1
Robbert Mononom - Zeist Rules
2
Robbert Mononom - Modulate Me
3
Robbert Mononom - Ice Age
Sound Metaphors 23 returns, a label shining a light on the creative output of Spiral Tribe and the wider sonic and spiritual universe of the Freetekno and Free Party scene. In the sub-labels latest offering, a light is being shone on Robbert Latumahina, otherwise known as Sensory Overload and Hybrid Systems. This release sees him under the guise of Robbert Mononom, representing his membership of the legendary Dutch free party crew Mononom Soundsystem, responsible for the very first teknivals in The Netherlands and collaborators with other pioneering collectives such as Hardcore Peace Generation and Spiral Tribe themselves. What’s now being bought to light is some of the most brutal & intense original Freetekno ever committed to the recorded medium, culminating in the 20 minute long, psychedelic trip of Ice Age on the B-side.
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Germany
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More records from Robbert Mononom
1
Robbert Mononom - Untitled
2
Robbert Mononom - Untitled
3
Robbert Mononom - Untitled
The starting point of the Robert Mononom’s oeuvre with the Mononom series. Quintessential Dutch Freetekno sound originally from 1997. A side comes on at a time warping 170BPM, no time to loose full throtle, intense acid sounds raging over crisp hats and drum machine patterns for a solid 15 minutes. B1 is more atmospheric and dubby, with B2 featuring a very hypnotic and psychedelic sounding 10 minute long excursion, both well within the Mononom aesthetic. Restored and remastered.
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DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Sound Metaphors 23
1
Robbert Mononom - Untitled
2
Robbert Mononom - Untitled
3
Robbert Mononom - Untitled
The starting point of the Robert Mononom’s oeuvre with the Mononom series. Quintessential Dutch Freetekno sound originally from 1997. A side comes on at a time warping 170BPM, no time to loose full throtle, intense acid sounds raging over crisp hats and drum machine patterns for a solid 15 minutes. B1 is more atmospheric and dubby, with B2 featuring a very hypnotic and psychedelic sounding 10 minute long excursion, both well within the Mononom aesthetic. Restored and remastered.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
69db - Untitled
2
69db - Untitled
3
69db - Untitled
4
69db - Untitled
Replenish your record collection with another precious historical artefact from the Free Tekno/Freeparty scene. The second half of the LSD series from 69db, further exploring a dialogue with what was going on in Chicago, in the artist’s words: “ This Ep was a respose to what the pioneers laid down in Chicago and were out of step with the hard-Tec / Tribe we were doing.”
At a slower pace than the more known Spiral Tribe sound, this 4 track EP offers the DJ an arsenal of percussive elaborations, minimal sounds with hints of tribal feel and layered samples used for potent dance floor oriented outcomes. Remastered for optimal effect.
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Germany
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At a slower pace than the more known Spiral Tribe sound, this 4 track EP offers the DJ an arsenal of percussive elaborations, minimal sounds with hints of tribal feel and layered samples used for potent dance floor oriented outcomes. Remastered for optimal effect.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
69db - Untitled
2
69db - Untitled
3
69db - Untitled
4
69db - Untitled
5
69db - Untitled
6
69db - Untitled
7
69db - Untitled
8
69db - Untitled
Often cited as the strongest Tribe 69db live recording, this cassette emerged from a tense and pivotal moment in the early 90s free party scene.
At the time, Techno Import was the largest electronic music shop in Paris, and arguably in France. The shop planned to release a CD compilation titled Sound Of Teknival, featuring Spiral Tribe. As the project progressed, disagreements over money, copyrights and control led Spiral Tribe to withdraw their approval.
Despite this, Shark Records, the label linked to Techno Import for the project, proceeded with the CD release without full artist consent. In response, 69db released a tape titled "Fuck Techno Import". This cassette stands as raw testimony to the clash between underground culture and commercial structures, capturing both the sound and spirit of an era when autonomy mattered more than compromise. Originally released in 1997, specially remastered for tape.
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At the time, Techno Import was the largest electronic music shop in Paris, and arguably in France. The shop planned to release a CD compilation titled Sound Of Teknival, featuring Spiral Tribe. As the project progressed, disagreements over money, copyrights and control led Spiral Tribe to withdraw their approval.
Despite this, Shark Records, the label linked to Techno Import for the project, proceeded with the CD release without full artist consent. In response, 69db released a tape titled "Fuck Techno Import". This cassette stands as raw testimony to the clash between underground culture and commercial structures, capturing both the sound and spirit of an era when autonomy mattered more than compromise. Originally released in 1997, specially remastered for tape.
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1
69db - Untitled
2
69db - Untitled
Originally released in 1996, this record featured two 10 minute tracks which were recorded from what the artist calls a Live Set Dub (LSD), this one in particular recorded from a session at Gibus Club in Paris.
The A-side explores the influences that the artist had from the Germany foundations of Basic Channel, while the B side is the artist’s homage to Chicago and Detroit pioneers as an attempt to build a bridge between them using this work as a response which could potentially be used in a greater dialogue with the American source of inspiration.
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The A-side explores the influences that the artist had from the Germany foundations of Basic Channel, while the B side is the artist’s homage to Chicago and Detroit pioneers as an attempt to build a bridge between them using this work as a response which could potentially be used in a greater dialogue with the American source of inspiration.
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1
Robert Mononom - Dolphin
2
Robert Mononom - 8bit Mayhem
Originally released in 1998, this highly sought after Freetekno cult status release is the 3rd instalment of the Mononom series on the Dutch Mononom Soundsystem Label. With each track going past the 10 minute marker, Robert is clearly not interested in radio play, but rather, documenting the auditory experiments that came about from the relationship he was cultivating with his sonic machines.
“Dolphin” is a dubbed out, dark, growing excursion, while “8bitmahem” goes full on raw hardcore. Originally “almost impossible” to mix due to technical difficulties with the MIDI sequencer he used, this official reissue comes with a fixed version of 8bit mayhem that is now quantized for DJ mixing ease.
Explained by Robert himself: “I wrote this track with one of my first programmed (Borland Pascal 7.0) MIDI-sequencers (It's fixed now though). I found this bug after I got the pressing back from the plant and tried to mix it! I used a fixed delay between each step, but when the step itself takes longer by playing multiple notes in the sequencer, the sequencer will speed up in breaks (with less notes played) and slow down in hectical parts (loads off notes played)."
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Germany
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“Dolphin” is a dubbed out, dark, growing excursion, while “8bitmahem” goes full on raw hardcore. Originally “almost impossible” to mix due to technical difficulties with the MIDI sequencer he used, this official reissue comes with a fixed version of 8bit mayhem that is now quantized for DJ mixing ease.
Explained by Robert himself: “I wrote this track with one of my first programmed (Borland Pascal 7.0) MIDI-sequencers (It's fixed now though). I found this bug after I got the pressing back from the plant and tried to mix it! I used a fixed delay between each step, but when the step itself takes longer by playing multiple notes in the sequencer, the sequencer will speed up in breaks (with less notes played) and slow down in hectical parts (loads off notes played)."
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1
69db - 123% Repetitive
2
69db - Fuck The Bill
3
69db - Groove Connects
Repress!
Sound Metaphors 23 is back with more output from the pioneering free-party clan & scourge of the establishment, Spiral Tribe - this time with a reissue Stormcore 3 from 1996. This record comes from the mind of 69db aka Sebastian Vaughan, the improvising electronic musician who joined Spiral Tribe after their infamous ’91 New Year's Eve party at the then-abandoned Camden Roundhouse. We have here three powerful cuts of uncompromising hardcore freetekno - coming in north of 180bpm but structured on complex rhythmic patterns so this music is at once punishing yet also meditative, penetrating deep within the micro dimensions of these newly explored sonic paradigms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sound Metaphors 23 is back with more output from the pioneering free-party clan & scourge of the establishment, Spiral Tribe - this time with a reissue Stormcore 3 from 1996. This record comes from the mind of 69db aka Sebastian Vaughan, the improvising electronic musician who joined Spiral Tribe after their infamous ’91 New Year's Eve party at the then-abandoned Camden Roundhouse. We have here three powerful cuts of uncompromising hardcore freetekno - coming in north of 180bpm but structured on complex rhythmic patterns so this music is at once punishing yet also meditative, penetrating deep within the micro dimensions of these newly explored sonic paradigms.
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Germany
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1
Spiral Tribe - Untitled
2
Spiral Tribe - Untitled
3
Spiral Tribe - Untitled
This EP distinguishes itself especially for its step towards a slightly slower more atmospheric sound than the conventional Network 23 material. Simon aka Crystal Distortion, the artist responsible for the 3 tracks on this release exhibits a new pallet of sonic references which in relation to earlier material give a sense of maturation to the scene's zeitgeist. A1 almost sounds like it was pressed at the wrong speed with a slight laziness to its beat allowing it a remarkable feeling of holographic spatiality. A2 comes in at a more expected Spiral Tribe tempo, but with a more refined modality, employing sounds very reminiscent of Detroit Techno around that time. B side also merges into more digestible aesthetic in comparison to earlier material, deep sea dubby sounds juxtaposed with crunchy snares and hi hat ricochets. Another piece of the freetekno history puzzle brought back to record stores at affordable prices. Remastered at Manmade mastering in Berlin.
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1
R-Zac - Wurlitzer
2
R-Zac - MSCV
3
R-Zac - Speaker Burn
he last step in the Spiral Tribe trilogy from the R-Zac output (aka a collaboration between Sebastian Vaughan and Simon Carter) featuring three tracks in the pioneering style of early Spiral Tribe from 1994, clearly establishing the inspirational groundwork for dancefloor genres and mind sets to come. Driving layers of bass, transients and dubbed out melodic loops transforming into percussive elements and vice versa throughout extended excursions in fast paced machine powered exercises. Viciously remastered for maximum effect on large sound systems.
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1
Crystal Distortion - Untitled
2
Crystal Distortion - Untitled
3
Crystal Distortion - Untitled
4
Crystal Distortion - Untitled
Back in the washing machine for another high intensity Tekno wash cycle of gorgeous percussive mayhem with one more carefully selected EP from the vast Spiral Tribe repertoire. This time “Stormcore 2” from Crystal Distortion aka Simon Carter takes us on a high speed stroll with 4 tracks set at a solid 180bpm all throughout. Another masterful expose of early hardcore/tekno production techniques with endless layering and intertwining of percussive elements skillfully unfolding throughout long build ups of raw rhythmic intercourse. Aesthetically pioneering to say the least. Meticulously remastered down the street from Sound Metaphors at Manmade mastering.
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1
R-Zac - Track 1
2
R-Zac - Track 2
3
R-Zac - Track 3
Repress!
Jump starting a new sublabel non-profit project from Sound Metaphors dedicated to re-issuing Network 23/Spiral Tribe material from the 90's free party scene with this collection of 3 psychedelic excursions by R-Zac the collaborative name for 69dB and Crystal Distortion joining forces in the studio. Starting off with a percussive lo-fi tripped out excursion at 121BPM on the A-side. Flipping over and shifting gears to the 160BPM plateau with an atmospheric hihat tornado of flangers and tribal nuances throughout two more studies on the B-side.
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Germany
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Jump starting a new sublabel non-profit project from Sound Metaphors dedicated to re-issuing Network 23/Spiral Tribe material from the 90's free party scene with this collection of 3 psychedelic excursions by R-Zac the collaborative name for 69dB and Crystal Distortion joining forces in the studio. Starting off with a percussive lo-fi tripped out excursion at 121BPM on the A-side. Flipping over and shifting gears to the 160BPM plateau with an atmospheric hihat tornado of flangers and tribal nuances throughout two more studies on the B-side.
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Germany
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1
Unit Moebius - Summertime
2
Unit Moebius - Millenium
3
Unit Moebius - Imperator
4
Unit Moebius - C.P.U
Repress!
A generous collection of tracks, beautifully representative of the Spiral Tribe world. Coming on strong with “Summertime” a brute force exercise in synthesized rhythm, moving on to trippy dubbed out nuances over medieval bass lines - highly suggestive of time travel. On the flip side things get put back in fast gear with heavy 4 on the floor action propelled by dubbed out hi-hat. Ending with “CPU” which almost sounds like an attempt at shrinking the listener down to the size of an electron traveling inside the circuits of their samplers. Pioneering the distorted dutch techno sounds from The Hague.
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A generous collection of tracks, beautifully representative of the Spiral Tribe world. Coming on strong with “Summertime” a brute force exercise in synthesized rhythm, moving on to trippy dubbed out nuances over medieval bass lines - highly suggestive of time travel. On the flip side things get put back in fast gear with heavy 4 on the floor action propelled by dubbed out hi-hat. Ending with “CPU” which almost sounds like an attempt at shrinking the listener down to the size of an electron traveling inside the circuits of their samplers. Pioneering the distorted dutch techno sounds from The Hague.
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1
R-ZAC - Demon
2
R-ZAC - Monotone
3
R-ZAC - Y
** LIMITED**
Part two of the R-ZAC trilogy by Sebastian Vaughn and Simon Carter, originally released in 1996, faithfully re-issued in its original format, remastered.
Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times.
A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format.
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DE - 22113 Hamburg
Germany
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Part two of the R-ZAC trilogy by Sebastian Vaughn and Simon Carter, originally released in 1996, faithfully re-issued in its original format, remastered.
Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times.
A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format.
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Germany
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1
Unit Moebius - Sensor
2
Unit Moebius - Radar
3
Unit Moebius - Antenna
4
Unit Moebius - Probe
When hearing this material today and realizing it was originally released in '96, one can't fail to acknowledge the timelessness of these sounds – clearly illustrating how ahead of their time these productions were. Ranging from 130 to 145 BPM this EP presents a solid study in synthetic rhythm and percussion layers masterfully juxtaposed with unidentifiable electronic noises and nuances. A trademark sound signature of their own. Unmistakeable Spiral Tribe from a special era in party culture brought back when we need it the most – forward the revolution.
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Customers who bought this also bought this
Label:Other People
Cat-No:OP031
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Other People
Cat-No:OP031
Release-Date:05.12.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Nicolás Jaar - A1 - Garden Of Eden
2
Nicolás Jaar - A2 - Construction
3
Nicolás Jaar - A3 - Pass The Time
4
Nicolás Jaar - A4 - Survival
5
Nicolás Jaar - B1 - The Fool And His Harem
6
Nicolás Jaar - B2 - Nothingness
7
Nicolás Jaar - B3 - Near Death
8
Nicolás Jaar - B4 - Beasts Of This Earth
9
Nicolás Jaar - C1 - Fall Into Time
10
Nicolás Jaar - C2 - Folie à Deux
11
Nicolás Jaar - C3 - Screams at the Edge of Dawn
12
Nicolás Jaar - C4 - Divorce
13
Nicolás Jaar - C5 - Three Windows
14
Nicolás Jaar - C6 - TouristsD1 - Shame
15
Nicolás Jaar - D1 - Shame
16
Nicolás Jaar - D2 - Tower of Sin
17
Nicolás Jaar - D3 - Club Kapital
18
Nicolás Jaar - D4 - Volver
19
Nicolás Jaar - D5 - Spirit
20
Nicolás Jaar - D6 - Muse
2LP 180g bio vinyl
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
A1 - Garden Of Eden
A2 - Construction
A3 - Pass The Time
A4 - Survival
B1 - The Fool And His Harem
B2 - Nothingness
B3 - Near Death
B4 - Beasts Of This Earth
C1 - Fall Into Time
C2 - Folie à Deux
C3 - Screams at the Edge of Dawn
C4 - Divorce
C5 - Three Windows
C6 - TouristsD1 - Shame
D1 - Shame
D2 - Tower of Sin
D3 - Club Kapital
D4 - Volver
D5 - Spirit
D6 - Muse
4. SHORT INFO:
It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to
Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight
this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with
the label Mana) having long been out of print.
Longer and slower-releasing than his other albums, Pomegranates often parallels the
cinematic epic on which it’s based, with ideas pursued over long timelines and
across dark landscapes, assembling elements and moods from the aesthetic and folkloric
landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as
Palestinian and Chilean as he attempts to build a musical architecture outwards that frames
as much of the mess and sprawl of life as possible; using a language that investigates the
movement and fluctuation of his own artistic career and character similarly to the film’s tracing
of the coming of age of the young poet, Sayat-Nova.
At times, Pomegranates feels profoundly intimate, as though looking through the archive of a
friend’s music and discovering the accent and common currency that lives within each of
these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its
power residing in its simplicity and willingness to speak to the heart and not the mind of the
listener.
In the text document included in the first freely distributed version of the album in 2015, Jaar
writes that the album was conceived during a moment of change, and that the pomegranate
became an icon that heralded that passage of time. The physical publication of Pomegranates
closes one door whilst opening another, keeping promises and marking a significant point in
the career of an artist who restlessly reinvents himself, with a document that illustrates a
common language of lyricism, freedom, and emotional resonance linking his many paths and
projects
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Electronic / Experimental
3. TRACKLISTS:
A1 - Garden Of Eden
A2 - Construction
A3 - Pass The Time
A4 - Survival
B1 - The Fool And His Harem
B2 - Nothingness
B3 - Near Death
B4 - Beasts Of This Earth
C1 - Fall Into Time
C2 - Folie à Deux
C3 - Screams at the Edge of Dawn
C4 - Divorce
C5 - Three Windows
C6 - TouristsD1 - Shame
D1 - Shame
D2 - Tower of Sin
D3 - Club Kapital
D4 - Volver
D5 - Spirit
D6 - Muse
4. SHORT INFO:
It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to
Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight
this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with
the label Mana) having long been out of print.
Longer and slower-releasing than his other albums, Pomegranates often parallels the
cinematic epic on which it’s based, with ideas pursued over long timelines and
across dark landscapes, assembling elements and moods from the aesthetic and folkloric
landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as
Palestinian and Chilean as he attempts to build a musical architecture outwards that frames
as much of the mess and sprawl of life as possible; using a language that investigates the
movement and fluctuation of his own artistic career and character similarly to the film’s tracing
of the coming of age of the young poet, Sayat-Nova.
At times, Pomegranates feels profoundly intimate, as though looking through the archive of a
friend’s music and discovering the accent and common currency that lives within each of
these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its
power residing in its simplicity and willingness to speak to the heart and not the mind of the
listener.
In the text document included in the first freely distributed version of the album in 2015, Jaar
writes that the album was conceived during a moment of change, and that the pomegranate
became an icon that heralded that passage of time. The physical publication of Pomegranates
closes one door whilst opening another, keeping promises and marking a significant point in
the career of an artist who restlessly reinvents himself, with a document that illustrates a
common language of lyricism, freedom, and emotional resonance linking his many paths and
projects
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Stenny - A New Geometry
2
Stenny - Bodies And Species
3
Stenny - Transference
4
Stenny - Byproduct
5
Stenny - Sharp Fragments
6
Stenny - Fiamma Perpetua
7
Stenny - Landscape Shift
8
Stenny - In Jericho
9
Stenny - Future Spells
10
Stenny - Psychogeography
11
Stenny - Leagrave
12
Stenny - No Discipline
harp Fragments marks Stenny’s second full-length release on Ilian Tape, a tense exploration of spatial and material disruption. Each track functions as a fractured, self-contained unit, yet together they form a wider language where interference becomes structure. Across twelve pieces, the record shifts through evolving states, tracing a path defined by transition rather than destination.
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Germany
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Germany
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1
Drexciya - Fusion Flats (Octave One Remix)
2
Drexciya - Fusion Flats (Original)
3
Drexciya - Fusion Flats (Kaotic Spacial Rhythms Remix)
4
Drexciya - Fusion Flats (043 Chaos Remix)
Territories: WORLD EXCLUDING UK
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. / A1 Fusion Flats (Octave One Remix) 07:12
2. / A2 Fusion Flats (Original) 02:46
3. / B1 Fusion Flats (Kaotic Spacial Rhythms Remix) 05:46
4. / B2 Fusion Flats (043 Chaos Remix) 05:09
Info
Tresor Records announces the first-ever reissue of Drexciya’s Fusion Flats 12” vinyl, including remixes from Detroit’s Octave One, Kaotic Spatial Rhythms and 043 Chaos.
Originally released in the wake of Drexciya’s seminal 1999 Tresor debut album 'Neptune’s Lair', this release marks its long-awaited return and first appearance on digital platforms. The remastered edition contains the original extended version of Fusion Flats and features new artwork by Detroit-based contemporary artist Matthew Angelo Harrison, whose reimagined covers continue to shape the Drexciya reissue series.
25 years later, Fusion Flats returns to the constellation of Drexciya’s Tresor works, connecting their debut full-length to further explorations that continue to inspire generations.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
WAREHOUSE FINDS
WORLDWIDE
SLEEVE ARTWORK VARIANT 1
Title: The White Lotus (Soundtrack from the HBO® Original Limited Series)
Genre: Soundtrack, Exotica, Ambient, Shamanic, Dance
DLP: 180g White Colored Vinyl, Heavy 350gsm Gatefold Sleeve, 3 Sleeve Artwork Variants, Inside Out Sleeve Printing, Obi, 12" x 12" Art Print Inlay
Tracklisting DLP
A1. Aloha!
A2. Pineapple Suite
A3. Jungle Fever
A4. Rejuvenated
A5. Pool Walk
A6. Dinner
A7. Courtship
A8. Special Chosen Baby Child
A9. Honeymoon
B1. Ocean Call
B2. Wtf!
B3. Sabotage
B4. Decadence
B5. Ashes
B6. Welcome to America
B7. Drugs
B8. Waves
B9. Manchild
C1. Human Remains
C2. Wake Up!
C3. Meds
C4. Mahalo
C5. Finally Jesus!
C6. A Way Out
D1. Fuck This Place!
D2. A Mistake & the Ocean
D3. Sea Turtle Song
D4. I Want to Live
Info
WRWTFWW Records is ecstatic to announce the first ever vinyl release for the remarkable soundtrack of HBO® hit series The White Lotus by Chilean born composer, arranger, music producer, multi-instrumentalist Cristobal “Cristo” Tapia de Veer (Utopia, Smile, Black Mirror and many many more).
This limited edition release is packed with 28 tracks, showcasing the complete music score of the cult series’ first season. It comes as a deluxe double LP with white-colored 180g vinyl housed in a heavyweight gatefold sleeve with an OBI strip and a double-sided 12x12 inches art print. It is available in a choice of 3 different sleeve artwork variants, each based on the series’ brilliant opening sequence concept by Plains of Yonder and illustrator Lezio Lopes.
Shamanic, feral, mysterious, sexual, sometimes very danceable, sometimes slightly frightening (in the best ways), and always insanely enjoyable, The White Lotus soundtrack is a roaring beast of its own and one of the most visceral listening experiences in recent memory. Tapia de Veer’s haunting score sensually blends tribal percussion with charango, bass, atmospherics, and organic vocals from humans and animals, bringing to life the tension, the wildness, as well as the rare but precious serenity and romance felt throughout the guests’ adventurous stay at The White Lotus Resort - with grace and a just the right amount of insolence. It’s big, wonderful and audacious music, sure to captivate a wide array of melomaniacs, from soundtrack collectors to exotica adventurers, library diggers, ambient dreamers, sorcerous dancers, and experimental pop bon vivants.
Included in the release is the series’ iconic theme song (S01 version), a bonafide hit and spellbinding sensation.
Cristobal Tapia de Veer’s work has been celebrated with numerous award wins, including 2 Emmy Awards for The White Lotus.
Points of interests
- For fans of soundtracks, tv series, ambient, percussion, exotica, library, experimental pop, shamanism, zeitgeist sensations, HBO, Cristobal Tapia de Veer, tension, wild animals, secret romance, luxury resorts, mystery, Alfred Hitchcock, Hawaiian shirts.
- First ever vinyl release of HBO® hit series The White Lotus soundtrack by Cristobal Tapia de Veer
- 28 tracks on double 180g white-colored vinyl
- Heavyweight gatefold sleeve with a choice of 3 artwork variants, with OBI, inside out sleeve printing, 12x12inches art print inlay
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
WORLDWIDE
SLEEVE ARTWORK VARIANT 1
Title: The White Lotus (Soundtrack from the HBO® Original Limited Series)
Genre: Soundtrack, Exotica, Ambient, Shamanic, Dance
DLP: 180g White Colored Vinyl, Heavy 350gsm Gatefold Sleeve, 3 Sleeve Artwork Variants, Inside Out Sleeve Printing, Obi, 12" x 12" Art Print Inlay
Tracklisting DLP
A1. Aloha!
A2. Pineapple Suite
A3. Jungle Fever
A4. Rejuvenated
A5. Pool Walk
A6. Dinner
A7. Courtship
A8. Special Chosen Baby Child
A9. Honeymoon
B1. Ocean Call
B2. Wtf!
B3. Sabotage
B4. Decadence
B5. Ashes
B6. Welcome to America
B7. Drugs
B8. Waves
B9. Manchild
C1. Human Remains
C2. Wake Up!
C3. Meds
C4. Mahalo
C5. Finally Jesus!
C6. A Way Out
D1. Fuck This Place!
D2. A Mistake & the Ocean
D3. Sea Turtle Song
D4. I Want to Live
Info
WRWTFWW Records is ecstatic to announce the first ever vinyl release for the remarkable soundtrack of HBO® hit series The White Lotus by Chilean born composer, arranger, music producer, multi-instrumentalist Cristobal “Cristo” Tapia de Veer (Utopia, Smile, Black Mirror and many many more).
This limited edition release is packed with 28 tracks, showcasing the complete music score of the cult series’ first season. It comes as a deluxe double LP with white-colored 180g vinyl housed in a heavyweight gatefold sleeve with an OBI strip and a double-sided 12x12 inches art print. It is available in a choice of 3 different sleeve artwork variants, each based on the series’ brilliant opening sequence concept by Plains of Yonder and illustrator Lezio Lopes.
Shamanic, feral, mysterious, sexual, sometimes very danceable, sometimes slightly frightening (in the best ways), and always insanely enjoyable, The White Lotus soundtrack is a roaring beast of its own and one of the most visceral listening experiences in recent memory. Tapia de Veer’s haunting score sensually blends tribal percussion with charango, bass, atmospherics, and organic vocals from humans and animals, bringing to life the tension, the wildness, as well as the rare but precious serenity and romance felt throughout the guests’ adventurous stay at The White Lotus Resort - with grace and a just the right amount of insolence. It’s big, wonderful and audacious music, sure to captivate a wide array of melomaniacs, from soundtrack collectors to exotica adventurers, library diggers, ambient dreamers, sorcerous dancers, and experimental pop bon vivants.
Included in the release is the series’ iconic theme song (S01 version), a bonafide hit and spellbinding sensation.
Cristobal Tapia de Veer’s work has been celebrated with numerous award wins, including 2 Emmy Awards for The White Lotus.
Points of interests
- For fans of soundtracks, tv series, ambient, percussion, exotica, library, experimental pop, shamanism, zeitgeist sensations, HBO, Cristobal Tapia de Veer, tension, wild animals, secret romance, luxury resorts, mystery, Alfred Hitchcock, Hawaiian shirts.
- First ever vinyl release of HBO® hit series The White Lotus soundtrack by Cristobal Tapia de Veer
- 28 tracks on double 180g white-colored vinyl
- Heavyweight gatefold sleeve with a choice of 3 artwork variants, with OBI, inside out sleeve printing, 12x12inches art print inlay
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ002-REG
Release-Date:26.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - Mellow Dream
2
Ryo Fukui - My Foolish Heart
3
Ryo Fukui - Baron Potato Blues
4
Ryo Fukui - What's New
5
Ryo Fukui - Horizon
6
Ryo Fukui - My Funny Valentine
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.
Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.
After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.
Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
FOEHN & JEROME - STILL LIQUID
2
FOEHN & JEROME - KUTSCHER
Tracklist:
A STILL LIQUID
B KUTSCHER
Foehn & Jerome. The duo that does what duo's do best. Born in Austria and based in Berlin, Fabian and Christopher not only produce together, but also perform as a DJ team and run their own label entitled "Perfumed Freedom".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A STILL LIQUID
B KUTSCHER
Foehn & Jerome. The duo that does what duo's do best. Born in Austria and based in Berlin, Fabian and Christopher not only produce together, but also perform as a DJ team and run their own label entitled "Perfumed Freedom".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marcia Griffiths - Here I Am Baby (Come And Take Me)
2
Marcia Griffiths - Everything I Own
3
Marcia Griffiths - Green Grasshopper
4
Marcia Griffiths - Play Me
5
Marcia Griffiths - Children At Play
6
Marcia Griffiths - Sweet Bitter Love
7
Marcia Griffiths - Gypsy Man
8
Marcia Griffiths - There’s No Me Without You
9
Marcia Griffiths - The First Time Ever I Saw Your Face
10
Marcia Griffiths - I Just Don’t Want To Be Lonely
11
Marcia Griffiths - Mark My Word
12
Marcia Griffiths - The First Cut Is The Deepest
13
Marcia Griffiths - Melody Life
14
Marcia Griffiths - Working To The Top (My Ambition) (Part 1)
15
Marcia Griffiths - Don’t Let Me Down
16
Marcia Griffiths - Band Of Gold
17
Marcia Griffiths - Put A Little Love In Your Heart
18
Marcia Griffiths - I See You, My Love
19
Marcia Griffiths - It’s Too Late
20
Marcia Griffiths - Baby If You Don’t Love Me
21
Marcia Griffiths - Love Walked In
22
Marcia Griffiths - When Will I See You Again
23
Marcia Griffiths - Play Me (Part 2)
Territory: Worldwide no exceptions
2026 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2026 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ HELL - A1 Bang the Box
2
DJ HELL - A 2 Is There No Way Back?
3
DJ HELL - B 1 Planet Earth
4
DJ HELL - B2 W.T.F.
5
DJ HELL - C1 Medusa (feat. Donner Summer)
6
DJ HELL - C2. This Is Important
7
DJ HELL - D1 Purple People
8
DJ HELL - D2 Why? (feat. Joyce Muniz)
2LP,limited Edition (1000) Trasparent Red (A/B) and Cristal Clear (C/D) Vinyl!
Tracklist:
SIDE A
1 Bang the Box
2 Is There No Way Back?
SIDE B
1 Planet Earth
2 W.T.F.
SIDE C
1 Medusa (feat. Donner Summer)
2 This Is Important
SIDE D
1 Purple People
2 Why? (feat. Joyce Muniz)
Info (EN):
NEOCLASH is DJ Hell's new work.
The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form.
NEOCLASH is a cultural experiment - music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception.
Electroclash now - or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding.
DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre.
International Deejay Gigolo Records was the pulse of the movement 25 years ago - and Hell, its very namesake. Godfather of Electroclash reloaded.
25 years and many milestones later, DJ Hell returns to his roots with NEOCLASH, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary.
NEOCLASH builds a bridge between past and present within electronic dance culture and club music.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno, and Avantgarde Music merge here into a bold new interpretation.
Info (DE):
NEOCLASH ist DJ Hells neues Werk.
Der Electroclash der frühen 2000er Jahre wird hier rekonstruiert, seine charakteristischen Codes extrahiert und in eine moderne, reflektierte Form überführt.
NEOCLASH ist ein kulturelles Experiment - Musik als Medium der Reflexion, als Strukturierung von Raum und Zeit und als Vehikel zur Erkundung der Spannungen zwischen Technologie, Körper und Wahrnehmung.
Electroclash now - oder ein Manifest für die ästhetische Relevanz elektronischer Clubmusik, mit starken Oldschool-Referenzen im neuen Verständnis.
DJ Hell alias Helmut Josef Geier präsentiert hier eine zeitgenössische Neuinterpretation des Genres Electroclash.
International Deejay Gigolo Records war vor 25 Jahren Taktgeber - und Hell der Namensgeber einer Bewegung. Godfather of Electroclash reloaded.
25 Jahre nach vielen Meilensteinen kehrt DJ Hell mit NEOCLASH zu seinen Wurzeln zurück - und zeigt, dass Electroclash 2025 nicht nostalgisch, sondern neuartig und visionär klingen kann.
NEOCLASH ist eine Brücke zwischen Vergangenheit und Gegenwart in der elektronischen Tanzkultur und Clubmusik.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno und Avantgarde-Musik werden hier zu einer neuen Interpretation verschmolzen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
SIDE A
1 Bang the Box
2 Is There No Way Back?
SIDE B
1 Planet Earth
2 W.T.F.
SIDE C
1 Medusa (feat. Donner Summer)
2 This Is Important
SIDE D
1 Purple People
2 Why? (feat. Joyce Muniz)
Info (EN):
NEOCLASH is DJ Hell's new work.
The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form.
NEOCLASH is a cultural experiment - music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception.
Electroclash now - or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding.
DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre.
International Deejay Gigolo Records was the pulse of the movement 25 years ago - and Hell, its very namesake. Godfather of Electroclash reloaded.
25 years and many milestones later, DJ Hell returns to his roots with NEOCLASH, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary.
NEOCLASH builds a bridge between past and present within electronic dance culture and club music.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno, and Avantgarde Music merge here into a bold new interpretation.
Info (DE):
NEOCLASH ist DJ Hells neues Werk.
Der Electroclash der frühen 2000er Jahre wird hier rekonstruiert, seine charakteristischen Codes extrahiert und in eine moderne, reflektierte Form überführt.
NEOCLASH ist ein kulturelles Experiment - Musik als Medium der Reflexion, als Strukturierung von Raum und Zeit und als Vehikel zur Erkundung der Spannungen zwischen Technologie, Körper und Wahrnehmung.
Electroclash now - oder ein Manifest für die ästhetische Relevanz elektronischer Clubmusik, mit starken Oldschool-Referenzen im neuen Verständnis.
DJ Hell alias Helmut Josef Geier präsentiert hier eine zeitgenössische Neuinterpretation des Genres Electroclash.
International Deejay Gigolo Records war vor 25 Jahren Taktgeber - und Hell der Namensgeber einer Bewegung. Godfather of Electroclash reloaded.
25 Jahre nach vielen Meilensteinen kehrt DJ Hell mit NEOCLASH zu seinen Wurzeln zurück - und zeigt, dass Electroclash 2025 nicht nostalgisch, sondern neuartig und visionär klingen kann.
NEOCLASH ist eine Brücke zwischen Vergangenheit und Gegenwart in der elektronischen Tanzkultur und Clubmusik.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno und Avantgarde-Musik werden hier zu einer neuen Interpretation verschmolzen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Surgeon - Serpent Void 05:42
2
Surgeon - Soul Fire 06:06
3
Surgeon - Divine Shadow 05:36
4
Surgeon - Forgotten Gods 06:12
5
Surgeon - Dying 03:05
6
Surgeon - Infinite Eye 06:26
7
Surgeon - Triple Threat 06:35
8
Surgeon - Empty Cloud 04:29
9
Surgeon - Fall 04:57
TERRITORIES: WORLD minus UK
FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included
TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57
RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included
TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57
RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Scan 7 - Planet Energy 05:56
2
Scan 7 - Black Highway 06:18
3
Scan 7 - Dark Universe 06:00
4
Scan 7 - Unusual Channel 06:41
5
Scan 7 - Beyond Sound 06:29
6
Scan 7 - Dark Corridor 07:05
7
Scan 7 - VII 07:47
8
Scan 7 - Dark Territory 07:24
Territory: WORLD minus UK
2026 Repress Edition
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2026 Repress Edition
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Black Devil - "H" Friend
2
Black Devil - Timing, Forget The Timing
3
Black Devil - One To Choose
4
Black Devil - We Never Fly Away Again
5
Black Devil - Follow Me (Instrumental)
6
Black Devil - No Regrets
Territories: WW minus FR
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More