FIRST PRESSING WITH LIMITED COLORED SLEEVE!!!
"New EP showcases the Minus talent's 'voxplosion' production technique for vocals
"Fans can enter the Voxplosion contest for the chance to get their own voice 'voxploded' by JPLS, with the results featured as downloads on m-nus.com
Returning from "the depths", JPLS drops his hotly anticipated new release this October. The Voxplosion EP finally reveals key pieces that have woven themselves throughout Richie Hawtin's sets for the past year, tracks that have stood out for their fearless creativity and unconventionality - all the traits that epitomize why JPLS has made a perfect addition to the Minus roster. Voxplosion Puss leads the way with an endless vocal statement constantly collapsing in on itself. Words fray and splice into each other as tones dissolve. Delays fragment and build up to an apex of razor sharp flange leading to an ending that will loop flawlessly back into the beginning as if diving deeper into a fractal. Voxplosion Escape's more dire tone focuses on a conversation regarding one's hopeless and inevitable fate. Radio distortion twists in the background as signature JPLS vocal modulations tear apart. Psychedelic atoms of sound snake their way through to the end until a climax of words echos into the void. Both clips are beatless and ready to jump in a set of any genre...as long as you are ready to make the party voxplode. Accompanying Voxplosion is what has happened to the mind of JPLS after constantly warping and looping vocal cuts; Voxcycle. Voxcycle A starts sparsely with a gravity-defying bassline and sharp vocal stabs. The track continually falls back into itself interchanging rhythmic and tonal elements. The peak slips into action as bass pulls the beat back in line and percussive elements slither their way around a hybrid vocal-based snare. Voxcycle B opens up like a tense computer trying to diagnose its own madness. Fragmented vocal cuts pop into the beat as a sigh of relief drops the kicks into an ulra low frequency echo. Bass pushes the track forward as the tension rises leading into a break of metallic hats and distorted pulses of vocal perplexity. JPLS makes the machine's speech even more abstract as the beat reduces into bass infused loops of rhythmic vocal percussion.JPLS reigns supreme as one of Minus Records' most reduced and experimental sonic explorers. As such, the Voxplosion EP is anything but linear; twisting and turning in multiple dimensions beyond our own world and into a future of synthetic intelligence. When the machine start speaking to you, how will you respond?


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Tracklisting:
A1: Illos (7:09)
A2: Edge (7:11)
B1: Return (6:38)
B2: Frostbite (7:12)
Info:
Joran van Pol is back on Minus with Edge, a fantastic four track EP that is his first on the label since 2013. In the years since, the Amsterdam based artist
has set up his own FADE label and has continued to evolve his cinematic techno sound.
Previously, van Pol has also released on labels like Rejected, SCI+TEC and Ideal Audio, and has the support of all the big techno players who often reach for his tunes in their sets. As a DJ he is just as in demand, with headline slots everywhere from Space Ibiza to Time Warp all behind him. Having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. ‘Illos’ opens things with seven spooky minutes of icy techno. Rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. Next comes title track ‘Edge’, another brilliant sonic landscape with tense chords repeating over ticking percussion. It’s a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness.
The perfectly high pressure ‘Return’ is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. A dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brainmelting bit of futuristic techno.
Last but not least, ‘Frostbite’ is then the most spacious and spooky offering of the lot. It has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. It’s an absorbing cut that hurries along and takes you for a thrilling ride.
These are four more inventive techno tracks from one of the contemporary scene’s brightest stars.

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3LP Album
Move D, Jonah Sharp, Juju & Jordash build the new supergroup The Mulholland Free Clinic. Their self-titled debut LP release is the recording of their second ever improvised, allhardware live set which emphasizes the ongoing paradigm shift in live electronic music.

Tracklist
A Vital Signs
B Boneset
C Gone Camping
D Ebb & Flow
E The Dawgs Are Alright
F1 Dr. Leary
F2 Pillow Therapy

Even though they've only played together on three occasions since 2013, The Mulholland Free Clinic has already been praised as one of the ultimate collaborations when it comes to underground and improvised electronic live music. Move D, Jonah Sharp, and Juju & Jordash build this so-called super-supergroup by combining their individual and mutual projects rEAGENZ and Magic Mountain High. Using an armada of analog hardware, The Mulholland Free Clinic's self-titled debut album is the product of a live set recorded at Berlin's emerging party series AWAY at ://about blank in August 2016. Consequently, the connected vinyl label Away Music is set to release its first long player following four 12-inches with appearances by Joe Claussell, Mr. Ties, Move D, Discrete Circuit, and its very own AWAY Soundsystem.

Their three-hour long, totally improvised jam session was edited down to a little over

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3LP Album , Deluxe Gatefold, Matt Varnish , Black Innersleeved

Tracklisting:
A1: Wirelife B1: Stringtest B2: Facefall C1: Doorway D1: Rubdown D2: Out Too E1: How’s That F1: For Balance F2: On The Way
Info:
Jon Gaiser returns with full length album ‘III’ on Minus
Throughout his career, Jon Gaiser has been synonymous with forward thinking techno and
sensory stimulating live audiovisual shows. Mixing up both analogue and digital recording
techniques, his abstract music never fails to be both cerebral and cinematic as well as fresh
and physical, never ceasing to place you right in the center of his own special universe.
Since 2014’s ‘False Light’, Jon has continued to headline shows around the world, while
constantly producing new material to test in his live sets. Always evolving whilst remaining
true to his singular vision for techno, this trained percussionist and skilled drummer once
again confounds expectation with his latest opus.
New Release Information
The album kicks off with the introductory ‘Wirelife’. Rolling beats underpin a percolating
synth line and sci-fi sound effects that immediately get you in the groove. ‘Stringtest’ and
‘Facefall’ seamlessly round out the first chapter with oodles of pure minimal funk and
rubbery bass, curious song details and subtle effects. The next chapter touches on darker,
hard hitting rhythms in ‘Doorway’, freaky dehumanized vocals with ‘Rubdown’ and choppy
house styles on ‘Out Too’, but all exude humid atmospheres and an inviting sense of
otherworldly charm. The last trio of tracks completes this fascinating story with the
shuffling drums of ‘How’s That’, the colorful melodies of ‘For Balance’ and playful
widescreen vibes of ‘On The Way’.
When all the tracks here are added together into one musical experience, it makes for a
fluid, expertly programmed ride that takes you somewhere new and exciting, as is always
the case with the one and only Gaiser.

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Tracklisting:
A: On The Way
B: On The Way (Dubfire Remix)
Info:
Long time MINUS artist Jon Gaiser is back with his fourth studio album on Richie Hawtin’s influential techno label, simply entitled ‘III’.
The first signals from the album are sent with March single ‘On The Way.’ It is a funky track with wriggling synths executed in undeniable Gaiser fashion. Textured hi hats and loopy bass all work on sucking you into the colorful and trippy groove. Add into the package a typical big remix from SCI+TEC boss and techno megastar Dubfire and you have one of the most essential releases of 2017.

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Special remarks : 12" with printed sleeve, 180g Vinyl
Tracklist:
A1 Coar Julian Jeweil Remix / A2 Has To Do Justin James' 519 Flip
B1 Sheep Monoloc Remix / B2 Girl One Cosmic Boys Remix
Shortinfo:
Originally released on Richie Hawtin's Minus label a decade ago, Restore stands alone as Houle's very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. Spread across three 12"s & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by Hawtin and the rest of the Minus crew, while retaining a strong sense of Houle's unique character and identity. Now it's the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and Marc has called in some of the very best in techno talent to give Restore a fresh makeover. The selection of artists who've contributed to the 'Restored' project includes heavyweights such as Joris Voorn, M.A.N.D.Y. and Popof together with additional reworks from stars of the new generation such as Danny Daze, Julian Jeweil and Harvard Bass, all giving his tracks a new lease of life. In addition, Houle himself has also stepped up to offer a new contemporary take on his own music, collaborating with vocalist Genevieve Marentette on 'Demor'. "Restore was the beginning of it all for me. It was influenced by the sounds of Detroit and the endless parties I went to there in the 90s. It was my first album and to me it had the perfect balance of darkness, groove and electronic sounds. 10 years later, I am excited to present Restored with some modern interpretations on old tracks by some friends and colleagues who have kept the party going throughout the world."- Marc Houle


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Special remarks : 12" with printed sleeve, 180g Vinyl
Tracklist
A1 Borrowed Gear Joris Voorn Remix / A2 Talk To Me Baby Danny Daze Doom Dub
B1 Clock Width Havard Bass Remix / B2 Late For Work Popof Remix
Shortinfo:
Originally released on Richie Hawtin's Minus label a decade ago, Restore stands alone as Houle's very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. Spread across three 12"s & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by Hawtin and the rest of the Minus crew, while retaining a strong sense of Houle's unique character and identity. Now it's the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and Marc has called in some of the very best in techno talent to give Restore a fresh makeover. The selection of artists who've contributed to the 'Restored' project includes heavyweights such as Joris Voorn, M.A.N.D.Y. and Popof together with additional reworks from stars of the new generation such as Danny Daze, Julian Jeweil and Harvard Bass, all giving his tracks a new lease of life. In addition, Houle himself has also stepped up to offer a new contemporary take on his own music, collaborating with vocalist Genevieve Marentette on 'Demor'. "Restore was the beginning of it all for me. It was influenced by the sounds of Detroit and the endless parties I went to there in the 90s. It was my first album and to me it had the perfect balance of darkness, groove and electronic sounds. 10 years later, I am excited to present Restored with some modern interpretations on old tracks by some friends and colleagues who have kept the party going throughout the world."- Marc Houle



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Special remarks : 12" with printed sleeve, 180g Vinyl
Tracklist
A1 Business M.A.N.D.Y. Remix / A2 Demor Marc Houle and Genevieve Marentette Edit B1 Pepper Monkey Safari Remix
Shortinfo:
Originally released on Richie Hawtin's Minus label a decade ago, Restore stands alone as Houle's very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. Spread across three 12"s & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by Hawtin and the rest of the Minus crew, while retaining a strong sense of Houle's unique character and identity. Now it's the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and Marc has called in some of the very best in techno talent to give Restore a fresh makeover. The selection of artists who've contributed to the 'Restored' project includes heavyweights such as Joris Voorn, M.A.N.D.Y. and Popof together with additional reworks from stars of the new generation such as Danny Daze, Julian Jeweil and Harvard Bass, all giving his tracks a new lease of life. In addition, Houle himself has also stepped up to offer a new contemporary take on his own music, collaborating with vocalist Genevieve Marentette on 'Demor'. "Restore was the beginning of it all for me. It was influenced by the sounds of Detroit and the endless parties I went to there in the 90s. It was my first album and to me it had the perfect balance of darkness, groove and electronic sounds. 10 years later, I am excited to present Restored with some modern interpretations on old tracks by some friends and colleagues who have kept the party going throughout the world."- Marc Houle




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Barcode: 815349012382 Released: 12.1.2015
TRACKLIST
A1: Strangers A2: Oozewave B1: Say What? B2: Droplets C1: Want Some C2: Reflekts D1: Dirty Tricks E1: Spillage F1: Driftwork F2: Way Out
Info:
A key member of the Minus family for almost a decade, Jon Gaiser is to release False Light, his third artist album on Richie Hawtin's label in autumn 2014. The ten-track affair shows the American born, Berlin based techno innovator to have continued to evolve since his last full length and again is a very complete and contemporary techno tale. Since 2005, Gaiser has been at the heart of the minimal techno movement. His hugely atmospheric EPs and LPs have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals. Says Gaiser of his working methods: "I've always been a big fan of analog gear, both old and new. I'm also a big fan of new digital technologies that create sounds that have never been heard before. I prefer to have the best of both analog and digital worlds working together, to make the most creatively flexible production environment as possible." As well as working as VOID, Gaiser is also a revered live performer who creates immersive on-the-fly soundscapes using Ableton MIDI controllers and Maschine, and regularly performs at some of the world's best festivals and club nights, including Hawtin's own ENTER. nights at Space Ibiza. A trained percussionist and sometime punk rock drummer, around the age of 15 Gaiser discovered the underground techno scene in Detroit and "was completely intrigued by the energy of the music" and so began collecting drum machines, synthesizers and FX units to build a studio in his teens. Before long he impressed techno innovator Richie Hawtin, was signed to Minus and soon began releasing on the seminal label. Playing in Europe so often meant the natural thing for him to do was to move to Berlin, and it is from there that his sound has flourished. The new album was written with a specific approach in mind, as Jon explains: "My main idea while working on this album was to go into the studio and have as much fun as possible. I wanted to create something where each track complemented each other, where all of the tracks relate to each other in a way so that the whole album tells a story. But ultimately, I wanted it to be a fun story." And that sure is the case, because everything here comes with a playful percussive line, a wiggling synth lead of the sort of baseline that cannot be ignored. Opening up with 'Strangers', a squelchy groove is established immediately with ghoulish voices bringing lots of dark energy to the thumping drums. From there a high tempo is kept up with the likes of 'Oozewave' and its spritely, squealing synths, 'Say What' and its rubbery drums and always percolating baseline and the superbly synthetic and rolling 'Droplets', which sounds like classic Gaiser. The second half of the album unfolds through kinetic, funk led affairs like 'Reflekts' with its pained and lingering synths, the tightly coiled and apocalyptic sounding 'Driftwork' and then shuts down with the lush ambient textures and liquid synths of 'Way Out'. Tied together by a keen sense of rhythm and playful sense of off kilter melodic charm, False Light is Gaiser's most complete artistic statement yet. An extensive tour is planned to support the album, featuring a brand new visual show, created by accomplished Turkish artist and director Ahmet Said Kaplan.






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Barcode: 815349012399 Release Date Physical: 20.10.2014
TRACK LISTING:
A1. Let's Dream A2. Only You B1. No Games B2.Gatescape C1.Pluss Basss C2.Longituden D1.Away From Home D2.Ying Yang
Info:
After a three-year production hiatus, Barcelona's techno kingpin Paco Osuna returns with not only a new release for Richie Hawtin's Minus label, but also his debut LP, entitled Long Play-eight precision tracks, purpose-built for the dance floor in his inimitable style.Long Play is a meeting point of Paco Osuna's past and his future. The product of nearly 20 years behind the decks from early residencies at Amnesia in the late '90s, to an integral role in Hawtin's current ENTER. events at Space and a push forward for techno, house, minimal, and tech-house, Long Play's sleek and exuberant tracks are thread together by Osuna's always-addictive basslines. "The bassline is my obsession," he says-the key ingredient to making picture-perfect techno and playing incredible, unflaggingly energetic DJ sets. After taking a lengthy break from production to focus on his busy performance schedule, Osuna worked on Long Play in fits and starts. But the album really came to life after the recent birth of his son. "I had this really crazy idea to record him crying or making noises, and put it in a track. Thank god I didn't do that," he says with a laugh. "I knew I needed to do something serious." What resulted was this suite of dance-floor tracks that succinctly represent what Osuna's fans have come to expect from his legendary DJ sets. "Soft, hard, funky... I'm very open-minded, and I like to play everything," he explains. Gentle congas and a swerving bassline make "Let's Dream" the "perfect track for an afterhours," Osuna contends. It's followed by a divebombing bass synth that punctuates the hearty tech-house thump of "Only You." "Nop Games" brings to mind Osuna's slick minimalist moments, and "Gate Scape" fills the gaps in between with a quickened pace with upbeat drums. He continues in that vein, with the insistent tick of "Pluss Bass" working for more frenzied moments. "Because it's super-crazy and people go crazy when I play it," he notes. Elsewhere, Osuna takes a restrained detour on "Longituden" for a low-slung dance-floor workout, and on the darker "Away From Home," he points inward for a more cerebral transitional track. Lastly, "Ying Yang" starts off sleek and laidback, but crescendos with a burst of sensuality-the perfect way to tie these eight pieces together. Assembling these genre-spanning tracks at his home studio in Barcelona was an arduous process, which involved late-night sessions scheduled around his newborn, occasionally producing on headphones, and even moving houses, but from the bustle emerged a newfound focus. "I just wanted to do something that I can say to my son in the future, 'I made this album right when you were born, and you were my inspiration,'" he says. His duties as a new father aside, Osuna continues to balance running his Mindshake label, maintaining his post at ENTER., and producing his own longstanding Club4 events in Barcelona, all of which played an important role in the genesis of Long Play. "Playing music for other people, seeing their reactions, hearing weird sounds and wondering how the producer got them when I go back home, I try to remember how I felt when I heard those sounds, and bring those emotions to my music," he says. With a lifelong dedication to making the highest quality techno, and a passion for making people move, for Osuna, Long Play is as much a look inward as a look outward deep progressions, hard percussion, funky moods, and blissful moments of transition all coalescing into a pure expression of his modern techno sound.


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Barcode: 815349012375 Released: 20 October 2014
Info:
A key member of the Minus family for almost a decade, Jon Gaiser is to release his lead single "Krakdup" preceding his full length release "False Light" in November. Since 2005, Gaiser has been at the heart of the minimal techno movement. His hugely atmospheric EPs and LPs have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals. Says Gaiser of his working methods: "I've always been a big fan of analog gear, both old and new. I'm also a big fan of new digital technologies that create sounds that have never been heard before. I prefer to have the best of both analog and digital worlds working together, to make the most creatively flexible production environment as possible." As well as working as VOID, Gaiser is also a revered live performer who creates immersive on-the-fly soundscapes using Ableton MIDI controllers and Maschine, and regularly performs at some of the world's best festivals and club nights, including Hawtin's own ENTER. nights at Space Ibiza. A trained percussionist and sometime punk rock drummer, around the age of 15 Gaiser discovered the underground techno scene in Detroit and "was completely intrigued by the energy of the music" and so began collecting drum machines, synthesizers and FX units to build a studio in his teens. Before long he impressed techno innovator Richie Hawtin, was signed to Minus and soon began releasing on the seminal label. Playing in Europe so often meant the natural thing for him to do was to move to Berlin, and it is from there that his sound has flourished. An extensive tour is planned to support the album, featuring a brand new visual show, created by accomplished Turkish artist and director Ahmet Said Kaplan.
Album Teaser: https://www.youtube.com/edit?o=U&video_id=10mg1q0Kr68
TRACKLIST
A1: Krakdup
A2: Where Are We


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Barcode: 815349012368 Release Date Physical:15.12.2014
TRACK LISTING: A: Genome (Main Mix) B: Genome (Sebastian Mullaert Remake)
Inspired in equal measure by analog synthesizer technology and the lush Swedish countryside, Genome marks the first collaboration between veteran techno producers Patrick Siech and Minilogue's Sebastian Mullaert, with part one of the three-EP series appearing on Richie Hawtin's Minus label. Recorded live to tape last spring, the four tracks that comprise Genome 1 make for a transformative dancefloor experience that morphs and swoops its way through soulful, sweaty analog techno with flourishes of 303-style acid. Mullaert and Siech met in their hometown of Malmö, Sweden, back in 2000, when Mullaert was premiering his Minilogue project live with partner Marcus Henriksson. Siech opened that show with his very first public DJ set. The pair kept in touch over the years in the small but tightknit scene, and when it came time for Mullaert to set up his new studio in the small forest village of Röstånga, an hour outside of the city, he enlisted Siech's help, which led to a week of intense experimentation and lengthy analog-synth jams. "That was the real door opener for us," says Mullaert. "We didn't have any concept or vision in mind for it, other than having fun together." Central to the Genome series is Siech's modular synth, which he reassembled in Mullaert's studio for the recording. "I credit all my tracks partly to the ghost that lives in this machine," says Siech. "I can't imagine making music without it. There are so many variables in it that create strange voltage fluctuations, so you can never be 100% sure what it will throw at you from the speakers." From that low-pressure recording environment emerged a number of epically mesmerizing live tracks, one take of which forms the basis for Genome 1's 10-minute-long "Main Mix," its burbling, arpeggiated synth lead almost breathing on its own, constantly shifting in and out of sync as the track's propulsive drums gently come into focus. "When you're jamming live, you are actually there to really feel a track as it's supposed to be heard," says Siech. "If it's a good track and you manage to hypnotize yourself during the recording process, it will normally end up long because that's just what feels right. And you don't want to wake people from their dream state too soon if you don't have to." Both producers have a penchant for crafting long, drawn-out dancefloor compositions. "Honestly, a 10-minute track is pretty short for me," Mullaert says with a laugh. The deep, meditative aspects of dance music are key to his slowly evolving soundscapes. "As a DJ, I love those long journeys where the dancer loses the concept of different tracks, and they all melt together into one." Inspired by the live take that became Genome 1's "Main Mix," Mullaert went back into the studio and crafted three more versions to complement the lead track. The "Sebastian Mullaert Dub" molds the original's meandering structure and refocuses it for a deeper, darker dancefloor. His "Remake" maintains the tension while introducing new melodic elements half-way through, and his "Reshape" (under his Wa Wu We guise) is a subdued, spatial dub-techno suite that's punctuated by rich analog sonics. "Dance music has a very spiritual element to me," Mullaert explains. "I dance because I it helps me to get in touch with my inner truth; it basically helps me to relax in being me, and appreciate and be thankful for what I am." Moving his home and studio to the countryside also helped facilitate that introspection. "The national park begins just a few hundred meters from my studio," he says. "Walks in the forest and meditation is part of my daily life, and also an important part of getting in touch with my creativity." In that respect, the name "Genome" takes on a double meaning: "The genome is the building brick and sequence of life," informs Siech. "It's about the creative process of making a record in the ancient forest surrounding Sebastian's studio, and also the organic randomness of the analog equipment we've used throughout the process," he says, considering the natural worlds both outside and inside the studio. "Lucky accidents happen all the time that make your track turn into something better than what you might've expected. It's the machines having a life of their own."
Expect two more Genome EPs in the future, along with a full-on analog live show, Sebastian Mullaert & Patrick Siech Present GENOME LIVE, in 2015.


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UPC: 815349011910 Release : 01.07.2013
Special Remarss: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. Trou B1. Belly B2. Dicof
Short info:
NSOUND returns with invisible hooks that entice us to believe that the melodies we hear are actually there. A continuation of exploration into his stark sonic landscape that bring up the question or where is he going?




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UPC: 815349011927 Release : 08.07.2013
Special Remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. Jetbal B1. Way To Make B2. Aeolina_A
Short info:
Tripmastaz explores beyond the definitions of min and MAX and loops our minds attention back onto throbbing bass & shuffled percussion that remind us how close House & Techno really are.



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UPC: 815349011934 Release : 15.07.2013
Special Remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. Onyx B1. Source B2. Intertwined
Collaboration pushes us through conflict and pulls us back together balancing somewhere in between.



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UPC: 815349011903 Release: 24.06.2013
Special Remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. W.M.B.R.(War Metal Bum Rock) B1. Skif
The now legendary "Acid Village" demo sees the light of day pushes into the mysteries and darkness of night, looping crackless & melodies pop through an atmospheres of samples & strings, stetched out, deformed and leaving us asking who the creators are?


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UPC: 815349011880 Release: 10.06.2013
Special Remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. Stpid B1. Zola B2. Brln
A regular in my DJ sets as demos, Nsound pushes us all to hear what is seemingly not there. Only the brave have the confidence to create music that is so basic in it's core but so deep in its intention, pushing each of us to imagine where the sound stops and the silence begins.


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UPC: 815349011873 Release : 10.6.2013
Special Remarks: 1st pressing of 500 copies in limited embossed sleeve & 180g Vinyl
Tracklist: A1. Conscious B1. Detach B2. Conscious (Soundscape Tool)
An exploration of the space between min and MAX, Joran speeds at an hypnotic pace exploring the outer reaches of space and dimensions, returning through a wormhole of frequencies & echoes and optimism of new worlds.



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UPC: 815349011996 Release : 17.6.2013
Special Remarks: 180g vinyl, 7mm spine sleeve, mat-black silver embossed 300g sleeve, disco-innensleeves
Tracklist: A1. Mathew Jonson - Metropolis A2. Valentino Kanzyani - Bobby On Drums B1. Jonni Darkko - Close B2. Hobo - Incise C1. Gaiser - Trashbend C2. Julian Jeweil - Yoko D1. Joran Van Pol - Faded D2. Tripmastaz - Tyree E1. 4Yo4U - Daily Faces E2. Justin James - Song So True F1. Nsound - Loe F2. Pots Of Gold - Rainbows
"Bridging the gap between the old & the NEW, the minimal & the MAXIMAL, minMAX represents a widening of scope as we explore the area between the sounds of classic MINUS & PLUS 8. As others subdivide and categorize we bring things back together, opening things up more freely and allow a closer connection to the music that I love and the sounds & textures that many of my DJ sets journey through." Richie Hawtin.


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Territories: WORLD EXCL DE, AT, DE

Repress

Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25

Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.




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12" EP


- the next vinyl release Super Flu’s label Monaberry
- 4 Tracks from uper Flu, NIIXII, Made In TLV, Goom Gum x Dancing On Lego and Derun
- Extensive Global Promo by Musik Meiner (reports attached)
- all artists have releases on: Monaberry, Realm, Rise, Stil Vor Talent, Diynamic, Jeahmon, Mo Black, Black Rose, Get Physical,
Rose Avenue, Radiant, TAU, Afterlife

TRACKLISTING
A1 - Super Flu, NIIXII – Gone Girl (05:13)
Genre: Afro House

A2 - Made In TLV - Magneto (05:35)


B1 - Goom Gum x Dancing On Lego - Before My Eyes (Extended) (06:21)
Genre: Melodic House & Techno

B2 - Derun - Feel The Same (6:37)

Monaberry Vinyl 002 ain knit from Sears. All artists wear it because it stretches for fit and it‘s styled for fashion.
Super Flu, NIIXII, Made In TLV, Goom Gum x Dancing On Lego and Derun are pretty savvy. They know how to dress fashionably
and comfortably. The second VA vinyl fills the bill. Consider the selection: 4 tracks, patterns and styles. And the Perma-Prest
baseline: it‘s a Monaberry polyester and triacetate knit for stretch comfort around the collar, across the shoulders and body.
Everybody has the comfort features that make music comfortable. See these great-looking Monaberry shirts now at most
stores, in the regular and Big and Tall catalogs

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Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar eventually returns to Cocoon Recordings with his third contribution Twofold Split. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive.


Tracklist: (1) Jonathan Kaspar - Power (DE-Q20-25-00004)
(2) Jonathan Kaspar – 1993 (DE-Q20-25-00005)

COR12179_B – Twofold – Fade
Rooted in a minimalist rhythmic structure, ‘Power’ takes us in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading us into a wild, almost chaotic energy, before Kaspar’s meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding us to the absolute freak-out moment. After all the insanity, Jonathan Kaspar takes us by the hand and leads us into a melodic, trancy after-hours mood with “1993,” bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as
the EP winds down.



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2025 Repress


Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Drivenman
A2 SMRK
B1 Tsipla
B2 Soulistics

Romanian duo Dani and Robert aka NTFO returns to the label with four minimal monsters
The vinyl comes as 180g vinyl only release.



















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NO RETURNS

Renowned UK producer and Freerange co-founder Jimpster steps back into the spotlight with a brand-new 5 track EP that dives deep into the raw, emotional core of underground house music. Blending masterful production prowess with soulful storytelling, this latest release features standout collaborations with two celebrated spoken word artists namely NYC’s OVEOUS and Atlanta via Detroit’s rising star Ash Lauryn. The North Atlantic EP captures the essence of late-night dance floors and a fusion of sounds, all wrapped in Jimpster’s signature warm, analog textures and rolling groove science.

FLO opens the EP with a vibrant pulse - an up-beat groove that wraps around you like incense smoke and island vibes in a Brooklyn basement. Anchored by filtering stabs and a rubbery bassline, the track unfolds with the commanding presence of OVEOUS, whose spoken-word cuts through the haze with razor-sharp clarity. His voice rides the beat like a sermon for the dance floor; straight talk that’s spiritual, and defiantly alive, this is deep house as ceremony for the streets. The accompanying Dub strips back the vocal and introduces additional harmonic elements in the form of piano, strings, and synth washes bringing a warm and musical touch.

On Feel Me, Jimpster crafts a rolling groove built on punchy drums, shuffling percussion, and a soulful vibe which feels both classic and futuristic. Ash Lauryn’s voice glides across the track with cool authority, bringing a seductive vibe to the party. Her voice is perfectly balanced with Jimpster’s atmospheric pads and dubby flourishes creating a contemporary and irresistibly danceable house anthem for the heads.

Two additional mixes of Feel Me bolster an already sturdy package bringing a more straight up, bumpy version on the House Mix as well as a darker, heads down - eyes closed take on the Freakin’ Club Mix.

This EP is more than just a meeting of minds — it’s a dialogue between continents, generations, and frequencies. With FLO and Feel Me, Jimpster continues to affirm his place as a producer deeply rooted in tradition yet always striving to push his sound forward.

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Repress


Format: 3LP

Tracklist

A1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
A2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
A3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
B1. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
B2. Clark – Dirty Pixie (Marcel Dettmann Edit)
B3. Junior Boys – Work (Marcel Dettmann Remix)
C1. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
C2. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
C3. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
D1. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
D2. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
D3. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
E1. Ian North – Sex Lust You (Marcel Dettmann Edit)
E2. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
E3. Nitzer Ebb – Shame (Marcel Dettmann Edit)
F1. Frank Duval – Ogon (Marcel Dettmann Edit)
F2. Yello – Limbo (Marcel Dettman Version 2 Remix)
F3. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.





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