Genre: House / Techno

We commence with a warm and bouncy UK acid house vibe. We conclude with a beguiling 'Boards of Canada' style electronic bubble bath. We're treated to an array of flavors and an outstanding S.O.N.S remix in between. It can only be MUSAR and another compelling collection from Ricardo Tobar.
With a discography that started on Border Community and includes the likes of Co-coon and ESP Institute as well as MUSAR, Chilean Ricardo's credentials speak for themselves.
His music does, too. Constantly playing with themes of displacement, disorientation and delight in his fusions, 'Our Violence' was inspired by the ongoing discussions of cultural appropriation. At its heaviest, on tracks like the Isolee-esque 'Our Vio-lence' and S.O.N.S's SYO rolling breakbeat remix of 'La Femme Aux Masques', we're thrust deep into the most hypnotic of dances. At its most esoteric and experi-mental, tracks like 'Mineral' and 'La Femme Aux Masques', we're taken to places we didn't even know existed. Places that refuse to accept current formulas or standards and take us outside the box - where MUSAR always loves to be.

Tracklist 12":

A1. Our Violence (S.O.N.S Remix) / 07:24
A2. La Femme Aux Masques (SYO Summer of Love Remix) / 07:44
B1. La Femme Aux Masques / 04:56
B2. Mineral / 08:36



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Genre: House / Techno

Following celebrated releases from Annie Hall, J.Wiltshire, MANASYt and Mental
Overdrive, Amsterdam based label MUSAR returns to Ricardo Tobar for ‘Nadivi’, two
earthy electronic trips, accompanied by a bewitching remix from Legowelt.
On this exciting release, Chilean-born Tobar continues his knack of blending the live
tones of krautrock and electronica with a house and techno pulse, in a style not
dissimilar to Luke Abbot or James Holden (Tobar has previously released on the
latter’s imprint, Border Community.)
Title track ‘Navidi’ finds him at his offbeat best, a genuinely progressive and
psychedelic rolling house number that blossoms into something surprisingly epic
while utilising only weirdo textures, askew basslines and otherworldly samples.
Legowelt, meanwhile, flips the energy of the original into an acid bath, blending his
typical grit with a halcyon and dare we say, surprisingly funky bassline!

Retaining the weirdo spirit of its source material. Finally, on the memorably titled ‘The
Structures Of Summer Are Within Us’, Tobar rolls out a wistful, cathartic live jam that
blossoms into something curious and perhaps unexpected, reminiscent of Silver
Apples or Animal Collective.
Staking further claim as one of the most naturally innovative and feeling producers in
the electronic music landscape, ‘Navidi’ is that rare sort of dance release;
propulsive, intriguing and refreshingly lovely.

Tracklist 12":
A1. Nadivi / 07:50
B1. Nadivi (Legowelt Remix) / 05:52
B2. The Structures Of Summer Are Within Us / 7:48

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Genre: House / Techno

Releasing his first ever vinyl release ‘El Sunset’ on James Holden’s, Border Community back in
2007, Chilean producer Ricardo Tobar has since been held in high regard by the seminal UK
producer. Intricately constructing his way around the parameters of emotionally-lead, highly
atmospheric electronic music, Ricardo has brought his sound forward to grace the rosters of
Jennifer Cardini’s, Correspondant, ESP Institute and MUSAR Recordings. Continuing to
extend his already significant discography, he now returns to MUSAR Recordings for a third time
with the ‘After The Movie’ EP.
Ricardo’s ‘After The Movie’ EP forms a selection of cuts that have been held in his locker for quite
some time. Uncovered by MUSAR Recordings label head, Dweedo on a podcast from way back, it
seemed only natural that this unreleased music from Ricardo would find its home on the
Amsterdam-Tel-Aviv label.
“This EP is quite special to me because it reflects a long timeline in my work.
The ‘After The Movie’ track had been in the vault for ages until David from MUSAR found it
in an old podcast; it really takes me back to those first steps in recording music.”

Tracklist 12":
A1. After The Movie / 07:56
A2. Regain Your Power / 07:07
B1. After The Movie (Plaid Remix) / 05:09
B2. Parques / 10:32




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Tracklist: (
A1) Angora (Midnight Operator Remix) (B1) Redlight (Lawrence Remix)
Info:
After the first Ricardo Tobar remix edition (featuring remixes by John Tejada and Fairmont) on Cocoon Recordings we are proud to present the next chapter with remixes by Lawrence and Midnight Operator (Mathew and Nathan Jonson). 2016 seems to continue as we started it: With high quality music by great artists presenting us amazing techno in an unique and tasty style.
Midnight Operator, the joint project of the two Jonson brothers, picked Tobars "Angora" for their remix and the result appears very fresh and housey. Their bassline programming adds a nice italo-disco vibe to their version of "Angora". Together with their strings and melody-parts the Midnight Operator remix is turning into the perfect soundtrack for the upcoming spring nights: We hear flowers, birds, butterflies and feel the warm air ... not to mention that our feet start moving and dancing. Dial mastermind Lawrence contributes the fourth remix to Tobars album: His version of "Red Light" explores the emotional side of techno and house. We dive into deep spaces, spheric melodies and an atmosphere close to the vibe of the great works of Kraftwerk - this is impressive! Lawrence "Red Light" version presents the musical side of techno to us - a timeless piece of music with a chill-out flavoured beat and synth programming.


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Tracklist: (A1) Angora (Fairmont Remix) (B1) Invierno (John Tejada Remix)
Info:
Welcome 2016 and welcome back everybody to the second Cocoon Recordings roll out. We wonder what this year will bring if the kick-off is already on such a high level?
Ricardo Tobar's first remix 12" comes with two stunning re-arrangements by Fairmont and Tech-House grandmaster John Tejada. The canadian minimal techno hero Fairmont remixed Tobars "Angora" and gave it such a strong Border Community vibe. Dark but at the same time pushing and hedonistic. Fairmont starts off with a subtle percussion-beat-acid-combination and turns his remix into a proper and mad electronic masterpiece the longer it runs. Epic!

Californian tech-house pioneer John Tejada is on remix-duty for "Invierno" and he blasts us away with the result. Deeper than deep and kick-ass house with a pushing detroit and KMS vibe. This one almost appears like a lost & found alltime techno and house classic and it will hit the Zeitgeist in Berlin, London, New York and Tokyo like no other release on Cocoon Recordings lately. This is ingenious clubfood for all the innercity hipsters and musiclovers and it simply makes us wanna dance! This! Is! Tech-House! Baby!


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UPC: 827170146822 (CD)
Tracklist:
1. Pasaje 2. Brittle 3. Invierno 4. Angora 5. Inside Castle 6. There Is Pop 7. Blue Mint 8. Red Light 9. Crystal Sun 10. Strange Wave


Electronic music approximately 35 years after bands like Kraftwerk opened the magic box. A lot happened since then and it seems all is said, done and invented. However it is almost surprising that new things still pop up here and there when it comes to electronic music production. The reason for this can probably be found in the almost unlimited possibilities that electronics and computers offer to the artists and of course in the unwritten law that there are no boundaries that can't be crossed. So, even after all this time, it is great to see that the creative development keeps on going and going no matter if it is house, deep house, techno and most of it all: Listening electronics. "Synthetic electronic sounds, Industrial rhythms all around".

Let's focus on Ricardo Tobar: Born in Chile and now residing in France, Tobar picked the "creative border crossing" as the common thread for his album "Collection". Musical experimentation and crossing musical borders - Tobar refers here directly to the style and sound of the great new-wave-bands of the 80s and 90s. With the help and influence of their new electronic instruments (that often met classic rock guitars) the post-punk-electronic-movement turned almost everything upside down. No matter if the result was moody and mysterious or romantic and hedonistic, all sounded new and different back then and paved the musical path for a whole generation - the reverberations of that episode are noticeable until today.

Tobar plays with the musical approach of the post-punk-era, he mixes, merges and experiments fearless with styles and moods. He creates a wide range of "own styles" and even dives into abstract sound fields - listening electronic in best form! Ricardo Tobar breathes the air of his own musical universe and is not refering to the typical styles of this genre - you won't find any Detroit, Berlin or Sheffield reference here. Although produced in France, Tobar's album doesn't have anything of the sweet and lovely french listening touch. It also won't beam you into the north of England and the grey and cold Sheffield winter like so many other electronic albums try to do.

"Collection" contains full compositions, sound collages, experimental sounds and even proper beat based tunes. Tobar rather creates than produces and is presenting a bigger picture with his collection. Many electronic music artists are trying to do this however Tobar delivers a collection with an impressive range and it seems he did all this in an almost nonchalant way. He plays and combines his instruments and sounds at the same time very sensitive and harmonic but also brave and dissonant without risking to be inaudible at any point. He creates atmospheres by using electronic sounds and layers. Listening to the sound of "collection" almost appears like reading an acoustic book. This album is full of interesting sounds and ideas and is far from being boring or even too demanding.

Besides the mystic and experimental side "Collection" also contains energetic and trippy sounds. The expressive "Angora" is full of energy and captures the listeners imagination. In contrast to that "Crystal Sun" appears almost like a big after-hour anthem. With "There Is Pop" Tobar presents even a strong and ripped tune - banging and challenging. You see, there is place for everything here in "Collection". There is an introduction, the main part and an ending - as mentioned before: An album like a book, like an exciting book on top of that! "Collection" comes with musical chapters rich in variety and with quite some surprises.

Looking back at 35 years of electronic music it isn't easy to claim that we never heard something like "Collection" before, however we hardly can think of anybody else who compiled an album with such an amount of taste and entertainment like Ricardo Tobar did it here. This is for sure not just another musical assembly-line-product and we salute Tobar for the result that cannot be categorized the easy way. Tobar worked hard for this album and this is noticeable from start to end. He used his machines, synths and computers in full effect and presents a "Collection" that exactly functions like it is. Not a single tune on this album can be left out. This album is Ricardo Tobars musical portrayal and with holding so much energy, it will shine on for a very long time.




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UPC: 827170591264 (2LP+CD)
Tracklist:
1. Pasaje 2. Brittle 3. Invierno 4. Angora 5. Inside Castle 6. There Is Pop 7. Blue Mint 8. Red Light 9. Crystal Sun 10. Strange Wave


Electronic music approximately 35 years after bands like Kraftwerk opened the magic box. A lot happened since then and it seems all is said, done and invented. However it is almost surprising that new things still pop up here and there when it comes to electronic music production. The reason for this can probably be found in the almost unlimited possibilities that electronics and computers offer to the artists and of course in the unwritten law that there are no boundaries that can't be crossed. So, even after all this time, it is great to see that the creative development keeps on going and going no matter if it is house, deep house, techno and most of it all: Listening electronics. "Synthetic electronic sounds, Industrial rhythms all around".

Let's focus on Ricardo Tobar: Born in Chile and now residing in France, Tobar picked the "creative border crossing" as the common thread for his album "Collection". Musical experimentation and crossing musical borders - Tobar refers here directly to the style and sound of the great new-wave-bands of the 80s and 90s. With the help and influence of their new electronic instruments (that often met classic rock guitars) the post-punk-electronic-movement turned almost everything upside down. No matter if the result was moody and mysterious or romantic and hedonistic, all sounded new and different back then and paved the musical path for a whole generation - the reverberations of that episode are noticeable until today.

Tobar plays with the musical approach of the post-punk-era, he mixes, merges and experiments fearless with styles and moods. He creates a wide range of "own styles" and even dives into abstract sound fields - listening electronic in best form! Ricardo Tobar breathes the air of his own musical universe and is not refering to the typical styles of this genre - you won't find any Detroit, Berlin or Sheffield reference here. Although produced in France, Tobar's album doesn't have anything of the sweet and lovely french listening touch. It also won't beam you into the north of England and the grey and cold Sheffield winter like so many other electronic albums try to do.

"Collection" contains full compositions, sound collages, experimental sounds and even proper beat based tunes. Tobar rather creates than produces and is presenting a bigger picture with his collection. Many electronic music artists are trying to do this however Tobar delivers a collection with an impressive range and it seems he did all this in an almost nonchalant way. He plays and combines his instruments and sounds at the same time very sensitive and harmonic but also brave and dissonant without risking to be inaudible at any point. He creates atmospheres by using electronic sounds and layers. Listening to the sound of "collection" almost appears like reading an acoustic book. This album is full of interesting sounds and ideas and is far from being boring or even too demanding.

Besides the mystic and experimental side "Collection" also contains energetic and trippy sounds. The expressive "Angora" is full of energy and captures the listeners imagination. In contrast to that "Crystal Sun" appears almost like a big after-hour anthem. With "There Is Pop" Tobar presents even a strong and ripped tune - banging and challenging. You see, there is place for everything here in "Collection". There is an introduction, the main part and an ending - as mentioned before: An album like a book, like an exciting book on top of that! "Collection" comes with musical chapters rich in variety and with quite some surprises.

Looking back at 35 years of electronic music it isn't easy to claim that we never heard something like "Collection" before, however we hardly can think of anybody else who compiled an album with such an amount of taste and entertainment like Ricardo Tobar did it here. This is for sure not just another musical assembly-line-product and we salute Tobar for the result that cannot be categorized the easy way. Tobar worked hard for this album and this is noticeable from start to end. He used his machines, synths and computers in full effect and presents a "Collection" that exactly functions like it is. Not a single tune on this album can be left out. This album is Ricardo Tobars musical portrayal and with holding so much energy, it will shine on for a very long time.



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J.Wiltshire returns to MUSAR with Sunflower At Day EP — a deep, atmospheric excursion across four tightly woven dance-floor tracks.
Marking MUSAR’s 20th release, this EP showcases some of Wiltshire’s most club- ready work yet, blending outsider house, ambient trance, and Cornish electronic influences.

The title track ‘Sunflower At Day’ is a shoegaze-infused chugger that nods to the ethereal haze of My Bloody Valentine and has a rave energy reminiscent of Future Sound of London. Track two, ‘Cosmic Slap’, takes over with its deep, dub- heavy sounds and off-kilter rhythms, playing to Wiltshire's more experimental side under a techno beat.

On the B side, we dive deeper into Wiltshire's intricate melodic world.
‘Traversing’ unfolds with enveloping, pastoral harmonic patterns, balancing surging intensity with an organic flow.
Finally, the EP closes with the cinematic ‘Rush Point 9’, a late-night noir groove that offers a perfect, reflective finale to this sonic journey.

With Sunflower At Day, Wiltshire fuses intricate textures and melodies with dance- floor intensity, offering another great soundscape from the artist for both club and home listeners.


A1. Sunflower At Day / 06:16
A2. Cosmic Slap / 05:21
B1. Traversing / 06:40
B2. Rush Point 9 / 05:49

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For Dutch artist Stefan Vincent, the feeling of melancholy also offers the opportunity for beauty to be found.
“Decay and loneliness can serve a purpose. Depression can teach you things. To feel deep sadness also means the ability to feel profound emotions.” he says. With this in mind, his debut album on MUSAR Recordings, “Post- Melancholy”, unpacks the twists and turns of grappling with this emotion, drawing from breaks, electro and IDM to make his most intricate work to date, after previous releases on Token, Dynamic Reflection, Symbolism, and Non-Series.

Throughout “Post-Melancholy” Vincent traces the wave of melancholy and how it moves through the body, which allows for lighter moments alongside darker moods. Perhaps the lightest track on the album is its acidic-breaks opener, “Eyes Unclouded”, with its soaring acid lines and dazzling synths, which acts as a false pretense for the rest of the album. Tracks like “Poise”, “Arpeggino” and the meditative “Yonghegong Lama Temple Exit F” also break up the intensity. However, nestled between the more pacey, bass-weighted tracks on the album, these lighter openings still feel like tear-jerkers.

The more common associations of melancholy show up on tracks like “Another Skin To Wear” and “You Know This Isn’t Going To End Well”, which all create a more ominous feel via IDM and the polyrhythmic structures of drum’n’bass. Particularly on “Another Skin To Wear”, which borrows its name from a Radiohead lyric, the track's swooping motion feels realistic to melancholy’s chaotic and often unpredictable path. But, like all great storytellers, Vincent leaves the most poignant moment of the album for last with the rolling “8AM on the Train… (For Maarten)” devoted to his dear friend, Maarten, who sadly passed away at the young age of 36.

This LP is dedicated to Maarten de Vries (1986-2022)

A1. Eyes Unclouded / 05:20
A2. Another Skin To Wear / 05:28
A3. Poise / 06:13
A4. Arpeggino / 05:15
B1. You Know This Isn't Going To End Well / 05:22
B2. Yonghegong Lama Temple Exit F / 05:38
B3. Anhedonic / 05:38
B4. 8AM On The Train To Work You Ask Me To Send You Something That Makes Me Happy (For Maarten) / 06:01

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Genre: House / Techno

In Japanese, the word “Guru-Guru” refers to the state of spinning, whirling.?
This state is captured in the work of Japanese artist Hoshina Anniversary, who makes his third appearance on MUSAR with his EP Guru Guru and marks the return of the label after an extended break.

Hoshina’s self-titled brand of ‘Watechno’ has appeared on well-loved dance music labels like ESP Institute, Volvox’s Jack Dept and Young Marco’s Safe Trip,
alongside MUSAR where he also appeared as Shifting Gears back in 2022; an electronic-jazz-centered moniker.

His Guru Guru EP captures the latest snapshot of Hoshina’s sound and sees him draw from Japanese language as a through-line.
The title track is the clearest representation of his ‘Watechno’, where he uses Japanese instrumentation on top of a menacing EBM-style march. The track's slowly whirling momentum is the “Guru-Guru”.

On tracks like “Banri”, which means far away in Japanese, we see new shades to Hoshina’s work as he mixes a Japanese Wadaiko drum groove with acidic elements and piano melodies to make a track of contradictions which pairs roughness with elegance. Whereas on “Usagi”, Japanese for rabbit, Hoshina fires up the BPM.
Piano melodies remain here but their effect is more drifting and emotive than on “Banri”.
“Kaga” is named after a place in the southernmost part of Ishikawa Prefecture, between Kanazawa City and Fukui City.
On this track, Hoshina’s love for jazz comes through and even mirrors the work we heard from him under Shifting Gears.

Tracklist

A1. Guru Guru / 07:31
A2. Banri / 05:53
B1. Kaga / 07:16
B2. Usagi / 08:36


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Limited 12'' edition transparent crystal vinyl (150 copies) in a PVC sleeve with inner printed artwork.

Melancholy, the feeling, is often associated with darkness and deep depression. For
Dutch artist Stefan Vincent, within the experience of melancholy there’s beauty to be
found. “Decay and loneliness can serve a purpose. Depression can teach you things.
To feel deep sadness also means the ability to feel profound emotions.” he says.
For his debut on MUSAR Recordings, “Pre Melancholy” EP, Vincent channels these
notions of Melancholy into three tracks that draw on darker moods but also reflect
beauty in their intricacy and the atmospheres they create. This EP acts as a
precursor to his forthcoming album on MUSAR, “Post Melancholy” which is due in
September.
“Mono No Aware” and “Yonghegong Lama Temple Exit F” are both taken from the LP,
placed side by side with “Agent of Distraction”, an exclusive track from Vincent for
this EP only. We’re also pleased to have Montreal-based musician Priori on the remix
of “Yonghegong...”. His rework draws further emotion from that of Vincent’s by
slowing the pace and bringing delicate melodies to the forefront; it’s one for
introspection.


A1. Mono No Aware / 06:18
A2. Agent of Distraction / 05:08
B1. Yonghegong Lama Temple Exit F / 05:38
B2. Yonghegong Lama Temple Exit F (Priori Remix) / 05:44

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Genre: House / Techno

We commence with a warm and bouncy UK acid house vibe. We conclude with a beguiling 'Boards of Canada' style electronic bubble bath. We're treated to an array of flavors and an outstanding S.O.N.S remix in between. It can only be MUSAR and another compelling collection from Ricardo Tobar.
With a discography that started on Border Community and includes the likes of Co-coon and ESP Institute as well as MUSAR, Chilean Ricardo's credentials speak for themselves.
His music does, too. Constantly playing with themes of displacement, disorientation and delight in his fusions, 'Our Violence' was inspired by the ongoing discussions of cultural appropriation. At its heaviest, on tracks like the Isolee-esque 'Our Vio-lence' and S.O.N.S's SYO rolling breakbeat remix of 'La Femme Aux Masques', we're thrust deep into the most hypnotic of dances. At its most esoteric and experi-mental, tracks like 'Mineral' and 'La Femme Aux Masques', we're taken to places we didn't even know existed. Places that refuse to accept current formulas or standards and take us outside the box - where MUSAR always loves to be.

Tracklist 12":

A1. Our Violence (S.O.N.S Remix) / 07:24
A2. La Femme Aux Masques (SYO Summer of Love Remix) / 07:44
B1. La Femme Aux Masques / 04:56
B2. Mineral / 08:36



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12’’ Transparent EP Vinyl (limited edition to 150 copies) with insert printed artwork.

Three deep excursions from the superb J.Wiltshire and a remix from Konx-om-
Pax to back them up.

UK-born, Berlin-based, J.Wiltshire (Hypercolour/Super Hexagon) returns to MUSAR for
a deep excursion with Planet Mu's Konx-om-Pax on remix duties.
The tracks came to fruition in Berlin during a time in society when everything was closed
and there was a huge layer of uncertainty across the globe. "I was channelling my
interest in the introspective side of trance and finding comfort in what I was creating. It
was sort of like going back to using processes from when I first started making dance
music."
With three original tracks on the EP, 'Luv 44' opens the EP with a pulsating boom-bap
groove and atmospheric synth work via acidic licks from the SH-101. 'The Number
Counters' boasts sporadic analogue delay with white-noise snare drums and haunting
ostinatos. 'Trails' is a welcoming, sluggish roller that chugs into oblivion, making for an
idyllic warm-up excerpt for the club.
On remix duties, special guest Konx-om-Pax is summoned to bring his own
interpretation of 'The Number Counters'. As an artist, you may recognise Konx-om-Pax’s
visuals for Warp, Mogwai, Underground Resistance, Oneohtrix Point Never, Hyperdub,
Advanced Beauty and LuckyMe. Oftentimes when turning his hand to production, the
Planet Mu signee develops the original elements and pushes them into new territory via
a host of analogue effects chains. Among the mix is a hypnotic and continual breakbeat
that dips in and out dynamically, plus a host of improvised effects that sporadically paint
over the mix like a beautiful and chaotic tapestry.

Tracklist 12":
A1. Luv44 / 05:21
A2. The Number Counters (Konx-om-Pax Remix) / 05:24
B1. The Number Counters / 05:08
B2. Trails / 04:26



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Transparent EP Vinyl (limited edition to 150 copies) with insert printed artwork

Pera Sta Ori is the pseudonym of greek sound artist and producer,
George Kontogiannidis. Professing a futuristic style, his music blends
senses from DnB, IDM and bleep. Bursting into the general
consciousness back in 2017, time has only seen this promising artist
grow with releases on brokntoys, Furthur Electronix and Yellow
Machines. He now readies his next EP with us at MUSAR, titled
‘IMMI’.
Short for ‘Immigrant’, ‘IMMI’ EP is dedicated to uprooted people.
Within, Pera Sta Ori explores an imaginary world in which misery is
erased from memory. Projecting into vast expanses, each track
forms an echo chamber. From the urgent and frenetic vocals of ´SCATTER 0^’, layered with crunching percussion and swarming
bass, to the ambience of ‘Bouncing/Lassitude’ and downtempo
quirks of ‘CIN1’, Pera Sta Ori provides a variance of headscapes to
slip into.
Chilean celestial spark Kamila Govorèin creates her own world on
the remix of ‘CIN1’. Jagged percussion ripple and ricochet with nearindustrial
inflections. Peppered with openings of etherealism, the
samples of the original glide whilst Govorèin keeps things driving
with four-to-the- floor punches.

Tracklist 12":
A1. SCATTER 0ˆ / 04:02
A2. CIN1 / 05:02
B1. CIN1 (Kamila Govorcin Remix) / 05:21
B2. BOUNCING/LASSITUDE / 04:04

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After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall
arrives on MUSAR for a record typically rich in tex- ture andunderstated grooves.
Opening track ‘Linium’ immediately seduces listeners with a complex drum pattern that somehow feels spacious, subtly
twisting and turning it’s way around Hall’s analogue world.
Dutch artist Mattheis maintains this understated feel but adds a soft, compelling kick in response on his suspenseful remix of
‘Lavandula’. The original, moodier version of this cut the follows to open the B side, gradually erupting around a killer distorted bassline.
The EP continues to hit a more urgent note with the tense machinations of ‘Silene’, where dense layers of stuttering,
frenetic drums interweave with Hall’s trademark, melancholy keys. The record concludes on a weightless, transcendent note
with ‘San- tolina’, taking each visceral element featured thus far and slowing each down, with af- fecting results.
Indebted to vintage electro and IDM, Hall’s music is no throwback, always looking for- ward and moving dancefloors in the most unexpected ways.

Tracklist 12":
A1. Linium / 05:17
A2. Lavandula (Mattheis Remix) / 06:02
B1. Lavandula / 04:44
B2. Silene / 05:25
B3. Santolina / 04:51


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MUSAR is honoured to welcome Bulgaria's electro-synth pioneer
MANASYt with a new five- track EP, the first in a three-part series.
'Reality Defense Department' will be the Bulgarian's first new material
since 2012.
Petar Tassev aka MANASYt, hails from the twilight zone. Growing up
with the blacks swans in the forest of communist Bulgaria, listening to
metal and hardcore music then interpreting the moody, roughness
together with inspirations from electronic new-wave music to a raw,
pure and dark adventure bubbling with madness.
'Reality Defense Department' is a future horror movie soundtrack.
The first track 'Memory Imprints' is a pure psychedelic-trip into the
mental clinic for clockwork orange droogs, while the second track
'Mobile Pharmacy' evokes an apocalyptic alien attack. 'Orthodox
Spanking' is a dark, wayward fetish party electro track full of postpunk
elements, fit- ting for an artist given to performing live in a
rubber 'gimp' mask.
A pair of remixes are supplied by Brooklyn's wonder girl 'Via App' with
a deep, dark and gothic techno rework for the late dazed hours of the
morning and Norwich's kept secret, Wax Stag (an occasional
collaborator with Bibio and Clark) that delivers a dreamy, cosmic twist
that will linger in your consciousness for a long, long time to come.

Tracklist 12":
A1. Memory Imprints / 05:52
A2. Mobile Pharmacy / 04:01
A3. Orthodox Spanking (Wax Stag Remix) / 05:25
B2. Mobile Pharmacy (Via App Remix) / 09:08
B3. Orthodox Spanking / 04:16


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Following 12"s from Ricardo Tobar and MANASYt, the third
release on Tel Aviv's MUSAR welcomes rising UK star and
Super Hexagon label boss, J.Wiltshire.
The Laghan Pux EP finds Wiltshire sharing his psychedelic
electronic side and brings his versatile skills together, serving
up four completely different soundtracks.
The gleaming sci-fi gem 'DESklep' opens the EP as a pure
melodic IDM track loaded with Cornwall style while the bassheavy
title track 'Laghan Pux' is pumping as a dark & sharp
peak-time trippy beast.
Next up, the mysterious Roy of The Ravers, gives you an interpretation of what proper acid sounds like, whereas
'Chained Releases' takes you on a deep and hypnotic
adventure into space, full of warm guitar melodies and trancey
synths.
'Summon Them' closes the EP, an ambient magic piece for a
hazy, orange morning where the birds just woke up and the
trees singing for the first time to break the day.

Tracklist 12":
A1. DESklop (photomix) / 03:59
A2. Laghan Pux / 04:25
B1. Laghan Pux (Roy Of The Ravers Euro 303 Remix) / 06:07
B2. Chained Release / 04:27
B3. Summon Them / 02:58


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Genre: House / Techno

Following celebrated releases from Annie Hall, J.Wiltshire, MANASYt and Mental
Overdrive, Amsterdam based label MUSAR returns to Ricardo Tobar for ‘Nadivi’, two
earthy electronic trips, accompanied by a bewitching remix from Legowelt.
On this exciting release, Chilean-born Tobar continues his knack of blending the live
tones of krautrock and electronica with a house and techno pulse, in a style not
dissimilar to Luke Abbot or James Holden (Tobar has previously released on the
latter’s imprint, Border Community.)
Title track ‘Navidi’ finds him at his offbeat best, a genuinely progressive and
psychedelic rolling house number that blossoms into something surprisingly epic
while utilising only weirdo textures, askew basslines and otherworldly samples.
Legowelt, meanwhile, flips the energy of the original into an acid bath, blending his
typical grit with a halcyon and dare we say, surprisingly funky bassline!

Retaining the weirdo spirit of its source material. Finally, on the memorably titled ‘The
Structures Of Summer Are Within Us’, Tobar rolls out a wistful, cathartic live jam that
blossoms into something curious and perhaps unexpected, reminiscent of Silver
Apples or Animal Collective.
Staking further claim as one of the most naturally innovative and feeling producers in
the electronic music landscape, ‘Navidi’ is that rare sort of dance release;
propulsive, intriguing and refreshingly lovely.

Tracklist 12":
A1. Nadivi / 07:50
B1. Nadivi (Legowelt Remix) / 05:52
B2. The Structures Of Summer Are Within Us / 7:48

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Genre: House / Techno

12" EP Vinyl (Limited edition to 150 copies) in a PVC sleeve with paper inner + MP3 Code.

MUSAR continues to explore the healthy landscape of underground and alternative
electronic music with the debut release on the label from Nightwave. ‘The Journey’
is a fitting title for the Glaswegian producer, DJ and promoter, who has been a
lynchpin for the city’s vibrant music scene since her first release in 2010. In the time
since, Nightwave has a developed a punchy and highly original sound that blends
potent influences of acid, techno and forward-thinking bass music, with releases on
DABJ, UTTU, Fool’s Gold, DEXT and her own imprint Heka Trax.
For her MUSAR debut, Nightwave celebrates, in her own words, “joy, dance,
exploring inner worlds, the celebration of nature and life and how it all
interconnects”. On a delicate tip, opening and title track ‘The Journey’ establishes
the EP’s “rainforest rave” aesthetic, spiralling upwards with weightless energy. It’s
underlying percussion steps forward on ‘Jiboia Groove’, which blossoms thrillingly
into wave upon wave of ethereal, breakbeat-led rave.

Tracklist 12" + mp3 DL
A1. The Journey / 05:10
A2. Jiboia Groove / 05:40
B1. Monkey Puzzle / 06:20
B2. The Journey (Violet Remix) / 06:05

Digital Only. Forest Guru / 04:26


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12" EP Vinyl (Limited edition to 150 copies) in a PVC sleeve with obi strip.

Toyko’s Hoshina Anniversary has risen to particular prominence in recent
years with his self-titled brand of ‘Wa- techno’. Stylistically fusing traditional
Japanese instrumentation with Chicago and Detroit sensibilities, his works
have found homes on ESP Institute, Young Marco’s Safe Trip and
Amsterdam-based MUSAR Recordings.
Landing on the latter, MUSAR, little over a year ago with ‘Zangai’ EP,
Hoshina returns under a new cloak, Shifting Gears, to present ‘Evil’ EP.
Named after the 1975 ‘Gears’ LP of jazz and hard bop organist, Johnny
Hammond, the Shifting Gears moniker focuses heavily on principles of Jazz
and raw musicianship, with a continued exploration of machine-reared club
sounds. How the two can take shape as one.

Tracklist 12":
A1. Senor Senorita / 06:19
A2. Evil / 06:53
B1. Miyatsukomaro / 05:09
B2. Syndicate / 06:08


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A name, a man, an attitude, Amsterdam Dj and producer San Proper is one that
needs very little introduction. His intricately minimal, yet highly musical
productions have seen the light of day on Dekmantel, Perlon and Rush Hour
Records alongside his own label, Proper’s Cult.
Now, this renowned crazy cat presents a new set of works, ‘Home’ EP with
MUSAR Recordings.
Teaming up with drummer, producer and long-time collaborator, D. (real name
Derek Van Beelen) who has also appeared solo on ‘Proper’s Cult’, the two come
together on ‘Home’ to explore the genre of house; expanding it into new,
idiosyncratic forms.

Tracklist 12":
A1. Home / 07:12
A2. Get On Down / 06:44
B1. Home (Hoshina Anniversary Remix) / 06:24
B2. Licks & Tech / 03:41


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Genre: House / Techno

Releasing his first ever vinyl release ‘El Sunset’ on James Holden’s, Border Community back in
2007, Chilean producer Ricardo Tobar has since been held in high regard by the seminal UK
producer. Intricately constructing his way around the parameters of emotionally-lead, highly
atmospheric electronic music, Ricardo has brought his sound forward to grace the rosters of
Jennifer Cardini’s, Correspondant, ESP Institute and MUSAR Recordings. Continuing to
extend his already significant discography, he now returns to MUSAR Recordings for a third time
with the ‘After The Movie’ EP.
Ricardo’s ‘After The Movie’ EP forms a selection of cuts that have been held in his locker for quite
some time. Uncovered by MUSAR Recordings label head, Dweedo on a podcast from way back, it
seemed only natural that this unreleased music from Ricardo would find its home on the
Amsterdam-Tel-Aviv label.
“This EP is quite special to me because it reflects a long timeline in my work.
The ‘After The Movie’ track had been in the vault for ages until David from MUSAR found it
in an old podcast; it really takes me back to those first steps in recording music.”

Tracklist 12":
A1. After The Movie / 07:56
A2. Regain Your Power / 07:07
B1. After The Movie (Plaid Remix) / 05:09
B2. Parques / 10:32




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Territories: WORLD EXCL DE, AT, DE

Repress

Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25

Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.




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12" EP


- the next vinyl release Super Flu’s label Monaberry
- 4 Tracks from uper Flu, NIIXII, Made In TLV, Goom Gum x Dancing On Lego and Derun
- Extensive Global Promo by Musik Meiner (reports attached)
- all artists have releases on: Monaberry, Realm, Rise, Stil Vor Talent, Diynamic, Jeahmon, Mo Black, Black Rose, Get Physical,
Rose Avenue, Radiant, TAU, Afterlife

TRACKLISTING
A1 - Super Flu, NIIXII – Gone Girl (05:13)
Genre: Afro House

A2 - Made In TLV - Magneto (05:35)


B1 - Goom Gum x Dancing On Lego - Before My Eyes (Extended) (06:21)
Genre: Melodic House & Techno

B2 - Derun - Feel The Same (6:37)

Monaberry Vinyl 002 ain knit from Sears. All artists wear it because it stretches for fit and it‘s styled for fashion.
Super Flu, NIIXII, Made In TLV, Goom Gum x Dancing On Lego and Derun are pretty savvy. They know how to dress fashionably
and comfortably. The second VA vinyl fills the bill. Consider the selection: 4 tracks, patterns and styles. And the Perma-Prest
baseline: it‘s a Monaberry polyester and triacetate knit for stretch comfort around the collar, across the shoulders and body.
Everybody has the comfort features that make music comfortable. See these great-looking Monaberry shirts now at most
stores, in the regular and Big and Tall catalogs

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Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



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2025 Repress


Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics

Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.



















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Repress


Format: 3LP

Tracklist

A1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
A2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
A3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
B1. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
B2. Clark – Dirty Pixie (Marcel Dettmann Edit)
B3. Junior Boys – Work (Marcel Dettmann Remix)
C1. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
C2. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
C3. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
D1. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
D2. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
D3. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
E1. Ian North – Sex Lust You (Marcel Dettmann Edit)
E2. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
E3. Nitzer Ebb – Shame (Marcel Dettmann Edit)
F1. Frank Duval – Ogon (Marcel Dettmann Edit)
F2. Yello – Limbo (Marcel Dettman Version 2 Remix)
F3. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.





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NO RETURNS

Renowned UK producer and Freerange co-founder Jimpster steps back into the spotlight with a brand-new 5 track EP that dives deep into the raw, emotional core of underground house music. Blending masterful production prowess with soulful storytelling, this latest release features standout collaborations with two celebrated spoken word artists namely NYC’s OVEOUS and Atlanta via Detroit’s rising star Ash Lauryn. The North Atlantic EP captures the essence of late-night dance floors and a fusion of sounds, all wrapped in Jimpster’s signature warm, analog textures and rolling groove science.

FLO opens the EP with a vibrant pulse - an up-beat groove that wraps around you like incense smoke and island vibes in a Brooklyn basement. Anchored by filtering stabs and a rubbery bassline, the track unfolds with the commanding presence of OVEOUS, whose spoken-word cuts through the haze with razor-sharp clarity. His voice rides the beat like a sermon for the dance floor; straight talk that’s spiritual, and defiantly alive, this is deep house as ceremony for the streets. The accompanying Dub strips back the vocal and introduces additional harmonic elements in the form of piano, strings, and synth washes bringing a warm and musical touch.

On Feel Me, Jimpster crafts a rolling groove built on punchy drums, shuffling percussion, and a soulful vibe which feels both classic and futuristic. Ash Lauryn’s voice glides across the track with cool authority, bringing a seductive vibe to the party. Her voice is perfectly balanced with Jimpster’s atmospheric pads and dubby flourishes creating a contemporary and irresistibly danceable house anthem for the heads.

Two additional mixes of Feel Me bolster an already sturdy package bringing a more straight up, bumpy version on the House Mix as well as a darker, heads down - eyes closed take on the Freakin’ Club Mix.

This EP is more than just a meeting of minds — it’s a dialogue between continents, generations, and frequencies. With FLO and Feel Me, Jimpster continues to affirm his place as a producer deeply rooted in tradition yet always striving to push his sound forward.

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GENRE: Techno

TRACKLIST:
Decka – Alignment (Efdemin Remix)
Kameliia – Remains Mystery (Amotik Remix)
Kaiser – Run (The Lady Machine Remix)
Border One – Organoid (Jeroen Search Remix)

SHORT INFO:
The fifth release on the BINÄR-Label is a remix EP of four tracks. Efdemin remixed Decka, Amotik remixed Kameliia, The Lady Machine remixed Kaiser and Jeroen Search remixed Border One. The record is varied with emotional parts, over deep dives up to peak time sound. The tracks are mastered by Ricardo Espostio.











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