UPC: 827170517264 Release: 17.10. 2013
A – Hale Bopp – RICARDO VILLALOBOS REMIX B1 – Hale Bopp – CAVAAN REMIX B2 – Hale Bopp – DER DRITTE RAUM ISON ADAPTION REMIX
After releasing ‚Morgenland’ album Der Dritte Raum Record's stable drops their eight EP, bringing up Hale Bopp, which some of you may know from trance shenanigans back in the roaring 90’s. What makes it even more better then the original classic track are the re-interpretations. Ricardo Villalobos & Cavaan flashes their acclaimed producer talents and their works are both very original and quite different from each other. Since his epics like 'Easy Lee' and 'Dexter,' Villalobos has kept stretching out his music, and his Hale Bopp version is full of rhythms and more changing than ever -- meandering in ever-widening circles. Same is Cavaan’s remix. It’s drifting on their own with spiraling barbed rhythms that emerge from couplings of analogue machines. The Ison Adaption on B2 is remodeled by Krüger himself and on all remixes the main-melody is kept, although no samples are used, making it rather different from the original.


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Coloured White Vinyl in transparenth PVC Sleeve, 30th Anniversary Edition, Official, 12"
A cult of house music reprinted on its thirty anniversary and distributed by Wordandsound


Genre: House

Tracklist 12":
A01 - SUENO LATINO (Paradise Version) 10'35''
A02 - SUENO LATINO (Acappella) 1'28''
B01 - SUENO LATINO (Derrick May Illusion First Mix) 11'15''
B02 - SUENO LATINO (Winter Version) 9'45''


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Tracklist: (A1) Daylights (B1) Swung Out
Info:
US born and meanwhile in Berlin residing Kevin McHugh aka Ambivalent presents his Cocoon Recordings single debut. Ambivalence seems to the be the musical direction here. "Daylights" is a sheer technomonster, musclepacked and full of dark detroit flavour but the used vocal samples and the harmonic synthstrings can't hide the magic touch of "Daylights". Although the massive techno bassline is the star of this track we are sure it will find its way into the sets of many house DJs, too.
In contrast to that "Swung Out" appears way more like pure techno and cannot be filed as house at all. We are hypnotized by the shuffled rim shots and hi hats and Ambivalent drives this one straight through the dub universe. Techno is the destination and the dark vibe of "Swung Out" makes it a perfect after hour weapon.


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Tracklist:
(A1) Legowelt – Disco Rout (Tuff City Kids Remix) (DE-Q20-19-01883)
(A2) Legowelt – Disco Rout (Catz ‘N Dogz Remix) (DE-Q20-19-01884)
(B1) Legowelt – Disco Rout (Younger Rebinds Remix 2) (DE-Q20-19-01882)
(B2) Legowelt – Disco Rout (Original Mix) (DE-Q20-02-00179)

Release Info
Occasionally the stars align to create something truly special. Well, without beating around the bush, that’s what we’ve got for you here. Not only a classic Legowelt hymn that’s ripe for a revisit but three quality remixers (Tuff City Kids, Catz 'N Dogz and Younger Rebinds aka Benny Rodrigues) turning in scandalously good remixes for Cocoon Recordings. Yes, we’re spoiling you...but you’re worth it!

Disco Rout first surfaced in 2002. The electro revival that had ushered in the new millennium was in full swing and this was to prove a seminal tune, being voted track of the year by Groove magazine. As if to prove a point the bass line still grabs you the moment it drops, while the laser-guided melodies feel as relevant today as they ever did. Fusing the past with a neon future, Legowelt’s complex interwoven elements fit like a glove and the clarity of the mix makes everything seem effortless. Maybe that‘s why it’s such a fascinating track to revisit, having already been remixed over the years by the likes of Deetron, Johannes Heil and Freeform Five.

Anyway, this current crop of remixes are equally top notch starting with Tuff City Kids who do what they do best, serving up an organic, conga driven workout complete with percolating synthetic percussion, cut up vocals and silky smooth choral pads. Warping and flanging the original riffs into an infectious, state-of-the-art revamp, they stay true to the retro vibe with added emphasis on the vocal hook for a more pronounced breakdown that briefly trips out before regrouping and taking flight once more.

Following hot on their heels is a screamer from Catz ’N Dogz who drop the tempo slightly, layering a metallic cowbell motif over a tough, robotic disco groove that adds extra swagger to the bass line. The original parts gradually spiral into view, cranking up the pressure till we hit a solid state of euphoria that in turn, disintegrates into freaky alien chatter. There’s no let up though, as squawking synths lock on to the rhythm and everything evolves into a full-on percussive outro.

So far, so fantastic. You would think there’s nowhere left to go after being blasted into outer space a couple of times already but we’re not done yet. Last but not least, Dutch master Benny Rodrigues aka ROD steps up under his Younger Rebinds alias with even more intensity than demonstrated on last year’s ‘Sound of Benny EP’ on Running Back. Picking apart the original with almost forensic attention to detail, he gives new life to each individual strand with an exhilarating mix that seems destined to leave its mark on dance floors around the globe throughout the summer and beyond. The second of his two remixes is included here, both having featured on a much sought after Cocoon Recordings limited edition white label. Remix two compliments the precision of the first with a more freestyle approach that’s in one hell of a rush to get going. The bass line rips through the mix, hihats scurry toward the cavernous, arpeggiated breakdown and we’re drenched in reverb as the synths dovetail dangerously, all the while paying homage to the hi-octane energy of the original. Rodriguez effortlessly toys with the crowd, frying the synapses and gorging on serotonin, as the mix motors relentlessly to its conclusion.

The Disco Rout remix EP is a shameless riot of sound that succeeds in doing something very special - by staying true to Legowelt’s vision, the artists involved not only demonstrate their notable skills as remixers but reaffirm the quality of a classic and timeless piece of music.


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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!


"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats

"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)


GENRE/S: Techno, Acid, Ambient

New liner notes by Alex From Tokyo


On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.

'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.

Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.

The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.

Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.

'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.

He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.

Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.

-

This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.

There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.

The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.

3LP Vinyl
Catalogue no: MMDS24004LP

Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)

Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)

Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)

Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)

Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**

Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**

**= 5 unreleased tracks released for the 1st time on vinyl.

New liner notes by Martyn Pepperell



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WAS - Word and Sound Medien GmbH
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Germany
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