Tracklisting
A1 Kaiser - Southern Railway
A2 Kaiser - Peace
B1 Kaiser - Sonic Expedition
B2 Kaiser - Guilty Conscience

Sales Note
Promising techno talent Kaiser weighs out 4 big room aces forthe following KEY journey. Powerful and composed, all tracks reflect the character of the Italian artist who once again, with dedication and commitment brings forth a timeless blend of productions. Dip in, you'll find your own pearl.
Konsistenz proposes a blend of classic techno with an elegant restraint: from the sophisticated, tunnelling pounder of A1 to the stripped-down yet busy vibes of A2, Kaiser demonstrates his mastery of detail, crafting beautifully constructed tracks with deep atmospheres that magnetically draw you in. B1 offers prime body music- a proper DJ tool with focus on the low end, while B2 introduces a sturdy broken beat accompanied by tense, droning strings and bleepy contours, creating an intriguing stomper with a minimal blueprint. Moody notes and ample reverb immerse listeners in an aquatic and deep atmosphere, ideal for consumption between the hours of 6 and 8 am on a Sunday morning. With its subtle variations in textures and rhythmics, this release promises to set dance floors ablaze, making it a necessary addition to any DJ's arsenal.
Smart and effective- killer twelve More

2023 repress

Tracklisting:
A1 Kaiser - Innocence
A2 Kaiser - Behind The Line
B1 Kaiser - I Hear Elephants
B2 Kaiser - Escaping Scepticism

Release Note:
Canadian imprint SEKS TAPES are pleased to present "Kaiser - Language Development". The Italian-born Berlin-based techno architect provides 4 tracks of cerebral and hypnotic floor shaking late night tools for the label's inaugural EP. More

Tracklisting:
A1 Kaiser - Bring Me So High
A2 Kaiser - Time Moves Slow
B1 Kaiser - Fade Into You
B2 Kaiser - Floating In The Abyss

Release Note:
- 2022 repress -

"Fear Of Heights" is the new EP signed by, Gianluca Caiati, alias Kaiser, on K S R. This is a new release valve from the label owner where he tries to convey to the listener and the dancer, in four different cuts, his being versatile and prodigious. More

2022 repress More

Tracklist:
A1 Kaiser - Beginning Of The End
A2 Kaiser - Sunday Was Pure Madness
B1 Kaiser - Beginning Of Madness (Claudio PRC Revisited) (Claudio PRC remix)
B2 Kaiser - I See The Blue Lights

Release Info:
The Italian Kaiser debuts on Attic Music showing his deeper and hypnotic side, featured by a dreamy Claudio PRC variation. The result of this killer combo is a massive four tracks EP that fully represents the sound of the label. More

Kaiser is back on Planet Rhythm with his second EP on the label. This time he puts the pedal to metal and serves us 4 tracks with an amazing drive. More

Vinyl catalogue of Kaiser's imprint is back with an excellent heavy Birmingham-era UK techno EP called "Mystery Of Emptiness", including Regis and Sleeparchive remixes. More

Kaiser puts the pedal straight to the metal on the title track. Then he delves into deeper vibes on "Bloodline", only to open up the throttle again on B1. He rounds up this versatile EP with a mental trippy banger. More

Monocode seeks the root code of techno with the release of the EP Solitude by Kaiser.
Two original tracks hit the ground running to the beat of a mechanical war drum, aggressive and determined: today's Spartans charging into the night. The title track "Solitude" storms into a dark basement of flashing strobes and lasers. "Another Platform" is a cavalry charge at full gallop. The smooth roll of the beat maintains the pressure as you put miles onto your sneakers against the rave's concrete floor.
Two remixes continue the charge at their own pace. The first is a bouncier beat stripped of its heavy bass, punctuated by cymbals and classic hand claps to lighten the mood. The last track on the EP might at first seem like you could catch your breath, but it's only swinging around to flank the beat from a more angular direction. More

Tracklisting:
A1 ORBE - Incremental
A2 ORBE - Incremental (Gianluca Caiati Version)
B1 ORBE - Velocity
B2 ORBE - Push - Pull

Sales Note
ORBE's dynamic techno journey ''Incremental'' crafted for K S R. High-energy experience. Including the version by label owner Gianluca Caiati. More

Tracklisting
A1 Lee Holman - The Honesty Of Time
A2 Lee Holman - The Honesty Of Time (Kaiser remix)
B1 Lee Holman - Shifting Sands
B2 Lee Holman - Spirit Guide

Sales Note
K S R introduces this pulsating collection features Lee Holman's EP, showcasing his mastery of the genre. Don't miss the mind-blowing remix by "Kaiser", the label owner. Brace yourself for an exceptional auditory adventure. #KSR011 More

2023 repress

Tracklisting:
A1 Kaiser & Matrixxman - Nanofactory
A2 Kaiser & Matrixxman - Distress Signal
B1 Kaiser & Matrixxman - The Fugitive
B2 Kaiser & Matrixxman - Armed & Dangerous

Sales Note:
Kaiser and Matrixxman introducing their first "Strapped" EP collaboration. Straight, effective Techno DJ tools. More

Tracklisting:
A1 Troy - Omen
A2 Benales - Process
B1 Border One - Resin
B2 Jeroen Search - Based On
C1 Sev Dah - Alligator And His Birds
C2 Deluka - Magma
D1 Aiken - Inflection
D2 DJ Shufflemaster - Telepathic Waveform

Sales Note
K S R is celebrating release Nr. 10 with pressing this limited 2x12" by Various Artists.
Designed artwork and printed sleeve.
Quality techno DJ tools. More

Tracklisting:
A1 Kaiser - Bring Me So High
A2 Kaiser - Time Moves Slow
B1 Kaiser - Fade Into You
B2 Kaiser - Floating In The Abyss

Release Note:
- 2022 repress -

"Fear Of Heights" is the new EP signed by, Gianluca Caiati, alias Kaiser, on K S R. This is a new release valve from the label owner where he tries to convey to the listener and the dancer, in four different cuts, his being versatile and prodigious. More

- 2022 repress -

Tracklisting

A1 Kaiser - Reckless Men
A2 Diego Amura - Fine
B1 Kwartz - Ground Contact
B2 Sev Dah - Daimonic

Release Info:
"Time Flies" is the title of this Various Artists including Kwartz, Sev Dah, Diego Amura and the label owner himself Kaiser. Four cuts which are a throwback to the golden ages of techno and at the same time will make you give a look at the future.

More

Tracklisting:
A1 Force Reaction - Definition 1
A2 Force Reaction - Definition 2
B1 Force Reaction - Definition 3
B2 Force Reaction - Definition 4

Release Note:

- repress -

Kaiser and Kwartz united as "Force Reaction" introduce their first EP called "Definition". More

- 2022 repress -

Tracklisting
A1 Force Reaction - Control Abuse
A2 Matrixxman - Vexxer
B1 Troy - Chainsaw
B2 Dimi Angélis - Green Powder

Release Note
K S R introduces a new Various Artists EP designed by a stunning line up. Force Reaction (Kaiser & Kwartz production) and Matrixxman joining the A-Side, alongside Troy and Dimi Angelis on the B-Side. Outstanding, timeless techno adventure. More

Tracklisting:
A1 Gianluca Caiati - Rude Exhibition
A2 Gianluca Caiati - Rude Exhibition (Mike Parker remix)
B1 Gianluca Caiati - Surrender
B2 Gianluca Caiati - Surrender (Substance remix)

Release Note:
Releasing as Gianluca Caiati for the first time, the K S R owner is back on the imprint with a pure and classy break-beat techno EP including the remixes of Mike Parker and Substance. More

Vinyl catalogue of Kaiser's imprint is back with an excellent heavy Birmingham-era UK techno EP called "Mystery Of Emptiness", including Regis and Sleeparchive remixes. More

A perfect combo is the second release for the catalogue of Kaiser's imprint K S R. The infamous duo 999999999 introduces the A-side with a 90s banger cut followed by Kaiser and Eric Fetcher's tr909 textures and hypnotics journeys. Different is the B-side, with Wrong Assessment meeting Conrad Van Orton and their huge and experimental designs. More

Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for. More

Tracklisting
A1 Reeko - Urmah #1
B1 Reeko - Urmah #2
C1 Reeko - Urmah #3
C2 Reeko - Urmah #4
D1 Reeko - Urmah #5
D2 Reeko - Urmah #6

Sales Note
Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.

Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.

For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.

Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.

As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. More

Unbridled introvert scooter crushers More

VINYL REPRESS FOR OCTOBER 2024.
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet More

Tracklisting
A1 Eusebeia - Set In Motion
A2 Eusebeia - In Perpetuum
B1 Eusebeia - Flow State
B2 Eusebeia - The Cure For What Ails You

Sales Note
No stranger to the Spatial family following the release of his excellent Age of Awareness EP back in 2023, Eusebeia brings his eclectic breakbeat driven vibes to sister label
Curvature for an EP spanning a variety of energies with a free-spirited approach to drum patterns and atmosphere you wont want to miss.

A1 Set In Motion
Shimmering melodic keys and light hi hats quietly introduce Set In Motion, as Eusebeia takes a laid back opening approach to his Curvature debut. Clean, wandering breaks enter the mix and develop continually, as a subtly used, luscious female vocal greets the listener with a curiously soothing vibe. Following the breakdown, a deep, pounding bassline punctuates skillful synthwork riddled with intrigue and atmosphere to round off
a unique, eclectic track.

A2 In Perpetuum
Stepping things up with a doggedly breakbeat focus, In Perpetuum is an energetic piece with an opening backdrop akin to an aging printer being coaxed back to life,
before an echoed vocal welcomes hyperactive, rasping breaks, edited and chopped with the scintillating talent we have come to expect from Eusebeia. The latter half of the
track changes up the vibe slightly with inquisitive padwork gliding above the omnipresent edits.

B1 Flow State
Subtle cowbell style cymbals and gentle melodies introduce Flow State, before an inimitable duality of old school atmospheric breaks pass the baton repeatedly through the track in typically impactful style from Eusebeia. The melodies and an understated bassline wrapped around kickdrums continues through the various phrases before the beats depart, leaving the listener to reflect on a truly captivating track just as the title
suggests.

B2 The Cure For What Ails You Reverberating percussion and classic whale sounds instantly grasp your attention
before ominous 808 bass ushers in a thunderous helping of pure amen pleasure sent straight from the old school - edited and programmed to perfection by Eusebeia with a
finesse seldom seen in modern production. Dense kickdrums vibe perfectly with the highs and mids of a track destined to headline many an atmospheric junglists set. More

Tracklisting
A1 Presha - Raven (Dom & Roland remix)
A2 Presha feat. Sam KDC - Anaconda (Forest Drive West remix)
B1 Presha - Temple (Homemade Weapons remix)
B2 Presha - Sacrifice (Torn remix)

Sales Note
A gang of singular producers assemble to perform the sacred ritual of dissection and reconstruction on all four tracks from Presha's recent Sacrifice EP. More