Tracklisting
A1 Crystal Distortion - Beat Frequency (2nd Mix) 1994
A2 Crystal Distortion - Drumkode 1998
B1 69db - The Tunnel (kgb 001) 1995
B2 69db - Trip-Le Time 1998

Sales Note
Number 5 of the Network 23 remastered repress series is a split with 2 tracks of Crystal Distortion on the A-Side and 2 tracks of 69db on the B-Side.
This release contains 4 pretty obscure tracks that have been very hard to find in the past but are now finally available. More

Tracklisting:
A1 R-Zac - Radio Ham
A2 R-Zac - Rock Stars on 33
B1 R-Zac - Easter 92
B2 R-Zac - Working In Confined Spaces
C1 R-Zac - Apocalyptic Heros
D1 R-Zac - 1996 Stink
D2 R-Zac - Unreleased
E1 R-Zac - Out Of The Blue
E2 R-Zac - Just Pop It On
F1 R-Zac - Waldorf Acid Salad
F2 R-Zac - Expect the unexpected
G1 R-Zac - Four 2
G2 R-Zac - Black Plastic
H1 R-Zac - Fuck The Cover Side
H2 R-Zac - 123% Repetitive
I1 R-Zac - Ekat Sgurd
J1 R-Zac - Hard N Tribal
J2 R-Zac - SF Trax

Release Info:
The 5 record "R-ZAC - OUT OF OUR BOX SET " is a remastered collection of some of the best and most sought after tracks that were previously released on the Network 23 label, run by R-Zac & Jeff 23 from 1994 till 1996.

This box set also contains a selection of tracks originally dating back from 1996 till 2000. The post Network 23 and Spiral Tribe era, when R-Zac began their long run of solo releases as Crystal Distortion and 69db.

It was a time of pioneering the Hard-tec and Tribe genres. A time when tracks were improvised and no cuts were possible. It was their music in its rawest origin. The music that went on to become the blueprint for the Free Party sound of the 1990's and beyond.

All tracks written & produced by Simon Carter & Sebastian Vaughan.
All tracks remastered by Stefan ZMK More

Repress!

Jump starting a new sublabel non-profit project from Sound Metaphors dedicated to re-issuing Network 23/Spiral Tribe material from the 90's free party scene with this collection of 3 psychedelic excursions by R-Zac the collaborative name for 69dB and Crystal Distortion joining forces in the studio. Starting off with a percussive lo-fi tripped out excursion at 121BPM on the A-side. Flipping over and shifting gears to the 160BPM plateau with an atmospheric hihat tornado of flangers and tribal nuances throughout two more studies on the B-side. More

** LIMITED**

Part two of the R-ZAC trilogy by Sebastian Vaughn and Simon Carter, originally released in 1996, faithfully re-issued in its original format, remastered.

Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times.

A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format. More

full colour sleeve / incl. dl code

Tracklisting:
A1 R-Zac - NETWORK 23
A2 R-Zac - Dance to the Lieder
B1 R-Zac - 23HR 23 MINS
B2 R-Zac - BOOM SHANKA
C1 R-Zac - NEVER TOO MUCH
C2 R-Zac - Boom Shiva
D1 R-Zac - Nazi Europe Fuck Off
D2 R-Zac - Horus

Release Note:
When Spiral Tribe congregated in Berlin in the Winter of 1993, they found themselves squatting a series of trailers at Potsdamer Platz. In one of these trailers R-Zac was born. Musically the duo were transitioning from UK breakbeat techno as "The Spiral Tribe Liveset" into what would become R-Zac's signature hard psychedelic sound. This double LP marks the beginning of that journey.

More

This EP distinguishes itself especially for its step towards a slightly slower more atmospheric sound than the conventional Network 23 material. Simon aka Crystal Distortion, the artist responsible for the 3 tracks on this release exhibits a new pallet of sonic references which in relation to earlier material give a sense of maturation to the scene's zeitgeist. A1 almost sounds like it was pressed at the wrong speed with a slight laziness to its beat allowing it a remarkable feeling of holographic spatiality. A2 comes in at a more expected Spiral Tribe tempo, but with a more refined modality, employing sounds very reminiscent of Detroit Techno around that time. B side also merges into more digestible aesthetic in comparison to earlier material, deep sea dubby sounds juxtaposed with crunchy snares and hi hat ricochets. Another piece of the freetekno history puzzle brought back to record stores at affordable prices. Remastered at Manmade mastering in Berlin. More

Back in the washing machine for another high intensity Tekno wash cycle of gorgeous percussive mayhem with one more carefully selected EP from the vast Spiral Tribe repertoire. This time “Stormcore 2” from Crystal Distortion aka Simon Carter takes us on a high speed stroll with 4 tracks set at a solid 180bpm all throughout. Another masterful expose of early hardcore/tekno production techniques with endless layering and intertwining of percussive elements skillfully unfolding throughout long build ups of raw rhythmic intercourse. Aesthetically pioneering to say the least. Meticulously remastered down the street from Sound Metaphors at Manmade mastering. More

Repress!

Jump starting a new sublabel non-profit project from Sound Metaphors dedicated to re-issuing Network 23/Spiral Tribe material from the 90's free party scene with this collection of 3 psychedelic excursions by R-Zac the collaborative name for 69dB and Crystal Distortion joining forces in the studio. Starting off with a percussive lo-fi tripped out excursion at 121BPM on the A-side. Flipping over and shifting gears to the 160BPM plateau with an atmospheric hihat tornado of flangers and tribal nuances throughout two more studies on the B-side. More

Repress!

A generous collection of tracks, beautifully representative of the Spiral Tribe world. Coming on strong with “Summertime” a brute force exercise in synthesized rhythm, moving on to trippy dubbed out nuances over medieval bass lines - highly suggestive of time travel. On the flip side things get put back in fast gear with heavy 4 on the floor action propelled by dubbed out hi-hat. Ending with “CPU” which almost sounds like an attempt at shrinking the listener down to the size of an electron traveling inside the circuits of their samplers. Pioneering the distorted dutch techno sounds from The Hague. More

** LIMITED**

Part two of the R-ZAC trilogy by Sebastian Vaughn and Simon Carter, originally released in 1996, faithfully re-issued in its original format, remastered.

Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times.

A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format. More

When hearing this material today and realizing it was originally released in '96, one can't fail to acknowledge the timelessness of these sounds – clearly illustrating how ahead of their time these productions were. Ranging from 130 to 145 BPM this EP presents a solid study in synthetic rhythm and percussion layers masterfully juxtaposed with unidentifiable electronic noises and nuances. A trademark sound signature of their own. Unmistakeable Spiral Tribe from a special era in party culture brought back when we need it the most – forward the revolution. More

Canada's Solar Phenomena presents three DJ Sotofett remixes of Tokyo producer Mystica Tribe. With a unique and unpredictable approach, Norwegian DJ Sotofett who runs Sex Tags Mania, Amfibia and Wania opens the remix EP with "Ash of Dub Mix", and as the names suggests, a fat dub with huge rubbery kicks, oodles of echoing hits and a spaced out curiousness that sonically draws inwards. "Dub Lawn Dub" eight minutes strips it back with a meandering top line, whimsical, dreamy and encouraging synths contrasting the rickety drums tumbling below. Lastly, "Dub'right Mix" continues the producer trademark loose limbed and jumbled drums, working into a lather while synths squelches and wobbled pads parallely prospects other dimensions. Heavy deepness with percussive highlights. More

Tracklisting
A1 Crystal Distortion - ESV
B1 R-Zac - LSP23
B2 69db & Meltdown Mickey - Drivin (Take 2)

Sales Note
On the fourth remastered NETWORK 23 records re-release we have an original track by Crystal Distortion followed by a totally mental track by R-ZAC and a special version of 'Drivin' by 69db and Meltdown Mickey. Dont miss out on this one! More

Tracklisting:
A1 Crystal Distortion - Panasonic
B1 69db - Water
B2 69db & Meltdown Mickey - Drivin

Sales Note
The third installment of the NETWORK 23 remastered repress series is a 3 tracker featuring a solo track by Crystal Distortion on the A-Side and 2 tracks by 69db on the B-side one of them is a collab with original Spiral Tribe Member Meltdown Mickey. More

2022 repress

Tracklisting:
A1 Spiral Tribe - Forward the Revolution
A2 Spiral Tribe - World Traveler Adventurer
B1 Spiral Tribe - Ragga Boom
B2 Spiral Tribe - Track 13 (Criminal Drug) More

Hooversound hits the ground running with its first 2022 release, this time introducing UK artist RAVETRX to the table with a heavyweight EP that’s been doing the rounds on NTS, BBC Radio 6, and Rinse FM. If the first track is a raver’s drive into the sunset, cruising through ecstatic trance vocals and euphoric jungle breaks, the rest of the A-side plants the listener right at the heart of the warehouse, where kick drums land chest first and hi-octane acid stabs fill the air. The B-side takes us deeper with eyes-down, knees-up techno slammers, with previous label collaborator Mani Festo making an appearance on ‘Feels Good Inside.’ Wrapping things up, ‘Tribe Sequence Calling’ shakes off the tension with distorted guitar riffs and a slouchy 4/4 beat. More

Repress!

A generous collection of tracks, beautifully representative of the Spiral Tribe world. Coming on strong with “Summertime” a brute force exercise in synthesized rhythm, moving on to trippy dubbed out nuances over medieval bass lines - highly suggestive of time travel. On the flip side things get put back in fast gear with heavy 4 on the floor action propelled by dubbed out hi-hat. Ending with “CPU” which almost sounds like an attempt at shrinking the listener down to the size of an electron traveling inside the circuits of their samplers. Pioneering the distorted dutch techno sounds from The Hague. More

Back in the washing machine for another high intensity Tekno wash cycle of gorgeous percussive mayhem with one more carefully selected EP from the vast Spiral Tribe repertoire. This time “Stormcore 2” from Crystal Distortion aka Simon Carter takes us on a high speed stroll with 4 tracks set at a solid 180bpm all throughout. Another masterful expose of early hardcore/tekno production techniques with endless layering and intertwining of percussive elements skillfully unfolding throughout long build ups of raw rhythmic intercourse. Aesthetically pioneering to say the least. Meticulously remastered down the street from Sound Metaphors at Manmade mastering. More

When hearing this material today and realizing it was originally released in '96, one can't fail to acknowledge the timelessness of these sounds – clearly illustrating how ahead of their time these productions were. Ranging from 130 to 145 BPM this EP presents a solid study in synthetic rhythm and percussion layers masterfully juxtaposed with unidentifiable electronic noises and nuances. A trademark sound signature of their own. Unmistakeable Spiral Tribe from a special era in party culture brought back when we need it the most – forward the revolution. More

Rekids have teamed up with Detroit’s Fit Distribution and enlisted the services of motor city locals Marcellus Pittman and Urban Tribe to put the 313 sound on ‘Working’ and ‘Taxi Talk’. On the former, Marcellus Pittman lays down his trademark blend of mechanical yet jerky old-skool drum machine rhythms and disorientingly dissonant, tripped-out synth chords – creating a somewhat eerie atmosphere that evokes images of Detroit’s manufacturing plants of yesteryear. On the flipside, Urban Tribe transform ‘Taxi Talk’ into a big room monster, using rumbling synth bass, electronic bleeps and laser gun snares to transport us back in time to a dark and hazy 90s warehouse rave. More

Tracklisting
A1 Curley & R-Zac - Untitled
A2 Curley & R-Zac - Untitled
B1 Curley & R-Zac - Untitled
B2 Curley & R-Zac - Untitled

Sales Note
This is the start of a big remastered reissue series of Network23 classics released from 1994.
Sahara Tekniq is probably one of the most fundamental records of this genre featuring Dutch free party icon Curley (RIP). More

** LIMITED**

Part two of the R-ZAC trilogy by Sebastian Vaughn and Simon Carter, originally released in 1996, faithfully re-issued in its original format, remastered.

Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times.

A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format. More