12" EP

Tracklist
1. The Space Between
2. U Make Me Feel So Good
3. Rêve de Rave
4. Purple FX
5. Snakes Waves


Genres: Breakbeat, UK Rave, Electronica

A rising and genre-defying figure in the French electronic scene, Goldie B continues her
ascent with Who Says Night’s For Sleeping?, a five-track EP that asserts her distinctive
signature: an instinctive blend of club energy, cinematic storytelling and UK rave influences.
Conceived as the soundtrack to a night lived in full intensity, the record moves through the fire
of the dancefloor, the collective trance, and those suspended moments where one floats
between dream and wakefulness.

“I imagined this EP as the soundtrack to a night experienced in its entirety. From the first rush of
adrenaline on the dancefloor to that floating walk home, still carried by the music. My influences range
from Moby and Air to Floating Points and Joy Orbison, artists who know how to combine power and
emotion. I love connecting the raw energy of the club with more dreamlike textures, because you can
absolutely dream while dancing. Each track is an instinctive snapshot of my inner world.” Goldie B
The EP’s opening act, “The Space Between” blends ethereal pads, organic strings and a steady
crescendo, recalling the elegance of Air or Moby. It opens a suspended space, equally suited to inner
drift or physical release. “I wanted it to feel like a threshold, a gentle hand pulling you into a trance
state.”

On “U Make Me Feel So Good”, a sensual and narrative breakbeat track, a flowing bassline gradually
tightens into trancier energy. Seductive female vocals weave through broken rhythms, creating a
piece that is as tactile as it is hypnotic. “It’s about contrast, the softness and caress at the start, then a
tension that rises and electrifies.”
Instagram | Youtube | TikTok | SoundCloudAt the heart of the project, “Rêve de Rave” channels 90’s breakbeat spirit with old-school samples, an
euphoric central break and voices urging to move your feet. Urgent and liberating, it embodies the
dreamlike essence of the rave. “It’s how I imagine the rave: a lucid dream where joy and collective
energy feel almost unreal.”

Next comes the most incisive cut of the EP, “Purple FX”, driven by a grating central bassline that
evolves relentlessly until its explosive drop. Minimalist yet implacable, it captures the sheer force of a
peak-time track. “I wanted a track purely designed for the club, where the tension just keeps rising
until it explodes.”

Closing in chiaroscuro, “Snake Waves” shifts from breakbeat into a half-house, half-techno 4/4
groove, carried by a sinuous, hypnotic bassline. The track plays on tension and release, with a rich
harmonic break before fading like a suspended farewell, where the party recedes but the energy
lingers. “It’s a farewell piece that keeps the intoxication alive, like a final vertigo before slipping back
into the night.”

Goldie B is a multifaceted force on the French electronic scene. A producer, multi-instrumentalist,
singer, MC, DJ, and co-founder of the label Omakase Recordings, her sets blend bass, jungle, UKG,
and breakbeat, captivating audiences with their contagious energy. Based in Marseille, she has
released music on renowned labels such as D.KO, Banoffee Pies, and YUKU, and has performed on
some of the biggest French stages and festivals: Peacock Society, Astropolis, NDK, Marsatac, Delta,
Le Bon Air, and even the Festival d’Avignon. In 2024, she was selected by Apple Music for its
Women In Electronic series. Her new Who Says Night’s For Sleeping? EP confirms her status as an
instinctive and distinctive artist to watch on the French electronic scene.

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12" EP

Tracklist
1. Ready To Shine
2. Sugar
3. I Can Be Anything
4. May It Never End

Genres: House, Hardgroove

A rising artist of the French electronic scene, Naajet asserts her identity with The Night Starts
Now, a four-track EP that celebrates the freedom and intensity of the night. Co-founder of the
Bande de Filles collective and known for her explosive universe blending House, Hardgroove
and Breaks, as well as for the unique energy inherited from her dance background, Naajet
delivers here a sonic manifesto conceived as an ode to club culture and to the present
moment.

“I imagined this EP as an anthem to the world of the night. The night offers us unparalleled freedom,
an outlet that allows us to be ourselves, to create, to love. The Night Starts Now captures this
celebration of the present moment and this declaration of independence.” Naajet
Opening the EP, “Ready To Shine” unfolds radiant House nourished by Pop and 90’s sounds. With a
clear and ascending rhythm, the track combines euphoria and introspection. “I composed this track as
a joyful and introspective journey that prepares us to embrace the night. For me, it is a call to accept
our wounds, to transform them into light and strength, so that we may shine brighter when we enter
the club,” explains Naajet. Between ethereal vocal lines and shimmering pads, the track acts as a
ritual of entering the night, inviting us to turn wounds into strength and to shine on the dancefloor.
The second track of the EP, “Sugar”, embodies the effervescence of the club. Carried by a hypnotic
voice and an effervescent rhythm, the track celebrates the communion of bodies and the liberating
energy of dance. “It is an ode to dance and to bodies coming together. This track speaks of those
moments when, on the dancefloor, boundaries fall: we sweat together, we free ourselves together,
and energy flows from one body to another,” says Naajet. A true concentrate of intensity, “Sugar”
captures the moment when sweat, rhythm and abandon merge into a collective movement towards
freedom.

With “I Can Be Anything”, Naajet changes register and flirts with deeper, even techno textures. Built
on a throbbing pulse and sharp synths, this track is meant as a manifesto of identity. “I really wanted
to propose a track that claims our right to free and plural expression and sexuality. I Can Be Anything
is about our multiple identities, our ability to reinvent ourselves and to refuse any form of formatting,”
she says. Between club intensity and political resonance, “I Can Be Anything” questions our multiple
facets and embodies the assertion of an elusive and free self.
Closing the EP on an euphoric note, “May It Never End” stands out with its broken rhythms and
powerful synths. The track conveys the transcendent energy of the end of the night, when dawn
arrives but we refuse to leave the collective trance. “I wanted to put into music this feeling of infinite
energy, when time is suspended and the party seems to never have to stop. It is this euphoric vertigo
that connects us all in the same breath, this utopia of a night that would never end,” says Naajet. A
true apotheosis, this track embodies the utopia of an eternal night.


DJ, producer and co-founder of the Bande de Filles collective, Naajet has established herself with a
singular universe where House, Hardgroove and Breaks blend, nourished by her background as a
dancer and an instinctive sense of groove. For the past three years, she has performed on French
and European stages – from Berlin to Amsterdam, via Geneva and Oslo – and has made her mark in
clubs such as Rex Club, Le Sucre and Badaboum, as well as festivals like Nuits Sonores and Kolorz.
On the production side, she has released several acclaimed EPs on renowned labels such as Shall
Not Fade and Monki & Friends. In 2025, she takes a new step with the launch of her label SWEAT
Records and a residency at Le Sacré in Paris, affirming her role as an ambassador of a free and
intense club culture. She also collaborates with the waacking company MADOKI, for which she
composes and mixes projects at the crossroads of dance and music. With The Night Starts Now,
Naajet confirms her status as an essential artist of the new electronic generation

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12" EP

Tracklist
1. Ce Matin-Là
2. Together
3. My Heart
4. Bees Die After Stinging
5. Oceans Reflections
6. Ce Matin-Là (Tour-Maubourg Remix)

Following a debut EP praised for its freshness and boldness, S-Pazz returns with Birth of
Light, a second release that fully confirms the potential of the Parisian duo. Blending elements
of house, jazz, broken beat, and ambient, the record sees them refine their musical identity
with a more intimate and introspective approach, yet always deeply rhythmic and luminous.
Composed four-hands during a moment of personal transition, the EP feels like a rite of
passage where music becomes a space of unity, resilience, and imagination.

“This EP reflects a major transition in our lives, as it was written during Nathan’s move out of the
shared flat where we also had our studio. Despite the change, we managed to preserve the unique
creative world that defines the identity of S-Pazz. We deliberately infused it with a wide range of
influences, spanning different eras and cultures. ‘Birth of Light’ builds on the foundations laid with our
first EP: crafting music at the crossroads of our respective influences, always driven by our love for
cinematic soundscapes.” S-Pazz

The opening track, “Ce Matin-Là”, unfolds with a dreamlike atmosphere, led by lush string
arrangements from Nathan’s father, a double bassist already sampled on their first EP. “We wanted to
get closer to those tracks that bridge electronic and orchestral music, like what 4Hero, Bonobo, or
even Air have done,” explains S-Pazz. The track also gets a reinterpretation from Tour-Maubourg,
who delivers a deep house remix tinged with bossa nova, infusing the piece with a warm, summery,
and organic tone that extends the EP’s globe-trotting spirit.
With “Together”, the Parisian duo pays tribute to the UK broken beat scene through a syncopated
and generous track where analog synths and live grooves coexist with subtle balance. “We wrote it in
Instagram | Youtube | TikTok | SoundCloudthe summer of 2024. It combines a lot of sampling and a growing passion for synths we’ve developed
over time. For the percussion, we drew a lot of inspiration from producers like Da Lata, 4hero, and
Chaos in the CBD.”

“My Heart” captures the EP’s dancefloor soul, a hybrid of broken beat, jazz, and funk. Warm brass,
Prophet 5 bass doubled with a Rhodes, and a breathy vocal that bridges groove and emotion. “It’s a
blend of jazz, dub, and funk. Club music that speaks to the body as much as to the heart.”
The fruit of a year-long process, “Bees Die After Stinging” brings together afro-influenced 6/8
rhythms, field recordings of beehives, and finely crafted jazz arrangements. The illusion of a live band
is meticulously constructed in-studio. “We’re especially proud of this track, it really captures the
meeting point between our two musical worlds.”

The closing track, “Ocean Reflections”, deliberately breaks away from classic house structure,
embracing a freer, more ambient form. It brings the EP to a contemplative and fluid end. “We wanted
to close the EP with something special, no four-on-the-floor kick, but a preserved groove that invites
introspection. We invited our friend Claire Grunenberger to sing, and Grégoire added a jazz solo as a
tribute to the early days of St Germain.”

S-Pazz is a project formed by Nathan and Grégoire, close friends and creative partners both on and
off stage. Their music reflects a rare intersection of jazz, house, broken beat, and narrative-driven
electronic music, shaped by their distinct backgrounds: Grégoire is a jazz-trained multi-instrumentalist,
while Nathan is a DJ and beatmaker influenced by hip-hop and raised in a family of musicians. Their
debut EP Tales of Dancing Waters (2024) quickly caught the attention of listeners and curators alike,
racking up hundreds of thousands of streams and landing on playlists alongside artists like Berlioz,
Barry Can’t Swim, Dublon, and Tour-Maubourg. Now, with Birth of Light, the duo takes a major step
forward in their evolution, laying the foundation for a deeply personal, immersive, and resolutely
luminous musical language.

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Track list:
A1 - Sebastien Vorhaus & Ponty Mython - Face Down , A2 - Ponty Mython - Apple Arp , B1 - Ponty Mython - Mila, It’s Not Over! , B2 - Ponty Mython - Narcolepsy
Release Info:
Our latest release ‘Mila, It’s Not Over’ comes from the mysterious Ponty Mython (Alex). With roots in St. Petersburg, he now sends us his latest intricately produced works from his studio in Vilnius, Lithuania. Alex joined the Dirt Crew family last year, adding his excellent artist name and ear for exotic samples to our ‘Deep Love 10’ compilation with his track ‘Movin On’. First up on this new release is ‘Face Down’, a cross-continental collaboration with Tijuana based tastemaker Sebastien Vorhaus. Sebastian and Alex recently dropped their ’Lux or Cairo’ EP as a 12” on Quintessentials, and have backed it up with this funked out jam. The remainder of the release has´been no doubt meticulously put together by Alex himself. The record is full of surprises, with audible influences from house, italo and disco, it brims with the unusual and unfamiliar, but is held together with its dance floor propensity.
‘Apple Arp’ is a joyful excursion, with a bubbling arpeggio, oscillating lead and an irresistible groove. The title track ‘Mila, It’s Not Over’ rolls along with swung live drums and acid touched bass line, before
taking an unexpected turn, floating off into an almost cinematic break, where film score woodwinds and strings call out over muted voices. ’Narcolepsy’ hosts breezy flute and psychedelic swells of sound and ’Paulette’ boasts mesmerizing tuned percussion and singing synth lines. All in all this record is completely unique and full of life, a bizarre and colourful journey into house music, perfect for the party.

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Very worthy 180g 2x12" Pack - Limited and only once per year, immediately sold out in the last years!
Collectors Watch List: The standout tracks of the second year of Heist get remixed by the label artists of that year.

Track list :
A1. Obas Nenor – Wakee (Detroit Swindle remix)
A2. Ouer – The ascent (Adesse Versions remix)
B1. Nebraska – It won’t be long (Nachtbraker remix)
B2. Detroit Swindle – Future imperfect (Frits Wentink remix)
C. Adesse Versions – Push it along (Obas Nenor remix)
D1. Frits Wentink – Rising sun, falling coconut (Nebraska remix)
D2. Nachtbraker – Pollo con pollo (Ouer remix)

Release Info:
The Round up part III is here: Our annual cocktail of “Heisty” re-imaginations. With our busiest release schedule so far, we’ve moved up from a 12” and 10” pack to a double 12” pack, with 7 artists re-rubbing each other’s originals in their most personal way imaginable.
Nachtbraker turns Nebraska’s sweet and moody ‘It won’t be long’ into a raw as hell acid stomper. Ouer and Adesse Versions, deliver a great jackin’ take on both their victims and Nebraska adds some disco flavour to Frits Wentink’s free handing piano work. Frits on his turn gets going with the SP404 to add some dusty vibes to our own Future Imperfect while we’ve turned Obas Nenor’s down-tempo excursion with ‘Wakee’ into an up-tempo Chicago-esque affair, bringing in our Crumar
Performer for some lively work on the strings. Obas on his turn, gets his MPC fired up and delivers a great Midwest inspired version of Push it Along.
We’ve had a truly great year with Heist and have released so much to be proud of, and this Round Up is a great conclusion to it. A
nd as always, special artwork courtesy of Baster.
Sincerely yours, Lars & Maarten

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Artwork in the style of the early days of the label

GENRE/S:
House, Acid House, Deep House

TRACKLISTS:
TAR018_A1_TIMES ARE RUFF_COSMIC PHUNK
TAR018_A2_TIMES ARE RUFF_FREEFLOW
TAR018_B1_TIMES ARE RUFF_LUCKY B'S ACID
TAR018_B2_TIMES ARE RUFF_CITY BLUES

INFO:

After a five-year hiatus, Times Are Ruff is back, recharged and inspired. This return marks a renewed commitment to the underground, bringing that ruff sound.

The label returns to the wax with the sound they are known for, defined by dusty grooves, ruff rhythms and soulful moods.

This record is for the heads. A proper blend of funk, acid, late-night vibes and early morning moods, that keep the floor moving and the soul intact. Pure, stripped-back house music for those who know.

Times Are Ruff—back in the game, staying true to the craft, and ready to deliver more underground cuts.


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For those who don't know, Mr Flash is the first artist signed on Ed Banger Records in 2003, "Radar Rider" just blew Pedro's mind. Everybody was into fake Daft Punk and other shitty filtered disco at the time, major labels were spending lots of money to have their own piece of french touch cake. It was time for Mr Winter to start something new, Mr Flash came up with this beat, something grandmaster Dj Shadow could have done if he was into mushrooms... We also released "Champions" featuring french hip hop warriors TTC b/w "Disco Dynamite" in 2006. He became quickly one of Ed Rec's fave, a hip hop head entering our disco game can only be a winner. Of course Mr Flash continued his quest for the perfect beat, a bunch of remixes, some productions (what's up Mos?) and lots of white nights.

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Tracklist 12":

A1) Mystery (Harvey Sutherland Remix)
A2) Mystery (Opolopo Remix)
B1) Mystery (Close Counters Remix)
B2) Berlin Boogie Town (Cassius Remix)

Info:
Big remix package for TOY TONICS'S boss KAPOTE. His song "Mystery" from the last album reworked by HARVEY SUTHERLAND, OPOLOPO, CLOSE COUNTERS with a bonus remix by french house master CASSIUS. Turning Kpaote's New school house anthem into super fresh jazz-funk disco, NYC 1990ies House hit and proto-dance bangers. There is no way there is not one version that every good DJ with an interesting fresh sound can't play.

It's 2025 and Toy Tonics one more time tries to define what are the perfect vibes for the "post-dark-electronic music age". Yes. After 10 years of explosion of hard techno, dark trance and fast race sounds Toy Tonics is trying every month to bring ideas for a more positive, high quality, forward-thinking dance music.

Opolopo: Opolopo brings his legendary touch to "Mystery." With a career spanning decades and a reputation for fusing boogie, funk, and broken beat, his remix promises a soulful journey. An artist who's famously remixed everyone from Gregory Porter to Stevie Wonder, Opolopo's version is pure, unadulterated groove.

Harvey Sutherland: Straight from the heart of Melbourne's electronic underground, Sutherland delivers his signature "Neurotic Funk." The celebrated synthesist and producer, known for his distinctive analog textures and a discography that's earned him ARIA Award nominations, is sure to inject his unique genre-bending energy into the track.

Close Counters: The duo from Melbourne, Close Counters, are set to turn "Mystery" into an electrifying fusion of house, soul, and jazz. Known for their dense synths and infectious energy, they have earned praise from tastemakers like Gilles Peterson and have wowed crowds at festivals like Splendour in the Grass.

Finally, the package features "Berlin Boogie Town" with a new interpretation from Parisian legend Cassius, adding some uplifting French Touch filter vibes.



















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Tracklist 2x12":
A1: Introduzione A2: Aroma de mi vida A3: Whoja vu B1: Dunneed2give it up B2: Jeep ridaz C1: Double pain C2: Storia losca D1: The quiet Bobobo D2: Latexxxnite enemy (feat. P Lok) D3: Damaging ur mental
Short info:
Following a number of exciting tunes released on the renowned Quintessentials, here comes Mat Chiavaroli's first long-player "No Stranger To Madness". Warm Fostex tape hisses and MPC swings, the guy from the Pescara hills delivers 10 tracks for both your dancing and listening pleasure.
The A- and B-side tracks are drenched in dusty funk samples, gritty chords and syncopated rhythms. In "Aroma De Mi Vida" Mat chops obscure Rhodes riffs and layering them with more elements, just like in "Whoja Vu", a heavy-sampled disco juggler very close to his previous Quintessentials releases. On the flip we find some deep chords melting with powerful gospel vocals, giving life to a track that annihilates boring dancefloors. There's a similar vibe in "Jeep Ridaz" that reminisces about seminal Atavisme classics with broken detuned bits and agitated cut and pastes give a sense of randomness. The second part of this album shows Mat Chiavaroli's deeper side. "Double Pain" is a tune that progressively brings you to many aspects of what Mat loves: saturated female vocals stick out while gloomy chords gently develop. "Storia Losca" has a slightly different attitude with a huge synth presence, live percussion and dreamy pianos. The D side opens with "The Quiet Bobobo", a distorted floor delight and ends with something closer to Mat's early music, disclosing a fresh collaboration with the young studio fellow P.Lok.
"No Stranger To Madness" fits many bills and is an impressive proof of what Mat's musical ability is.



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Tracklist 12":
A1: This is harmony
A2: This is harmony (Creative Swing Alliance remix)
B1: Swan
B2: Areg
Short info:
He's back in full! After his compilation contribution on "Thank you freaks "part 3" (QE36), italian producer and DJ Mat Chiavaroli is back on Quintessentials with his first full EP. A rich blend of music with lots of beatiful details! Tastes as delicious as pizza and pasta! Plus as desert a dope remix from the ever reliable Creative Swing Alliance (Tsuba, Mule Musique, Faces). Get the "Swan EP" for your (quint)essential house collection!


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The return of master Loz to Outplay! After releasing strong stuff on labels like Razor-n-Tape, Quintessentials and Quartet Series plus some recent remix action on Melbourne's Kyoku, monsieur Goddard has made a new EP for us as a perfect follow up to his 2015 Loose Jams! He presents a wonderful EP of three varied tracks, showcasing his prowess in combining synths and sampled bits. First up is uptempo discofied 'Hazy', which builds well on the sound he's become known for. On the flip there's deep dusty chugger 'Peaches' and the sweet, sweet melodies of synthy groover 'Murmur' to provide a proper close to the EP!



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GENRE/S: House, Disco, Afro

TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano

SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.




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Track list:
A1. Belair
A2. Jubilee
B1. On Top (Strip Steve Remix)
B2. And I Said (Tensnake Remix)

Release Info:

Exactly one year after Lorenz’s debut EP on Dirt Crew he is back with a super funky follow up. With the recent
“Marakuja” track on our “Deep Love 2018” compilation he already set the tone to a much more fluid and organic live approach to his sound recording.

The opening title track “Belair” is a heavy “wurly” organ jam he developed mainly by playing live and afterwards finalizing it in his Cologne studio. After his recent tour and shows as part of the Detroit Swindle live outfit he really got into improvising and composing his tunes on the fly. The Funk is all over this one and it is a great uplifting “sunny” jam to play out. Following this one is the slower and deeper “Jubilee” that’s adding even more soul to the “Rhode” funk with an irresistible bass line and melody and when the clavinet break sets in it’s nothing but Good Times on the dance floor! A certain rewind for us and favorite track off this new EP.

On the flip we added two remixes from his previous high in demand tracks “On Top” and “And I Said”. Lorenz has been working a lot on various projects with his good friends Strip Steve and Tensnake and both had their go on these tracks from last year. Strip Steve took the parts of “On Top” and turned them into a deep Detroit flavored House Jam with stabby beats and beautiful strings added. Last but not least Tensnake fires up a high octane remix of “And I Said” that leans much towards old school New York house rhythms and the additional “Sax” topping gives it a groovy 90s feel to it. For sure bringing back that great happy and funky flow of the original.

We hope you dig this funk and soul laden EP by Lorenz Rhode as much as we do! Enjoy!



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