1
Coastal Commission - Straight No Chaser
2
Coastal Commission - Rhodes Through Space
Growing up on the slag heaps of County Durham Northumbria, young Sam Robson dreamed of one day finding a better way & somewhere to live with nicer bloody weather! An avid record collector from an early age he looked to music for the answer…
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Pacific Coast House
1
The Coastal Commission - On The Rocks
2
The Coastal Commission / Jesse Outlaw - I'm Underground
The Coastal Commission “On the Rocks”
Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Coastal Commission - The Conversation
2
Boing - Currency
The Coastal Commission “The Conversation” Le Conversation was a French bakery located right across the street from the old PCH studio “The Hall of Records” situated at the end of Melrose Avenue on the edge of Hollywood. I had relocated from the Sunny shores of Carpinteria and brought all the gear with me right on the edge of Hollyweird. Often times you would find me stumbling over there on a Saturday & Sunday at the break of day, blood shocked eyes and whiskey on my breath for a fresh coffee and chocolate eclair after an all-night sesh making beats.
Around that time we had started working on Drum & Bass tunes for my label CRIMESCENE and were experimenting with different techniques. One weekend I was hosting Goldie’s old producer and Moving Shadow label boss Rob Playford alongside Mc Jakes, EZ Rollers and Calyx for a festival just outside of LA. After taking them for breakfast at Le Conversation we all piled over to mine for a smoke and Rob gave me some tips on making Growly Basslines. That next week we got to work. During the process we watched Gene Hackman in “The Conversation” about a crazy spy setting up microphones outdoors to entrap a bad guy and also caught Optical Dj’ing with Ed Rush up the street at Johnny Depp’s Viper Room. After an all-night sesh of “Soul Caliber” Matt & Ben gave us some pointers & not long after “the Conversation “was born.
An overdriven Bassline, Dubbed out bleeps sampled from a New Zealand crosswalk layered thru Space echoes and old Roland Delays gave the track an other-worldly feel.
The 303 chugs along breaking down into haunting Zulu choruses while the bleeps roll in and out and the track growls like you’re drifting through space. Definitely a late night affair. Originally on the Beat nonstop label and fetching a pretty penny on Discogs we’ve
brought it back on Pacific Coast House remastered my the Mighty Martin Iveson. Enjoy.
Boing “Currency” Finally this one has been unearthed. Boing originating from Argentina blessed us with this & it was a secret weapon of DJ Doc Martin for years. I paired in with The
Conversation on this slab of wax as it too has an other-worldly feel of dancing in outer space. The B-line is absolutely massive on a rig this and the wiggly bleeps keep splashing in & out before the monster synth line comes in and lifts you up to the rafters. Word has it the Wiggle boys hammered this alongside Swag lad Grant Dell. This was only available on 10 white labels prior to getting this full release.
Run don’t walk to cop this, an absolute gem in your arsenal!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Around that time we had started working on Drum & Bass tunes for my label CRIMESCENE and were experimenting with different techniques. One weekend I was hosting Goldie’s old producer and Moving Shadow label boss Rob Playford alongside Mc Jakes, EZ Rollers and Calyx for a festival just outside of LA. After taking them for breakfast at Le Conversation we all piled over to mine for a smoke and Rob gave me some tips on making Growly Basslines. That next week we got to work. During the process we watched Gene Hackman in “The Conversation” about a crazy spy setting up microphones outdoors to entrap a bad guy and also caught Optical Dj’ing with Ed Rush up the street at Johnny Depp’s Viper Room. After an all-night sesh of “Soul Caliber” Matt & Ben gave us some pointers & not long after “the Conversation “was born.
An overdriven Bassline, Dubbed out bleeps sampled from a New Zealand crosswalk layered thru Space echoes and old Roland Delays gave the track an other-worldly feel.
The 303 chugs along breaking down into haunting Zulu choruses while the bleeps roll in and out and the track growls like you’re drifting through space. Definitely a late night affair. Originally on the Beat nonstop label and fetching a pretty penny on Discogs we’ve
brought it back on Pacific Coast House remastered my the Mighty Martin Iveson. Enjoy.
Boing “Currency” Finally this one has been unearthed. Boing originating from Argentina blessed us with this & it was a secret weapon of DJ Doc Martin for years. I paired in with The
Conversation on this slab of wax as it too has an other-worldly feel of dancing in outer space. The B-line is absolutely massive on a rig this and the wiggly bleeps keep splashing in & out before the monster synth line comes in and lifts you up to the rafters. Word has it the Wiggle boys hammered this alongside Swag lad Grant Dell. This was only available on 10 white labels prior to getting this full release.
Run don’t walk to cop this, an absolute gem in your arsenal!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Teflon Dons - Vice
2
The Coastal Commission - Our Music
I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Coastal Commission - Bring Down The Walls
2
Jesse Outlaw - Let It Go
Coastal Commission “Bring Down the Walls”
“Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring
Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One.”
We gave the tune a Californian psychedelic twist with conga laden drums, a moody
synth, low pulsing 303 patterns + Benjamin Zephaniahs patois call to “Move the Body
Rhythmwize!”
The first PCH releases had dropped Worldwide to International acclaim from DJ’s far
and wide across the Globe with support in London, Paris & New York. However the
local scene here in L.A that preached “Love, inclusion & Unity” was anything but that.
L.A at that time was very tribal & divided up into 3 camps. If you weren’t affiliated with
any of them (aka independent) then you were pretty much locked out of getting any kind
of gig support or the Dj’s from those camps actually playing the music.
The local feedback from Dj’s was that what we were making wasn’t “house,” but
“Techno” which was absurd to me. “Bring Down the Walls” was a mantra to “move the
bod”y and in doing so “bring down the walls” of separation not just in L.A but throughout
society in general. Thank goodness for support from people like Terry Francis, Eddie
Richards, DJ Deep & Philly Stalwart King Britt.
After years of copies going for upward of $100+ on Discogs the now freshly remastered
copies by At Jazz’s Martin Iveson are finally hitting the platters this Spring.
Jesse Outlaw “Let it Go”
I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late
90’s. Miguel (RIP) was a mainstay in the Underground scene and had always been very
supportive of my endeavors. He had had success with a huge release on Yellow
Orange and was working with Jesse under the moniker “When Worlds Collide.” I signed
“Brighter Days” & “Set you Free” from them and released the tracks on my Seductive
imprint. They told me that they were making the tracks on a Sony Playstation “Music
Now” program and I was like FFS “What.s more Underground than that!?”
Later Jesse gave me some of his solo work. The track “Let it Go” was never mastered &
only ever cut to Dub-plate and featured on my 1st PCH mix “Pacific Coast House
Sounds.”
It has now been mastered by Martin Iveson and is available in all it’s glory.
The dreamy vocal “You need to let it go” beckons over the top of driving percussive
Latin beats and church organ which is a great compliment to the flip side of “Bring down
the Walls.”
All in all two West Coast stompers now finally available remastered on PCH in Orange
vinyl.
A - The Coastal Commission - Bring Down The Walls
AA - Jesse Outlaw - Let It Go
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
“Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring
Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One.”
We gave the tune a Californian psychedelic twist with conga laden drums, a moody
synth, low pulsing 303 patterns + Benjamin Zephaniahs patois call to “Move the Body
Rhythmwize!”
The first PCH releases had dropped Worldwide to International acclaim from DJ’s far
and wide across the Globe with support in London, Paris & New York. However the
local scene here in L.A that preached “Love, inclusion & Unity” was anything but that.
L.A at that time was very tribal & divided up into 3 camps. If you weren’t affiliated with
any of them (aka independent) then you were pretty much locked out of getting any kind
of gig support or the Dj’s from those camps actually playing the music.
The local feedback from Dj’s was that what we were making wasn’t “house,” but
“Techno” which was absurd to me. “Bring Down the Walls” was a mantra to “move the
bod”y and in doing so “bring down the walls” of separation not just in L.A but throughout
society in general. Thank goodness for support from people like Terry Francis, Eddie
Richards, DJ Deep & Philly Stalwart King Britt.
After years of copies going for upward of $100+ on Discogs the now freshly remastered
copies by At Jazz’s Martin Iveson are finally hitting the platters this Spring.
Jesse Outlaw “Let it Go”
I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late
90’s. Miguel (RIP) was a mainstay in the Underground scene and had always been very
supportive of my endeavors. He had had success with a huge release on Yellow
Orange and was working with Jesse under the moniker “When Worlds Collide.” I signed
“Brighter Days” & “Set you Free” from them and released the tracks on my Seductive
imprint. They told me that they were making the tracks on a Sony Playstation “Music
Now” program and I was like FFS “What.s more Underground than that!?”
Later Jesse gave me some of his solo work. The track “Let it Go” was never mastered &
only ever cut to Dub-plate and featured on my 1st PCH mix “Pacific Coast House
Sounds.”
It has now been mastered by Martin Iveson and is available in all it’s glory.
The dreamy vocal “You need to let it go” beckons over the top of driving percussive
Latin beats and church organ which is a great compliment to the flip side of “Bring down
the Walls.”
All in all two West Coast stompers now finally available remastered on PCH in Orange
vinyl.
A - The Coastal Commission - Bring Down The Walls
AA - Jesse Outlaw - Let It Go
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lance Desardi - Jazz Salad
2
Lance Desardi - Boing
3
Lance Desardi - Boing Boom Shox
Limited Orange Vinyl EP
Dallas Native Lance Desardi arrived in Los Angeles alongside his roommate JT Donaldson sometime around 1999. At that time I was the head buyer & managing L.A’s largest independent dance music shop in the heart of Hollywood “Beatnonstop” on Melrose Avenue. We had just put out a double pack vinyl on Beatnonstop and a single on PCH feat. Myself & Cpen on both.
Lance & J.T were introduced to me by Chris Penny aka CPen who was also a Dallas transplant to L.A and as chance would have it they were both looking for jobs. The two had been sojourning in Chicago for about two years under the tutelage of Spencer Kincy aka Gemini and the House Mayor of Chicago Derrick Carter.
I hired them both and we soon became fast friends. I would lend them pieces of gear and keyboards etc to work on projects and suddenly we had this little community of producers and artist’s working on beats, bringing them into the shop for “show & tell.”
This created a healthy atmosphere of us all pushing each other to make songs for the labels. This is one of the reasons Seductive, Pacific Coast House & Pacific Traxx etc were started to house the different projects and alias’s of us at that time.
One day Lance showed up to work at the shop beaming from ear to ear a some pep in his step. Him and another co-worker Jaime G had gone into the studio that week and banged out “Jazz Salad.”
As soon as Lance slipped in the DAT tape and the track came thundering through the speakers with Jaime’s deep Latin intro I knew it was going to be a big tune in the underground. Such a groove and so infectious it is undeniable even today 20 odd years
later.
So nice to see it back out on wax and not at the hefty discogs price tag of over a hundred quid! The flip side “Boing” is a deep late night groover that fits nicely into a Mark Farina style set with bonus beats to boot. Not to be missed. Classic.
Words above from Sam Robson of Pacific Coast House.
A1 - Lance Desardi - Jazz Salad
B1 - Lance Desardi - Boing
B2 - Lance Desardi - Boing Boom Shox
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Dallas Native Lance Desardi arrived in Los Angeles alongside his roommate JT Donaldson sometime around 1999. At that time I was the head buyer & managing L.A’s largest independent dance music shop in the heart of Hollywood “Beatnonstop” on Melrose Avenue. We had just put out a double pack vinyl on Beatnonstop and a single on PCH feat. Myself & Cpen on both.
Lance & J.T were introduced to me by Chris Penny aka CPen who was also a Dallas transplant to L.A and as chance would have it they were both looking for jobs. The two had been sojourning in Chicago for about two years under the tutelage of Spencer Kincy aka Gemini and the House Mayor of Chicago Derrick Carter.
I hired them both and we soon became fast friends. I would lend them pieces of gear and keyboards etc to work on projects and suddenly we had this little community of producers and artist’s working on beats, bringing them into the shop for “show & tell.”
This created a healthy atmosphere of us all pushing each other to make songs for the labels. This is one of the reasons Seductive, Pacific Coast House & Pacific Traxx etc were started to house the different projects and alias’s of us at that time.
One day Lance showed up to work at the shop beaming from ear to ear a some pep in his step. Him and another co-worker Jaime G had gone into the studio that week and banged out “Jazz Salad.”
As soon as Lance slipped in the DAT tape and the track came thundering through the speakers with Jaime’s deep Latin intro I knew it was going to be a big tune in the underground. Such a groove and so infectious it is undeniable even today 20 odd years
later.
So nice to see it back out on wax and not at the hefty discogs price tag of over a hundred quid! The flip side “Boing” is a deep late night groover that fits nicely into a Mark Farina style set with bonus beats to boot. Not to be missed. Classic.
Words above from Sam Robson of Pacific Coast House.
A1 - Lance Desardi - Jazz Salad
B1 - Lance Desardi - Boing
B2 - Lance Desardi - Boing Boom Shox
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1
Lance DeSardi - Jazz Salad
2
Lance DeSardi - Boing
3
Lance DeSardi - Boing Boom Shox
The second reissue from Sam Robson’s, Pacific Coast House Recordings. This time round it’s Lance DeSardi with the Jazz Salad EP. A Deep House classic from the West Coast going for upwards of £100 on Discogs.
A1 – Lance DeSardi - Jazz Salad
B1 – Lance Desardi - Boing
B2 – Lance DeSardi - Boing Boom Shox
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A1 – Lance DeSardi - Jazz Salad
B1 – Lance Desardi - Boing
B2 – Lance DeSardi - Boing Boom Shox
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Customers who bought this also bought this
1
Teflon Dons - Vice
2
The Coastal Commission - Our Music
I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
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1
Miss Kittin & The Hacker - A1 - Life on MTV
2
Miss Kittin & The Hacker - A2 - Frank Sinatra
3
Miss Kittin & The Hacker - A3 - Walk On By
4
Miss Kittin & The Hacker - A4 - 1982
5
Miss Kittin & The Hacker - B1 - Stock Exchange
6
Miss Kittin & The Hacker - B2 - You and Us
7
Miss Kittin & The Hacker - B3 - Flexibility
8
Miss Kittin & The Hacker - C1 - L'Homme dans l'Ombre
9
Miss Kittin & The Hacker - C2 - Slow Track
10
Miss Kittin & The Hacker - C3 - Nurse
11
Miss Kittin & The Hacker - C4 - Stripper
12
Miss Kittin & The Hacker - D1 - DJ Song
13
Miss Kittin & The Hacker - D2 - Walking in the Sunshine
14
Miss Kittin & The Hacker - D3 - Frank Sinatra 2001
15
Miss Kittin & The Hacker - D4 - The Beach - Bonus track
- 2026 repress -
Tracklisting:
A1 Miss Kittin & The Hacker - Life on MTV
A2 Miss Kittin & The Hacker - Frank Sinatra
A3 Miss Kittin & The Hacker - Walk On By
A4 Miss Kittin & The Hacker - 1982
B1 Miss Kittin & The Hacker - Stock Exchange
B2 Miss Kittin & The Hacker - You and Us
B3 Miss Kittin & The Hacker - Flexibility
C1 Miss Kittin & The Hacker - L'Homme dans l'Ombre
C2 Miss Kittin & The Hacker - Slow Track
C3 Miss Kittin & The Hacker - Nurse
C4 Miss Kittin & The Hacker - Stripper
D1 Miss Kittin & The Hacker - DJ Song
D2 Miss Kittin & The Hacker - Walking in the Sunshine
D3 Miss Kittin & The Hacker - Frank Sinatra 2001
D4 Miss Kittin & The Hacker - The Beach - Bonus track
Sales Note
The first ever full length repress of an all time classic.
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Tracklisting:
A1 Miss Kittin & The Hacker - Life on MTV
A2 Miss Kittin & The Hacker - Frank Sinatra
A3 Miss Kittin & The Hacker - Walk On By
A4 Miss Kittin & The Hacker - 1982
B1 Miss Kittin & The Hacker - Stock Exchange
B2 Miss Kittin & The Hacker - You and Us
B3 Miss Kittin & The Hacker - Flexibility
C1 Miss Kittin & The Hacker - L'Homme dans l'Ombre
C2 Miss Kittin & The Hacker - Slow Track
C3 Miss Kittin & The Hacker - Nurse
C4 Miss Kittin & The Hacker - Stripper
D1 Miss Kittin & The Hacker - DJ Song
D2 Miss Kittin & The Hacker - Walking in the Sunshine
D3 Miss Kittin & The Hacker - Frank Sinatra 2001
D4 Miss Kittin & The Hacker - The Beach - Bonus track
Sales Note
The first ever full length repress of an all time classic.
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1
Round One - Club Version
2
Round One - Edit
3
Round One - Chicago's Twisted Mix
Eternal Deep House standard.
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1
Model 500 - I.D.L.E. (Stingray Remix)
2
Model 500 - I.D.L.E. (Original Mix)
3
Model 500 - I.D.L.E. (FJAAK Remix)
Juan Atkins returns as Model 500 with I.D.L.E., a transmission rooted in Detroit's original machine language. Pulsing basslines and crystalline sequences unfold with the precision and restraint that have defined the Model 500 signal for decades. The package expands with two reinterpretations from different corners of the electro-techno continuum. DJ Stingray pushes the track into high-velocity orbit, sharpening the rhythms into a relentless futurist propulsion. FJAAK reshape the material with their unmistakable Berlin energy, driving the groove deeper into warehouse territory while keeping the circuitry alive. A meeting point between generations, I.D.L.E. continues the Metroplex tradition: forward motion, mechanical soul, and signals from the future.
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1
Mr. Fingers - Plastic Nightmares
2
Mr. Fingers - Leev Ur Mynd
3
Mr. Fingers - The Happening Thing
4
Mr. Fingers - Menagerie
5
Mr. Fingers - Barndance
6
Mr. Fingers - Enceladus 5
7
Mr. Fingers - April Rain
8
Mr. Fingers - When You Need Me Feat. Brianna
9
Mr. Fingers - Tension
10
Mr. Fingers - All I Need Feat. Brianna
11
Mr. Fingers - Ribbons
12
Mr. Fingers - Replicate
Repress coming in June!
For over four decades, Mr. Fingers has been shaping the core of house music. Now he returns with a new album that continues his timeless journey through deep rhythms, soulful melodies, and immersive atmospheres. Crafted with the warmth and musicality that define him, the record blends deep house, jazz-infused harmonies, and subtle R&B textures. Mr. Fingers once again reminds us why his music remains essential: hypnotic grooves and heartfelt compositions. Not just music for the club, but also for the quiet spaces...
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For over four decades, Mr. Fingers has been shaping the core of house music. Now he returns with a new album that continues his timeless journey through deep rhythms, soulful melodies, and immersive atmospheres. Crafted with the warmth and musicality that define him, the record blends deep house, jazz-infused harmonies, and subtle R&B textures. Mr. Fingers once again reminds us why his music remains essential: hypnotic grooves and heartfelt compositions. Not just music for the club, but also for the quiet spaces...
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1
octave one - Black Water
2
octave one - Black Waters
3
octave one - Untold
Stone cold year 2000 Detroit Techno classic from Burden Bros
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1
Clio - Faces (Extended)
2
Clio - Feel The Fear
Repress!
Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
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Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
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1
COEO - Like It Is
2
COEO - Nigerian Affair
3
COEO - Long Night Ahead
4
COEO - Pajama Stomp
Repress!
Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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1
Soul Mechanics - The City Never Sleeps
2
Soul Mechanics - Faith
3
Modern Visitor - House Of Echoes
4
Simon Lake - All This Time
The highly praised, crazed heavy house hitters from Frits Wentink's golden Pearly world finally find their way onto vinyl. What started as a humble love letter to classic house music, in the form of sparse Bandcamp drops, quickly developed into an essential bag-on-sight imprint for house enthusiasts around the world. Four of these previously digital-only gems are now available on vinyl for the first time. Pearly Soundsystem coming in strong.
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LP FORMAT DETAILS: Standard weight smokey vinyl with obi strip.
TRACKLIST:
When She Follows (Original 18 Minute Version) Rectify Dirty Little Bonus Beats When She (Reprise)
PRIVATE LISTEN LINK: https://moodymann.bandcamp.com/album/black-mahogani-ii
OVERVIEW:
Released in limited numbers in tandem with Black Mahogani back in 2004 and never repressed. Black Mahogani II was a departure from Kenny Dixon Jr's usual house based music and featured cuts from Kenny Dixon Jr's late night jazz band sessions The centrepiece is the eighteen minute 'When She Follows', a deep jazz session skittering live drum rolls into an electric Fender Rhodes, loping acoustic bass and distant saxophone all wrapped up in an amorphous vocal that drifts ever onwards like some epic detroit techno cut replayed by Gil Scott Heron's band in 1970. Incredible music. 'Rectify' follows in a similar mode, jazz in a detroit techno framework, while the final two tracks 'Dirty Little Bonus Beats' and 'When She (Reprise)' are revisions of the main cut, the former altering the bassline, adding vocal sighs and more rhythmic drums, while the latter shifts up the tempo with a wigged out techno synth element. Stone, cold.
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1
v.a. - No Title
2
v.a. - No Title
3
v.a. - No Title
4
v.a. - No Title
The mysterious EROS are back with the second in their 'X' series... This buy-on-sight collection of homages to the raw, decadent & formative birth of club music moves towards the final chapter. Darker, more electronic & mind-bending moments, mingling with an altogether more strobe-lit and full-tilt take on the glorious Disco supernova from whence we all came.
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