Doris Duke’s version of Marlena Shaw’s seminal, powerful “Woman Of The Ghetto” originally appeared on her third album ‘Woman’ in 1975. It’s a searing version, Duke’s full-bodied and fierce voice adding even more urgency to the searing social commentary embedded in the lyrics. On the flip is another SAM Records classic. “Free” by Rhyze is a disco-monster. A sure-fire staple for some of the biggest DJs and diggers out there. Remastered by Phil Kinrade and presented in a 12” official SAM labels and picture sleeve. Part of the Demon Records Singles Club.

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Demon Records Singles Club present a Phats & Small – Feel Good / Tonite. Two tracks cherry-picked from the 1998 debut album "Phats What I Small Music". Both tracks are built from killer samples with "Feel Good" utilising the B.T. Express classic "Does It Feel Good For You" with "Tonite" taking elements from Delegation's "Heartache No.9". Both presented here for the first time on one disc. Remastered by Phil Kinrade and presented in a 12" discobag sleeve. Part of the Demon Records Singles Club.

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For the 29th instalment in their ongoing series of seven-inch singles, Demon Singles Club has decided to offer up a 45rpm pressing of Komiko's 'Feel Alright'. First released on legendary disco-boogie imprint SAM Records back in 1982, the track has long been a favourite with boogie DJs and with good reason. Built around a memorable bassline, squelchy electrofunk synths and unfussy machine drums, 'Feel Alright' boasts a fine female lead vocal whose lyrics extolls the virtues of dancing all night with happy strangers. As it did back in 1982, the vocal mix comes backed with an instrumental take in which producer Darryl Payne's killer bassline and synths rightfully take centre stage. If it's not in your collection already, you need to grab one of these copies pronto

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For the 29th instalment in their ongoing series of seven-inch singles, Demon Singles Club has decided to offer up a 45rpm pressing of Komiko's 'Feel Alright'. First released on legendary disco-boogie imprint SAM Records back in 1982, the track has long been a favourite with boogie DJs and with good reason. Built around a memorable bassline, squelchy electrofunk synths and unfussy machine drums, 'Feel Alright' boasts a fine female lead vocal whose lyrics extolls the virtues of dancing all night with happy strangers. As it did back in 1982, the vocal mix comes backed with an instrumental take in which producer Darryl Payne's killer bassline and synths rightfully take centre stage. If it's not in your collection already, you need to grab one of these copies pronto

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The Demon Singles Club has been digging deep again and this time they have unearthed a trio of delights from Travis Biggs. Biggs played the keys with Isaac Hayes towards the end of the 70s when Hayes was playing with disco sound. During that same era, Biggs went it alone on a pair synth laced and spaced out albums 1976's Challenge, on TB&C, and 1979's Solar Funk, on MCA subsidiary Source. The trio of cuts on this 12" come from the latter of those two - one of them will be particularly recognisable to J Dilla fans for the famous beatmaker sampled it quite famously.

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British label Demon Singles Club reissue two proper classic disco bits by the American soul group Harold Melvin & The Blue Notes: the original 1979 version of 'Prayin'', a gospel-inspired dancefloor anthem that was produced by Harold Melvin and written by John Whitehead and Gene McFadden, and the contemporaneous Blue Album highlight 'Baby I'm Back'. Both are awe-inspiring, rapturous dance fusions in the genre, cementing Melvin and co.'s legacy with a mood of teary-eyed joy.

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Leroy Burgess had already left a huge mark on Black American music by the time the 80s rolled around thanks to his part in Black Ivory alongside Patrick Adams, but he was about to hit on a purple patch of productivity scattered with one-shot gems like Convertion. The project was a family affair featuring the likes of his adopted brother James Calloway on bass, his cousin Sonny T. Davenport on drums and his sisters Renee J.J. Burgess and Dorothy Terrell on backing vocals. The lead track they recorded, 'Let's Do It', is a prime slice from 1981, in the years of transition from disco to boogies and it sounds as great as it did back then. The original B-side of the split release, a mellow ballad by Four Flights entitled 'All I Want Is You', is present and correct on this reissue from Demon Singles Club too

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The Demon Singles Club series continues to offer-up classic disco and boogie cuts on 7" singles. For the series' latest release, they've once again mined the vaults of the iconic SAM Records imprint, emerging with the 1980 debut single from Glen Adams Affair. A-side 'Just A Groove' is a genuine boogie-era disco classic - a Clavinet heavy, B-boy and B-girl friendly workout rich in rubbery disco bass, sustained piano motifs, crunchy drums and a typically celebratory lead vocal, whose lyrics extol the joys of a 'groove to make you move'. Over on the flip side you'll find original B-side 'We've Got To Make It', a pleasingly up-tempo, flash-fried disco-funk floor filler that makes great use of heady slap bass and spacey synths.

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Leroy Burgess had already left a huge mark on Black American music by the time the 80s rolled around thanks to his part in Black Ivory alongside Patrick Adams, but he was about to hit on a purple patch of productivity scattered with one-shot gems like Convertion. The project was a family affair featuring the likes of his adopted brother James Calloway on bass, his cousin Sonny T. Davenport on drums and his sisters Renee J.J. Burgess and Dorothy Terrell on backing vocals. The lead track they recorded, 'Let's Do It', is a prime slice from 1981, in the years of transition from disco to boogies and it sounds as great as it did back then. The original B-side of the split release, a mellow ballad by Four Flights entitled 'All I Want Is You', is present and correct on this reissue from Demon Singles Club too

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Demon Records Single Club are delighted to present a Fresh Records double sider. On Side A we have the mega club hit U Sure Do by Strike. Featured on the groups only album I Saw The Future, U Sure Do would go on to peak at no 4 in the UK charts and number one in the UK Dance Singles Charts. Widely considered as one of the biggest dance anthems of the 90s this is an essential reissue of anyone into 90s dance music. Flip it over and we're in equally good company. Lovestation's track Teardrops on the B side reached No 14 in the UK Singles chart and was a massive garage hit regularly played by everyone from Todd Edwards to Zed Bias. To complete the set we have added quality mixes from Flava and Joey Negro (Dave Lee) and it's housed in the classic Fresh Records sleeve.

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Demon Records Singles club are delighted are introduced a reissue of the club anthem Closer Than Close by Rosie Gaines. Beginning her career in 1985 recording and performing with The Curtis Ohlson Band, Rosie Gaines came to notoriety when she became a member of Prince & The New Power Generation. After the released her fifth album, Closer than Close in 1995 she was dropped from Motown Records yet two years later, a remix of the title track from the album was released as a single by Big Bang Records, after it had appeared on bootlegs. Newly remastered, this single features mixes from the creator of house music himself Frankie Knuckles and legendary house & garage producer Tuff Jam.

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A sublime NYC disco, boogie classic originally recorded in 1982 and released on the Rain Records label. Later licensed to SAM Records where the 12" version would be released and gain considerable recognition amongst soul, disco and boogie fans. Somewhat of an enigma, Greg Henderson released only a handful of records during his career but what an impact they had! He produced Dancing To The Beat by Henderson & Whitefield and Master Forces's Don't Fight The Feeling both dancefloor destroyers. Dreamin ' is no different, a sure fire dancefloor filler, play this anytime, anywhere and watch the dancefloor fill. Newly remastered and now available for the first time in conjunction with SAM Records in a legendary SAM Records house bag.

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Introducing an essential reissue of this legendary SAM Records single Just How Sweet Is Your Love/I Found Love In You now on a 45 for the first time. These two tracks were originally released on the classic album Just How Sweet Is Your Love in 1980 which features other disco, boogie classics Free and Do Your Dance. Whilst the 12" version of this single is widely available, the 7" was only ever released on styrene. Demon Records Singles Club are delighted to present a 45 version now newly remastered by Phil Kinrade at Alchemy Mastering and housed in the legendary SAM Records house bag.

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Weekender’ – a brand new film that documents the rise of House Music and Rave culture in the UK in the late 1980’s/early 90’s. To tie-in with the film’s release Harmless are proud to launch ‘Weekender – Soundtrack Gems + More Inspiration’ – a 3 X CD deluxe package compiled by Terry Farley which contains one CD featuring the best tracks from the film, a second CD featuring further inspiration from the era and a bonus third CD which features an exclusive Terry Farley ‘Weekender’ continuous mix. The vinyl offering contains 3 exclusive new edits of seminal acid house anthems "Move Your Body (The House Music Anthem)" by Terry Farley & Leo Zero plus "Baby Wants To Ride" by Miles Simpson & Neville Watson.



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Tracklist

A1. Morgan Geist - Room 120-2
A2. Morgan Geist - Vectors Of Interpretation

B1. Morgan Geist - Spillway
B2. Morgan Geist - Room 120-2 (Dan Curtin's Re-work)

"Quadrilocular EP", Morgan Geist's first 12" record, originally released in 1994 on Metamorphic Recordings is remastered from the original tapes and features artwork inspired by the 1994 edition. A melodic "Midwest techno" classic, Geist composed, recorded and mixed the project on a minimal, tape-based setup in his college dorm room in Ohio. Nonetheless, the sophisticated programming and meticulous mixing techniques that would characterize his later discography were already evident.

Featuring a jacking remix by Curtin, Environ's reissue is mastered from the original tapes and features artwork inspired by the 1994 edition.




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Repress of original 1996 classic which has built up over recent years to be a cult house classic with select headsy DJs and players, especially championed by Chris Stussy whose set spins have pushed copies up to £100 on Discogs, support from Saint Lukez on his Instagram channel who now offers an exclusive bonus edit. This will be strictly limited with pre-sales essential. Buy of cry.

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Rhythm On The Loose “Break Of Dawn” is quite simply one of House Music’s all time classics. Producer Geoff Hibbert was inspired by seeing dawn break on an Italian coast line to draw inspiration from Moby’s anthemic “Go” and disco gem “Let No Man Put Asunder” by First Choice to create his loving homage to the UK Rave scene. Network set up a label “The One After D” to release a limited edition press of the instant classic to create demand. One of the first copies was picked up by Kevin Saunderson and his relentless playing of the track helped fuel interest in the USA. The first release on Network in 1991 established the track as iconic. That original mix is here and still sounds as fresh as ever. Perfect in fact. The 12” also contains remastered versions of the 1995 remixes by Rhythm On The Loose, Strike and Stonebridge.

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(180g Axis Audiophile Series / color label/ black generic jacket) "Looking back in hindsight to the activity and accomplishments of Axis is with much pride - to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term" - Jeff Mills
TRACKLISTING
A. Jeff Mills - The Bells (Original Version)
B1. Jeff Mills - The Bells (Blue Potential Version)
B2. Jeff Mills - The Homosapien Sapiens


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To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released. Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.



TRACKLISTING

A. Metro Area - Miura
B1. Metro Area - Let's Get...
B2. Metro Area - Strut


INFO

Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.

To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.

Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.

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Tracklisting
A1 Tarkno & Remco Beekwilder - SKETCH #1
A2 Tarkno & Remco Beekwilder - SKETCH #2
A3 Tarkno & Remco Beekwilder - SKETCH #3
B1 Tarkno & Remco Beekwilder - SKETCH #4
B2 Tarkno & Remco Beekwilder - SKETCH #5
B3 Tarkno & Remco Beekwilder - SKETCH #6

Sales Note
This duo forms a united front with 6 classic schooled techno cuts. Blending their imagination world, Tarkno and Remco exchanged sounds, concepts and mutual interest over the course of time and these finished sketches reached the surface.

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Tracklisting:
A1 Dax J - The Wonk
A2 Dax J - The Invisible Man
B1 Dax J - Wir Leben Fur Die Nacht
B2 Dax J - The Bounce
B3 Dax J - Surrender

Release Note
- 2022 repress -

Dax J delivers The Invisible Man EP for Monnom black 009. Dark, acidic, 90's inspired rave cuts. Dax's 1st release after his critically acclaimed debut album "Shades of Black". Essential Selection!

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2LP + Bonus 7"

CASABLANCA first started as a party exploring the depths of Arabic grooves from Northern Africa and the Middle East, brought to life by two musical legends...Parisian digger Victor Kiswell, known for his journey through the world’s rarest records and influential NTS radio sets, and Dez Andrés, a Detroit native whose roots in the city's hip-hop and house scene are matched by his love for soul, fun, and jazz. The two artists have stepped into the studio to bring the same energy and ethos from their party to this album.

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First-time reissue in 40 years of German jazz group Green Cosmos. Night time jazz music from 1983.

LP with printed 4 page insert, 500 copies

"Some melodies are like taking a deep, refreshing breath. They strike us with the compelling force of a heartbeat or the moon reappearing from behind dark clouds. The music of Green Cosmos makes us realize that our never- ending quest for love can find fulfillment. You take a long, slow breath and feel the magic of transcendent wisdom. It’s like looking up from your room to the brightly lit windows of the home of your neighbours. Might someone be standing there, watching us? Let’s listen to Abendmusiken and imagine what life would be like if we were one again with God’s original ideas. Green Cosmos enchant us with their blend of Jazz, the sound of heartbeats, emotional outburst, and Folk-music (From which country? In which language and tradtion? I really don’t know... it seems to be everyone’s language and the universal breath of all places.)

There is not one note too many, and everything gets to the heart of the matter. A saxophone that sails ahead on a world- map of sound, driven by the beat of Kalimba and drums, sometimes fraternizing with a bass that‘s now insistent and then shy, and closely listens to a reassuringly omniscient piano until the music merges into a unit that‘s greater than its parts and sees us through the night

We can feel that the musicians plunge headlong into their tales of grace and high spirits. It’s no exaggeration to say that this band has created something new and unique, and that the excellence of the moment got captured in this recording.

This, quite simply, is beautiful and exciting music thatsteers us through the night. And if you are standing by a window seeing someone looking at you from their window – give them a wave! Wave at them to the beat of the music and feel at home, feel free to pause and wonder, and come up for air."



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Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that AIDS inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.

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