12"
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Label:Mental Modern
Cat-No:mmv016
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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Label:Mental Modern
Cat-No:mmv016
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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1
Mod21 - Childlike Wonder
2
Mod21 - Childlike Wonder (Rrose remix)
3
Mod21 - Will You Ever Stop
4
Mod21 - Will You Ever Stop
Tracklisting
A1 Mod21 - Childlike Wonder
A2 Mod21 - Childlike Wonder (Rrose remix)
B1 Mod21 - Will You Ever Stop
B2 Mod21 - Will You Ever Stop More
A1 Mod21 - Childlike Wonder
A2 Mod21 - Childlike Wonder (Rrose remix)
B1 Mod21 - Will You Ever Stop
B2 Mod21 - Will You Ever Stop More
More records from Mod21
12"
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Label:Mental Modern
Cat-No:MMV013
Release-Date:29.04.2022
Genre:Techno
Configuration:12"
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Configuration:12"
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1
Mod21 - Ice above, fire below
2
Mod21 - Thaw me out
3
Mod21 - Intersected cracks
4
Mod21 - Then I close my eyes
Tracklisting:
A1 Mod21 - Ice above, fire below
A2 Mod21 - Thaw me out
B1 Mod21 - Intersected cracks
B2 Mod21 - Then I close my eyes More
A1 Mod21 - Ice above, fire below
A2 Mod21 - Thaw me out
B1 Mod21 - Intersected cracks
B2 Mod21 - Then I close my eyes More
Label:Nonplus Records
Cat-No:nonplus055
Release-Date:29.10.2020
Genre:Techno
Configuration:12"
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Label:Nonplus Records
Cat-No:nonplus055
Release-Date:29.10.2020
Genre:Techno
Configuration:12"
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1
Mod21 - Blind Spot Reversed
2
Mod21 - Double Torqued Ellipse II
3
Mod21 - Snake
4
Mod21 - Torque Spiral (Right Left)
The Matter Of Time’ is a pure dedication to Richard Serra - an artist that inspires me with his challenging and innovative work. For this release, I wanted to focus exclusively on Serra’s installation, commissioned by the Guggenheim Museum in Bilbao, comprising eight pieces of torqued ellipses made of weathering steel. TRACK LISTING: A1. Blind Spot Reversed, A2. Double Torqued Ellipse II, B1. Snake, B2. Torque Spiral (Right Left)
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Label:On the 5th Day
Cat-No:o5d04
Release-Date:16.10.2020
Genre:Techno
Configuration:12"
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Cat-No:o5d04
Release-Date:16.10.2020
Genre:Techno
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1
Mod21 - No Title
2
Mod21 - No Title
3
Mod21 - No Title
4
Mod21 - No Title
Journey through the beauty and brutality of Mother Earth with "When The Ice will Break", a four-track techno EP from Italian producer, Mod21, breaking a year-long pause for On the 5th Day's label.
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Label:prologue music
Cat-No:prg038
Release-Date:17.09.2014
Genre:Techno
Configuration:12" Excl
Barcode:827170566668
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Label:prologue music
Cat-No:prg038
Release-Date:17.09.2014
Genre:Techno
Configuration:12" Excl
Barcode:827170566668
1
mod21 - ben's volves
2
mod21 - everything that an older can lose
3
mod21 - let the rain fall down
UPC 827170566668 Rel Date 12" 27.10.2014
Tracklist: A1 - Mod21- Ben´s Wolves B1 - Mod21- Everything that an elder can lose B2 - Mod21- Let the rain fall down
Short info:
Sound Monsters ! ! ! After the fantastic debut on the Prologue Portefeuille 3 Mod21 comes back with his first own 12" and shows us his massive talent for complex deep techno journeys. The Italian have produced 6 galactic sound bombs and delivers exactly what Prologue speaks for. Instinctive, hypnotic rhythms with multi- dimensional techno beats and ambient structures. Lets meet together in the dark space.
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Tracklist: A1 - Mod21- Ben´s Wolves B1 - Mod21- Everything that an elder can lose B2 - Mod21- Let the rain fall down
Short info:
Sound Monsters ! ! ! After the fantastic debut on the Prologue Portefeuille 3 Mod21 comes back with his first own 12" and shows us his massive talent for complex deep techno journeys. The Italian have produced 6 galactic sound bombs and delivers exactly what Prologue speaks for. Instinctive, hypnotic rhythms with multi- dimensional techno beats and ambient structures. Lets meet together in the dark space.
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More records from Mental Modern
12"
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Label:Mental Modern
Cat-No:mmv015
Release-Date:08.12.2023
Genre:Techno
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Label:Mental Modern
Cat-No:mmv015
Release-Date:08.12.2023
Genre:Techno
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1
Luigi Tozzi - The Deer Hunter
2
Luigi Tozzi - More Than Meets The Eye
3
Luigi Tozzi - Hold
4
Luigi Tozzi - A Forest
Tracklisting
A1 Luigi Tozzi - The Deer Hunter
A2 Luigi Tozzi - More Than Meets The Eye
B1 Luigi Tozzi - Hold
B2 Luigi Tozzi - A Forest More
A1 Luigi Tozzi - The Deer Hunter
A2 Luigi Tozzi - More Than Meets The Eye
B1 Luigi Tozzi - Hold
B2 Luigi Tozzi - A Forest More
12"
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Label:Mental Modern
Cat-No:mmv014
Release-Date:16.06.2023
Genre:Techno
Configuration:12"
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Label:Mental Modern
Cat-No:mmv014
Release-Date:16.06.2023
Genre:Techno
Configuration:12"
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1
Hoedus - Nothing has changed
2
Hoedus - Broken Mirror
3
Hoedus - Broken Mirror (Anthony Linell remix)
4
Hoedus - Into Dust
Tracklisting:
A1 Hoedus - Nothing has changed
A2 Hoedus - Broken Mirror
B1 Hoedus - Broken Mirror (Anthony Linell remix)
B2 Hoedus - Into Dust
Sales Note
We brake, always,
The rules of our ego,
Of the esteem for ourselves.
We leave the room,
to any kind of influence,
that pull us into eddies without exit.
We allow our minds,
Not to believe anymore who we are,
Not to recognise anymore themselves,
Until the point to not distinguish,
The live, from the die.
We are conscious of what we see,
What we listen, continuously;
Undaunted, we proceed,
In a promised decline.
In the outline of a dry future,
We recognise ourselves, enthused;
In a dark path,
We leave our existences end,
Sure, of tomorrow's absence.
- Utopian More
A1 Hoedus - Nothing has changed
A2 Hoedus - Broken Mirror
B1 Hoedus - Broken Mirror (Anthony Linell remix)
B2 Hoedus - Into Dust
Sales Note
We brake, always,
The rules of our ego,
Of the esteem for ourselves.
We leave the room,
to any kind of influence,
that pull us into eddies without exit.
We allow our minds,
Not to believe anymore who we are,
Not to recognise anymore themselves,
Until the point to not distinguish,
The live, from the die.
We are conscious of what we see,
What we listen, continuously;
Undaunted, we proceed,
In a promised decline.
In the outline of a dry future,
We recognise ourselves, enthused;
In a dark path,
We leave our existences end,
Sure, of tomorrow's absence.
- Utopian More
Label:Mental Modern
Cat-No:MMV012
Release-Date:02.12.2022
Genre:Techno
Configuration:12"
Barcode:
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Label:Mental Modern
Cat-No:MMV012
Release-Date:02.12.2022
Genre:Techno
Configuration:12"
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1
Feral - Resin
2
Feral - Gamma Ray
3
Feral - Bolide
4
Feral - Snag
2022 repress
Tracklisting:
A1 Feral - Resin
A2 Feral - Gamma Ray
B1 Feral - Bolide
B2 Feral - Snag
Sales Note:
A sense of fear floods my body,
my broken knees due to the crazy run just concluded
I'm stuck, with a lost gaze,
In the memory of yesterday, I do not have in the thought of tomorrow, I do not get
I let fall myself on a side, stunned
Hoping in a vane improvement,
I got drag, in a thoughts' tunnel
and even more confused, I close the eyes, scared.
I do not understand what is happening to me, I feel sweaty, suddenly I yell
is already the late daytime, I realize,
that I spent another night in the oblivion.
Another day I've lost,
And in this charm, I will stay chained
-Utopian Soul- More
Tracklisting:
A1 Feral - Resin
A2 Feral - Gamma Ray
B1 Feral - Bolide
B2 Feral - Snag
Sales Note:
A sense of fear floods my body,
my broken knees due to the crazy run just concluded
I'm stuck, with a lost gaze,
In the memory of yesterday, I do not have in the thought of tomorrow, I do not get
I let fall myself on a side, stunned
Hoping in a vane improvement,
I got drag, in a thoughts' tunnel
and even more confused, I close the eyes, scared.
I do not understand what is happening to me, I feel sweaty, suddenly I yell
is already the late daytime, I realize,
that I spent another night in the oblivion.
Another day I've lost,
And in this charm, I will stay chained
-Utopian Soul- More
12"
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Label:Mental Modern
Cat-No:MMV013
Release-Date:29.04.2022
Genre:Techno
Configuration:12"
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Label:Mental Modern
Cat-No:MMV013
Release-Date:29.04.2022
Genre:Techno
Configuration:12"
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1
Mod21 - Ice above, fire below
2
Mod21 - Thaw me out
3
Mod21 - Intersected cracks
4
Mod21 - Then I close my eyes
Tracklisting:
A1 Mod21 - Ice above, fire below
A2 Mod21 - Thaw me out
B1 Mod21 - Intersected cracks
B2 Mod21 - Then I close my eyes More
A1 Mod21 - Ice above, fire below
A2 Mod21 - Thaw me out
B1 Mod21 - Intersected cracks
B2 Mod21 - Then I close my eyes More
Label:Mental Modern
Cat-No:mmv010
Release-Date:14.06.2019
Genre:Techno
Configuration:12"
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Label:Mental Modern
Cat-No:mmv010
Release-Date:14.06.2019
Genre:Techno
Configuration:12"
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1
Plants Army Revolver - Oroqen
2
Plants Army Revolver - Enki
3
Plants Army Revolver - Nyambi
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Plants Army Revolver - Sibe
12"
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Label:mental modern
Cat-No:mmv009
Release-Date:22.11.2018
Genre:Techno
Configuration:12"
Barcode:
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Last in:08.05.2019
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Label:mental modern
Cat-No:mmv009
Release-Date:22.11.2018
Genre:Techno
Configuration:12"
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1
Luigi Tozzi / Mod21 / Alan Backdrop / Ne - No Title
2
Luigi Tozzi / Mod21 / Alan Backdrop / Ne - No Title
3
Luigi Tozzi / Mod21 / Alan Backdrop / Ne - No Title
4
Luigi Tozzi / Mod21 / Alan Backdrop / Ne - No Title
Label:mental modern
Cat-No:mmv008
Release-Date:28.06.2018
Genre:Techno
Configuration:12"
Barcode:
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Last in:25.07.2018
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Label:mental modern
Cat-No:mmv008
Release-Date:28.06.2018
Genre:Techno
Configuration:12"
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1
laertes - Argonaut
2
laertes - Argonaut (Neel Remix)
3
laertes - Pelias
4
laertes - Exfinos Pontos (Polar Inertia Remix)
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Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
1
Bô'vel - Check 4 U (Original)
2
Bô'vel - It's Not About Me
3
Bô'vel - Best Thing
4
Bô'vel - Knight In Shining Armour
5
Bô'vel - Daydreamer
6
Bô'vel - Coming Back
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Bô'vel - Goodbye Farewell
8
Bô'vel - Life Changes You
9
Bô'vel - Let Down And Liar
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Bô'vel - My Man
Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for.
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3LP Excl
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Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
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Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
12"
pre-sale
Label:KR3 Records
Cat-No:kr3014
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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Label:KR3 Records
Cat-No:kr3014
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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1
Reeko - Para El Conjunto De Las Esferas
2
Reeko - Verdugo Del Rey
3
Reeko - Morador De La Oscuridad
4
Reeko - El Retorno De Saturno
Tracklisting
A1 Reeko - Para El Conjunto De Las Esferas
A2 Reeko - Verdugo Del Rey
B1 Reeko - Morador De La Oscuridad
B2 Reeko - El Retorno De Saturno
Sales Note
We are pleased to introduce Juan / Reeko and his solo EP, marking the second installment of KR3's five-year anniversary.
After his initial contribution in the "JK Flesh Remixes" double pack, he makes a comeback with a sophisticated and deeply immersive 12", which cleverly alludes to the title of the release!
EL RETORNO DE SATURNO EP - features a complete outer cover displaying a photo made by Marie Queau, along with an inner sleeve printed on textured cardboard, which further enhances Reeko's sonic exploration in this project.
KR3 | 5YRS - ACT TWO More
A1 Reeko - Para El Conjunto De Las Esferas
A2 Reeko - Verdugo Del Rey
B1 Reeko - Morador De La Oscuridad
B2 Reeko - El Retorno De Saturno
Sales Note
We are pleased to introduce Juan / Reeko and his solo EP, marking the second installment of KR3's five-year anniversary.
After his initial contribution in the "JK Flesh Remixes" double pack, he makes a comeback with a sophisticated and deeply immersive 12", which cleverly alludes to the title of the release!
EL RETORNO DE SATURNO EP - features a complete outer cover displaying a photo made by Marie Queau, along with an inner sleeve printed on textured cardboard, which further enhances Reeko's sonic exploration in this project.
KR3 | 5YRS - ACT TWO More
Label:Samurai Music
Cat-No:smdelp12b
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:2x12"
Barcode:
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Label:Samurai Music
Cat-No:smdelp12b
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:2x12"
Barcode:
1
Reeko - Urmah #1
2
Reeko - Urmah #2
3
Reeko - Urmah #3
4
Reeko - Urmah #4
5
Reeko - Urmah #5
6
Reeko - Urmah #6
Tracklisting
A1 Reeko - Urmah #1
B1 Reeko - Urmah #2
C1 Reeko - Urmah #3
C2 Reeko - Urmah #4
D1 Reeko - Urmah #5
D2 Reeko - Urmah #6
Sales Note
Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.
Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.
For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.
Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.
As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. More
A1 Reeko - Urmah #1
B1 Reeko - Urmah #2
C1 Reeko - Urmah #3
C2 Reeko - Urmah #4
D1 Reeko - Urmah #5
D2 Reeko - Urmah #6
Sales Note
Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.
Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.
For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.
Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.
As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. More
2x12"
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Label:Falling Ethics
Cat-No:fex020
Release-Date:13.12.2024
Genre:Techno
Configuration:2x12"
Barcode:
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Label:Falling Ethics
Cat-No:fex020
Release-Date:13.12.2024
Genre:Techno
Configuration:2x12"
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1
Haruka - Intro
2
Temudo - Everyone Named Yannick
3
BLANKA - You Can't See It
4
P.E.A.R.L. - Others Steal Hope
5
Nastia Reigel - Lilies
6
Oscar Mulero - Crash and Burn
7
Not A Headliner - La Caída
8
Nørbak - Sismado
9
Chloe Lula - Peril (Dance Edit)
Tracklisting
A1 Haruka - Intro
A2 Temudo - Everyone Named Yannick
A3 BLANKA - You Can't See It
B1 P.E.A.R.L. - Others Steal Hope
B2 Nastia Reigel - Lilies
C1 Oscar Mulero - Crash and Burn
C2 Not A Headliner - La Caída
D1 Nørbak - Sismado
D2 Chloe Lula - Peril (Dance Edit)
Sales Note
Established in 2013, Falling Ethics celebrates its 11th anniversary with a limited double vinyl compilation featuring exclusive tracks from Oscar Mulero, Temudo, BLANKA, Not A Headliner & more. Be sure to check it out! More
LP Excl
pre-sale
Label:Night School Records
Cat-No:LSSN096
Release-Date:22.11.2024
Configuration:LP Excl
Barcode:5061041820526
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Label:Night School Records
Cat-No:LSSN096
Release-Date:22.11.2024
Configuration:LP Excl
Barcode:5061041820526
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
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Last in:21.11.2024
Label:K S R
Cat-No:KSR013
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Kaiser - Ozono
2
Kaiser - Ozono (Kr!z remix)
3
Kaiser - Sopravvissuti
4
Kaiser - Problemi Di Lusso
Tracklisting
A1 Kaiser - Ozono
A2 Kaiser - Ozono (Kr!z remix)
B1 Kaiser - Sopravvissuti
B2 Kaiser - Problemi Di Lusso
Sales Note
Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story? More
A1 Kaiser - Ozono
A2 Kaiser - Ozono (Kr!z remix)
B1 Kaiser - Sopravvissuti
B2 Kaiser - Problemi Di Lusso
Sales Note
Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story? More
12"
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Label:Clergy
Cat-No:crg038
Release-Date:13.12.2024
Genre:Techno
Configuration:12"
Barcode:
1
Kontain - Fractal Sunset
2
Kontain - Formless
3
Kontain - Skin Contact
4
Kontain - Limelight Ritual
5
Kontain - Lungs
6
Kontain - Pyro
Tracklisting
A1 Kontain - Fractal Sunset
A2 Kontain - Formless
A3 Kontain - Skin Contact
B1 Kontain - Limelight Ritual
B2 Kontain - Lungs
B3 Kontain - Pyro More
A1 Kontain - Fractal Sunset
A2 Kontain - Formless
A3 Kontain - Skin Contact
B1 Kontain - Limelight Ritual
B2 Kontain - Lungs
B3 Kontain - Pyro More
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
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Last in:04.11.2024
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
1
Lis Sarroca - Atacote
2
Lis Sarroca - Breaks Reminder
3
Lis Sarroca - Early Years
4
Lis Sarroca - Might Be
Artwork and Typography by Stefan Marx
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Fireground - Glare
2
Fireground - Stand
3
Fireground - Spin
4
Fireground - Red Night
Delectable Crafty Explosive Headspins
More
12"
pre-sale
Label:Hip Hop Tek
Cat-No:hhtek001
Release-Date:20.12.2024
Genre:Techno
Configuration:12"
Barcode:
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Label:Hip Hop Tek
Cat-No:hhtek001
Release-Date:20.12.2024
Genre:Techno
Configuration:12"
Barcode:
1
Unknown Artist - Paid In Full
2
Unknown Artist - Raw
3
Unknown Artist - So Whatca Sayin'
4
Unknown Artist - Cold Gettin' Dumb
Tracklisting
A1 Unknown Artist - Paid In Full
A2 Unknown Artist - Raw
B1 Unknown Artist - So Whatca Sayin'
B2 Unknown Artist - Cold Gettin' Dumb
Sales Note
Classy & well executed Techno twists on these legendary Hip Hop tracks. In high demand on Bandcamp & now on limited edition vinyl More
A1 Unknown Artist - Paid In Full
A2 Unknown Artist - Raw
B1 Unknown Artist - So Whatca Sayin'
B2 Unknown Artist - Cold Gettin' Dumb
Sales Note
Classy & well executed Techno twists on these legendary Hip Hop tracks. In high demand on Bandcamp & now on limited edition vinyl More
12"
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Label:Clergy
Cat-No:crg036
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Bidoben - Reduce & Yearn
2
Bidoben - 98 Fahrenheit
3
Bidoben - Lenteur
4
Bidoben - Shadows Made Time
5
Bidoben - Delusion To Make
6
Bidoben - Sans Soleil
Tracklisting
A1 Bidoben - Reduce & Yearn
A2 Bidoben - 98 Fahrenheit
A3 Bidoben - Lenteur
B1 Bidoben - Shadows Made Time
B2 Bidoben - Delusion To Make
B3 Bidoben - Sans Soleil More
A1 Bidoben - Reduce & Yearn
A2 Bidoben - 98 Fahrenheit
A3 Bidoben - Lenteur
B1 Bidoben - Shadows Made Time
B2 Bidoben - Delusion To Make
B3 Bidoben - Sans Soleil More