Reissue of this italo disco classic from 1985 on colored vinyl. Comes with Flemming Dalum remixes!

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Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.

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Having a new release from Ken Laszlo is always a good new. No doubt this is one of the most famous vocalist, not only for oldies but also for new generation italo disco. What if we joint the vocalist to Carino Cat production, one of the top producers from Sweden? Then you have a banger!

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Reissue of this euro disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.

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Reissue of this italo disco rarity from 1985 with Flemming Dalum and F. Ricci remixes.

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Reissue of this italo disco classic from 1985 on colored vinyl. Comes with Flemming Dalum remixes!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1985 on colored vinyl.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1985. Comes with Flemming Dalum remixes.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Reissue of this italo disco rarity from 1986 coming with remixes by the one and only Flemming Dalum and Brutus Novelli!

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Reissue of this italo disco rarity from 1987 with Flemming Dalum and Hysteric remixes.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Reissue of this synth-pop classic from 1985 on colored vinyl. Comes with 4 different original mixes of the club classic

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Reissue of this italo disco obscurity from 1987. Comes with Flemming Dalum and TinTin remixes.

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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and F. Ricci remixes.

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Germany
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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and F. Ricci remixes.

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WAS - Word and Sound Medien GmbH
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Germany
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Reissue of italo disco rarity from 1985. With remixes by Flemming Dalum and Rey David Diaz.

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Reissue of this italo disco classic from 1986 with Flemming Dalum and DSTRTD SGNL remixes.

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Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.

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Germany
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Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.

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Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.

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Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!

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The world-famous hit “U Got 2 Let The Music” by Cappella, which first conquered the dance charts in 1993 and became a worldwide classic with its energetic beat and catchy chorus, is now available on a limited, colored 12” maxi vinyl. An absolute must-have for collectors and music lovers!

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C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes.

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Daniel Vangarde is the father of Daft Punk's Thomas Bangalter, and back in the 70s and 80s he was a musician who had great success writing and producing for the likes of Gibson Brothers and Ottawan on his Zagora label. He also worked solo as Who's Who and in 1979 produced a now cult favourite record of cosmic-euro disco. Two tracks from it get reworked from the original tapes here by The Reflex. He brings dubby, mid-tempo drums to 'Hypnodance' while retracing its Eastern melodic charms and sense of sophistication. His take on 'Palace Palace' is more funky and upbeat with leggy drums and elastic basslines smothered in cosmic arps.

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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LTD Repress
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.

In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

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The 3rd instalment of the heavily sort after Lextended series on M.A.D EDITS. As always its vinyl only and as always they sell out quickly so be quick. No one does edits like our boy Lex.

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Repress!

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.

In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.

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EdB keeps pushing deeper into sonic chaos with “La Anarquía Sónica” — a raw, proto, and visceral journey built on hand-crafted beats, deliciously unhinged basslines and immersive field recordings. Music for the restless. For those obsessed with sound. For anyone tired of hearing the same thing over and over again. Dystopian music for a universal shift. This time, EdB joins forces with Belgian synth guru Peter Bonne / Chayell Zenn (Linear Movement, Twilight Ritual) to rework “The Enochian Keepers of Time” — also included in its original version on the EP — into an emo- electro industrial aberration titled “Guardianes del Tiempo.” Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. Includes printed innersleeve. All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Repetitive Rhythm Research presents: FW25/26 The sound of the season? Or a tongue-in-cheek reflection on fleeting trends? Techno has always moved in cycles, styles fade in and out of focus, but true character stands the test of time. As the genre enters its fourth decade, it's fascinating to see how experimentation sometimes becomes formula, and how fresh ideas can either break the mould or quietly slide into the mainstream. This new compilation on Repetitive Rhythm Research explores exactly that tension. 12 tracks by 12 artists, ranging from rising talents to established names, each bringing their own distinct approach. This isn't your typical 'cut from the same cloth' compilation. It's a diverse journey through contemporary techno with all its depth, quirks, and raw energy. From Marcel Dettmann's dark and spooky slow-burner This Is a Test, to Peder Mannerfelt's forward-thinking Alternate Current. Force Reaction dives into trippy terrain with Mysteries Unfolding, while Sanna Mun and Dynamic Forces channel classic Detroit vibrations. Section 6 (a well-known Dutch producer) and Sonic Propaganda (aka Earwax and Rosati) deliver peak-time power. UFO95 takes you on an epic trip with Apollo95, while Conrad Van Orton's Plaintive Drift operates in a lane of its own, fast-paced, hypnotic, and emotionally rich. And then there's the ever-consistent Jeroen Search, the fierce energy of Kerrie, and the unmistakable sonic fingerprint of Aleksi Perala. Each contributes to this wide-ranging exploration of techno's current landscape. This Fall/Winter 25/26 release isn't just another techno compilation. It's a curated statement that embraces contrast, personality, and forward momentum. Pick your favorites. Revisit the outliers. Let the rhythms unfold.

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Repress!
Medical Records presents the 4th pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track "Probl?mes d'amour", published first by the Italian label Materiali Sonori and then by Sire-Wea. "Probl?mes d'amour" went on to become a "cult track" of the disco scene. It became quite an import hit in America's underground club scene, and sparked the mini-LP "Ce N'est Qu'un D?but" that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit "Probl?mes d'amour" as well as the track "Dance boy dance" which has appeared on other cult disco compilations. "Ce N'est Qu'un D?but" will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality black vinyl. Minor upgrades to the artwork also present. Limited Edition.

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After a longtime interest in the beguiling music of Nathan Dawidowicz, Hell Yeah now hooks up with the leftfield downtempo producer for their second full-length album, FLUFF. The immersive record features three long, winding and mystical soundscapes that blend trance and experimental into spiritual and ritualistic escapes.

Dawidowicz was born in Milan to a Polish-Lithuanian mother and a Cameroonian father, but grew up in an ultra-Orthodox Jewish community in Jerusalem. Because of that, their sound is deeply rooted in childhood experiences playing the piano at religious ceremonies, as well as taking inspiration from their father’s DJing throughout the '80s and '90s. Now based in Berlin, Dawidowicz has explored expression through music on labels like Luspoderosa, where they released their debut solo album, Sanctuary of Ideas.

It was when Calm and David Holmes started playing the epic, 23-minute 'Capricorn Rising Over Jerusalemite Temple' from that album that Hell Yeah founder Marco was encouraged to get in touch with Dawidowicz. A few months later, talk turned to releasing this new album, which comes with artwork by Spain's Alicia Carrera.

'Skeptic Afro Jr.' kicks off and soon sinks you into slinky, ever-evolving rhythms. It's a slowly evolving work of sound where the focus shifts from snaking basslines to lumpy drums, cosmic leads to life-affirming chords. 'Scintilla (Feat. Hannah Schraven)' is a deep and downtempo trip into dub and techno, with undulating drums and exotic melodies that escort you into otherworldly realms of spiritualism. Last of all are 'Deep Fluff' and a hidden track (Feat. Leo Börger), two cinematic explorations of deep space where acoustic frequencies and molten synths rewire your brain and connect you to a higher power.

FLUFF is another deeply personal and inward journey packed with transcendental experiences.

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