1
Albert Karch & Gareth Quinn Redmond - Ajar
2
Albert Karch & Gareth Quinn Redmond - Palette
3
Albert Karch & Gareth Quinn Redmond - A Life (1955 - 2019)
4
Albert Karch & Gareth Quinn Redmond - For Ashikawa
5
Albert Karch & Gareth Quinn Redmond - 251536
6
Albert Karch & Gareth Quinn Redmond - Warszawa
Genre: Ambient, Electronic, Experimental, Minimalism, Environmental
LP: Limited Edition of 300, Heavyweight Sleeve with Inside Out Printing, Artist Notes, Sticker
Tracklisting LP
A1. Ajar
A2. Palette
A3. A Life (1955 - 2019)
B1. For Ashikawa
B2. 251536
B3. Warszawa
Info
WRWTFWW Records is happy to announce a new collaborative album between Polish producer, multi-instrumentalist and sound engineer Albert Karch (notably known for his superb 2019 album Celestially Light featuring Ichiko Aoba) and Irish ambient master and label’s favorite Gareth Quinn Redmond (Ar Ais Arís, Laistigh Den Ghleo, Umcheol albums from the WR catalogue). The 6-track LP comes as a limited edition of 300 copies worldwide with an artwork by Dublin artist Barry Gibbons and liner notes. It is available in digital format as well.
Recorded in at Albert Karch’s studio in Warsaw in January 2023, Warszawa is conceptually rooted in the reason the two artists met in the first place: the work of Japanese composer Satoshi Ashikawa (Still Way - Wave Notation 2) who sought to compose a time that was stationary. Sparse in approach but sharp with intention, the 6 pieces of the collaborative album were sculpted with precise and floating use of piano, drums, synthesizers, and strings. The result is gentle but emotionally deep minimalistic ambient, reassuring environmental music with an indescribable Mark Hollis touch, also an artist whose worked influenced the recording sessions.
Gareth Quinn Redmond’s previous albums, Laistigh Den Ghleo, another ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, and his tape loops wonder Ar Ais Arís are still available on WRWTFWW Records - complete the collection now!
Warszawa by Albert Karch and Gareth Quinn Redmond is dedicated to the memory of Satoshi Ashikawa.
Points of interests
- For fans of ambient, minimalism, environmental, Satoshi Ashikawa, Mark Hollis, Erik Satie, Midori Takada, piano, synth, quiet Winter nights in a warm place, with a friend, or two.
- Limited edition (300 only!) vinyl of Albert Karch and Gareth Quinn Redmond’s ambient collaborative effort dedicated to the memory of Satoshi Ashikawa, with an artwork by Barry Gibbons.
More
LP: Limited Edition of 300, Heavyweight Sleeve with Inside Out Printing, Artist Notes, Sticker
Tracklisting LP
A1. Ajar
A2. Palette
A3. A Life (1955 - 2019)
B1. For Ashikawa
B2. 251536
B3. Warszawa
Info
WRWTFWW Records is happy to announce a new collaborative album between Polish producer, multi-instrumentalist and sound engineer Albert Karch (notably known for his superb 2019 album Celestially Light featuring Ichiko Aoba) and Irish ambient master and label’s favorite Gareth Quinn Redmond (Ar Ais Arís, Laistigh Den Ghleo, Umcheol albums from the WR catalogue). The 6-track LP comes as a limited edition of 300 copies worldwide with an artwork by Dublin artist Barry Gibbons and liner notes. It is available in digital format as well.
Recorded in at Albert Karch’s studio in Warsaw in January 2023, Warszawa is conceptually rooted in the reason the two artists met in the first place: the work of Japanese composer Satoshi Ashikawa (Still Way - Wave Notation 2) who sought to compose a time that was stationary. Sparse in approach but sharp with intention, the 6 pieces of the collaborative album were sculpted with precise and floating use of piano, drums, synthesizers, and strings. The result is gentle but emotionally deep minimalistic ambient, reassuring environmental music with an indescribable Mark Hollis touch, also an artist whose worked influenced the recording sessions.
Gareth Quinn Redmond’s previous albums, Laistigh Den Ghleo, another ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, and his tape loops wonder Ar Ais Arís are still available on WRWTFWW Records - complete the collection now!
Warszawa by Albert Karch and Gareth Quinn Redmond is dedicated to the memory of Satoshi Ashikawa.
Points of interests
- For fans of ambient, minimalism, environmental, Satoshi Ashikawa, Mark Hollis, Erik Satie, Midori Takada, piano, synth, quiet Winter nights in a warm place, with a friend, or two.
- Limited edition (300 only!) vinyl of Albert Karch and Gareth Quinn Redmond’s ambient collaborative effort dedicated to the memory of Satoshi Ashikawa, with an artwork by Barry Gibbons.
More
More records from WRWTFWW
1
Daisuke Hinata - Lake High
2
Daisuke Hinata - DC3
3
Daisuke Hinata - How Do you Do
4
Daisuke Hinata - Mr. C. Tee
5
Daisuke Hinata - High Tech Tree
6
Daisuke Hinata - Citrus
7
Daisuke Hinata - L.A. 88
Genre: Ambient, Synth-pop, Electronic, Environmental, Leftfield, Feel-good
LP: Turquoise & Light Pink Colored Vinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Lake High
A2. DC3
A3. How Do you Do
A4. Mr. C. Tee
B1. High Tech Tree
B2. Citrus
B3. L.A. 88
Info
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip.
Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyo ongaku, minimalistic proto-chillwave, the synth melody of a pleasant Sunday breeze as the ocean waves breathe in and breathe out. Steve Winwood and Steely Dan come to mind as the ambient sound design of an imaginary John Hughes movie unfolds as all pieces of the puzzle come together for a blissful journey of simple pleasures.
Daisuke Hinata is a Grammy-nominated artist, composer, producer, and member of Interior. This is WRWTFWW’s third release centered around the work of the band, following the reissue of their Haruomi Hosono-produced self-titled debut (1982) and the first release ever of Sculpture of Time (Apocalypse), their rarely heard before commissioned piece for German environmental artist NILS-UDO. All still available on We Release!
*Music You've Never Heard Anywhere Else Before*
Points of interests
For fans of ambient, environmental, chill, meditative, sound design, synthesizers, feel-good music, John Hughes movies, listening to music as the sun is shining, driving by the Ocean, Steve Winwood, Steely Dan, the 80s and the 90s, good coffee breaks with your cat or your dog, good moments in life.
First ever vinyl release for the solo 1989 album from Daisuke Hinata from famed Japanese environment/ambient/synthpop unit Interior.
More
LP: Turquoise & Light Pink Colored Vinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Lake High
A2. DC3
A3. How Do you Do
A4. Mr. C. Tee
B1. High Tech Tree
B2. Citrus
B3. L.A. 88
Info
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip.
Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyo ongaku, minimalistic proto-chillwave, the synth melody of a pleasant Sunday breeze as the ocean waves breathe in and breathe out. Steve Winwood and Steely Dan come to mind as the ambient sound design of an imaginary John Hughes movie unfolds as all pieces of the puzzle come together for a blissful journey of simple pleasures.
Daisuke Hinata is a Grammy-nominated artist, composer, producer, and member of Interior. This is WRWTFWW’s third release centered around the work of the band, following the reissue of their Haruomi Hosono-produced self-titled debut (1982) and the first release ever of Sculpture of Time (Apocalypse), their rarely heard before commissioned piece for German environmental artist NILS-UDO. All still available on We Release!
*Music You've Never Heard Anywhere Else Before*
Points of interests
For fans of ambient, environmental, chill, meditative, sound design, synthesizers, feel-good music, John Hughes movies, listening to music as the sun is shining, driving by the Ocean, Steve Winwood, Steely Dan, the 80s and the 90s, good coffee breaks with your cat or your dog, good moments in life.
First ever vinyl release for the solo 1989 album from Daisuke Hinata from famed Japanese environment/ambient/synthpop unit Interior.
More
1
Yoshio Ojima - entrance
2
Yoshio Ojima - orientation
3
Yoshio Ojima - club-a
4
Yoshio Ojima - club-b
5
Yoshio Ojima - days-man
6
Yoshio Ojima - boy in vision
7
Yoshio Ojima - schooling
8
Yoshio Ojima - graduation
Crystal Clear Vinyl, LP, Heavy 350gsm Sleeve, Sticker
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
1
Pizza Hotline - A1. Polygon Island
2
Pizza Hotline - A2. Region Free
3
Pizza Hotline - B1. Z-buffer
4
Pizza Hotline - B2. BIOS
5
Pizza Hotline - C1. Memory Cycles
6
Pizza Hotline - C2. Collision Detection
7
Pizza Hotline - D1. Stage Select
8
Pizza Hotline - D2. Y2K Dreamscape
2LP, Limited Edition Curaçao Vinyl with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
WRWTFWW095BC: 4251804180962
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a super limited edition curaçao vinyl double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
More
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
WRWTFWW095BC: 4251804180962
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a super limited edition curaçao vinyl double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
More
1
Interior / NILS-UDO - Part I
2
Interior / NILS-UDO - Part II
3
Interior / NILS-UDO - Part III
4
Interior / NILS-UDO - Part IV
Genre: Ambient, Experimental, Electronic, Environmental, Sound Design
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Part I
A2. Part II
A3. Part III
B1. Part IV
Info
WRWTFWW Records is happy to further its collaboration with Japanese electronic/ambient group Interior by releasing their never-heard-before soundtrack for environmental artist NILS-UDO’s 1987 Laserdisc Sculpture of Time (Apocalypse). The intriguing sound design/kankyo ongaku/new age album is available as a limited edition LP housed in a heavyweight 350gsm sleeve and comes with a obi strip. It is also available in digital format.
In 1987, Intermission published a Japan-only Laserdisc showcasing one hour of works created by renowned German environmental artist NILS-UDO. To accompany the visuals, they commissioned electronic music group Interior, fresh off their Haroumi Hosono-produced self-titled debut (also available on WRWTFWW Records) and their Windham Hill Records-released sophomore album Design. For the first time ever, the soundtrack is now available in full HD glory, demonstrating Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto’s precise, subtle, and spellbinding approach to ambient sound design.
Calming nature sounds, ritualistic synths, meditative atmospheres, and eruptive forays into darker territories mesh superbly in a 4-part soundscape that flirts with oeuvres such Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green, making Sculpture of Time one of one of the best kept secrets of kankyo ongaku – a must have for mystery hunters and levitating music lovers.
Sculpture of Time (Apocalypse) follows WRWTWW’s reissue of Interior’s debut album and precedes the upcoming release of Tarzanland, band member Daisuke Hinata’s pitch perfect solo from 1989.
Points of interests
For fans of ambient, environmental, experimental, meditative, sound design, synthesizers, art, mysterious albums, never released music, Midori Takada, Hiroshi Yoshimura, rituals, burning wood, Laserdiscs, wondering where the world is going.
First ever release of the soundtrack created by Japanese kankyo ongaku unit Interior for environmental artist NILS-UDO on limited edition LP.
More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Part I
A2. Part II
A3. Part III
B1. Part IV
Info
WRWTFWW Records is happy to further its collaboration with Japanese electronic/ambient group Interior by releasing their never-heard-before soundtrack for environmental artist NILS-UDO’s 1987 Laserdisc Sculpture of Time (Apocalypse). The intriguing sound design/kankyo ongaku/new age album is available as a limited edition LP housed in a heavyweight 350gsm sleeve and comes with a obi strip. It is also available in digital format.
In 1987, Intermission published a Japan-only Laserdisc showcasing one hour of works created by renowned German environmental artist NILS-UDO. To accompany the visuals, they commissioned electronic music group Interior, fresh off their Haroumi Hosono-produced self-titled debut (also available on WRWTFWW Records) and their Windham Hill Records-released sophomore album Design. For the first time ever, the soundtrack is now available in full HD glory, demonstrating Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto’s precise, subtle, and spellbinding approach to ambient sound design.
Calming nature sounds, ritualistic synths, meditative atmospheres, and eruptive forays into darker territories mesh superbly in a 4-part soundscape that flirts with oeuvres such Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green, making Sculpture of Time one of one of the best kept secrets of kankyo ongaku – a must have for mystery hunters and levitating music lovers.
Sculpture of Time (Apocalypse) follows WRWTWW’s reissue of Interior’s debut album and precedes the upcoming release of Tarzanland, band member Daisuke Hinata’s pitch perfect solo from 1989.
Points of interests
For fans of ambient, environmental, experimental, meditative, sound design, synthesizers, art, mysterious albums, never released music, Midori Takada, Hiroshi Yoshimura, rituals, burning wood, Laserdiscs, wondering where the world is going.
First ever release of the soundtrack created by Japanese kankyo ongaku unit Interior for environmental artist NILS-UDO on limited edition LP.
More
1
Danny Scott Lane - 21st Street
2
Danny Scott Lane - Mike’s Kitchen
3
Danny Scott Lane - Too Much Time
4
Danny Scott Lane - Each Day Is Every day
5
Danny Scott Lane - Be Outside Talking
6
Danny Scott Lane - Closing In 5 Minutes, Customers
7
Danny Scott Lane - 10’Clock Ride
8
Danny Scott Lane - Not Home
9
Danny Scott Lane - Spring Street
10
Danny Scott Lane - Late Love Walk
11
Danny Scott Lane - Metal From Out A Window
12
Danny Scott Lane - Her Coming In
Genre: Ambient, Chillout, Cool Jazz, Minimalism, Downtempo
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
More
1
Albinos - Topaze
2
Albinos - Bamboo Night
3
Albinos - Suburbia Girl
4
Albinos - West Gate Park
5
Albinos - Tattoed Soul
6
Albinos - Honda Civic
7
Albinos - Under The Pipal Tree
8
Albinos - Mystic Rain
Genre: Electronic, House, Ambient, Chillout, Cool Jazz
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Topaze
A2. Bamboo Night
A3. Suburbia Girl
A4. West Gate Park
B1. Tattoed Soul
B2. Honda Civic
B3. Under The Pipal Tree
B4. Mystic Rain
Info
WRWTFWW Records is hot and sweaty as it announces the release of Bamboo Night, the steamy new album from French producer, Astral Soda Records owner, and illustrator, Albinos. The 8-song ambient house/cool jazz/deep chill electronic intimate marvel is available as a limited edition LP housed in a heavy 350gsm sleeve.
Originally self-released on cassette (25 copies only!), Bamboo Night, now polished and refreshed, is fully out and about on collector’s vinyl, offering a large display of chillout options for a sexy late summer and private moments of pure unadulterated bliss.
The sun-soaked album freely spreads its wings and glides from bedroom deep house to ambient groove and every beautiful thing in between, including but not limited to cool jazz to restore the soul, long-slow-deep breath downtempo, sweet eye gazing lofi pop, and an unexpected but mandatory ode to the Honda Civic. Albinos’ second album, following Santa Barbara (2016), is a welcome detour on stress-free seashores, a heartwarming reminder that small pleasures and cozy moments mean everything. Enjoy music, cherish life.
Points of interests
- For fans of ambient house, deep house, cool jazz, downtempo, lofi pop, bedroom tapes, Honda Civics, parking the Honda Civic by the beach for a long stroll by the seashore while birds fly along, intimacy, and the heart.
- Limited edition vinyl for Albinos’ second album, the very steamy and heartwarming Bamboo Night.
More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Topaze
A2. Bamboo Night
A3. Suburbia Girl
A4. West Gate Park
B1. Tattoed Soul
B2. Honda Civic
B3. Under The Pipal Tree
B4. Mystic Rain
Info
WRWTFWW Records is hot and sweaty as it announces the release of Bamboo Night, the steamy new album from French producer, Astral Soda Records owner, and illustrator, Albinos. The 8-song ambient house/cool jazz/deep chill electronic intimate marvel is available as a limited edition LP housed in a heavy 350gsm sleeve.
Originally self-released on cassette (25 copies only!), Bamboo Night, now polished and refreshed, is fully out and about on collector’s vinyl, offering a large display of chillout options for a sexy late summer and private moments of pure unadulterated bliss.
The sun-soaked album freely spreads its wings and glides from bedroom deep house to ambient groove and every beautiful thing in between, including but not limited to cool jazz to restore the soul, long-slow-deep breath downtempo, sweet eye gazing lofi pop, and an unexpected but mandatory ode to the Honda Civic. Albinos’ second album, following Santa Barbara (2016), is a welcome detour on stress-free seashores, a heartwarming reminder that small pleasures and cozy moments mean everything. Enjoy music, cherish life.
Points of interests
- For fans of ambient house, deep house, cool jazz, downtempo, lofi pop, bedroom tapes, Honda Civics, parking the Honda Civic by the beach for a long stroll by the seashore while birds fly along, intimacy, and the heart.
- Limited edition vinyl for Albinos’ second album, the very steamy and heartwarming Bamboo Night.
More
1
Yoshio Ojima - a1. entrance
2
Yoshio Ojima - a2. orientation
3
Yoshio Ojima - a3. club-a
4
Yoshio Ojima - a4. club-b
5
Yoshio Ojima - b1. days-man
6
Yoshio Ojima - b2. boy in vision
7
Yoshio Ojima - b3. schooling
8
Yoshio Ojima - b4. graduation
LP, Heavy 350gsm Sleeve, Sticker
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
1
Michel Moulinié - A1. Le Ballet Des Mouches
2
Michel Moulinié - A2. Les Cordes De La Mer
3
Michel Moulinié - A3. Lente Course
4
Michel Moulinié - B1. Le Philtre D'Echordus
5
Michel Moulinié - B2. L'Echo De L'Acier
6
Michel Moulinié - B3. Bonus
LP, Heavy 350gsm Sleeve, Sticker
- First ever official reissue of rare cosmic gem Chrysalide by enigmatic genius Michel Moulinié.
Genre: Ambient, Prog Rock, Krautrock, Experimental, Minimalism
Tracklisting LP
A1. Le Ballet Des Mouches
A2. Les Cordes De La Mer
A3. Lente Course
B1. Le Philtre D'Echordus
B2. L'Echo De L'Acier
B3. Bonus
Info
Info
WRWTFWW Records is wonderfully proud to announce the long anticipated official reissue of Chrysalide (1978), the sole album from French multi-instrumentalist and enigmatic genius Michel Moulinié. The krautrock/ambient/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the original reels and housed in a heavy 350gsm sleeve.
Originally released in 1978 on Ange and Jean-Claude Pognant's mythical prog rock label Crypto,
Chrysalide is a fusion of minimalist meditations, cosmic soundscapes, and ambient with a human warmth, carried by a profoundly beautiful and unique use of twelve-string guitar, bass, and violin.
Ideal for an introspective listening experience, the hypnotic Kosmische Musik of Michel Moulinié belongs to the same psychedelic family as Manuel Göttsching’s Inventions For Electric Guitar, Mike Oldfield’s Tubular Bells, early Tangerine Dream, and Steve Hillage’s innovative guitar mastery. WRWTFWW listeners might also be reminded of the label’s seminal French release, Dominique Guiot's L'Univers de la Mer, which makes a great spiritual pairing with Chrysalide.
Escape into the vast universe inside yourself :
On entre à pas feutrés
Dans une musique rayonnante
Aux variétés chatoyantes
Embrasement consécutif
D'un univers cristallin
Perlé de notes transparentes
Un écho céleste emplit la vastitude
De fines gouttelettes de sons fluides
Se transforment en cascades multiples
Baignant le microcosme
Révélant la grande paix divine
For fans of prog rock, krautrock, ambient, minimalism, experimental, introspective hypno-acoustic mystical meditative music, L’Universe de la Mer by Dominique Guiot, Steve Hillage, Manuel Göttsching, Terry Riley, the cosmos and its soundtrack, the cosmos that exists in one’s self.
More
- First ever official reissue of rare cosmic gem Chrysalide by enigmatic genius Michel Moulinié.
Genre: Ambient, Prog Rock, Krautrock, Experimental, Minimalism
Tracklisting LP
A1. Le Ballet Des Mouches
A2. Les Cordes De La Mer
A3. Lente Course
B1. Le Philtre D'Echordus
B2. L'Echo De L'Acier
B3. Bonus
Info
Info
WRWTFWW Records is wonderfully proud to announce the long anticipated official reissue of Chrysalide (1978), the sole album from French multi-instrumentalist and enigmatic genius Michel Moulinié. The krautrock/ambient/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the original reels and housed in a heavy 350gsm sleeve.
Originally released in 1978 on Ange and Jean-Claude Pognant's mythical prog rock label Crypto,
Chrysalide is a fusion of minimalist meditations, cosmic soundscapes, and ambient with a human warmth, carried by a profoundly beautiful and unique use of twelve-string guitar, bass, and violin.
Ideal for an introspective listening experience, the hypnotic Kosmische Musik of Michel Moulinié belongs to the same psychedelic family as Manuel Göttsching’s Inventions For Electric Guitar, Mike Oldfield’s Tubular Bells, early Tangerine Dream, and Steve Hillage’s innovative guitar mastery. WRWTFWW listeners might also be reminded of the label’s seminal French release, Dominique Guiot's L'Univers de la Mer, which makes a great spiritual pairing with Chrysalide.
Escape into the vast universe inside yourself :
On entre à pas feutrés
Dans une musique rayonnante
Aux variétés chatoyantes
Embrasement consécutif
D'un univers cristallin
Perlé de notes transparentes
Un écho céleste emplit la vastitude
De fines gouttelettes de sons fluides
Se transforment en cascades multiples
Baignant le microcosme
Révélant la grande paix divine
For fans of prog rock, krautrock, ambient, minimalism, experimental, introspective hypno-acoustic mystical meditative music, L’Universe de la Mer by Dominique Guiot, Steve Hillage, Manuel Göttsching, Terry Riley, the cosmos and its soundtrack, the cosmos that exists in one’s self.
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
Mixmaster Morris, J. Sharp, H. Hosono - Waraitake 13:35
2
Mixmaster Morris, J. Sharp, H. Hosono - Uchu Yuei (Swimming In Space) 09:34
3
Mixmaster Morris, J. Sharp, H. Hosono - Wakarimasen 07:01
4
Mixmaster Morris, J. Sharp, H. Hosono - Quiet Logic 07:45
5
Mixmaster Morris, J. Sharp, H. Hosono - Tsukimi (Moon Viewing) 08:55
6
Mixmaster Morris, J. Sharp, H. Hosono - Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Genre: Ambient, IDM, Chill Out, Electronica
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting DLP
A1. Waraitake 13:35
B1. Uchu Yuei (Swimming In Space) 09:34
C1. Wakarimasen 07:01
C2. Quiet Logic 07:45
D1. Tsukimi (Moon Viewing) 08:55
D2. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
- Limited edition double LP of QUIET LOGIC, for the first time – EVER!
More
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting DLP
A1. Waraitake 13:35
B1. Uchu Yuei (Swimming In Space) 09:34
C1. Wakarimasen 07:01
C2. Quiet Logic 07:45
D1. Tsukimi (Moon Viewing) 08:55
D2. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
- Limited edition double LP of QUIET LOGIC, for the first time – EVER!
More
1
Mixmaster Morris, J. Sharp, H. Hosono - Waraitake 13:35
2
Mixmaster Morris, J. Sharp, H. Hosono - Uchu Yuei (Swimming In Space) 09:34
3
Mixmaster Morris, J. Sharp, H. Hosono - Wakarimasen 07:01
4
Mixmaster Morris, J. Sharp, H. Hosono - Quiet Logic 07:45
5
Mixmaster Morris, J. Sharp, H. Hosono - Tsukimi (Moon Viewing) 08:55
6
Mixmaster Morris, J. Sharp, H. Hosono - Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Genre: Ambient, IDM, Chill Out, Electronica
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting CD
01. Waraitake 13:35
02. Uchu Yuei (Swimming In Space) 09:34
03. Wakarimasen 07:01
04. Quiet Logic 07:45
05. Tsukimi (Moon Viewing) 08:55
06. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
More
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting CD
01. Waraitake 13:35
02. Uchu Yuei (Swimming In Space) 09:34
03. Wakarimasen 07:01
04. Quiet Logic 07:45
05. Tsukimi (Moon Viewing) 08:55
06. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
1
Jammin’ Sam Miller - Opening (Destruction of the Space Colony)
2
Jammin’ Sam Miller - Theme of Super Metroid
3
Jammin’ Sam Miller - Spaceship (No SFX)
4
Jammin’ Sam Miller - Boss Confrontation 1
5
Jammin’ Sam Miller - To Planet Zebes
6
Jammin’ Sam Miller - Planet Zebes (Arrival on Crateria)
7
Jammin’ Sam Miller - Crateria (The Space Pirates Appear)
8
Jammin’ Sam Miller - Item Acquisition Fanfare (No SFX)
9
Jammin’ Sam Miller - Item Room
10
Jammin’ Sam Miller - Chozo Statue Awakens
11
Jammin’ Sam Miller - Brinstar Overgrown With Vegetation Area
12
Jammin’ Sam Miller - Mini Boss Confrontation
13
Jammin’ Sam Miller - Brinstar Red Soil Swampy Area
14
Jammin’ Sam Miller - Norfair Hot Lava Area
15
Jammin’ Sam Miller - Tension
16
Jammin’ Sam Miller - Boss Confrontation 2
17
Jammin’ Sam Miller - Theme of Samus
18
Jammin’ Sam Miller - Wrecked Ship
19
Jammin’ Sam Miller - Maridia Rocky Underwater Area
20
Jammin’ Sam Miller - Maridia Drifting Sandy Underwater Area
21
Jammin’ Sam Miller - Norfair Ancient Ruins
22
Jammin’ Sam Miller - Mysterious Statue Chamber
23
Jammin’ Sam Miller - Tourian
24
Jammin’ Sam Miller - Continue
25
Jammin’ Sam Miller - Samus Aran's Appearance Fanfare
26
Jammin’ Sam Miller - Mother Brain
27
Jammin’ Sam Miller - Ending
Territories: Worldwide
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
More
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
More
1
Danny Scott Lane - Three Is Company
2
Danny Scott Lane - A Shower At Six
3
Danny Scott Lane - Share
4
Danny Scott Lane - Must Have
5
Danny Scott Lane - Star Thing
6
Danny Scott Lane - Spy On Me
7
Danny Scott Lane - Shower Dance
8
Danny Scott Lane - 11PM
9
Danny Scott Lane - Smells Like Flowers
10
Danny Scott Lane - Showering Sad
WORLDWIDE
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
1
Daisaku Kume - A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
2
Daisaku Kume - A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
3
Daisaku Kume - A3. Kiyohiro's Theme
4
Daisaku Kume - A4. Kiyohiro's Theme II
5
Daisaku Kume - B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
6
Daisaku Kume - B2. Fear (Gnossienne No. 1 - Erik Satie)
7
Daisaku Kume - B3. Intorno all'idol mio (Antonio Cesti)
8
Daisaku Kume - B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
LP: 45rpm Cut, Inside Out Printed Sleeve, Sticker
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.
Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.
Points of interests
- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.
- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
More
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.
Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.
Points of interests
- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.
- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
More
1
Fuzzbee Morse - Main Title
2
Fuzzbee Morse - Ghoulies Flambé
3
Fuzzbee Morse - Sneaking
4
Fuzzbee Morse - Ghoulieboppin’
5
Fuzzbee Morse - An Old Tomato
6
Fuzzbee Morse - Patty Gets It
7
Fuzzbee Morse - For The Benefit of Mr. Satie
8
Fuzzbee Morse - Ghouliepalooza
9
Fuzzbee Morse - Help Him
10
Fuzzbee Morse - Montage
11
Fuzzbee Morse - Organus Maximus
12
Fuzzbee Morse - Sex Critters
13
Fuzzbee Morse - Slice ‘Em, Dice ‘Em
14
Fuzzbee Morse - Merle’s Mummy
15
Fuzzbee Morse - Yuppie Agenda
16
Fuzzbee Morse - Ned Discovers
17
Fuzzbee Morse - Larry Sees
18
Fuzzbee Morse - They’re Real
19
Fuzzbee Morse - Interlude
20
Fuzzbee Morse - Ned’s Showdown
21
Fuzzbee Morse - Ned Is Gone
22
Fuzzbee Morse - Nigel
23
Fuzzbee Morse - Studio Chatter
24
Fuzzbee Morse - Nicole’s Story
25
Fuzzbee Morse - Prepping The Carnival
26
Fuzzbee Morse - Larry In Satan’s Den
27
Fuzzbee Morse - Fighting
28
Fuzzbee Morse - Gang’s All Here
29
Fuzzbee Morse - Clown’s Jaws
30
Fuzzbee Morse - Froggy
31
Fuzzbee Morse - Cuteness
32
Fuzzbee Morse - Hell Breaks Loose
33
Fuzzbee Morse - Ghoulies Jazz
34
Fuzzbee Morse - Danger Zone (Studio Chatter)
35
Fuzzbee Morse - Slate 9M2 (Studio Chatter)
36
Fuzzbee Morse - Gastroburgers From Hell
37
Fuzzbee Morse - Mazel Tov, Molotov
38
Fuzzbee Morse - Baroque Indigestion
39
Fuzzbee Morse - Ghoulies II Finale
Genre: Soundtrack, 80s, Cult, Horror, Score, Synth
LP: Limited Edition of 500 with exclusive artwork by Pierre Thyss, obi strip, and liner notes
Tracklisting
A1. Main Title
A2. Ghoulies Flambé
A3. Sneaking
A4. Ghoulieboppin’
A5. An Old Tomato
A6. Patty Gets It
A7. For The Benefit of Mr. Satie
A8. Ghouliepalooza
A9. Help Him
A10. Montage
A11. Organus Maximus
A12. Sex Critters
A13. Slice ‘Em, Dice ‘Em
A14. Merle’s Mummy
A15. Yuppie Agenda
A16. Ned Discovers
A17. Larry Sees
B1. They’re Real
B2. Interlude
B3. Ned’s Showdown
B4. Ned Is Gone
B5. Nigel
B6. Studio Chatter
B7. Nicole’s Story
B8. Prepping The Carnival
B9. Larry In Satan’s Den
B10. Fighting
B11. Gang’s All Here
B12. Clown’s Jaws
B13. Froggy
B14. Cuteness
B15. Hell Breaks Loose
B16. Ghoulies Jazz
B17. Danger Zone (Studio Chatter)
B18. Slate 9M2 (Studio Chatter)
B19. Gastroburgers From Hell
B20. Mazel Tov, Molotov
B21. Baroque Indigestion
B22. Ghoulies II Finale
Info
WRWTFWW Records is proud to announce the first ever release of the long-lost original motion picture soundtrack from the 1988 cult horror comedy sensation Ghoulies II by the incomparable Fuzzbee Morse. Digging deep to uncover a true gem of the VHS era, this limited-edition vinyl release (500 copies worldwide) marks history in the making as a piece of film score lore is resurrected from the depths of oblivion. The LP is packed with 39 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well an obi and composer notes.
The captivating melodies that once played hauntingly in the background of Ghoulies II were long believed to be lost forever. It took over 30 years and Fuzzbee Morse's unwavering determination to dig out the legendary recordings – and restore them for full audio pleasure!
The superb soundscape of Ghoulies II perfectly captures the chilling and wacky essence of the cult movie, as well as its creepy carnival setting. Morse, citing influences such as Bernard Hermann, Frank Zappa, and Igor Stravinsky, flexes his multi-instrumentalist skills, flowing with ease between magical fairground elements (with brilliant use of calliope, tuba, flutes and sparkly sounding synthesizers), dark atmospheres and frightening attacks (tribal percussion, strings, along with dissonant, atonal gongs, bowed cymbals), and goofy moods (bassoon, bass clarinet, glockenspiel, trumpet, clarinet). It’s big cinematic horror movie music with a lighter comedic touch – the 80s live again!
To complete this collector's edition, French illustrator Pierre Thyss (the man behind the WRWTFWW Records logo) lends his (immense) talent to provide awe-inspiring visuals that flawlessly encapsulate the juxtaposition of horror and comedy.
Ghoulies II follows the release of the full uncut soundtrack of Ghoulies (1985) which was released on vinyl for the first time ever by WRWTFWW Records in 2020 alongside soundtracks for other Richard Band-composed, Empire Pictures-produced classics: TerrorVision and Troll. All these 80s horror favorites are still available – complete the collection now!
Points of interests
- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, John Carpenter, b-movies, sci-fi, Gremlins, Critters, Munchies, and the best of them all: the Ghoulies!
- First ever release for the soundtrack of Ghoulies II (1988), with obi strip, composer notes, and exclusive artwork by Pierre Thyss.
More
LP: Limited Edition of 500 with exclusive artwork by Pierre Thyss, obi strip, and liner notes
Tracklisting
A1. Main Title
A2. Ghoulies Flambé
A3. Sneaking
A4. Ghoulieboppin’
A5. An Old Tomato
A6. Patty Gets It
A7. For The Benefit of Mr. Satie
A8. Ghouliepalooza
A9. Help Him
A10. Montage
A11. Organus Maximus
A12. Sex Critters
A13. Slice ‘Em, Dice ‘Em
A14. Merle’s Mummy
A15. Yuppie Agenda
A16. Ned Discovers
A17. Larry Sees
B1. They’re Real
B2. Interlude
B3. Ned’s Showdown
B4. Ned Is Gone
B5. Nigel
B6. Studio Chatter
B7. Nicole’s Story
B8. Prepping The Carnival
B9. Larry In Satan’s Den
B10. Fighting
B11. Gang’s All Here
B12. Clown’s Jaws
B13. Froggy
B14. Cuteness
B15. Hell Breaks Loose
B16. Ghoulies Jazz
B17. Danger Zone (Studio Chatter)
B18. Slate 9M2 (Studio Chatter)
B19. Gastroburgers From Hell
B20. Mazel Tov, Molotov
B21. Baroque Indigestion
B22. Ghoulies II Finale
Info
WRWTFWW Records is proud to announce the first ever release of the long-lost original motion picture soundtrack from the 1988 cult horror comedy sensation Ghoulies II by the incomparable Fuzzbee Morse. Digging deep to uncover a true gem of the VHS era, this limited-edition vinyl release (500 copies worldwide) marks history in the making as a piece of film score lore is resurrected from the depths of oblivion. The LP is packed with 39 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well an obi and composer notes.
The captivating melodies that once played hauntingly in the background of Ghoulies II were long believed to be lost forever. It took over 30 years and Fuzzbee Morse's unwavering determination to dig out the legendary recordings – and restore them for full audio pleasure!
The superb soundscape of Ghoulies II perfectly captures the chilling and wacky essence of the cult movie, as well as its creepy carnival setting. Morse, citing influences such as Bernard Hermann, Frank Zappa, and Igor Stravinsky, flexes his multi-instrumentalist skills, flowing with ease between magical fairground elements (with brilliant use of calliope, tuba, flutes and sparkly sounding synthesizers), dark atmospheres and frightening attacks (tribal percussion, strings, along with dissonant, atonal gongs, bowed cymbals), and goofy moods (bassoon, bass clarinet, glockenspiel, trumpet, clarinet). It’s big cinematic horror movie music with a lighter comedic touch – the 80s live again!
To complete this collector's edition, French illustrator Pierre Thyss (the man behind the WRWTFWW Records logo) lends his (immense) talent to provide awe-inspiring visuals that flawlessly encapsulate the juxtaposition of horror and comedy.
Ghoulies II follows the release of the full uncut soundtrack of Ghoulies (1985) which was released on vinyl for the first time ever by WRWTFWW Records in 2020 alongside soundtracks for other Richard Band-composed, Empire Pictures-produced classics: TerrorVision and Troll. All these 80s horror favorites are still available – complete the collection now!
Points of interests
- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, John Carpenter, b-movies, sci-fi, Gremlins, Critters, Munchies, and the best of them all: the Ghoulies!
- First ever release for the soundtrack of Ghoulies II (1988), with obi strip, composer notes, and exclusive artwork by Pierre Thyss.
More
Customers who bought this also bought this
1
DJ City - A1 Cities In Dust (04:56 min)
2
DJ City - A2 Paris, Rome (04:43 min)
3
DJ City - A3 Oh Ah (04:46 min)
4
DJ City - A4 Bergtagen (04:57 min)
5
DJ City - A5 Safe (04:54 min)
6
DJ City - B1 A Lover’s Discourse (03:28 min)
7
DJ City - B2 War & Peace (04:31 min)
8
DJ City - B3 Good Morning (06:48 min)
9
DJ City - B4 Drunk Satellites (03:02 min)
10
DJ City - B5 Bonus Track (03:26 min)
LP
Tracklist:
A-Side
A1 DJ City - Cities In Dust (04:56 min)
A2 DJ City - Paris, Rome (04:43 min)
A3 DJ City - Oh Ah (04:46 min)
A4 DJ City - Bergtagen (04:57 min)
A5 DJ City - Safe (04:54 min)
B-Side
B1 DJ City - A Lover’s Discourse (03:28 min)
B2 DJ City - War & Peace (04:31 min)
B3 DJ City - Good Morning (06:48 min)
B4 DJ City - Drunk Satellites (03:02 min)
B5 DJ City - Bonus Track (03:26 min)
Short info:
DJ City hailing from Stockholm, a D.J., a poet, a producer, a chronicler of contemporary urban
nightlife, a romantic. His home the clubs of Europe, the streets of cities like Stockholm, Berlin, Milano,
Munich, Paris, Rome… Berlin where he lives a good part of the year has become a second home,
Cocktail D‘Amore, Panorama Bar, or his own party Bad Dad are his playgrounds. Places he D.J.s at, a
scene he is contemplating about on his first Album. Musically a journey between classic house,
scandinavian disco with a pleasant hint to pop. DJ City someone you want to know, meet and mingle
with. A true creature of metropolis, witty, charming, seductive, mysterious! An entertainer. The record
a mirror to his personality, find pleasure and fun, but beware there is always more below the surface. More
Tracklist:
A-Side
A1 DJ City - Cities In Dust (04:56 min)
A2 DJ City - Paris, Rome (04:43 min)
A3 DJ City - Oh Ah (04:46 min)
A4 DJ City - Bergtagen (04:57 min)
A5 DJ City - Safe (04:54 min)
B-Side
B1 DJ City - A Lover’s Discourse (03:28 min)
B2 DJ City - War & Peace (04:31 min)
B3 DJ City - Good Morning (06:48 min)
B4 DJ City - Drunk Satellites (03:02 min)
B5 DJ City - Bonus Track (03:26 min)
Short info:
DJ City hailing from Stockholm, a D.J., a poet, a producer, a chronicler of contemporary urban
nightlife, a romantic. His home the clubs of Europe, the streets of cities like Stockholm, Berlin, Milano,
Munich, Paris, Rome… Berlin where he lives a good part of the year has become a second home,
Cocktail D‘Amore, Panorama Bar, or his own party Bad Dad are his playgrounds. Places he D.J.s at, a
scene he is contemplating about on his first Album. Musically a journey between classic house,
scandinavian disco with a pleasant hint to pop. DJ City someone you want to know, meet and mingle
with. A true creature of metropolis, witty, charming, seductive, mysterious! An entertainer. The record
a mirror to his personality, find pleasure and fun, but beware there is always more below the surface. More
1
dj koze - XTC
2
dj koze - Knee On Belly
2024 repress
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
1
Cody Currie - No Ice
2
Cody Currie - Touch
3
Cody Currie - Warp Zone feat. Ally McMahon
4
Cody Currie - Fool
Tracklist 12":
A1) No Ice
A2) Touch
B1) Warp Zone feat. Ally McMahon
B2) Fool
Toy Tonics presents a new EP by one of the label’s lead artists: CODY CURRIE. The London born talent comes with 4 new tracks that combine neo soul and jazz funk with uptempo house music
Cody usually plays all the instruments on his tracks working as the bassplayer, singer, guitar virtuoso and drummer and becoming one of the hot names in London's club scene as a DJ around 5 years ago at a young age.
His vibe is similar to his the soulful and extravagant sound as these his heros had. Not needing any help from anybody. Even mixing and engeenering all his music himself
Cody Currie’s sound is perfect for today’s DJ sets and fits with the current wave of funky house and groove oriented music coming from London that is taking over the clubs.
More
A1) No Ice
A2) Touch
B1) Warp Zone feat. Ally McMahon
B2) Fool
Toy Tonics presents a new EP by one of the label’s lead artists: CODY CURRIE. The London born talent comes with 4 new tracks that combine neo soul and jazz funk with uptempo house music
Cody usually plays all the instruments on his tracks working as the bassplayer, singer, guitar virtuoso and drummer and becoming one of the hot names in London's club scene as a DJ around 5 years ago at a young age.
His vibe is similar to his the soulful and extravagant sound as these his heros had. Not needing any help from anybody. Even mixing and engeenering all his music himself
Cody Currie’s sound is perfect for today’s DJ sets and fits with the current wave of funky house and groove oriented music coming from London that is taking over the clubs.
More
1
Bárbara Boeing - Mar dei Sargassi (with Stump Valley)
2
Bárbara Boeing - Pantelleria
3
Bárbara Boeing - Tokyo Love Affair (with Sam Ruffillo)
4
Bárbara Boeing - NoLo's Awakening
Tracklist 12":
A1) Mar dei Sargassi (with Stump Valley)
A2) Pantelleria
B1) Tokyo Love Affair (with Sam Ruffillo)
B2) NoLo's Awakening
Curitiba-raised, Milan-based Bárbara Boeing is back with ‘Pantelleria’ taken from Memoir EP, her second release on Toy Tonics, due out on 1st November.
After many years of digging for dance floor gems and finetuning her ear, Bárbara arrived at a point where she felt ready and inspired to make her own music, dropping her debut Brasiliana on Toy Tonics in 2023 - a collection of tracks that did not seek cohesion between themselves but rather aimed to reflect the breadth of sounds and genres that make their way into her DJ sets.
Since then, Bárbara has continued her journey from highly respected selector to music producer and now returns with 4 brand-new colourful and uplifting tracks. This time Bárbara took to the studio to collaborate on two EP tracks with Stump Valley and also reunited with Sam Ruffillo (both of Toy Tonics). The result is a 4 track EP that combines a mixture of 80s and early 90s music with genres that she usually brings in her sets as well as some diverse influences picked up while she was touring in Asia.
17 years into honing her craft, Bárbara's highly acclaimed DJ sets are always peppered with music from her homeland and across Latin America, and span everything from Balearic, Proto and Italo House, Synth pop, Disco, Zouk, Kwaito and more. 2024 will see Bárbara play at diverse festivals such as Gop Tun and Lost Village as well as make her North America debut, while in recent years she's appeared on the bill at some of dance music's best festivals, such as Polifonic, Melt, Kala, Nuits Sonores, Time Warp, Listen, Lente Kabinet, Dekmantel Selectors and Dekmantel in São Paulo.
This year she will also be launching her own party, Bárbara Boeing Convida (which means "invites"). As the name suggests, Convida will see her inviting artists she admires to play alongside her in different places around the world with editions already confirmed in cities including Paris, London and Milan. "I just love to bring my music to people," she said. "Showing people music is the thing that makes me the happiest."
More
A1) Mar dei Sargassi (with Stump Valley)
A2) Pantelleria
B1) Tokyo Love Affair (with Sam Ruffillo)
B2) NoLo's Awakening
Curitiba-raised, Milan-based Bárbara Boeing is back with ‘Pantelleria’ taken from Memoir EP, her second release on Toy Tonics, due out on 1st November.
After many years of digging for dance floor gems and finetuning her ear, Bárbara arrived at a point where she felt ready and inspired to make her own music, dropping her debut Brasiliana on Toy Tonics in 2023 - a collection of tracks that did not seek cohesion between themselves but rather aimed to reflect the breadth of sounds and genres that make their way into her DJ sets.
Since then, Bárbara has continued her journey from highly respected selector to music producer and now returns with 4 brand-new colourful and uplifting tracks. This time Bárbara took to the studio to collaborate on two EP tracks with Stump Valley and also reunited with Sam Ruffillo (both of Toy Tonics). The result is a 4 track EP that combines a mixture of 80s and early 90s music with genres that she usually brings in her sets as well as some diverse influences picked up while she was touring in Asia.
17 years into honing her craft, Bárbara's highly acclaimed DJ sets are always peppered with music from her homeland and across Latin America, and span everything from Balearic, Proto and Italo House, Synth pop, Disco, Zouk, Kwaito and more. 2024 will see Bárbara play at diverse festivals such as Gop Tun and Lost Village as well as make her North America debut, while in recent years she's appeared on the bill at some of dance music's best festivals, such as Polifonic, Melt, Kala, Nuits Sonores, Time Warp, Listen, Lente Kabinet, Dekmantel Selectors and Dekmantel in São Paulo.
This year she will also be launching her own party, Bárbara Boeing Convida (which means "invites"). As the name suggests, Convida will see her inviting artists she admires to play alongside her in different places around the world with editions already confirmed in cities including Paris, London and Milan. "I just love to bring my music to people," she said. "Showing people music is the thing that makes me the happiest."
More
1
Zellmani - Yongheng Forever
2
Zellmani & Piotr - Nuevo Portamento
3
Zellmani & Gojiano - Smutt
4
Zellmani - Eternal Loop of Emotions
Tracklist:
A1) Zellmani - Yongheng Forever
A2) Zellmani & Piotr - Nuevo Portamento
B1) Zellmani & Gojiano - Smutt
B2) Zellmani - Eternal Loop of Emotions
Short info:
We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!
More
A1) Zellmani - Yongheng Forever
A2) Zellmani & Piotr - Nuevo Portamento
B1) Zellmani & Gojiano - Smutt
B2) Zellmani - Eternal Loop of Emotions
Short info:
We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!
More
1
Barnt - Aqua Melopella
2
Barnt - Aqua Breeze
3
Barnt - Aqua Bass
4
Barnt - Millennium Silver
5
Barnt - Millennium Melopella
GENRE/S: Deep House
A1. Aqua Melopella
A2. Aqua Breeze
A3. Aqua Bass
B1. Millennium Silver
B2.Millennium Melopella
Club music reduced to its essential elements, those elements then pushed to their limits! Dangerously malfunctioning DJ tools! The Feeling of Power!
All that and much more on this striking new record from the one and only Barnt, the great reductional absurdist finally appearing on Studio Barnhus, providing concrete proof of the secret, decade-long love-affair between artist and label, after a bunch of Barnt b2b Boman DJ sets over the years, Kornél Kovács’ legendary “disco edit” of classic Barnt track “Chappell”, endless “Studio Barnthus” jokes, etc.
Aqua Breeze immediately makes its mark as an essential part of Barnt’s relatively small, absolutely profound catalogue, with digital files and vinyl records optimised for maximum soundsystem impact arriving in shops on September 27 More
A1. Aqua Melopella
A2. Aqua Breeze
A3. Aqua Bass
B1. Millennium Silver
B2.Millennium Melopella
Club music reduced to its essential elements, those elements then pushed to their limits! Dangerously malfunctioning DJ tools! The Feeling of Power!
All that and much more on this striking new record from the one and only Barnt, the great reductional absurdist finally appearing on Studio Barnhus, providing concrete proof of the secret, decade-long love-affair between artist and label, after a bunch of Barnt b2b Boman DJ sets over the years, Kornél Kovács’ legendary “disco edit” of classic Barnt track “Chappell”, endless “Studio Barnthus” jokes, etc.
Aqua Breeze immediately makes its mark as an essential part of Barnt’s relatively small, absolutely profound catalogue, with digital files and vinyl records optimised for maximum soundsystem impact arriving in shops on September 27 More
1
Fracatso - Flammes d’autruches
2
Fracatso - Free Root
3
Fracatso - Kidnappeur
4
Fracatso - The showdowless
5
Fracatso - Ding Dong
6
Fracatso - 3 Spirit
7
Fracatso - Ghedalia
8
Fracatso - Moderne R&B
9
Fracatso - Sprit 3
10
Fracatso - Tango Fracatsal
LP
GENRE/S: Electronic-Jazz-Poetry-Vocals
TRACKLIST:
A1-Flammes d’autruches
A2-Free Root
A3-Kidnappeur
A4-The showdowless
A5-Ding Dong
B1-3 Spirit
B2-Ghedalia
B3-Moderne R&B
B4-Sprit 3
B5-Tango Fracatsal
SHORT INFO:
Fracatso was born during a spontaneous weekend break away from home of four good friends, emerging from the collective desire to record together in total freedom. This remarkable album that will delight you as it did us, is made of two distinct sessions recorded in Laura Lippie's Lyon apartment, composed on site using various acoustic and electronic instruments by Lippie, Iueke, Lowjack and Zaltan, fueled by wine, laughter and song and an honest need for aimless creation and poetical collaboration .
During an impromptu meeting in Amsterdam, Zaltan played to Gilb'R these unrevised original recordings lead by the powerful and whimsical words and voice of Lippie, and the known talent of the band creating bucolic arrangements in unformatted musical identities. Gilb'R instantly proposed to release the sessions on Versatile Records on the spot! And hear you have it , Fracatso lives.
More
GENRE/S: Electronic-Jazz-Poetry-Vocals
TRACKLIST:
A1-Flammes d’autruches
A2-Free Root
A3-Kidnappeur
A4-The showdowless
A5-Ding Dong
B1-3 Spirit
B2-Ghedalia
B3-Moderne R&B
B4-Sprit 3
B5-Tango Fracatsal
SHORT INFO:
Fracatso was born during a spontaneous weekend break away from home of four good friends, emerging from the collective desire to record together in total freedom. This remarkable album that will delight you as it did us, is made of two distinct sessions recorded in Laura Lippie's Lyon apartment, composed on site using various acoustic and electronic instruments by Lippie, Iueke, Lowjack and Zaltan, fueled by wine, laughter and song and an honest need for aimless creation and poetical collaboration .
During an impromptu meeting in Amsterdam, Zaltan played to Gilb'R these unrevised original recordings lead by the powerful and whimsical words and voice of Lippie, and the known talent of the band creating bucolic arrangements in unformatted musical identities. Gilb'R instantly proposed to release the sessions on Versatile Records on the spot! And hear you have it , Fracatso lives.
More
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
Nicolás Jaar - A1 Cangilón
2
Nicolás Jaar - A2 Piedras
3
Nicolás Jaar - A3 Aqui
4
Nicolás Jaar - A4 Agua pa fantasmas
5
Nicolás Jaar - B1 Rio de las tumbas
6
Nicolás Jaar - B2 Viento
7
Nicolás Jaar - B3 Mi viejita
8
Nicolás Jaar - B4 No Hope
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
11
Nicolás Jaar - C3 3eee
12
Nicolás Jaar - C4 F Collect
13
Nicolás Jaar - C5 Even heaven is uneven
14
Nicolás Jaar - C6 El azar
15
Nicolás Jaar - D1 I, you
16
Nicolás Jaar - D2 Heterodina
17
Nicolás Jaar - D3 Sin Conexión
18
Nicolás Jaar - D4 SSS1
19
Nicolás Jaar - D5 SSS2
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
1
Sound Support - Strung Out (Extended Version)
2
Sound Support - That Song (Extended Version)
3
Sound Support - Nobody Knows (Extended Version)
4
Sound Support - Everybody
Tracklist 12":
A1) Strung Out (Extended Version)
A2) That Song (Extended Version)
B1) Nobody Knows (Extended Version)
B2) Everybody
Toy Tonics presents the second EP by Lars Dales from DAM SWINDLE with multi-instrumentalist LORENZ RHODE aka SOUND SUPPORT.
Their first EP "Higher" on Toy Tonic last year reached no. 1 of BEATPORT House music charts and this follow up probably will be similarly successful as it has the same high quality of music and dancefloor catchiness every DJ dreams of.
The new "Everybody Knows" EP consists of four extremely groove infected house music tracks that connect the good things of 1990ies house with the indie disco of the 2000s. Think of Daft Punk in the studio with Kerri Chandler and LCD Soundsystem and you got the sound!
Dutch house wizzard Lars Dales (who also runs HEIST records) and keyboarder and super producer Lorenz Rhode (recently worked also with Purple Disco Machine) connected through their mutual love for dance music. After years of having worked together on several projects, such as the Dam Swindle liveshow, they finally got around to making more and more music together to release their amazing tracks under the name of SOUND SUPPORT: A perfect name because these tracks really support every DJs set ... they fill dancefloors in seconds and make people go mad.
More
A1) Strung Out (Extended Version)
A2) That Song (Extended Version)
B1) Nobody Knows (Extended Version)
B2) Everybody
Toy Tonics presents the second EP by Lars Dales from DAM SWINDLE with multi-instrumentalist LORENZ RHODE aka SOUND SUPPORT.
Their first EP "Higher" on Toy Tonic last year reached no. 1 of BEATPORT House music charts and this follow up probably will be similarly successful as it has the same high quality of music and dancefloor catchiness every DJ dreams of.
The new "Everybody Knows" EP consists of four extremely groove infected house music tracks that connect the good things of 1990ies house with the indie disco of the 2000s. Think of Daft Punk in the studio with Kerri Chandler and LCD Soundsystem and you got the sound!
Dutch house wizzard Lars Dales (who also runs HEIST records) and keyboarder and super producer Lorenz Rhode (recently worked also with Purple Disco Machine) connected through their mutual love for dance music. After years of having worked together on several projects, such as the Dam Swindle liveshow, they finally got around to making more and more music together to release their amazing tracks under the name of SOUND SUPPORT: A perfect name because these tracks really support every DJs set ... they fill dancefloors in seconds and make people go mad.
More
1
Bell Towers - Party Boy (04:36 min)
2
Bell Towers - Party Boy Instrumental (04:36 min)
3
Bell Towers - DJ, Music, Money (05:19 min)
4
Bell Towers - Party Void (04:46 min)
Tracklist:
A1) Party Boy (04:36 min)
A2) Party Boy Instrumental (04:36 min)
B1) DJ, Music, Money (05:19 min)
B2) Party Void (04:46 min)
Short info:
@rbt69 Bell Towers. Party Boy. Homage to life. In between Tokio City lights, neon signs, Paris Wine Bars, Stake Tartare, Berlin Späti vibes wunderbar. Not out of season for a reason, never change a winning team, party on full of steam. toot toot beep beep
More
A1) Party Boy (04:36 min)
A2) Party Boy Instrumental (04:36 min)
B1) DJ, Music, Money (05:19 min)
B2) Party Void (04:46 min)
Short info:
@rbt69 Bell Towers. Party Boy. Homage to life. In between Tokio City lights, neon signs, Paris Wine Bars, Stake Tartare, Berlin Späti vibes wunderbar. Not out of season for a reason, never change a winning team, party on full of steam. toot toot beep beep
More
1
MLiR - El Baile De Los Muertos
2
MLiR - Mania
Tracklisting:
A. El Baile De Los Muertos – B. Mania
Release Info:
Exactly three years after their debut release landed on Studio Barnhus,
MLiR are back with Trans-World Junktion, a summer-ready two-tracker
that packs enough musical twists and turns to put your favourite
quadruple 12-inch to shame. Half part awesome exotica, half vigourous
festival blitzin' from this Barcelona-based Swedish musical collective
fronted by Marco Gegenheimer and Einar Christoffersson. Artwork by
Studio Barnhus logo renderer and a/v show maker Leolyxxx. More
A. El Baile De Los Muertos – B. Mania
Release Info:
Exactly three years after their debut release landed on Studio Barnhus,
MLiR are back with Trans-World Junktion, a summer-ready two-tracker
that packs enough musical twists and turns to put your favourite
quadruple 12-inch to shame. Half part awesome exotica, half vigourous
festival blitzin' from this Barcelona-based Swedish musical collective
fronted by Marco Gegenheimer and Einar Christoffersson. Artwork by
Studio Barnhus logo renderer and a/v show maker Leolyxxx. More