1
Tristan Arp - Shapeshifting Dub
2
Tristan Arp - Mutable Field
3
Tristan Arp - Forking Paths
4
Tristan Arp - Wish Server
*** Vinyl limited to 200 copies ***
The fifth release on Objekt’s Kapsela imprint is (re)weave, an EP of crystalline club tracks from Detroit-born, London-based producer Tristan Arp.
(re)weave was written during a prolonged period of flux for the artist. “When I started making this record, my life and the world felt like a maze,” he recounts. As he routed and re-routed through past and future homes – Mexico to New York to Detroit to Mexico and finally to London – his output bore the marks of this repeated uprooting. “I was thinking about making music that reflected these twists and turns, and the knotty pathways through them. I was also re-reading Borges around this time, which must have influenced my interest in labyrinths.”
Accordingly, the EP is a mycelial puzzle, a tangle of spidery, undulating ostinatos and earthy percussion, stitched through with syncopated kicks. Employing the sounds of multitudinous critters and kin – whales, insects, thunder, water, forests – the arrangements sum to a sentient mesh of organic matter, the compositions living and breathing like earthly beings. Kaleidoscopic tendrils explore in every direction but are always underpinned by a driving, percussive backbone. It’s not easily classifiable: it’s bass-driven, but to simply call it “bass music” would sell it short.
In keeping with the winding geographical paths traced over the EP’s creation, (re)weave saw Tristan Arp revisiting and reinterpreting unfinished sessions and incorporating them into newer ideas. Rhythms and sounds have been transplanted and self-recycled from previous projects and woven into the fabric of the record. In this way, (re)weave also describes a looping back over time, a recalibration of the self from past to present through interlocking rhythms, channeling and communing with versions of oneself from times gone by.
The closing track, Wish Server, slows the EP to walking pace and hints at tentatively emerging from the deepest jungle into a delicate, innocent light. Tristan Arp imagines it as a dialog with a baby-self. “Some of my earliest memories are of sitting at my mother’s loom,” he offers. “The sequence of these tracks traces these feelings and follows the thread back to the primordial soup… through mazes… to a feeling of levitation.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The fifth release on Objekt’s Kapsela imprint is (re)weave, an EP of crystalline club tracks from Detroit-born, London-based producer Tristan Arp.
(re)weave was written during a prolonged period of flux for the artist. “When I started making this record, my life and the world felt like a maze,” he recounts. As he routed and re-routed through past and future homes – Mexico to New York to Detroit to Mexico and finally to London – his output bore the marks of this repeated uprooting. “I was thinking about making music that reflected these twists and turns, and the knotty pathways through them. I was also re-reading Borges around this time, which must have influenced my interest in labyrinths.”
Accordingly, the EP is a mycelial puzzle, a tangle of spidery, undulating ostinatos and earthy percussion, stitched through with syncopated kicks. Employing the sounds of multitudinous critters and kin – whales, insects, thunder, water, forests – the arrangements sum to a sentient mesh of organic matter, the compositions living and breathing like earthly beings. Kaleidoscopic tendrils explore in every direction but are always underpinned by a driving, percussive backbone. It’s not easily classifiable: it’s bass-driven, but to simply call it “bass music” would sell it short.
In keeping with the winding geographical paths traced over the EP’s creation, (re)weave saw Tristan Arp revisiting and reinterpreting unfinished sessions and incorporating them into newer ideas. Rhythms and sounds have been transplanted and self-recycled from previous projects and woven into the fabric of the record. In this way, (re)weave also describes a looping back over time, a recalibration of the self from past to present through interlocking rhythms, channeling and communing with versions of oneself from times gone by.
The closing track, Wish Server, slows the EP to walking pace and hints at tentatively emerging from the deepest jungle into a delicate, innocent light. Tristan Arp imagines it as a dialog with a baby-self. “Some of my earliest memories are of sitting at my mother’s loom,” he offers. “The sequence of these tracks traces these feelings and follows the thread back to the primordial soup… through mazes… to a feeling of levitation.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Tristan Arp
1
Tristan Arp - No Title
2
Tristan Arp - No Title
3
Tristan Arp - No Title
4
Tristan Arp - No Title
Banoffee Pies Records drop their 12th release in the original series with a solo EP from New York based Tristan Arp. With a string of intricate music on the likes of Human Pitch and a recent LP entitled "Suggested Forms", which offers a wider exploration into his work, Tristan's passion for sound design echoes in this record.
All four tracks offer an environment somewhere between a feeling and a dancefloor with obscure influences in polyrhythmic drum patterns and a clear combination of digital and analogue processing. "Swept Thru" opens proceedings with a spiral of rhythms and heavy percussion leaping in energy throughout, before the spooked out Vox takes control on "Oblique House" with deeper movements in a haunted club tune. The B side opens with the title track "Slip" in a powerful whirlwind arrangement of sub bending sounds before the final colour is added to the palette in "Circling Music'' with emotive jingles in a more retained and patient mood.
You can hear Tristan's other work within the Asa Tone project - a trio group well worth the trip, offering a deep variety of works exploring field recordings taken and formulated in Indonesia beneath a tree canopy deep in the jungle. This same energy and mood spills into this release. Music for feeling. Much love BP x
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
All four tracks offer an environment somewhere between a feeling and a dancefloor with obscure influences in polyrhythmic drum patterns and a clear combination of digital and analogue processing. "Swept Thru" opens proceedings with a spiral of rhythms and heavy percussion leaping in energy throughout, before the spooked out Vox takes control on "Oblique House" with deeper movements in a haunted club tune. The B side opens with the title track "Slip" in a powerful whirlwind arrangement of sub bending sounds before the final colour is added to the palette in "Circling Music'' with emotive jingles in a more retained and patient mood.
You can hear Tristan's other work within the Asa Tone project - a trio group well worth the trip, offering a deep variety of works exploring field recordings taken and formulated in Indonesia beneath a tree canopy deep in the jungle. This same energy and mood spills into this release. Music for feeling. Much love BP x
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Kapsela
1
Sepher - Fool's Ovation
2
Sepher - Bow Before The Sun
3
Sepher - Impresario Is Pleased
4
Sepher - Dancing Delusion
5
Sepher - Stage Discipline
You wake up abruptly on cold floorboards, your body aching as if from a great fall. White light floods your vision. Where are you? Last thing you can remember you were hurtling through the Genesis Domain at breakneck speed, but this is definitely somewhere different. As your eyes come into focus you see the hall is grand, intimidatingly opulent. A full house of seated onlookers peers at you expectantly. You’re on a stage, you realize. Flames creep up the walls, engulfing the room and lighting the faces in the audience; the heat is oppressive, but nobody seems to notice. A voice booms out.
“And now, ladies and gentlemen, the moment you’ve all been waiting for! Presenting: a performer of great renown all across the land, yours for one night only… introducing—”
Tiny bells jangle around your head as you shift your weight, obscuring whatever name the announcer just called out. You try to sit up. The jester’s hat tumbles off with a clatter. Not this again, you groan. Your head spins with vertigo. You grimace, trying to remember something. You had just gleaned an urgent and existential truth in the Genesis Domain, but it’s slipping away now… what was it?
Off to your left, a whip cracks. The impresario glares at you from the wings, fist clenched around a diamond-encrusted whip, mouthing at you to get up.
You try to run, but the weight of an incorporeal authority bears down upon you. The impresario cracks his whip again, an impish smirk forming on his lips.
With resignation, you begin to work the room. What else can you do? Tendrils of giggling and gossip creep through your periphery. The heat is suffocating and the smoke stings your eyes, but the show goes on. Remembering your bag of tricks as if from a dream, you raise your hands in the air, invoking the universal call to audience participation. The crowd goes wild. You feel the rush of a familiar thrill. Being the Fool comes naturally to you, you realize, as the palace burns around you.
“Fool’s Ovation”, the new EP from Sepehr, is out on June 12 on Objekt’s Kapsela imprint.
Written and produced by Sepehr
Mixed by TJ Hertz
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
“And now, ladies and gentlemen, the moment you’ve all been waiting for! Presenting: a performer of great renown all across the land, yours for one night only… introducing—”
Tiny bells jangle around your head as you shift your weight, obscuring whatever name the announcer just called out. You try to sit up. The jester’s hat tumbles off with a clatter. Not this again, you groan. Your head spins with vertigo. You grimace, trying to remember something. You had just gleaned an urgent and existential truth in the Genesis Domain, but it’s slipping away now… what was it?
Off to your left, a whip cracks. The impresario glares at you from the wings, fist clenched around a diamond-encrusted whip, mouthing at you to get up.
You try to run, but the weight of an incorporeal authority bears down upon you. The impresario cracks his whip again, an impish smirk forming on his lips.
With resignation, you begin to work the room. What else can you do? Tendrils of giggling and gossip creep through your periphery. The heat is suffocating and the smoke stings your eyes, but the show goes on. Remembering your bag of tricks as if from a dream, you raise your hands in the air, invoking the universal call to audience participation. The crowd goes wild. You feel the rush of a familiar thrill. Being the Fool comes naturally to you, you realize, as the palace burns around you.
“Fool’s Ovation”, the new EP from Sepehr, is out on June 12 on Objekt’s Kapsela imprint.
Written and produced by Sepehr
Mixed by TJ Hertz
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
PVAS - Gathering Drift (Lattice Edit)
2
PVAS - Terminal
3
PVAS - Wetland
4
PVAS - Ripped
5
PVAS - Boba
6
PVAS - Slipstream
“sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, it’s only through letting go that I've found solid ground to stand on.”
These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:
“when i stop framing myself as a boundaried stone
immovable, and powerful, and heavy
when i stop figuring my deepest space as my own
something which i am solely responsible
i surrender, i surrender”
PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
Written and produced by PVAS
Mixed by TJ Hertz
Mastered by Anne Taegert at D&M
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:
“when i stop framing myself as a boundaried stone
immovable, and powerful, and heavy
when i stop figuring my deepest space as my own
something which i am solely responsible
i surrender, i surrender”
PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
Written and produced by PVAS
Mixed by TJ Hertz
Mastered by Anne Taegert at D&M
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
gyrofield - Vegetation Grows Thick
2
gyrofield - Bolete
3
gyrofield - Rorschach (Ft. Flo State)
4
gyrofield - Brinjal
gyrofield is 22-year-old, Utrecht-via-Hong-Kong producer Kiana Li, who has put out several albums and over a dozen EPs since 2018, from self-released productions to projects on Metalheadz, XL Recordings and FABRICLIVE among many others.
Their next EP is Suspension of Belief, and it arrives on Objekt's label, Kapsela. (Following last year's Ganzfeld and Chicken Garaage, it's Kapsela's first record by an artist other than Objekt himself.) In keeping with her recent releases, it shows Li continuing a creative renaissance, moving beyond the outer fringes of drum & bass to present what they call "a set of deeper, shapeshifting tracks, cross-pollinating ideas from house, free jazz and techno."
Suspension of Belief was written between June and October of 2024, inspired by a summer spent in nature and encapsulating Li's lived experiences and personal reflections in this time. "Thoughts about the boundaries between civilisation and nature began to take on a charged meaning," she says. "How can we, as people, live on the backs of others’ suffering, and see emotionally vacant newscasting on the desecration of the world around us? We ought to be angry, but we also ought to find healing and love somewhere. A representation of this thinking exists in the record."
The result is an elegant paradox. From the warm upright bass on "Vegetation Grows Thick" to the rattling, "Spastik”-esque snare rolls of “Bolete”, the record is at once steely and organic, with dreamlike states giving way to depth and intensity. It’s functional enough for rituals of escapism but determined to confront the world as it really is. As Li puts it:
"Suspension of Belief is a play on the suspension of disbelief, the common convention for us to immerse ourselves in fictional worlds. In turn, the record’s title suggests the idea of immersing in the real world, an antifiction, facing reality.”
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Their next EP is Suspension of Belief, and it arrives on Objekt's label, Kapsela. (Following last year's Ganzfeld and Chicken Garaage, it's Kapsela's first record by an artist other than Objekt himself.) In keeping with her recent releases, it shows Li continuing a creative renaissance, moving beyond the outer fringes of drum & bass to present what they call "a set of deeper, shapeshifting tracks, cross-pollinating ideas from house, free jazz and techno."
Suspension of Belief was written between June and October of 2024, inspired by a summer spent in nature and encapsulating Li's lived experiences and personal reflections in this time. "Thoughts about the boundaries between civilisation and nature began to take on a charged meaning," she says. "How can we, as people, live on the backs of others’ suffering, and see emotionally vacant newscasting on the desecration of the world around us? We ought to be angry, but we also ought to find healing and love somewhere. A representation of this thinking exists in the record."
The result is an elegant paradox. From the warm upright bass on "Vegetation Grows Thick" to the rattling, "Spastik”-esque snare rolls of “Bolete”, the record is at once steely and organic, with dreamlike states giving way to depth and intensity. It’s functional enough for rituals of escapism but determined to confront the world as it really is. As Li puts it:
"Suspension of Belief is a play on the suspension of disbelief, the common convention for us to immerse ourselves in fictional worlds. In turn, the record’s title suggests the idea of immersing in the real world, an antifiction, facing reality.”
Mastered by Beau at Ten Eight Seven
Artwork and design by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Objekt - Chicken Garaage
2
Objekt - Worm Dance
The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.
The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
340 page, beautifully written, designed and printed, hardback book
ISBN: 978-1-0687642-2-6
Keep the books coming, keep the music coming, keep the art coming. When you think
you know everything, you can miss out on a lot. When you realise you don’t [know
everything] the floodgates come down a bit and you start following literary links and
musical links that you might not have made before. It’s a whole new parallel universe.”
Andrew Weatherall, 2015
Today Disco Pogo is delighted to announce A Disco Pogo Tribute To Andrew Weatherall,
a 320-page hardback that gathers everything we love about the man and his music. It is
the fourth in our hardback Tribute series – following Daft Punk, Aphex Twin and LCD
Soundsystem – and the long-overdue successor to the sold-out and hard to find Jockey
Slut Tribute To Andrew Weatherall from 2020.
Inside you’ll find the best of that original Jockey Slut book, plus more than 200 pages of
brand new material – fresh essays, oral histories, interviews and photography from the
writers, photographers, musicians, producers, DJs, designers and friends who knew
Andrew best.
The book is being published with the full blessing, approval and cooperation of the
Weatherall estate, who will also receive a share of the profits from the book.
From the fanzine kid at Boy’s Own to the producer who rewired Primal Scream and
made ‘Screamadelica’ sound like the future; through The Sabres Of Paradise, Two Lone
Swordsmen, The Asphodells and the much-loved A Love From Outer Space night and
Convenanza festival, Weatherall left behind a body of work, a sensibility and a way of
carrying yourself that is still being unpacked six years on. This is the book that tries to do
all of it justice.
Highlights include: an interview with Bobby Gillespie that goes beyond ‘Screamadelica’,
essays on ‘Sabresonic’, ‘Haunted Dancehall’, the Two Lone Swordsmen and his solo
releases, plus a look into his many remixes. In addition: oral histories on his early years,
A Love From Outer Space and Convenanza, an interview with Timothy J. Fairplay on
The Asphodells and a celebration of his art work and his NTS radio shows. And then
there’s the Disco Pogo Tribute regulars: a timeline, family tree, a studio gear deep dive,
discography and more…
Featuring interviews with Sean Johnston, David Holmes, Jagz Kooner, Leftfield, Shaun
Ryder, Chemical Brothers, Terry Farley, Dot Allison, Beth Orton, Irvine Welsh, Daniel
Avery, HAAi, Tia Cousins, Steve Mason, Richard Fearless and many more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
ISBN: 978-1-0687642-2-6
Keep the books coming, keep the music coming, keep the art coming. When you think
you know everything, you can miss out on a lot. When you realise you don’t [know
everything] the floodgates come down a bit and you start following literary links and
musical links that you might not have made before. It’s a whole new parallel universe.”
Andrew Weatherall, 2015
Today Disco Pogo is delighted to announce A Disco Pogo Tribute To Andrew Weatherall,
a 320-page hardback that gathers everything we love about the man and his music. It is
the fourth in our hardback Tribute series – following Daft Punk, Aphex Twin and LCD
Soundsystem – and the long-overdue successor to the sold-out and hard to find Jockey
Slut Tribute To Andrew Weatherall from 2020.
Inside you’ll find the best of that original Jockey Slut book, plus more than 200 pages of
brand new material – fresh essays, oral histories, interviews and photography from the
writers, photographers, musicians, producers, DJs, designers and friends who knew
Andrew best.
The book is being published with the full blessing, approval and cooperation of the
Weatherall estate, who will also receive a share of the profits from the book.
From the fanzine kid at Boy’s Own to the producer who rewired Primal Scream and
made ‘Screamadelica’ sound like the future; through The Sabres Of Paradise, Two Lone
Swordsmen, The Asphodells and the much-loved A Love From Outer Space night and
Convenanza festival, Weatherall left behind a body of work, a sensibility and a way of
carrying yourself that is still being unpacked six years on. This is the book that tries to do
all of it justice.
Highlights include: an interview with Bobby Gillespie that goes beyond ‘Screamadelica’,
essays on ‘Sabresonic’, ‘Haunted Dancehall’, the Two Lone Swordsmen and his solo
releases, plus a look into his many remixes. In addition: oral histories on his early years,
A Love From Outer Space and Convenanza, an interview with Timothy J. Fairplay on
The Asphodells and a celebration of his art work and his NTS radio shows. And then
there’s the Disco Pogo Tribute regulars: a timeline, family tree, a studio gear deep dive,
discography and more…
Featuring interviews with Sean Johnston, David Holmes, Jagz Kooner, Leftfield, Shaun
Ryder, Chemical Brothers, Terry Farley, Dot Allison, Beth Orton, Irvine Welsh, Daniel
Avery, HAAi, Tia Cousins, Steve Mason, Richard Fearless and many more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dx2ov - Bang x10
2
Dx2ov - Trout (Ft. Jacob Dwyer & Toupaz)
3
Dx2ov - Inst1 (Ft. DJ Paprika)
4
Dx2ov - Pora Domoi
5
Dx2ov - Media L
6
Dx2ov - Tatuha
7
Dx2ov - Riddim Shutter
8
Dx2ov - 2018
9
Dx2ov - Fon32
10
Dx2ov - Melody F
11
Dx2ov - Demetch
Dx2ov arrives on Blank Mind with Tonegues, his second vinyl LP following on from Interzona on Gost Zvuk in 2024. The LP title is a wordplay on the idea of speaking in tongues and sonic tonalities, echoing the process and dialogue that went into creating the record. Taken from a vast archive of material from 2019-2025, these ideas were arranged with the collaboration of label owner Sam Purcell and then completed with the long-distance assistance of Toupaz.
Tonegues is best seen through the lens of a beat-tape, with the playful flow and variety that the format provides, bursting with oddball ideas and punctuated with intangible vocal samples. Much like the LP’s beguiling, hand-drawn artwork by Wolfgang Matuschek, it is a glimpse into an inner world, a portal to somewhere uncanny and strange borne through imagination.
Light dub flourishes mix with footwork/IDM hybrids and understated, melancholic synthesis on ‘2018’, whilst the loose, rhythmic march of ‘Fon32’ evokes the dusty beatdown styles of early 2000s Detroit downtempo records. Whilst on one of the LP highlights ‘Trout’ he lays down a gleefully strange bed for the surrealist storytelling of Jacob Dwyer about interactions with dogs, dripping old houses and a perennial wish for the phone to ring with a heavy dub poetry slant. Dx2ov swiftly moves through more footwork adjacent, almost bedroom hyper-pop territories with a penchant for gabber kicks on ‘No Strings (feat DJ Paprika)’ and the maximalism of album closer 'Demetch' which continues in the tradition of wonky, mid-2010s UK bass music flips. The outcome is a confounding, unorthodox piece of work, zigzagging between forms, textures and moods.
Edition of 200
Mastered by Miles Whittaker
Artwork by Wolfgang Matuschek
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tonegues is best seen through the lens of a beat-tape, with the playful flow and variety that the format provides, bursting with oddball ideas and punctuated with intangible vocal samples. Much like the LP’s beguiling, hand-drawn artwork by Wolfgang Matuschek, it is a glimpse into an inner world, a portal to somewhere uncanny and strange borne through imagination.
Light dub flourishes mix with footwork/IDM hybrids and understated, melancholic synthesis on ‘2018’, whilst the loose, rhythmic march of ‘Fon32’ evokes the dusty beatdown styles of early 2000s Detroit downtempo records. Whilst on one of the LP highlights ‘Trout’ he lays down a gleefully strange bed for the surrealist storytelling of Jacob Dwyer about interactions with dogs, dripping old houses and a perennial wish for the phone to ring with a heavy dub poetry slant. Dx2ov swiftly moves through more footwork adjacent, almost bedroom hyper-pop territories with a penchant for gabber kicks on ‘No Strings (feat DJ Paprika)’ and the maximalism of album closer 'Demetch' which continues in the tradition of wonky, mid-2010s UK bass music flips. The outcome is a confounding, unorthodox piece of work, zigzagging between forms, textures and moods.
Edition of 200
Mastered by Miles Whittaker
Artwork by Wolfgang Matuschek
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1
Narcotic Syntax - A Cordial Punch In The Gut
2
Narcotic Syntax - The Narconauts (In Post-Anaesthesia Recovery)
Known for their standout releases on the iconic German label Perlon, Narcotic Syntax have long crafted a singular blend of minimalism, experimentation, and subtle emotional depth. Their music is built from finely carved rhythms, playful vocal fragments, analog textures, and unexpected twists that create a world both hypnotic and delightfully off-center. With this new release on Logistic Records, the duo open a fresh chapter — one that carries the unmistakable Narcotic Syntax DNA while pushing their sound into new, vivid spaces.
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Germany
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1
Tom Ellis - Brainstew Feat. Suz
2
Tom Ellis - Clear
3
Tom Ellis - Brainstew Feat. Suz (Baby Ford Remix)
4
Tom Ellis - Brainstew (Little Nest Mix)
Logistic Records proudly presents a special 30 years anniversary repress of one of its most iconic releases: “Brainstew” by Tom Ellis. Originally released in 2010 and instantly recognized for its unique blend of hypnotic melodies, raw basslines and the unmistakable voice of Suz, “Brainstew” quickly became a standout track — unclassified, emotional and deeply immersive. Revisited by UK legend Baby Ford, the remix delivers a deep, stripped-back and hypnotic version built for the dancefloor. This anniversary repress also includes a previously unreleased take: “Brainstew (Little Nest Mix)”, a deeper and more introspective version by Tom Ellis. A cult track, reissued and expanded.
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Germany
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1
Robert Hood - Trade
2
Robert Hood - In Basements
3
Robert Hood - The Construct
For our 30th anniversary, we reissue three absolute minimal techno statements by Robert Hood. These tracks define the birth of minimal techno — reduced to rhythm, pressure and repetition. No ornament. No compromise. Just structure, tension and movement. Originally released on Logistic Records, they remain as powerful and modern today as they were in the early 90s. Functional. Spiritual. Underground.
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DE - 22113 Hamburg
Germany
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1
Edward - Silence
2
Edward - Estragon
3
Edward - This Way Please
4
Edward - Familiar Feeling
5
Edward - Woup
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1
Jex Opolis - Urbin Jungle
2
Jex Opolis - Contact With The Whales
3
Jex Opolis - Phat Planet
4
Jex Opolis - Fish Dance
5
Jex Opolis - Gramma Song
6
Jex Opolis - Beaver Hills Edit
7
Jex Opolis - Ambiente
8
Jex Opolis - Hollowday
9
Jex Opolis - Chihuaha
10
Jex Opolis - Gramma Song Reprise
Jexy's back! After conquering post-pando dance floors with his celebrated Bad Timin' label, the Jexter is getting back to basics and bringing things home to his Good Timin' label. This time, the Balearic Bad Boy slams the breaks on the BPMs and delivers an album full of downtempo groovers, angelic diamondry and more hooks than a pirate convention! Get into it!
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1
Dandolo - Ticket To Ride
2
Dandolo - I Won (Cosmo Dance Dub Remix)
“Ticket to Ride” marks the solo debut of Dandolo, member of the duo Maurizio & Dandolo. This time, Dandolo wins a lottery ticket and flies solo, away from his Adriatic coast, to Thailand where lust, love and broken hearts await him.
The single’s exotic flavour is highlighted in the B-side, the dub version by Cosmo Dance. The track is a total floorfiller, a DJ essential and dancers’ delight that nods in its production to the Eastern influences of the golden age of Italo Disco.
With “Ticket to Ride” ends the Italo Disco trilogy of Maurizio & Dandolo, started with “Natale in tangenziale” and continued with “Demin”. The track confirms Mirella Records’ commitment to craft exquisite Italo Disco instant classics, with a distinctive and authentic 1980s flavour, which echoes in the cheekiness of the lyrics and themes narrated.
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The single’s exotic flavour is highlighted in the B-side, the dub version by Cosmo Dance. The track is a total floorfiller, a DJ essential and dancers’ delight that nods in its production to the Eastern influences of the golden age of Italo Disco.
With “Ticket to Ride” ends the Italo Disco trilogy of Maurizio & Dandolo, started with “Natale in tangenziale” and continued with “Demin”. The track confirms Mirella Records’ commitment to craft exquisite Italo Disco instant classics, with a distinctive and authentic 1980s flavour, which echoes in the cheekiness of the lyrics and themes narrated.
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1
Job De Jong - Selecta
2
Job De Jong - Deep Dimension
3
Job De Jong - Selecta (Traumer Remix)
4
Job De Jong - Get Loose (Job De Jong)
A pioneer of the current Dutch electronic landscape, Job de Jong has rapidly forged a highly distinctive sonic identity. A raver at heart, the producer infuses his tracks with an authentic fervor, blending the heritage of textured 90s house with organic basslines and captivating melodic hooks.
With Selecta, a solid four-track EP, Job de Jong delivers a versatile project fully designed for movement. The record seamlessly balances hypnotic grooves, supple analog textures, and dynamic energy from start to finish.
Label boss Traumer brings his personal touch by remixing the flagship track. Injecting his unique expertise, he deconstructs the source material to rearrange it into a sharp micro-house reinterpretation.
Selecta successfully seals the perfect encounter between Amsterdam’s vibrant club culture and the distinct rhythmic signature inherent to Gettraum. A seasonal essential!
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With Selecta, a solid four-track EP, Job de Jong delivers a versatile project fully designed for movement. The record seamlessly balances hypnotic grooves, supple analog textures, and dynamic energy from start to finish.
Label boss Traumer brings his personal touch by remixing the flagship track. Injecting his unique expertise, he deconstructs the source material to rearrange it into a sharp micro-house reinterpretation.
Selecta successfully seals the perfect encounter between Amsterdam’s vibrant club culture and the distinct rhythmic signature inherent to Gettraum. A seasonal essential!
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1
Willee - Chatterbox (Extended Mix)
2
Willee - Scrambler
3
Willee - Vertigo
R.A.N.D. Muzik sublabel, Into Records welcomes Melbourne’s Willee to the label for his Sophomore release, an EP of tech house, progressive and breaks.
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1
STABLO - Untitled A1
2
STABLO - Untitled A2
3
STABLO - Untitled B1
4
STABLO - Untitled B2
STABLO presents it’s new sub label STABLO-R, an imprint releasing anonymous unknown tracks from a time before. Strictly limited press – vinyl only.
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1
Nostalgie Eternelle - Trust In You
2
Nostalgie Eternelle - Coup de Grace
3
S.M. Nurse - Day in Istanbul
4
S.M. Nurse - My Greedy Policeman
5
Nine Circles - Here Come I, Here is Me
6
Van Kaye & Ignit - The Heat
7
Experiment Incest - Desire
8
Experiment Incest - We are a professional Team
9
The Maniacs - Vietnam
10
O.B. Minimax - This Charming War
11
The Misz - The Spinach of Kiev (Part 2)
12
Secret Life - Private Little Madhouse
13
Unovidual - Metal
Limited reissue of Underground Wave, Volume 3 (originally from 2015).
Compiled by Lieven De Ridder for Walhalla Records, known for Minimal Wave.
180-gram black vinyl with insert.
Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Tracklist
A1. Nostalgie Eternelle – Trust In You 3’10
A2. Nostalgie Eternelle – Coup de Grace 1’57
A3. S.M. Nurse – Day in Istanbul 6’07
A4. S.M. Nurse – My Greedy Policeman 6’00
A5. Nine Circles – Here Come I, Here is Me 4’02
A6. Van Kaye & Ignit: The Heat 2’32
B1. Experiment Incest: Desire (3’53)
B2. Experiment Incest : We are a professional Team 3’45
B3. The Maniacs: Vietnam 3’25
B4. O.B. Minimax: This Charming War 2’27
B5. The Misz: The Spinach of Kiev (Part 2) 5’35
B6. Secret Life: Private Little Madhouse 4’09
B7. Unovidual: Metal 1’48
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Compiled by Lieven De Ridder for Walhalla Records, known for Minimal Wave.
180-gram black vinyl with insert.
Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Tracklist
A1. Nostalgie Eternelle – Trust In You 3’10
A2. Nostalgie Eternelle – Coup de Grace 1’57
A3. S.M. Nurse – Day in Istanbul 6’07
A4. S.M. Nurse – My Greedy Policeman 6’00
A5. Nine Circles – Here Come I, Here is Me 4’02
A6. Van Kaye & Ignit: The Heat 2’32
B1. Experiment Incest: Desire (3’53)
B2. Experiment Incest : We are a professional Team 3’45
B3. The Maniacs: Vietnam 3’25
B4. O.B. Minimax: This Charming War 2’27
B5. The Misz: The Spinach of Kiev (Part 2) 5’35
B6. Secret Life: Private Little Madhouse 4’09
B7. Unovidual: Metal 1’48
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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