantis to sweep you into a whole other moment of existential bliss. A superlatively crafted composition fuelled by the power of the DX-100, awash with melancolic strings and whispy melodies that are combined to perfection – ANTHEM alert!

Over on the reverse, the menacing rumble of ‘Affinity’ takes hold on B1 as Finlow exercises a certain prowess balancing airy textures with the visceral, creeping to the finish line with nothing but gold on his mind. Lastly, the 80s spectrum tinged tones of ‘Septagon’ B2 lead us on to another level as you’re lured in by downright gnarly bottom end, as glassy arps and atmospheric touches complete his vision.

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Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.

For the latest solo series edition, Paul reaches out across the Mediterranean straights to the island nation of Malta to the formidable Owen Jay & Melchior Sultana – two of Europe’s finest purveyors of heads-down House and sultry deep grooves. Having both worked on solo projects and together for well over a decade now, their joint projects have graced the likes of Underground Quality, Moods & Grooves, Deep Explorer alongside their own imprint Batti Batti: a perfect match.

Laying down 4 cuts of impeccable late night fuel, the EP opens with A1 ‘Going Deep’ a subtle yet expansive 4/4 mover that holds the floor with a trance inducing lead and dubby effects. Sweeping in with sun kissed melodics and spacious percussion – A2 ‘Dub Setting’ is an ode to the Maltese morning haze if there ever was one.

On the flip, B1 ‘Chi-Town Love’ steps up a notch with tight drums and rolling bassline, as layered chords fizz away and build into their rhythm. Last but not least, B2 ‘The Beginning’ brings things home as punchy 909 percussion and stringed melodics tease for several minutes. Before heavy Juno bass action drops and leaves you jackin’ the freak to close out in style.

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Placid aka Paul Wise is chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. He’s spent the last 3 decades moving heads and feet at select venues, parties and fields across the UK and beyond.

On a mission to share and release new music via his label, you’ll only find the best selections in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or your headphones making the cut. For the next (and penultimate) edition of his various artist series, he turns to the talents of 4 superlative UK based producers. All of whom make equally excellent contributions to this latest missive.

Synonymous with the legendary Smallfish imprint, Bristol based artist Remote_ opens with ‘Ionic Shuffle’ - a fresh slice of 4/4 machine-funk swing. Invoking the motorcity spirit through a tightly programmed mix of Roland drum machines and crisp evolving lead, a hefty 303 bassline burrows it’s way to lead us to the outer limits. Following on with the graceful ‘Acid 13’, a delicate space aged cut from relative newcomer Steven Simpson. Airy stabs and star-shot sonics interweave to perfection as sawtooth waves find their place amongst the dubbed out ether.

Mancunian maestro J.S.Zeiter returns on the flips with the foreboding ‘Entropy’, a dense acidic chugger that revels in cyclical note action and a simple kick. Fusing minimal elements for maximal output, you can only marvel at the outcome. Rounding off with the eerie electroid infusion of ‘Flight to Mars’ from Suddi Raval, off-kilter synths hang in the air and deep bass shakes the foundations.

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Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that keeps you coming back for more. Born out of a lifelong affair with the many shades of electronic rhythm and an obsession for collecting records since 1988, Paul is known and respected by many in the realms of underground House and Techno. Renowned for making hips and feet move at parties, clubs and fields across the UK and beyond over the last few decades.
As a label owner, his mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, front room or even just your headphones. Rather than staying too hung up on the past, he continues to serve up the freshest in Acid, Electro, Techno, Deep House alongside sweet slices of Electronica.

Sticking to the format of 4 superlative cuts from equally talented producers, the quality remains unquestionably consistent on Volume 8 of his various artist series. Kicking off A1 in style with a family affair from Acid House aficionado Affie Yusef and his daughter Leila, ‘Dublovr’ is a Class A slice of pure late night chug that rides clockwork rhythms to a rolling bassline. As dubbed out synths ring out to lift you skywards – eerie sweeping undertones add another dimension. Tried and tested since the summer season, the added layer of a TB-303 brings everything nicely to a head. Not to be outdone, Bristol based Electro emissary Zobol delivers a pure slice of machinist joy on A2 ‘Sense The Consesus’, showing his ability to finesse and balance uplifting melodies with warm synthesis on this finest of jams.

Over on the flipside, Maltese producer Acidulant takes up the reins with the hushed tones of ‘The View of Her Shade’ on B1 – a thoughtful excursion into electro hinterland that’s a textbook lesson in making more with less. Last but not least, mysterious I Love Acid affiliate Type-303 turns out an exquisite IDM inflected serving of woozy broken Electronica on the mysterious ‘Knowhere’. Steeped in rippling melodies and aquatic atmosphere, the depth of focus resonates with a singular clarity that enchants on repeated listening.

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Placid aka Paul Wise is the leading light behind ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.

Known to many in underground House and Techno circles, he’s spent the last few decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: only the best in Acid, Electro, Techno and Deep House for the dance floor, front room or even just your headphones makes the cut.

For the latest We’re Going Deep solo series edition, Paul welcomes the mysterious talent and touch of Dircsen. Whilst little is known about this impressive producer hailing from Germany, his superbly rounded set of releases for the Hague’s Soundtravels and Croatian outfit Beef Records have certainly captured the ear and the imagination. With a penchant for the purest sounding waves of TB-303, soaring synths and punchy percussion – there’s nothing but magic when it comes to his work.

Kicking off with the hypnotic, dubby tinged tones of ‘Nothing Remains’ on A1 – the stripped back shuffle of percussion and shimmering stabs evolve in ghostly fashion as an evocative mood prevails: a purist exercise in restraint and calm. Balanced with gnarly intent of ‘Artificial Mind’ on A2, he lands the cutting SAW of his trusty synth to an unfaltering 808 groove. That simply grows in intensity and growl – burying itself in your psyche in the process.

B1 ‘Nervous Disorder’ drives on even further into twilight zone, unleashing a soaring lead to the punch of a swinging 909 that’s designed for pure pleasure – an ode to Chicago’s finest. Ending out on the mellower, house inflected tones of ‘Imminent Flow’ on B2. The cyclical roll of the melody and gentle sub compliment each other perfectly as airy pads lift the atmosphere and bring the EP to a dreamy conclusion.

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Stone cold year 2000 Detroit Techno classic from Burden Bros

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*** Vinyl limited to 200 copies ***

The fifth release on Objekt’s Kapsela imprint is (re)weave, an EP of crystalline club tracks from Detroit-born, London-based producer Tristan Arp.

(re)weave was written during a prolonged period of flux for the artist. “When I started making this record, my life and the world felt like a maze,” he recounts. As he routed and re-routed through past and future homes – Mexico to New York to Detroit to Mexico and finally to London – his output bore the marks of this repeated uprooting. “I was thinking about making music that reflected these twists and turns, and the knotty pathways through them. I was also re-reading Borges around this time, which must have influenced my interest in labyrinths.”

Accordingly, the EP is a mycelial puzzle, a tangle of spidery, undulating ostinatos and earthy percussion, stitched through with syncopated kicks. Employing the sounds of multitudinous critters and kin – whales, insects, thunder, water, forests – the arrangements sum to a sentient mesh of organic matter, the compositions living and breathing like earthly beings. Kaleidoscopic tendrils explore in every direction but are always underpinned by a driving, percussive backbone. It’s not easily classifiable: it’s bass-driven, but to simply call it “bass music” would sell it short.

In keeping with the winding geographical paths traced over the EP’s creation, (re)weave saw Tristan Arp revisiting and reinterpreting unfinished sessions and incorporating them into newer ideas. Rhythms and sounds have been transplanted and self-recycled from previous projects and woven into the fabric of the record. In this way, (re)weave also describes a looping back over time, a recalibration of the self from past to present through interlocking rhythms, channeling and communing with versions of oneself from times gone by.

The closing track, Wish Server, slows the EP to walking pace and hints at tentatively emerging from the deepest jungle into a delicate, innocent light. Tristan Arp imagines it as a dialog with a baby-self. “Some of my earliest memories are of sitting at my mother’s loom,” he offers. “The sequence of these tracks traces these feelings and follows the thread back to the primordial soup… through mazes… to a feeling of levitation.”

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Super Flu has crafted a unique and special track with a fresh reinterpretation of Cher’s legendary Grammy Award winning song “Believe.” Infusing raw electronic beats and atmospheric soundscapes, this track reimagines the classic in a way that resonates with the burgeoning underground dance community, but at the same time retains the essential melodic elements of the tune that gave it such universal appeal. Experience the haunting allure and hypnotic rhythms that only Super Flu can deliver, redefining a timeless anthem for the next generation of listeners. Early support from Keinemusik, Black Coffee, LP Giobbi, Blondish, Desiree, Adam Ten and more

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James Shinra continues his ‘Shinra Electro Company’ series with 4 acid-laced tracks exploring different aspects of his sound. Opener ‘Acid Every Day’ keeps it simple by combining hard hitting drums with a 303, while ‘Back’ adds a soulful touch with vocal snippets and dubby chords. On the B-side, 2 sub-rattling DJ tools.

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Label Boss TSVI is back with a brand new release on Nervous Horizon: Dance Tripping EP! Inspired by his early years in London, where he spent countless nights at minimal and tech house raves, the EP draws elements from these styles through stripped back productions and groove driven basslines. Moving away from TSVI’s signature percussion focused sound, the record prioritises a more sound design approach, exploring texture, movement and club functionality. The EP opens with Music is Moving, a high energy festival weapon built around a groovy bassline and a UK garage leaning swing. A sharp, restless lead drives the track forward before exploding into a euphoric climax of phased and distorted sawtooth waves. Next comes The Wasp Track, combining pitched down leads with a rolling tech house groove, built for peak time tension and release. The title track Dance Tripping sees TSVI at his most stripped back, featuring loopy analog textures and hypnotic rhythmic elements that focus on repetition. The last two tracks Kataklisma and Turbo Motion create a literal sonic apocalypse by pounding the club with heavy reeses and mean beats. TSVI Dance Tripping EP is the ultimate club weapon for 2026!

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“sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, it’s only through letting go that I've found solid ground to stand on.”

These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:



“when i stop framing myself as a boundaried stone

immovable, and powerful, and heavy

when i stop figuring my deepest space as my own

something which i am solely responsible

i surrender, i surrender”



PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.

Written and produced by PVAS

Mixed by TJ Hertz

Mastered by Anne Taegert at D&M

Artwork and design by Brodie Kaman

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