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1
John Carpenter - Die Klapperschlange (Vocal)
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John Carpenter - Die Klapperschlange (Instrumental)
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John Carpenter - Die Klapperschlange (Edit)
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John Carpenter - Die Klapperschlange (Nomoo Remix)
Reissue of this classic from 1983.
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More records from John Carpenter
LP
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Label:Sacred Bones
Cat-No:SBRLPC2369
Release-Date:09.05.2025
Genre:Alternative/Electronic
Configuration:LP
Barcode:0843563184899
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To celebrate the 10th anniversary of Lost Themes, Sacred Bones are thrilled to present an expanded art edition of the album with art by Greg Ruth. This special release includes an additional 7-inch featuring two previously unreleased tracks from the original recording session _ "Cruisin' With Mr. Scratch" and "Dominator." Upon its initial release, Lost Themes was praised for its evocative soundscapes ranging from horror to science fiction, each track conjuring a distinct atmosphere without the need for accompanying visuals. The expanded edition of Lost Themes not only celebrates a decade of John Carpenter's standalone musical journey but also enriches the album's legacy with new material that captures the spirit of its original sessions. Whether revisiting this masterpiece or experiencing it for the first time, listeners will find themselves immersed in Carpenter's hauntingly beautiful worlds once again.
Tracklist:
1.1VORTEX
1.2OBSIDIAN
1.3FALLEN
1.4DOMAIN
1.5MYSTERY
1.6ABYSS
1.7WRAITH
1.8PURGATORY
1.9NIGHT
1.10VORTEX
1.11OBSIDIAN
1.12FALLEN
1.13DOMAIN
1.14MYSTERY
1.15ABYSS
1.16WRAITH
1.17PURGATORY
1.18NIGHT
1.19CRUISIN' WITH MR. SCRATCH
1.20DOMINATOR
2.1CRUISIN' WITH MR. SCRATCH
2.2DOMINATOR
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Tracklist:
1.1VORTEX
1.2OBSIDIAN
1.3FALLEN
1.4DOMAIN
1.5MYSTERY
1.6ABYSS
1.7WRAITH
1.8PURGATORY
1.9NIGHT
1.10VORTEX
1.11OBSIDIAN
1.12FALLEN
1.13DOMAIN
1.14MYSTERY
1.15ABYSS
1.16WRAITH
1.17PURGATORY
1.18NIGHT
1.19CRUISIN' WITH MR. SCRATCH
1.20DOMINATOR
2.1CRUISIN' WITH MR. SCRATCH
2.2DOMINATOR
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Label:Sacred Bones
Cat-No:SBRLP336
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:0843563171929
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1
John Carpenter - My Name Is Death
2
John Carpenter - Machine Fear
3
John Carpenter - Last Rites
4
John Carpenter - The Burning Door
5
John Carpenter - He Walks By Night
6
John Carpenter - Beyond The Gallows
7
John Carpenter - Kiss The Blood Off My Fingers
8
John Carpenter - Guillotine
9
John Carpenter - The Domn's Shadow
10
John Carpenter - Shadows Have A Thousand Eyes
Preview: https://www.youtube.com/watch?v=TDBnBdNyYiM
It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.”
The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.
“This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.”
And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”
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It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.”
The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.
“This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.”
And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”
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LP
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Label:Sacred Bones
Cat-No:SBRLP324
Release-Date:06.10.2023
Genre:Soundtracks
Configuration:LP
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Tracklist:
1.Chariots of Pumpkins (Halloween III)
2.69th St. Bridge (Escape from New York)
3.The Alley (War) (Big Trouble in Little China)
4.Wake Up (They Live)
5.Julie’s Dead (Assault on Precinct 13)
6.The Shape Enters Laurie’s Room (Halloween II)
7.Season of the Witch (Halloween III)
8.Love at a Distance (Prince of Darkness)
9.The Shape Stalks Again (Halloween II)
10.Burn it (The Thing)
11.Fuchs (The Thing)
12.To Mac’s Shack (The Thing)
13.Walk to the Lighthouse (The Fog)
14.Laurie’s Theme (Halloween)
By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction.
Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter.
The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues.
Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
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1.Chariots of Pumpkins (Halloween III)
2.69th St. Bridge (Escape from New York)
3.The Alley (War) (Big Trouble in Little China)
4.Wake Up (They Live)
5.Julie’s Dead (Assault on Precinct 13)
6.The Shape Enters Laurie’s Room (Halloween II)
7.Season of the Witch (Halloween III)
8.Love at a Distance (Prince of Darkness)
9.The Shape Stalks Again (Halloween II)
10.Burn it (The Thing)
11.Fuchs (The Thing)
12.To Mac’s Shack (The Thing)
13.Walk to the Lighthouse (The Fog)
14.Laurie’s Theme (Halloween)
By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction.
Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter.
The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues.
Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
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Label:ZYX Records
Cat-No:MAXI1053-12
Release-Date:09.04.2021
Configuration:12"
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1
JOHN CARPENTER - The End (John Anthony Scratch Mix)
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JOHN CARPENTER - The End (Remix)
Finally available again as a 12 “maxi single! From the legendary film music of John Carpenter’s box office hit “Assault On Precinct 13” from 1976, including the “John Anthony Scratch Mix” and the “Remix” of The End.
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Label:ZYX Records
Cat-No:MAXI1171-12
Release-Date:16.05.2025
Configuration:12"
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1
Colors - Lonely Night (Vocal Version)
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Colors - Lonely Night (Technicolor Version)
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Colors - Lonely Night (Flemming Dalum Remix)
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Colors - Lonely Night (Rey David Diaz Remix)
Reissue of italo disco rarity from 1985. With remixes by Flemming Dalum and Rey David Diaz.
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Label:ZYX Records
Cat-No:MAXI1168-12
Release-Date:18.04.2025
Configuration:12"
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1
J.D. Jaber - Don't Wake Me Up (Another Mix)
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J.D. Jaber - Don't Wake Me Up (New Mix)
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J.D. Jaber - Don't Wake Me Up (Flemming Dalum Remix)
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J.D. Jaber - Don't Wake Me Up (DSTRTD SGNL Remix)
Reissue of this italo disco classic from 1986 with Flemming Dalum and DSTRTD SGNL remixes.
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Label:ZYX Records
Cat-No:MAXI1164-12
Release-Date:28.03.2025
Configuration:12"
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1
Joe Yellow - Love At First (Extended Version)
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Joe Yellow - Love At First (Instrumental)
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Joe Yellow - Love At First (Flemming Dalum Remix)
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Joe Yellow - Love At First (DSTRTD SGNL Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.
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Label:ZYX Records
Cat-No:MAXI1170-12
Release-Date:28.03.2025
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1
Linda Jo Rizzo - You're My First, You're My Last (12" Version)
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Linda Jo Rizzo - I've Got The Night
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Linda Jo Rizzo - You're My First, You're My Last (7" Version)
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Linda Jo Rizzo - You're My First, You're My Last (Flemming Dalum Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.
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Label:ZYX Records
Cat-No:MAXI1163-12
Release-Date:21.02.2025
Configuration:12"
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1
Max Coveri - One More Time
2
Max Coveri - One More Time (D-Version)
3
Max Coveri - One More Time (Flemming Dalum Remix)
4
Max Coveri - One More Time (Italo4Ever Remix)
Reissue of this italo disco classic from 1986. Comes with remixes by Flemming Dalum and Italo4ever.
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Label:ZYX Records
Cat-No:MAXI1160-12
Release-Date:14.02.2025
Configuration:12"
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1
Koto - Acknowledge
2
Koto - Acknowledge (Knowledge Mix)
3
Koto - Acknowledge (Flemming Dalum Remix)
4
Koto - Acknowledge (DJ CON-T & Opposite Direction Remix)
Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.
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Label:ZYX Records
Cat-No:MAXI1155-12
Release-Date:24.01.2025
Configuration:12"
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Swan - Don't Talk About It
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Swan - Don't Talk About It (Instrumental)
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Swan - Don't Talk About It (Flemming Dalum Remix)
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Swan - Don't Talk About It (DJ TinTin Remix)
Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!
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Label:ZYX Records
Cat-No:MAXI1158-12
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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1
Cappella - U Got 2 Let The Music (Mars Plastic Mix)
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Cappella - U Got 2 Let The Music (Pagany KM 1972 Mix)
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Cappella - U Got 2 Let The Music (D.J. Pierre Mix)
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Cappella - U Got 2 Let The Music (Radio Version)
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Cappella - U Got 2 Let The Music (Luca Guerrieri Extended Remix)
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Cappella - U Got 2 Let The Music (DJ Shog Remix)
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Cappella - U Got 2 Let The Music (Pulsedriver vs. Bass-T Remix)
The world-famous hit “U Got 2 Let The Music” by Cappella, which first conquered the dance charts in 1993 and became a worldwide classic with its energetic beat and catchy chorus, is now available on a limited, colored 12” maxi vinyl. An absolute must-have for collectors and music lovers!
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Label:ZYX Records
Cat-No:MAXI1159-12
Release-Date:17.01.2025
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Release-Date:17.01.2025
Configuration:12"
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Whish Key - Life (Vocal Version)
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Whish Key - Life (Percussion Version)
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Whish Key - Life (Flemming Dalum Remix)
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Whish Key - Life (A.P. Mono Remix)
talo disco reissue originally released in 1985. Comes with Flemming Dalum and A.P. Mono remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1153-12
Release-Date:22.11.2024
Configuration:12"
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Label:ZYX Records
Cat-No:MAXI1153-12
Release-Date:22.11.2024
Configuration:12"
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Ranko - Happy World (Vocal Version)
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Ranko - Happy World (Instruemntal Verison)
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Ranko - Happy World (Flemming Dalum Remix)
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Ranko - Happy World (Flemming Dalum Remix Edit)
Reissue of this italo disco rarity from 1984. Comes with Flemming Dalum remixes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1151-12
Release-Date:22.11.2024
Configuration:12"
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Label:ZYX Records
Cat-No:MAXI1151-12
Release-Date:22.11.2024
Configuration:12"
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Roy - Destiny Time
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Roy - Destiny Time (Instrumental Version)
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Roy - Destiny Time (Flemming Dalum Remix)
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Roy - Destiny Time (The Ri-Mix)
Reissue of this italo classic from 1985 with Flemming Dalum and R. Ricci remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1156-12
Release-Date:22.11.2024
Configuration:12"
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Label:ZYX Records
Cat-No:MAXI1156-12
Release-Date:22.11.2024
Configuration:12"
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1
Magic Men - Popcorn
2
Magic Men - Popcorn (Dub Version)
3
Magic Men - Popcorn (Flemming Dalum Remix)
4
Magic Men - Popcorn (Vanzetti & Sacco DJ Edit)
Reissue of this italo disco rarity from 1983. Comes with Flemming Dalum and Vanzetti & Sacco remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1150-12
Release-Date:08.11.2024
Configuration:12"
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Cat-No:MAXI1150-12
Release-Date:08.11.2024
Configuration:12"
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J.D. Jaber - Don't Stop Lovin' (Long Version)
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J.D. Jaber - Don't Stop Lovin' (Short Version)
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J.D. Jaber - Don't Stop Lovin' (Flemming Dalum Remix)
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J.D. Jaber - Don't Stop Lovin' (Victor ZYX Remix)
Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and Victor Ark remixes!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1145-12
Release-Date:27.09.2024
Configuration:12"
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Cat-No:MAXI1145-12
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Configuration:12"
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Ken Laszlo - Hey Hey Guy (Vocal Version)
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Ken Laszlo - Hey Hey Guy (Dub Version)
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Ken Laszlo - Hey Hey Guy (Flemming Dalum Remix)
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Ken Laszlo - Hey Hey Guy (Flemming Dalum Remix Edit)
Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1140-12
Release-Date:30.08.2024
Configuration:12"
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Cat-No:MAXI1140-12
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Brian Ice - Talking To The Night (Vocal)
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Brian Ice - Talking To The Night (Instrumental)
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Brian Ice - Talking To The Night (Flemming Dalum Remix)
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Brian Ice - Talking To The Night (Hysteric Edit)
Reissue of this italo disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1139-12
Release-Date:30.08.2024
Configuration:12"
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P. Lion - Dream (Vocal)
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P. Lion - Dream (Instrumental)
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P. Lion - Dream (Pulsedriver 80s Mix)
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P. Lion - Dream (John Laurant Extended Remix)
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P. Lion - Dream (MS Project Extended Remix)
Reissue of this italo disco classic from 1984. Comes with Pulsedriver, John Laurant and MS Project remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1141-12
Release-Date:30.08.2024
Configuration:12"
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Cat-No:MAXI1141-12
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Laserdance - Humanoid Invasion (Dancer Mix)
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Laserdance - Humanoid Invasion (Space Mix)
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Laserdance - Humanoid Invasion (Digital Remix)
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Laserdance - Humanoid Invasion (7" Version)
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Laserdance - Megamix Vol. 1
Reissue of this italo disco classic from 1986.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ZYX Records
Cat-No:MAXI1134-12
Release-Date:23.08.2024
Configuration:12"
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Cat-No:MAXI1134-12
Release-Date:23.08.2024
Configuration:12"
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Colors - Never Mind
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Colors - Never Mind (Instrumental)
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Colors - Never Mind (Flemming Dalum Remix)
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Colors - Never Mind (Hysteric Edit)
Reissue of this italo disco rarity from 1985 with Flemming Dalum and George Hysteric remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP
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Label:Transversales Disques
Cat-No:TRS32
Release-Date:29.11.2024
Configuration:LP
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Label:Transversales Disques
Cat-No:TRS32
Release-Date:29.11.2024
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Thelonious Monk - I Love You (Sweetheart Of All My Dreams)
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Thelonious Monk - Lulu's Back In Town
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Thelonious Monk - Just a Gigolo
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Thelonious Monk - I'm Getting Sentimental Over You
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Thelonious Monk - Crepuscule With Nellie
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Thelonious Monk - Epistrophy
Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes
A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes
A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Forever Living Originals
Cat-No:FLO0007LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:602435931975
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Last in:14.01.2025
Label:Forever Living Originals
Cat-No:FLO0007LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:602435931975
We'll jump at the chance to talk about anyone affiliated with the mysterious SAULT collective. One of their most prominent voices, Cleo Sol, has here teamed up with her longtime producer friend Inflo for her second album, 'Mother'. This 12-track LP spans neo-soul, jazz and folk, and chronicles Sol's turbulent transition into motherhood. Across solitary ballads like 'Sunshine' and radiant folk dirges like 'Know That You Are Loved' and 'Promises', this album sounds purer in contrast to her debut 'Rose In The Dark'
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Paper Route/EMPIRE
Cat-No:ERE1008
Release-Date:21.06.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:197342529914
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Label:Paper Route/EMPIRE
Cat-No:ERE1008
Release-Date:21.06.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:197342529914
2xLP: gatefold jacket, protective poly-lined sleeves, cobalt marbled vinyl with red splatter, marketing sticker, shrink
About:
Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA. The 2xLP deluxe vinyl release is pressed on Cobalt marbled vinyl with Red Splatter, and housed in a gatefold jacket with poly-lined sleeves.
Key Marketing/Selling:
• 2xLP, Gatefold jacket, pressed on Cobalt marbled vinyl with Red Splatter, poly-lined sleeves, marketing sticker
• Includes the hit song, Let’s Go, which is his most popular song on Spotify and has over 46M streams on the platform alone
• “Let’s Go” is officially certified Gold by the RIAA
• The short film/music video for “Let’s Go” has over 6.7M views on YouTube and was directed by Chris Villa, who has directed countless viral music videos, such as Ice Spice “In Ha Mood,” A$AP Rocky “Riot,” & GloRilla “Lick Or Sum”
• Paper Route EMPIRE labelmate with the iconic artist and label founder, Young Dolph
• All songs written & performed by Key Glock, who is known for having no guest feature on his albums - a rarity in today’s rap game
• Key Glock has appeared on a number of high profile artist releases including Megan Thee Stallion, Gucci Mane, Young Nudy, Lil Durk, Latto, Peezy & more
• Key Glock recorded original music for and appears on the Fast X Soundtrack (The Fast & The Furious)
• Key Glock has over 16M monthly listeners on Spotify alone
• The Glockoma 2 Deluxe release received an 8/10 on Anthony Fantano’s The Needle Drop - a very high rating for the platform
• Glockoma 2 peaked at number 13 on the US Billboard 200
• The Deluxe physical release features 8 new songs & includes 3 singles released shortly after the digital deluxe release
• Key Glock will be headlining at Red Rocks Amphitheater on 4/21 with support from Young Nudy & BigXThaPlug - “Glock On The Rocks”
• Key Glock will be performing at Bonnaroo 2024 and is on the lineup multiple high profile festivals in 2024
Tracklist:
A1/1. Dirt
A2/2. Work
A3/3. Randy Orton
A4/4. Chromosomes
A5/5. 2 For 1
A6/6. Pop My Shit
A7/7. Designer Down
A8/8. From Nothing
B1/9. Key Rex
B2/10. In & Outta Town
B3/11. Fuck Dat Shit
B4/12. Money Over Hoes
B5/13. Ratchet
B6/14. Homicide Gvng
B7/15. Fuck A Feature
C1/16. Sucker Free
C2/17. Let's Go
C3/18. No Hook
C4/19. Penny
C5/20. MaMa Said
C6/21. Presidential Rolex
D1/22. Lean Habits
D2/23. Last Man Standing
D3/24. No Hook 2
D4/25. Murder & Millions
D5/26. One Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
About:
Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA. The 2xLP deluxe vinyl release is pressed on Cobalt marbled vinyl with Red Splatter, and housed in a gatefold jacket with poly-lined sleeves.
Key Marketing/Selling:
• 2xLP, Gatefold jacket, pressed on Cobalt marbled vinyl with Red Splatter, poly-lined sleeves, marketing sticker
• Includes the hit song, Let’s Go, which is his most popular song on Spotify and has over 46M streams on the platform alone
• “Let’s Go” is officially certified Gold by the RIAA
• The short film/music video for “Let’s Go” has over 6.7M views on YouTube and was directed by Chris Villa, who has directed countless viral music videos, such as Ice Spice “In Ha Mood,” A$AP Rocky “Riot,” & GloRilla “Lick Or Sum”
• Paper Route EMPIRE labelmate with the iconic artist and label founder, Young Dolph
• All songs written & performed by Key Glock, who is known for having no guest feature on his albums - a rarity in today’s rap game
• Key Glock has appeared on a number of high profile artist releases including Megan Thee Stallion, Gucci Mane, Young Nudy, Lil Durk, Latto, Peezy & more
• Key Glock recorded original music for and appears on the Fast X Soundtrack (The Fast & The Furious)
• Key Glock has over 16M monthly listeners on Spotify alone
• The Glockoma 2 Deluxe release received an 8/10 on Anthony Fantano’s The Needle Drop - a very high rating for the platform
• Glockoma 2 peaked at number 13 on the US Billboard 200
• The Deluxe physical release features 8 new songs & includes 3 singles released shortly after the digital deluxe release
• Key Glock will be headlining at Red Rocks Amphitheater on 4/21 with support from Young Nudy & BigXThaPlug - “Glock On The Rocks”
• Key Glock will be performing at Bonnaroo 2024 and is on the lineup multiple high profile festivals in 2024
Tracklist:
A1/1. Dirt
A2/2. Work
A3/3. Randy Orton
A4/4. Chromosomes
A5/5. 2 For 1
A6/6. Pop My Shit
A7/7. Designer Down
A8/8. From Nothing
B1/9. Key Rex
B2/10. In & Outta Town
B3/11. Fuck Dat Shit
B4/12. Money Over Hoes
B5/13. Ratchet
B6/14. Homicide Gvng
B7/15. Fuck A Feature
C1/16. Sucker Free
C2/17. Let's Go
C3/18. No Hook
C4/19. Penny
C5/20. MaMa Said
C6/21. Presidential Rolex
D1/22. Lean Habits
D2/23. Last Man Standing
D3/24. No Hook 2
D4/25. Murder & Millions
D5/26. One Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
in stock
Last in:26.03.2025
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in stock
Last in:26.03.2025
Label:Other People
Cat-No:OP078
Release-Date:17.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
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1
Nicolás Jaar - A1 Cangilón
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2
Nicolás Jaar - A2 Piedras
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3
Nicolás Jaar - A3 Aqui
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Nicolás Jaar - A4 Agua pa fantasmas
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Nicolás Jaar - B1 Rio de las tumbas
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Nicolás Jaar - B2 Viento
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Nicolás Jaar - B3 Mi viejita
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8
Nicolás Jaar - B4 No Hope
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9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
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10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
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11
Nicolás Jaar - C3 3eee
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12
Nicolás Jaar - C4 F Collect
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13
Nicolás Jaar - C5 Even heaven is uneven
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14
Nicolás Jaar - C6 El azar
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15
Nicolás Jaar - D1 I, you
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Nicolás Jaar - D2 Heterodina
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Nicolás Jaar - D3 Sin Conexión
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Nicolás Jaar - D4 SSS1
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Nicolás Jaar - D5 SSS2
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Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Forever Living Originals
Cat-No:FLO00017LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:712221017896
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Cat-No:FLO00017LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:712221017896
Alongside the widespread success of Sault, we've been able to bear witness to the continued rise of core member Cleo Sol as a standout voice in the vanguard of UK soul. Following her two previous albums Mother and Rose In The Dark, Sol stretches out once again with an arresting collection of neo soul, folk and more. Everything is cast in warm, rich tones, from the acoustic lilt of 'Airplane' to the dusky bump of 'Go Baby', but it's the strength of Sol's vocal presence which binds everything together so perfectly. Truly capturing the best of modern soul with wholly justified comparisons to Jill Scott, Erykah Badu and D'Angelo alike, this stunning album has future classic written all over it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Forever Living Originals
Cat-No:FLO0004LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0036336509580
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Cat-No:FLO0004LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0036336509580
When she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
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LP Excl
in stock
Label:WRWTFWW
Cat-No:wrwtfww017
Release-Date:12.04.2024
Genre:Soundtracks
Configuration:LP Excl
Barcode:7640153366719
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Genre:Soundtracks
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Kenji Kawai - 01 - Making of Cyborg
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Kenji Kawai - 02 - Ghost Hacker
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Kenji Kawai - 03 - Puppet Master
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Kenji Kawai - 04 - Virtual Crime
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Kenji Kawai - 05 - Ghost City
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Kenji Kawai - 06 - Access
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Kenji Kawai - 07 - Night Stalker
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Kenji Kawai - 08 - Floating Museum
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Kenji Kawai - 09 - Ghost Dive
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Kenji Kawai - 10 - Reincarnation
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11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
in stock
Last in:09.10.2024
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in stock
Last in:09.10.2024
Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
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1
Alva Noto - Xerrox Topia
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2
Alva Noto - Xerrox Sans Nom I
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3
Alva Noto - Xerrox Sans Nom II
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4
Alva Noto - Xerrox Ascent I
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5
Alva Noto - Xerrox Ascent II
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Alva Noto - Xerrox Sans Repit
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Alva Noto - Xerrox Nausicaa
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Alva Noto - Xerrox Xenonym
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Alva Noto - Xerrox Ada
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Alva Noto - Xerrox Arc
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Alva Noto - Xerrox Kryogen
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Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Because Music
Cat-No:bec5161605
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616050
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Cat-No:bec5161605
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616050
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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Label:DEEWEE
Cat-No:DEEWEE076
Release-Date:24.01.2025
Configuration:12"
Barcode:198846620640
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Configuration:12"
Barcode:198846620640
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Marie Davidson - Contrarian
Canadian DJ and producer Marie Davidson releases her latest single “Contrarian,” made in collaboration with Pierre Guerineau and Soulwax via their DEEWEE label. An all-out onslaught of raw circuitry and electronics, “Contrarian” might just be one of Davidson’s finest club cuts to date. Earlier in the year, Davidson debuted on the legendary DEEWEE imprint with her single Y.A.A.M. (Your Asses Are Mine), reuniting the Belgium powerhouse Soulwax, who previously reworked Davidson’s acclaimed “Work It” anthem
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:Because Music
Cat-No:bec5161607
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616074
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Last in:02.07.2024
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Last in:02.07.2024
Label:Because Music
Cat-No:bec5161607
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616074
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. MERRY BLUES - A2. BIXO - A3. ELDORADO 1997 - A4. PROMISCUITY - A5. LA PRIMAVERA - A6. ME GUSTAS TU - B1. DENIA - B2. MI VIDA - B3. TRAPPED BY LOVE - B4. LE RENDEZ VOUS - C1. MR BOBBY - C2. PAPITO - C3. LA CHINITA - C4. LA MAREA - D1. HOMENS - D2. LA VAÇALOÇA - D3. INFINITA TRISTEZA
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST
A1. MERRY BLUES - A2. BIXO - A3. ELDORADO 1997 - A4. PROMISCUITY - A5. LA PRIMAVERA - A6. ME GUSTAS TU - B1. DENIA - B2. MI VIDA - B3. TRAPPED BY LOVE - B4. LE RENDEZ VOUS - C1. MR BOBBY - C2. PAPITO - C3. LA CHINITA - C4. LA MAREA - D1. HOMENS - D2. LA VAÇALOÇA - D3. INFINITA TRISTEZA
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Toy Tonics
Cat-No:TOYT173
Release-Date:06.12.2024
Genre:House
Configuration:2LP Excl
Barcode:0880655517319
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Last in:22.10.2024
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Last in:22.10.2024
Label:Toy Tonics
Cat-No:TOYT173
Release-Date:06.12.2024
Genre:House
Configuration:2LP Excl
Barcode:0880655517319
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1
The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
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2
Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
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3
Dimitri From Paris & DJ Rocca - Ero Disco Theme
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4
Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
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5
The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
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6
The Deadstock 33s - Underneath The Pines
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7
Mercury - Spiritual
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8
Leroy Hanghofer - Pin (Hot Version)
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9
Daniel Avery & The Deadstock 33s - Eric Zann Revisited
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The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
2 x 12"
Tracklist 12":
A1) The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
A2) Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
A3) Dimitri From Paris & DJ Rocca - Ero Disco Theme
B1) Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
B2) The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
C1) The Deadstock 33s - Underneath The Pines
C2) Mercury - Spiritual
D1) Leroy Hanghofer - Pin (Hot Version)
D2) Daniel Avery & The Deadstock 33s - Eric Zann Revisited
D3) The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
TOY TONICS continues with re-releasing the best tracks of GOMMA RECORDS. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk and proto disco sound (along with James Murphy’s DFA, Trevor Jackson’s Output records and later Ed Banger records). The Y2K sound.. that now starts to become in demand again.
The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this GOMMA DANCEFLOOR GEMS compilations series on Toy Tonics.
Now here comes a 3nd compilation part with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also legendary Belgian disco DJs The Glimmers are featured (they had one album on Gomma in 2008) and UK legend Justin Robertson aka The Deadstock 33’s and one of the first ever releases by Daniel Avery (also on Gomma back then). You find remixes by Nicky Siano (Studio 54 DJs legend) and Horse Meat Disco who back then just started their party series and already were connected to Gomma records. The is an amazing Flamenco Disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy Electro Pop track. Of course also Munk who was the founder of Gomma records is on the compilation. Munk is Mathias Modica and as you might know since a few years works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later. While Gomma has been closed since 2015.
Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
Gomma not only preceded many musical trends by experimenting with club music and mixing up different styles but was also very respected for the graphic design work and almost initiated several graphic design trends of the last years in their poster and sleeve designs. And many record and street wear labels of today look a bit like Gomma was looking before ...
The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at Museum Haus der Kunst München before the label was closed in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12":
A1) The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
A2) Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
A3) Dimitri From Paris & DJ Rocca - Ero Disco Theme
B1) Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
B2) The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
C1) The Deadstock 33s - Underneath The Pines
C2) Mercury - Spiritual
D1) Leroy Hanghofer - Pin (Hot Version)
D2) Daniel Avery & The Deadstock 33s - Eric Zann Revisited
D3) The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
TOY TONICS continues with re-releasing the best tracks of GOMMA RECORDS. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk and proto disco sound (along with James Murphy’s DFA, Trevor Jackson’s Output records and later Ed Banger records). The Y2K sound.. that now starts to become in demand again.
The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this GOMMA DANCEFLOOR GEMS compilations series on Toy Tonics.
Now here comes a 3nd compilation part with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also legendary Belgian disco DJs The Glimmers are featured (they had one album on Gomma in 2008) and UK legend Justin Robertson aka The Deadstock 33’s and one of the first ever releases by Daniel Avery (also on Gomma back then). You find remixes by Nicky Siano (Studio 54 DJs legend) and Horse Meat Disco who back then just started their party series and already were connected to Gomma records. The is an amazing Flamenco Disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy Electro Pop track. Of course also Munk who was the founder of Gomma records is on the compilation. Munk is Mathias Modica and as you might know since a few years works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later. While Gomma has been closed since 2015.
Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
Gomma not only preceded many musical trends by experimenting with club music and mixing up different styles but was also very respected for the graphic design work and almost initiated several graphic design trends of the last years in their poster and sleeve designs. And many record and street wear labels of today look a bit like Gomma was looking before ...
The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at Museum Haus der Kunst München before the label was closed in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore