Genre: House / Techno

We commence with a warm and bouncy UK acid house vibe. We conclude with a beguiling 'Boards of Canada' style electronic bubble bath. We're treated to an array of flavors and an outstanding S.O.N.S remix in between. It can only be MUSAR and another compelling collection from Ricardo Tobar.
With a discography that started on Border Community and includes the likes of Co-coon and ESP Institute as well as MUSAR, Chilean Ricardo's credentials speak for themselves.
His music does, too. Constantly playing with themes of displacement, disorientation and delight in his fusions, 'Our Violence' was inspired by the ongoing discussions of cultural appropriation. At its heaviest, on tracks like the Isolee-esque 'Our Vio-lence' and S.O.N.S's SYO rolling breakbeat remix of 'La Femme Aux Masques', we're thrust deep into the most hypnotic of dances. At its most esoteric and experi-mental, tracks like 'Mineral' and 'La Femme Aux Masques', we're taken to places we didn't even know existed. Places that refuse to accept current formulas or standards and take us outside the box - where MUSAR always loves to be.

Tracklist 12":

A1. Our Violence (S.O.N.S Remix) / 07:24
A2. La Femme Aux Masques (SYO Summer of Love Remix) / 07:44
B1. La Femme Aux Masques / 04:56
B2. Mineral / 08:36

More

Genre: House / Techno

Following celebrated releases from Annie Hall, J.Wiltshire, MANASYt and Mental
Overdrive, Amsterdam based label MUSAR returns to Ricardo Tobar for ‘Nadivi’, two
earthy electronic trips, accompanied by a bewitching remix from Legowelt.
On this exciting release, Chilean-born Tobar continues his knack of blending the live
tones of krautrock and electronica with a house and techno pulse, in a style not
dissimilar to Luke Abbot or James Holden (Tobar has previously released on the
latter’s imprint, Border Community.)
Title track ‘Navidi’ finds him at his offbeat best, a genuinely progressive and
psychedelic rolling house number that blossoms into something surprisingly epic
while utilising only weirdo textures, askew basslines and otherworldly samples.
Legowelt, meanwhile, flips the energy of the original into an acid bath, blending his
typical grit with a halcyon and dare we say, surprisingly funky bassline!

Retaining the weirdo spirit of its source material. Finally, on the memorably titled ‘The
Structures Of Summer Are Within Us’, Tobar rolls out a wistful, cathartic live jam that
blossoms into something curious and perhaps unexpected, reminiscent of Silver
Apples or Animal Collective.
Staking further claim as one of the most naturally innovative and feeling producers in
the electronic music landscape, ‘Navidi’ is that rare sort of dance release;
propulsive, intriguing and refreshingly lovely.

Tracklist 12":
A1. Nadivi / 07:50
B1. Nadivi (Legowelt Remix) / 05:52
B2. The Structures Of Summer Are Within Us / 7:48 More

Tracklist: (
A1) Angora (Midnight Operator Remix) (B1) Redlight (Lawrence Remix)
Info:
After the first Ricardo Tobar remix edition (featuring remixes by John Tejada and Fairmont) on Cocoon Recordings we are proud to present the next chapter with remixes by Lawrence and Midnight Operator (Mathew and Nathan Jonson). 2016 seems to continue as we started it: With high quality music by great artists presenting us amazing techno in an unique and tasty style.
Midnight Operator, the joint project of the two Jonson brothers, picked Tobars "Angora" for their remix and the result appears very fresh and housey. Their bassline programming adds a nice italo-disco vibe to their version of "Angora". Together with their strings and melody-parts the Midnight Operator remix is turning into the perfect soundtrack for the upcoming spring nights: We hear flowers, birds, butterflies and feel the warm air ... not to mention that our feet start moving and dancing. Dial mastermind Lawrence contributes the fourth remix to Tobars album: His version of "Red Light" explores the emotional side of techno and house. We dive into deep spaces, spheric melodies and an atmosphere close to the vibe of the great works of Kraftwerk - this is impressive! Lawrence "Red Light" version presents the musical side of techno to us - a timeless piece of music with a chill-out flavoured beat and synth programming.
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Tracklist: (A1) Angora (Fairmont Remix) (B1) Invierno (John Tejada Remix)
Info:
Welcome 2016 and welcome back everybody to the second Cocoon Recordings roll out. We wonder what this year will bring if the kick-off is already on such a high level?
Ricardo Tobar's first remix 12" comes with two stunning re-arrangements by Fairmont and Tech-House grandmaster John Tejada. The canadian minimal techno hero Fairmont remixed Tobars "Angora" and gave it such a strong Border Community vibe. Dark but at the same time pushing and hedonistic. Fairmont starts off with a subtle percussion-beat-acid-combination and turns his remix into a proper and mad electronic masterpiece the longer it runs. Epic!

Californian tech-house pioneer John Tejada is on remix-duty for "Invierno" and he blasts us away with the result. Deeper than deep and kick-ass house with a pushing detroit and KMS vibe. This one almost appears like a lost & found alltime techno and house classic and it will hit the Zeitgeist in Berlin, London, New York and Tokyo like no other release on Cocoon Recordings lately. This is ingenious clubfood for all the innercity hipsters and musiclovers and it simply makes us wanna dance! This! Is! Tech-House! Baby!
More

UPC: 827170146822 (CD)
Tracklist:
1. Pasaje 2. Brittle 3. Invierno 4. Angora 5. Inside Castle 6. There Is Pop 7. Blue Mint 8. Red Light 9. Crystal Sun 10. Strange Wave


Electronic music approximately 35 years after bands like Kraftwerk opened the magic box. A lot happened since then and it seems all is said, done and invented. However it is almost surprising that new things still pop up here and there when it comes to electronic music production. The reason for this can probably be found in the almost unlimited possibilities that electronics and computers offer to the artists and of course in the unwritten law that there are no boundaries that can't be crossed. So, even after all this time, it is great to see that the creative development keeps on going and going no matter if it is house, deep house, techno and most of it all: Listening electronics. "Synthetic electronic sounds, Industrial rhythms all around".

Let's focus on Ricardo Tobar: Born in Chile and now residing in France, Tobar picked the "creative border crossing" as the common thread for his album "Collection". Musical experimentation and crossing musical borders - Tobar refers here directly to the style and sound of the great new-wave-bands of the 80s and 90s. With the help and influence of their new electronic instruments (that often met classic rock guitars) the post-punk-electronic-movement turned almost everything upside down. No matter if the result was moody and mysterious or romantic and hedonistic, all sounded new and different back then and paved the musical path for a whole generation - the reverberations of that episode are noticeable until today.

Tobar plays with the musical approach of the post-punk-era, he mixes, merges and experiments fearless with styles and moods. He creates a wide range of "own styles" and even dives into abstract sound fields - listening electronic in best form! Ricardo Tobar breathes the air of his own musical universe and is not refering to the typical styles of this genre - you won't find any Detroit, Berlin or Sheffield reference here. Although produced in France, Tobar's album doesn't have anything of the sweet and lovely french listening touch. It also won't beam you into the north of England and the grey and cold Sheffield winter like so many other electronic albums try to do.

"Collection" contains full compositions, sound collages, experimental sounds and even proper beat based tunes. Tobar rather creates than produces and is presenting a bigger picture with his collection. Many electronic music artists are trying to do this however Tobar delivers a collection with an impressive range and it seems he did all this in an almost nonchalant way. He plays and combines his instruments and sounds at the same time very sensitive and harmonic but also brave and dissonant without risking to be inaudible at any point. He creates atmospheres by using electronic sounds and layers. Listening to the sound of "collection" almost appears like reading an acoustic book. This album is full of interesting sounds and ideas and is far from being boring or even too demanding.

Besides the mystic and experimental side "Collection" also contains energetic and trippy sounds. The expressive "Angora" is full of energy and captures the listeners imagination. In contrast to that "Crystal Sun" appears almost like a big after-hour anthem. With "There Is Pop" Tobar presents even a strong and ripped tune - banging and challenging. You see, there is place for everything here in "Collection". There is an introduction, the main part and an ending - as mentioned before: An album like a book, like an exciting book on top of that! "Collection" comes with musical chapters rich in variety and with quite some surprises.

Looking back at 35 years of electronic music it isn't easy to claim that we never heard something like "Collection" before, however we hardly can think of anybody else who compiled an album with such an amount of taste and entertainment like Ricardo Tobar did it here. This is for sure not just another musical assembly-line-product and we salute Tobar for the result that cannot be categorized the easy way. Tobar worked hard for this album and this is noticeable from start to end. He used his machines, synths and computers in full effect and presents a "Collection" that exactly functions like it is. Not a single tune on this album can be left out. This album is Ricardo Tobars musical portrayal and with holding so much energy, it will shine on for a very long time.


More

UPC: 827170591264 (2LP+CD)
Tracklist:
1. Pasaje 2. Brittle 3. Invierno 4. Angora 5. Inside Castle 6. There Is Pop 7. Blue Mint 8. Red Light 9. Crystal Sun 10. Strange Wave


Electronic music approximately 35 years after bands like Kraftwerk opened the magic box. A lot happened since then and it seems all is said, done and invented. However it is almost surprising that new things still pop up here and there when it comes to electronic music production. The reason for this can probably be found in the almost unlimited possibilities that electronics and computers offer to the artists and of course in the unwritten law that there are no boundaries that can't be crossed. So, even after all this time, it is great to see that the creative development keeps on going and going no matter if it is house, deep house, techno and most of it all: Listening electronics. "Synthetic electronic sounds, Industrial rhythms all around".

Let's focus on Ricardo Tobar: Born in Chile and now residing in France, Tobar picked the "creative border crossing" as the common thread for his album "Collection". Musical experimentation and crossing musical borders - Tobar refers here directly to the style and sound of the great new-wave-bands of the 80s and 90s. With the help and influence of their new electronic instruments (that often met classic rock guitars) the post-punk-electronic-movement turned almost everything upside down. No matter if the result was moody and mysterious or romantic and hedonistic, all sounded new and different back then and paved the musical path for a whole generation - the reverberations of that episode are noticeable until today.

Tobar plays with the musical approach of the post-punk-era, he mixes, merges and experiments fearless with styles and moods. He creates a wide range of "own styles" and even dives into abstract sound fields - listening electronic in best form! Ricardo Tobar breathes the air of his own musical universe and is not refering to the typical styles of this genre - you won't find any Detroit, Berlin or Sheffield reference here. Although produced in France, Tobar's album doesn't have anything of the sweet and lovely french listening touch. It also won't beam you into the north of England and the grey and cold Sheffield winter like so many other electronic albums try to do.

"Collection" contains full compositions, sound collages, experimental sounds and even proper beat based tunes. Tobar rather creates than produces and is presenting a bigger picture with his collection. Many electronic music artists are trying to do this however Tobar delivers a collection with an impressive range and it seems he did all this in an almost nonchalant way. He plays and combines his instruments and sounds at the same time very sensitive and harmonic but also brave and dissonant without risking to be inaudible at any point. He creates atmospheres by using electronic sounds and layers. Listening to the sound of "collection" almost appears like reading an acoustic book. This album is full of interesting sounds and ideas and is far from being boring or even too demanding.

Besides the mystic and experimental side "Collection" also contains energetic and trippy sounds. The expressive "Angora" is full of energy and captures the listeners imagination. In contrast to that "Crystal Sun" appears almost like a big after-hour anthem. With "There Is Pop" Tobar presents even a strong and ripped tune - banging and challenging. You see, there is place for everything here in "Collection". There is an introduction, the main part and an ending - as mentioned before: An album like a book, like an exciting book on top of that! "Collection" comes with musical chapters rich in variety and with quite some surprises.

Looking back at 35 years of electronic music it isn't easy to claim that we never heard something like "Collection" before, however we hardly can think of anybody else who compiled an album with such an amount of taste and entertainment like Ricardo Tobar did it here. This is for sure not just another musical assembly-line-product and we salute Tobar for the result that cannot be categorized the easy way. Tobar worked hard for this album and this is noticeable from start to end. He used his machines, synths and computers in full effect and presents a "Collection" that exactly functions like it is. Not a single tune on this album can be left out. This album is Ricardo Tobars musical portrayal and with holding so much energy, it will shine on for a very long time.

More

For Dutch artist Stefan Vincent, the feeling of melancholy also offers the opportunity for beauty to be found.
“Decay and loneliness can serve a purpose. Depression can teach you things. To feel deep sadness also means the ability to feel profound emotions.” he says. With this in mind, his debut album on MUSAR Recordings, “Post- Melancholy”, unpacks the twists and turns of grappling with this emotion, drawing from breaks, electro and IDM to make his most intricate work to date, after previous releases on Token, Dynamic Reflection, Symbolism, and Non-Series.

Throughout “Post-Melancholy” Vincent traces the wave of melancholy and how it moves through the body, which allows for lighter moments alongside darker moods. Perhaps the lightest track on the album is its acidic-breaks opener, “Eyes Unclouded”, with its soaring acid lines and dazzling synths, which acts as a false pretense for the rest of the album. Tracks like “Poise”, “Arpeggino” and the meditative “Yonghegong Lama Temple Exit F” also break up the intensity. However, nestled between the more pacey, bass-weighted tracks on the album, these lighter openings still feel like tear-jerkers.

The more common associations of melancholy show up on tracks like “Another Skin To Wear” and “You Know This Isn’t Going To End Well”, which all create a more ominous feel via IDM and the polyrhythmic structures of drum’n’bass. Particularly on “Another Skin To Wear”, which borrows its name from a Radiohead lyric, the track's swooping motion feels realistic to melancholy’s chaotic and often unpredictable path. But, like all great storytellers, Vincent leaves the most poignant moment of the album for last with the rolling “8AM on the Train… (For Maarten)” devoted to his dear friend, Maarten, who sadly passed away at the young age of 36.

This LP is dedicated to Maarten de Vries (1986-2022)

A1. Eyes Unclouded / 05:20
A2. Another Skin To Wear / 05:28
A3. Poise / 06:13
A4. Arpeggino / 05:15
B1. You Know This Isn't Going To End Well / 05:22
B2. Yonghegong Lama Temple Exit F / 05:38
B3. Anhedonic / 05:38
B4. 8AM On The Train To Work You Ask Me To Send You Something That Makes Me Happy (For Maarten) / 06:01 More

Genre: House / Techno

In Japanese, the word “Guru-Guru” refers to the state of spinning, whirling.?
This state is captured in the work of Japanese artist Hoshina Anniversary, who makes his third appearance on MUSAR with his EP Guru Guru and marks the return of the label after an extended break.

Hoshina’s self-titled brand of ‘Watechno’ has appeared on well-loved dance music labels like ESP Institute, Volvox’s Jack Dept and Young Marco’s Safe Trip,
alongside MUSAR where he also appeared as Shifting Gears back in 2022; an electronic-jazz-centered moniker.

His Guru Guru EP captures the latest snapshot of Hoshina’s sound and sees him draw from Japanese language as a through-line.
The title track is the clearest representation of his ‘Watechno’, where he uses Japanese instrumentation on top of a menacing EBM-style march. The track's slowly whirling momentum is the “Guru-Guru”.

On tracks like “Banri”, which means far away in Japanese, we see new shades to Hoshina’s work as he mixes a Japanese Wadaiko drum groove with acidic elements and piano melodies to make a track of contradictions which pairs roughness with elegance. Whereas on “Usagi”, Japanese for rabbit, Hoshina fires up the BPM.
Piano melodies remain here but their effect is more drifting and emotive than on “Banri”.
“Kaga” is named after a place in the southernmost part of Ishikawa Prefecture, between Kanazawa City and Fukui City.
On this track, Hoshina’s love for jazz comes through and even mirrors the work we heard from him under Shifting Gears.

Tracklist

A1. Guru Guru / 07:31
A2. Banri / 05:53
B1. Kaga / 07:16
B2. Usagi / 08:36
More

Limited 12'' edition transparent crystal vinyl (150 copies) in a PVC sleeve with inner printed artwork.

Melancholy, the feeling, is often associated with darkness and deep depression. For
Dutch artist Stefan Vincent, within the experience of melancholy there’s beauty to be
found. “Decay and loneliness can serve a purpose. Depression can teach you things.
To feel deep sadness also means the ability to feel profound emotions.” he says.
For his debut on MUSAR Recordings, “Pre Melancholy” EP, Vincent channels these
notions of Melancholy into three tracks that draw on darker moods but also reflect
beauty in their intricacy and the atmospheres they create. This EP acts as a
precursor to his forthcoming album on MUSAR, “Post Melancholy” which is due in
September.
“Mono No Aware” and “Yonghegong Lama Temple Exit F” are both taken from the LP,
placed side by side with “Agent of Distraction”, an exclusive track from Vincent for
this EP only. We’re also pleased to have Montreal-based musician Priori on the remix
of “Yonghegong...”. His rework draws further emotion from that of Vincent’s by
slowing the pace and bringing delicate melodies to the forefront; it’s one for
introspection.


A1. Mono No Aware / 06:18
A2. Agent of Distraction / 05:08
B1. Yonghegong Lama Temple Exit F / 05:38
B2. Yonghegong Lama Temple Exit F (Priori Remix) / 05:44 More

Genre: House / Techno

We commence with a warm and bouncy UK acid house vibe. We conclude with a beguiling 'Boards of Canada' style electronic bubble bath. We're treated to an array of flavors and an outstanding S.O.N.S remix in between. It can only be MUSAR and another compelling collection from Ricardo Tobar.
With a discography that started on Border Community and includes the likes of Co-coon and ESP Institute as well as MUSAR, Chilean Ricardo's credentials speak for themselves.
His music does, too. Constantly playing with themes of displacement, disorientation and delight in his fusions, 'Our Violence' was inspired by the ongoing discussions of cultural appropriation. At its heaviest, on tracks like the Isolee-esque 'Our Vio-lence' and S.O.N.S's SYO rolling breakbeat remix of 'La Femme Aux Masques', we're thrust deep into the most hypnotic of dances. At its most esoteric and experi-mental, tracks like 'Mineral' and 'La Femme Aux Masques', we're taken to places we didn't even know existed. Places that refuse to accept current formulas or standards and take us outside the box - where MUSAR always loves to be.

Tracklist 12":

A1. Our Violence (S.O.N.S Remix) / 07:24
A2. La Femme Aux Masques (SYO Summer of Love Remix) / 07:44
B1. La Femme Aux Masques / 04:56
B2. Mineral / 08:36

More

12’’ Transparent EP Vinyl (limited edition to 150 copies) with insert printed artwork.

Three deep excursions from the superb J.Wiltshire and a remix from Konx-om-
Pax to back them up.

UK-born, Berlin-based, J.Wiltshire (Hypercolour/Super Hexagon) returns to MUSAR for
a deep excursion with Planet Mu's Konx-om-Pax on remix duties.
The tracks came to fruition in Berlin during a time in society when everything was closed
and there was a huge layer of uncertainty across the globe. "I was channelling my
interest in the introspective side of trance and finding comfort in what I was creating. It
was sort of like going back to using processes from when I first started making dance
music."
With three original tracks on the EP, 'Luv 44' opens the EP with a pulsating boom-bap
groove and atmospheric synth work via acidic licks from the SH-101. 'The Number
Counters' boasts sporadic analogue delay with white-noise snare drums and haunting
ostinatos. 'Trails' is a welcoming, sluggish roller that chugs into oblivion, making for an
idyllic warm-up excerpt for the club.
On remix duties, special guest Konx-om-Pax is summoned to bring his own
interpretation of 'The Number Counters'. As an artist, you may recognise Konx-om-Pax’s
visuals for Warp, Mogwai, Underground Resistance, Oneohtrix Point Never, Hyperdub,
Advanced Beauty and LuckyMe. Oftentimes when turning his hand to production, the
Planet Mu signee develops the original elements and pushes them into new territory via
a host of analogue effects chains. Among the mix is a hypnotic and continual breakbeat
that dips in and out dynamically, plus a host of improvised effects that sporadically paint
over the mix like a beautiful and chaotic tapestry.

Tracklist 12":
A1. Luv44 / 05:21
A2. The Number Counters (Konx-om-Pax Remix) / 05:24
B1. The Number Counters / 05:08
B2. Trails / 04:26

More

Transparent EP Vinyl (limited edition to 150 copies) with insert printed artwork

Pera Sta Ori is the pseudonym of greek sound artist and producer,
George Kontogiannidis. Professing a futuristic style, his music blends
senses from DnB, IDM and bleep. Bursting into the general
consciousness back in 2017, time has only seen this promising artist
grow with releases on brokntoys, Furthur Electronix and Yellow
Machines. He now readies his next EP with us at MUSAR, titled
‘IMMI’.
Short for ‘Immigrant’, ‘IMMI’ EP is dedicated to uprooted people.
Within, Pera Sta Ori explores an imaginary world in which misery is
erased from memory. Projecting into vast expanses, each track
forms an echo chamber. From the urgent and frenetic vocals of ´SCATTER 0^’, layered with crunching percussion and swarming
bass, to the ambience of ‘Bouncing/Lassitude’ and downtempo
quirks of ‘CIN1’, Pera Sta Ori provides a variance of headscapes to
slip into.
Chilean celestial spark Kamila Govorèin creates her own world on
the remix of ‘CIN1’. Jagged percussion ripple and ricochet with nearindustrial
inflections. Peppered with openings of etherealism, the
samples of the original glide whilst Govorèin keeps things driving
with four-to-the- floor punches.

Tracklist 12":
A1. SCATTER 0ˆ / 04:02
A2. CIN1 / 05:02
B1. CIN1 (Kamila Govorcin Remix) / 05:21
B2. BOUNCING/LASSITUDE / 04:04 More

After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall
arrives on MUSAR for a record typically rich in tex- ture andunderstated grooves.
Opening track ‘Linium’ immediately seduces listeners with a complex drum pattern that somehow feels spacious, subtly
twisting and turning it’s way around Hall’s analogue world.
Dutch artist Mattheis maintains this understated feel but adds a soft, compelling kick in response on his suspenseful remix of
‘Lavandula’. The original, moodier version of this cut the follows to open the B side, gradually erupting around a killer distorted bassline.
The EP continues to hit a more urgent note with the tense machinations of ‘Silene’, where dense layers of stuttering,
frenetic drums interweave with Hall’s trademark, melancholy keys. The record concludes on a weightless, transcendent note
with ‘San- tolina’, taking each visceral element featured thus far and slowing each down, with af- fecting results.
Indebted to vintage electro and IDM, Hall’s music is no throwback, always looking for- ward and moving dancefloors in the most unexpected ways.

Tracklist 12":
A1. Linium / 05:17
A2. Lavandula (Mattheis Remix) / 06:02
B1. Lavandula / 04:44
B2. Silene / 05:25
B3. Santolina / 04:51
More

MUSAR is honoured to welcome Bulgaria's electro-synth pioneer
MANASYt with a new five- track EP, the first in a three-part series.
'Reality Defense Department' will be the Bulgarian's first new material
since 2012.
Petar Tassev aka MANASYt, hails from the twilight zone. Growing up
with the blacks swans in the forest of communist Bulgaria, listening to
metal and hardcore music then interpreting the moody, roughness
together with inspirations from electronic new-wave music to a raw,
pure and dark adventure bubbling with madness.
'Reality Defense Department' is a future horror movie soundtrack.
The first track 'Memory Imprints' is a pure psychedelic-trip into the
mental clinic for clockwork orange droogs, while the second track
'Mobile Pharmacy' evokes an apocalyptic alien attack. 'Orthodox
Spanking' is a dark, wayward fetish party electro track full of postpunk
elements, fit- ting for an artist given to performing live in a
rubber 'gimp' mask.
A pair of remixes are supplied by Brooklyn's wonder girl 'Via App' with
a deep, dark and gothic techno rework for the late dazed hours of the
morning and Norwich's kept secret, Wax Stag (an occasional
collaborator with Bibio and Clark) that delivers a dreamy, cosmic twist
that will linger in your consciousness for a long, long time to come.

Tracklist 12":
A1. Memory Imprints / 05:52
A2. Mobile Pharmacy / 04:01
A3. Orthodox Spanking (Wax Stag Remix) / 05:25
B2. Mobile Pharmacy (Via App Remix) / 09:08
B3. Orthodox Spanking / 04:16
More

Following 12"s from Ricardo Tobar and MANASYt, the third
release on Tel Aviv's MUSAR welcomes rising UK star and
Super Hexagon label boss, J.Wiltshire.
The Laghan Pux EP finds Wiltshire sharing his psychedelic
electronic side and brings his versatile skills together, serving
up four completely different soundtracks.
The gleaming sci-fi gem 'DESklep' opens the EP as a pure
melodic IDM track loaded with Cornwall style while the bassheavy
title track 'Laghan Pux' is pumping as a dark & sharp
peak-time trippy beast.
Next up, the mysterious Roy of The Ravers, gives you an interpretation of what proper acid sounds like, whereas
'Chained Releases' takes you on a deep and hypnotic
adventure into space, full of warm guitar melodies and trancey
synths.
'Summon Them' closes the EP, an ambient magic piece for a
hazy, orange morning where the birds just woke up and the
trees singing for the first time to break the day.

Tracklist 12":
A1. DESklop (photomix) / 03:59
A2. Laghan Pux / 04:25
B1. Laghan Pux (Roy Of The Ravers Euro 303 Remix) / 06:07
B2. Chained Release / 04:27
B3. Summon Them / 02:58
More

Genre: House / Techno

Following celebrated releases from Annie Hall, J.Wiltshire, MANASYt and Mental
Overdrive, Amsterdam based label MUSAR returns to Ricardo Tobar for ‘Nadivi’, two
earthy electronic trips, accompanied by a bewitching remix from Legowelt.
On this exciting release, Chilean-born Tobar continues his knack of blending the live
tones of krautrock and electronica with a house and techno pulse, in a style not
dissimilar to Luke Abbot or James Holden (Tobar has previously released on the
latter’s imprint, Border Community.)
Title track ‘Navidi’ finds him at his offbeat best, a genuinely progressive and
psychedelic rolling house number that blossoms into something surprisingly epic
while utilising only weirdo textures, askew basslines and otherworldly samples.
Legowelt, meanwhile, flips the energy of the original into an acid bath, blending his
typical grit with a halcyon and dare we say, surprisingly funky bassline!

Retaining the weirdo spirit of its source material. Finally, on the memorably titled ‘The
Structures Of Summer Are Within Us’, Tobar rolls out a wistful, cathartic live jam that
blossoms into something curious and perhaps unexpected, reminiscent of Silver
Apples or Animal Collective.
Staking further claim as one of the most naturally innovative and feeling producers in
the electronic music landscape, ‘Navidi’ is that rare sort of dance release;
propulsive, intriguing and refreshingly lovely.

Tracklist 12":
A1. Nadivi / 07:50
B1. Nadivi (Legowelt Remix) / 05:52
B2. The Structures Of Summer Are Within Us / 7:48 More

Genre: House / Techno

12" EP Vinyl (Limited edition to 150 copies) in a PVC sleeve with paper inner + MP3 Code.

MUSAR continues to explore the healthy landscape of underground and alternative
electronic music with the debut release on the label from Nightwave. ‘The Journey’
is a fitting title for the Glaswegian producer, DJ and promoter, who has been a
lynchpin for the city’s vibrant music scene since her first release in 2010. In the time
since, Nightwave has a developed a punchy and highly original sound that blends
potent influences of acid, techno and forward-thinking bass music, with releases on
DABJ, UTTU, Fool’s Gold, DEXT and her own imprint Heka Trax.
For her MUSAR debut, Nightwave celebrates, in her own words, “joy, dance,
exploring inner worlds, the celebration of nature and life and how it all
interconnects”. On a delicate tip, opening and title track ‘The Journey’ establishes
the EP’s “rainforest rave” aesthetic, spiralling upwards with weightless energy. It’s
underlying percussion steps forward on ‘Jiboia Groove’, which blossoms thrillingly
into wave upon wave of ethereal, breakbeat-led rave.

Tracklist 12" + mp3 DL
A1. The Journey / 05:10
A2. Jiboia Groove / 05:40
B1. Monkey Puzzle / 06:20
B2. The Journey (Violet Remix) / 06:05

Digital Only. Forest Guru / 04:26
More

12" EP Vinyl (Limited edition to 150 copies) in a PVC sleeve with obi strip.

Toyko’s Hoshina Anniversary has risen to particular prominence in recent
years with his self-titled brand of ‘Wa- techno’. Stylistically fusing traditional
Japanese instrumentation with Chicago and Detroit sensibilities, his works
have found homes on ESP Institute, Young Marco’s Safe Trip and
Amsterdam-based MUSAR Recordings.
Landing on the latter, MUSAR, little over a year ago with ‘Zangai’ EP,
Hoshina returns under a new cloak, Shifting Gears, to present ‘Evil’ EP.
Named after the 1975 ‘Gears’ LP of jazz and hard bop organist, Johnny
Hammond, the Shifting Gears moniker focuses heavily on principles of Jazz
and raw musicianship, with a continued exploration of machine-reared club
sounds. How the two can take shape as one.

Tracklist 12":
A1. Senor Senorita / 06:19
A2. Evil / 06:53
B1. Miyatsukomaro / 05:09
B2. Syndicate / 06:08
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A name, a man, an attitude, Amsterdam Dj and producer San Proper is one that
needs very little introduction. His intricately minimal, yet highly musical
productions have seen the light of day on Dekmantel, Perlon and Rush Hour
Records alongside his own label, Proper’s Cult.
Now, this renowned crazy cat presents a new set of works, ‘Home’ EP with
MUSAR Recordings.
Teaming up with drummer, producer and long-time collaborator, D. (real name
Derek Van Beelen) who has also appeared solo on ‘Proper’s Cult’, the two come
together on ‘Home’ to explore the genre of house; expanding it into new,
idiosyncratic forms.

Tracklist 12":
A1. Home / 07:12
A2. Get On Down / 06:44
B1. Home (Hoshina Anniversary Remix) / 06:24
B2. Licks & Tech / 03:41
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