1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from NOTON
Label:NOTON
Cat-No:N-050-LPBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5LP Excl
Label:NOTON
Cat-No:N-050-LPBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5LP Excl
NOTON releases the Limited Edition LP Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S.
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. Vinyl Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for Vinyl)
N-051 . Vrioon (2 × Vinyl)
N-052 . Insen (2 × Vinyl)
N-053 . Revep (1 × Vinyl)
N-054 . Utp_ (2 × Vinyl)
N-055 . Summvs (2 × Vinyl)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. Vinyl Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for Vinyl)
N-051 . Vrioon (2 × Vinyl)
N-052 . Insen (2 × Vinyl)
N-053 . Revep (1 × Vinyl)
N-054 . Utp_ (2 × Vinyl)
N-055 . Summvs (2 × Vinyl)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:NOTON
Cat-No:N-050-CDBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5CD Excl
Label:NOTON
Cat-No:N-050-CDBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5CD Excl
NOTON releases the Limited Edition CD Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S.
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. CD Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for CD)
N-051 . Vrioon (1 × CD)
N-052 . Insen (1 × CD)
N-053 . Revep (1 × CD)
N-054 . Utp_ (1 × CD)
N-055 . Summvs (1 × CD)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. CD Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for CD)
N-051 . Vrioon (1 × CD)
N-052 . Insen (1 × CD)
N-053 . Revep (1 × CD)
N-054 . Utp_ (1 × CD)
N-055 . Summvs (1 × CD)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Infinity (Endless Loop Color Edition) (12*10" BOX) LTD Twelve 10" individually colored vinyl records
Label:NOTON
Cat-No:N-042
Release-Date:13.12.2024
Genre:Electronic, Electronica
Configuration:12x10" Excl
Label:NOTON
Cat-No:N-042
Release-Date:13.12.2024
Genre:Electronic, Electronica
Configuration:12x10" Excl
Limited Vinyl, Box Set with Twelve 10" individually coloured vinyl records
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Noh Talk
2
Alva Noto - HYbr:ID Sync Dark
3
Alva Noto - HYbr:ID Noh Human
4
Alva Noto - HYbr:ID Sync Inte
5
Alva Noto - HYbr:ID Collective Open
6
Alva Noto - HYbr:ID Obsessive Behaviour Day
7
Alva Noto - HYbr:ID Obsessive Behaviour Night
8
Alva Noto - HYbr:ID Para Contamination
9
Alva Noto - HYbr:ID Script Solitude
10
Alva Noto - HYbr:ID Script Sacre Drone
11
Alva Noto - HYbr:ID Script Broken Conversation
12
Alva Noto - HYbr:ID Rehuman
13
Alva Noto - HYbr:ID Épilogue
CD
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
10", Double Sided Picture Disc, Gatefold, 8 Page Booklet
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
CD:
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Ritual (04:39:00)
2
Alva Noto - Confrontation 1 (00:06:50)
3
Alva Noto - Village 1 (00:05:14)
4
Alva Noto - Confidential Information 1 (00:03:33)
5
Alva Noto - Confidential Information 2 (00:01:40)
6
Alva Noto - Confrontation 2 (00:05:01)
7
Alva Noto - Death Laguna (00:05:05)
8
Alva Noto - Information Policia (00:03:29)
9
Alva Noto - Sarayaku Hidding (00:07:52)
10
Alva Noto - Information (00:02:19)
11
Alva Noto - Demonstration (00:03:44)
12
Alva Noto - Info Resistance (00:02:55)
13
Alva Noto - Sicario (00:03:50)
14
Alva Noto - Village 2 (00:01:50)
15
Alva Noto - Storming Camp (00:03:10)
16
Alva Noto - Legal Process (00:02:10)
17
Alva Noto - Trail (00:03:55)
18
Alva Noto - Swat (00:01:40)
19
Alva Noto - Ritual Reprise (00:06:40)
2LP:
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Ritual
2
Alva Noto - Confrontation 1
3
Alva Noto - Village 1
4
Alva Noto - Confidential Information 1
5
Alva Noto - Confidential Information 2
6
Alva Noto - Confrontation 2
7
Alva Noto - Death Laguna
8
Alva Noto - Information Policia
9
Alva Noto - Sarayaku Hidding
10
Alva Noto - Information
11
Alva Noto - Demonstration
12
Alva Noto - Info Resistance
13
Alva Noto - Sicario
14
Alva Noto - Village 2
15
Alva Noto - Storming Camp
16
Alva Noto - Legal Process
17
Alva Noto - Trail
18
Alva Noto - Swat
19
Alva Noto - Ritual Reprise
CD:
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Die Undergründigen - Redux (00:04:55)
12
Alva Noto - Virus (00:05:01)
13
Alva Noto - Son (00:01:09)
14
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Virus (00:05:01)
12
Alva Noto - Son (00:01:09)
13
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited CD Slipcase for 5 CD´s .
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Vinyl Slipcase for 5 LP/DOLP´s .
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto feat. Martin L. Gore & Willian - Subterraneans
2
Alva Noto feat. Martin L. Gore & Willian - Subterraneans (Instrumental)
12"/EP - Limited
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryoji Ikeda - 00
2
Ryoji Ikeda - 01
3
Ryoji Ikeda - 02
4
Ryoji Ikeda - 03
5
Ryoji Ikeda - 04
6
Ryoji Ikeda - 05
7
Ryoji Ikeda - 06
8
Ryoji Ikeda - 07
9
Ryoji Ikeda - 08
10
Ryoji Ikeda - 09
11
Ryoji Ikeda - 10
12
Ryoji Ikeda - 11
13
Ryoji Ikeda - 12
14
Ryoji Ikeda - 13
15
Ryoji Ikeda - 14
16
Ryoji Ikeda - 15
17
Ryoji Ikeda - 16
CD , Territory: WW - Japan.
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto + Ryuichi Sakamoto - A1.Aurora
2
Alva Noto + Ryuichi Sakamoto - A2. Morning
3
Alva Noto + Ryuichi Sakamoto - B1. Logic Moon
4
Alva Noto + Ryuichi Sakamoto - B2. Moon
5
Alva Noto + Ryuichi Sakamoto - C1.Berlin
6
Alva Noto + Ryuichi Sakamoto - C2.Iano
7
Alva Noto + Ryuichi Sakamoto - D1.Avaol
8
Alva Noto + Ryuichi Sakamoto - D2.Barco
REPRESS
2LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
TRACKLIST:
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP - RE MASTER - Part of the V.I.R.U.S series
GENRE/S: Ambient/ Electronic
Info
Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.
Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ?
In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S. LPs/CDs.
TRACKLIST:
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Aurora
Playtime: 00:08:51
Explicit Lyrics: No
ISRC: UK6821719490
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Logic Moon
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719492
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Morning
Playtime: 00:05:27
Explicit Lyrics: No
ISRC: UK6821719491
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Moon
Playtime: 00:06:07
Explicit Lyrics: No
ISRC: UK6821719493
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Berlin
Playtime: 00:06:16
Explicit Lyrics: No
ISRC: UK6821719494
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Avaol
Playtime: 00:02:54
Explicit Lyrics: No
ISRC: UK6821719496
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Iano
Playtime: 00:06:52
Explicit Lyrics: No
ISRC: UK6821719495
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Barco
Playtime: 00:04:14
Explicit Lyrics: No
ISRC: UK6821719497
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Emerging through waves of reverberation and haze, ‘Deep Star’ unfolds as a submerged odyssey through Coma World’s distinct terrain of leftfield dub and psychedelia. The duo of Maxwell Hallett (Betamax) and Pete Bennie craft a sound that moves between meditative underwater drift and sharp, rhythmic pressure.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Each piece develops like a current, where bass resonance and percussive detail create an undertow of motion that guides the record’s flow. Beneath the murk, subtle shifts in tone and momentum reveal the album’s depth: flickers of tension and release that mirror the shifting light below the surface.
‘Deep Star’ captures Coma World at a point of lucid refinement, translating improvisation into form without losing its raw edge. Immersive and alive with motion, it’s a record that invites listening as descent—sound as gravity, pulling you deeper the longer you stay.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: [email protected]More
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Th Blisks - A1: A Sylph
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Th Blisks - A2: Gasper
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LP
Tracklist:
A1: A Sylph
A2: Gasper
A3: Alaska
A4: Guesthouse
A5: Avoska
B1: Garfitti
B2: A Salve
B3: I Don't Fade
B4: Taipei Dubble
Short info:
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1: A Sylph
A2: Gasper
A3: Alaska
A4: Guesthouse
A5: Avoska
B1: Garfitti
B2: A Salve
B3: I Don't Fade
B4: Taipei Dubble
Short info:
Efficient Space continues to bind its mind with Altered States Tapes, offering another service to How So?, Th Blisks' 2022 debut in home-cooked experimentation. A blurring of three vastly different heads into a single disjointed, but fluid organism, How So? finds Yuta Matsumura (The Lewers, Keanu Nelson), Amelia Besseny (Troth, Impatiens) and Cooper Bowman (Troth, CD3) working with vocals, melodica, deeply pulled samples, guitar, drum machine, synths and resourceful percussion. An Elixa-blueprint of sideways ambient rituals, fog-thick melodica dub and paranoid trip hop by way of Sydney's pioneering industrial collagists, the LP recirculates beyond its original 150-copy confines for those who missed its first apparition.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Wilson Tanner - Cherry
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Wilson Tanner - Blush
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Wilson Tanner - Grasshopper
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Wilson Tanner - Brown
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Wilson Tanner - Bubbles
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Wilson Tanner - Old Vine
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Wilson Tanner - Jaune
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Wilson Tanner - Summer Rot
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Tracklist:
1. Cherry
2. Blush
3. Grasshopper
4. Brown
5. Bubbles
6. Old Vine
7. Jaune
8. Summer Rot
9. Hogshead
10. Legends
11. Botrytis
12. Daddles
Short info:
Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.
Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.
A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Cherry
2. Blush
3. Grasshopper
4. Brown
5. Bubbles
6. Old Vine
7. Jaune
8. Summer Rot
9. Hogshead
10. Legends
11. Botrytis
12. Daddles
Short info:
Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.
Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.
A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Lone Capture Library - A1
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Lone Capture Library - A2.
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Lone Capture Library - A3.
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Lone Capture Library - A4.
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Lone Capture Library - A5.
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Lone Capture Library - B1.
7
Lone Capture Library - B2.
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Lone Capture Library - B3.
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Lone Capture Library - B4.
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Lone Capture Library - B5.
LP
Special remarks : Reverse-card sleeve with hand-pasted cover, insert and liner notes
Tracklist
A1. 1
A2. 2
A3. 3
A4. 4
A5. 5
B1. 6
B2. 7
B3. 8
B4. 9
B5. 10
Shortinfo:
A Colourful Storm proudly presents a remastered first-time vinyl editions of Lone Capture Library's modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. "Environmental"? While this certainly wasn't recorded for dinner party ambience nor was it commissioned by Harrods, it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement and attempting to make sense of it all. Its protagonist is Rory Salter, London's restless improvisor extraordinaire, who has contributed to dozens of solo and collaborative releases in an ecosystem branched from his Infant Tree private press. Under his alias Malvern Brume, he is responsible for some of the most enchanting sides of contemporary concrète that's graced our ears: dérives revealing beauty and curiosity within London's urban banality. And while we'd argue that Lone Capture Library applies this approach but seeks the peculiar within the pastoral, there also lies a certain hermetic recklessness, with its disruptive details and discarded sonic bric-a-brac.
"I'd walked from Swindon to Avebury and back, which is about a 21-mile round trip. I'd been a muppet and did the whole thing down the A4361, which is not a road suitable for walking on - there was a lot of jumping into the hedges to avoid lorries. Turned out, there was a really nice walk across the fields I could have done instead. But maybe that sums it up quite well. Instinctive and very impulsive. The day following, I was at home and recorded it in single takes, improvised and straight to the tape. There was a good deal of significance for me in walking to the stones, passing the Hackpen Horse, being in the landscape and dealing with some brain rot after being stuck in a house, anxious and depressed. There was a sense of freedom and detachment. It was all about the materials of the earth and the body and fucking the brain off for a bit - just wanting to move between places. I dunno, it's all very cliché."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks : Reverse-card sleeve with hand-pasted cover, insert and liner notes
Tracklist
A1. 1
A2. 2
A3. 3
A4. 4
A5. 5
B1. 6
B2. 7
B3. 8
B4. 9
B5. 10
Shortinfo:
A Colourful Storm proudly presents a remastered first-time vinyl editions of Lone Capture Library's modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. "Environmental"? While this certainly wasn't recorded for dinner party ambience nor was it commissioned by Harrods, it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement and attempting to make sense of it all. Its protagonist is Rory Salter, London's restless improvisor extraordinaire, who has contributed to dozens of solo and collaborative releases in an ecosystem branched from his Infant Tree private press. Under his alias Malvern Brume, he is responsible for some of the most enchanting sides of contemporary concrète that's graced our ears: dérives revealing beauty and curiosity within London's urban banality. And while we'd argue that Lone Capture Library applies this approach but seeks the peculiar within the pastoral, there also lies a certain hermetic recklessness, with its disruptive details and discarded sonic bric-a-brac.
"I'd walked from Swindon to Avebury and back, which is about a 21-mile round trip. I'd been a muppet and did the whole thing down the A4361, which is not a road suitable for walking on - there was a lot of jumping into the hedges to avoid lorries. Turned out, there was a really nice walk across the fields I could have done instead. But maybe that sums it up quite well. Instinctive and very impulsive. The day following, I was at home and recorded it in single takes, improvised and straight to the tape. There was a good deal of significance for me in walking to the stones, passing the Hackpen Horse, being in the landscape and dealing with some brain rot after being stuck in a house, anxious and depressed. There was a sense of freedom and detachment. It was all about the materials of the earth and the body and fucking the brain off for a bit - just wanting to move between places. I dunno, it's all very cliché."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:LPS208
Release-Date:17.06.2022
Configuration:LP Excl
Cat-No:LPS208
Release-Date:17.06.2022
Configuration:LP Excl
1
LONG ORME - Nos Rêves
2
LONG ORME - Le Hibou
3
LONG ORME - Galère
4
LONG ORME - Tourterelle
5
LONG ORME - Les Ancêtres Hébraïques
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LONG ORME - Henry
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LONG ORME - La Page Blanche
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LONG ORME - Le Troubadour
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LONG ORME - Arboc
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LONG ORME - Galigai
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LONG ORME - Long Orme
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LONG ORME - Les Enfants
NON EXCL-LP. Limited edition, 500 copies only.
Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o. Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan.
Tracklist:
A1 Nos Rêves
A2 Le Hibou
A3 Galère
A4 Tourterelle
A5 Les Ancêtres Hébraïques
A6 Henry
B1 La Page Blanche
B2 Le Troubadour
B3 Arboc
B4 Galigai
B5 Long Orme
B6 Les Enfants
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ultra rare, sought after French acid folk psychedelic masterpiece, Long Orme is the work of singer-guitarist-songwriter Yves Fajnberg, his girlfriend singer Anne Marie Butel plus a full cohort of musician friends. The LP was laid down to a 2 track Revox Reel To Reel recorder between late 1974 and early 1975 and originally released in 1975 by Sonart Disques to such a limited run that an original copy sells nowadays for no less than 400 euros.Together with Yves Chauvet, Fajnberg had worked on Dominique Droin’s Wave On LP issued by Le Kiosque d’Orphée, all done on a small home studio set by Chauvet. They used the same facilities, mainly two 2-track Revox reel-to-reel magnetophones and an 8-track mixer, to produce a delightful peace of poetry and acoustic guitar acid folk sounds which will appeal to fans of artists such as Season, Jeff, Beautiful Losers, Yves, Serge & Victor, Manu Lannhuel, Denis, Jean Yves Tourbin, a.o. Never reissued before, the Wah Wah edition features original sleeve artwork plus an insert with liner notes & interviews by Quentin Orléan.
Tracklist:
A1 Nos Rêves
A2 Le Hibou
A3 Galère
A4 Tourterelle
A5 Les Ancêtres Hébraïques
A6 Henry
B1 La Page Blanche
B2 Le Troubadour
B3 Arboc
B4 Galigai
B5 Long Orme
B6 Les Enfants
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:RWR01LP
Release-Date:06.06.2025
Configuration:LP Excl
Cat-No:RWR01LP
Release-Date:06.06.2025
Configuration:LP Excl
1
Simon Herody - A1: Sunny Terasse
2
Simon Herody - A2: Table For Two
3
Simon Herody - A3: May I Join?
4
Simon Herody - A4: Dimmed Lights
5
Simon Herody - B1: City Lights
6
Simon Herody - B2: Kupka's Design
7
Simon Herody - B3: Sleep Tuff
8
Simon Herody - B4: Running Behind
LP
2. GENRE/S: Ambient, Experimental, New Age, Leftfield Jazz
3. TRACKLISTS:
A1: Sunny Terasse
A2: Table For Two
A3: May I Join?
A4: Dimmed Lights
B1: City Lights
B2: Kupka's Design
B3: Sleep Tuff
B4: Running Behind
4. SHORT INFO:
RWR's latest release comes straight from Berlin's underground Electronic Jazz scene. Simon Herody, originally from the South of France but living in the German capital since 2020, delivers an eight-track suite of ambient-informed Jazz.
The album grew out of solo gigs in hotel lobbies, low-key half improvised sets where Simon blended sequenced electronics with live sax, clarinet and flute. These in-between spaces, half-public and half-private, set the tone for Hard Lounge: an eight-track trip that's ambient enough to fade into the background, but rich enough to keep you engaged.
There's a clear love for 80s New Age and Electronic Jazz, but it's not just nostalgia - the album also channels leftfield Japanese Pop and Ambient. A big turning point was hearing Heisei No Oto (that killer compilation on Music From Memory) & Music For Dance & Theatre, Vol. 2, also released on MFM, which blew the doors wide open in terms of texture and mood.
While working shifts at Motif, a bar and record shop in Neukölln, Simon started deep-listening to these kinds of records, thinking about how sound can shape space and attention. Design and architecture trickled into the album's artwork, hinting at a broader idea: that music, like furniture or lighting, can be part of how a space feels - part of the design. That blend of curiosity and immersion became the blueprint for Hard Lounge, a record that plays with presence, atmosphere and memory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Ambient, Experimental, New Age, Leftfield Jazz
3. TRACKLISTS:
A1: Sunny Terasse
A2: Table For Two
A3: May I Join?
A4: Dimmed Lights
B1: City Lights
B2: Kupka's Design
B3: Sleep Tuff
B4: Running Behind
4. SHORT INFO:
RWR's latest release comes straight from Berlin's underground Electronic Jazz scene. Simon Herody, originally from the South of France but living in the German capital since 2020, delivers an eight-track suite of ambient-informed Jazz.
The album grew out of solo gigs in hotel lobbies, low-key half improvised sets where Simon blended sequenced electronics with live sax, clarinet and flute. These in-between spaces, half-public and half-private, set the tone for Hard Lounge: an eight-track trip that's ambient enough to fade into the background, but rich enough to keep you engaged.
There's a clear love for 80s New Age and Electronic Jazz, but it's not just nostalgia - the album also channels leftfield Japanese Pop and Ambient. A big turning point was hearing Heisei No Oto (that killer compilation on Music From Memory) & Music For Dance & Theatre, Vol. 2, also released on MFM, which blew the doors wide open in terms of texture and mood.
While working shifts at Motif, a bar and record shop in Neukölln, Simon started deep-listening to these kinds of records, thinking about how sound can shape space and attention. Design and architecture trickled into the album's artwork, hinting at a broader idea: that music, like furniture or lighting, can be part of how a space feels - part of the design. That blend of curiosity and immersion became the blueprint for Hard Lounge, a record that plays with presence, atmosphere and memory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:LPS242
Release-Date:27.05.2022
Configuration:LP Excl
Cat-No:LPS242
Release-Date:27.05.2022
Configuration:LP Excl
1
IURY LECH - Cuando Rocio Dispara Sus Flechas
2
IURY LECH - Barreras
3
IURY LECH - De La Melancolia
4
IURY LECH - Ukraïna
5
IURY LECH - Posmeridiano
NON EXCL-LP LIMITED TO 500 COPIES + insert with photos and info
This is a very serene, almost entracing record that seems to inhabit its very own space, between "classical" ambient music (Eno, Budd), "systems music" (Reich, Glass, Riley, Hassell), japanese kankyo ongaku (Hiroshi Yoshimura, Takashi Kokubo), even hinting at what would become 90's ambient electronica (B12, Nuron, SAWII-era Aphex Twin or the Fax +49-69/40464 label). Actually, Lech would be one of the few artists to perform at the first-ever Sonar Festival (Barcelona) back in 1994 (together with Suso Saiz, Esplendor Geometrico, Mixmaster Morris or Laurent Garnier).
A key early effort from this musician and A/V artist whose career spans well over thirty years and a miriad of works, performances and instalations: Art Futura, Sonar, ISEA, Ars Electrónica (Austria), Festival Videoformes (France), Festival de Nuevas Músicas (Madrid & Sevilla), Ciclo Experimental LEM (Barcelona), Knitting Factory (New York), The Korner (Taipei), Festival Pop Komm (Cologne-Germany), Festival Experimenta (Madrid), Festival DAFT @ Taipei (Taiwan), ART BEIJING, Festival EXIS @ Seúl (South Korea), JMAF (Tokio, Japan) or Artefact:Chernobil 33 (Kiev-Ukraine).
The Wah Wah edition has been mastered from the original tapes, reproduces the original sleeve artwork and and features an insert with photos and info.
It is a strictly limited edition of 500 copies only.
Tracklisting:
A1 Cuando Rocio Dispara Sus Flechas
A2 Barreras
A3 De La Melancolia
B1 Ukraïna
B2 Posmeridiano
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This is a very serene, almost entracing record that seems to inhabit its very own space, between "classical" ambient music (Eno, Budd), "systems music" (Reich, Glass, Riley, Hassell), japanese kankyo ongaku (Hiroshi Yoshimura, Takashi Kokubo), even hinting at what would become 90's ambient electronica (B12, Nuron, SAWII-era Aphex Twin or the Fax +49-69/40464 label). Actually, Lech would be one of the few artists to perform at the first-ever Sonar Festival (Barcelona) back in 1994 (together with Suso Saiz, Esplendor Geometrico, Mixmaster Morris or Laurent Garnier).
A key early effort from this musician and A/V artist whose career spans well over thirty years and a miriad of works, performances and instalations: Art Futura, Sonar, ISEA, Ars Electrónica (Austria), Festival Videoformes (France), Festival de Nuevas Músicas (Madrid & Sevilla), Ciclo Experimental LEM (Barcelona), Knitting Factory (New York), The Korner (Taipei), Festival Pop Komm (Cologne-Germany), Festival Experimenta (Madrid), Festival DAFT @ Taipei (Taiwan), ART BEIJING, Festival EXIS @ Seúl (South Korea), JMAF (Tokio, Japan) or Artefact:Chernobil 33 (Kiev-Ukraine).
The Wah Wah edition has been mastered from the original tapes, reproduces the original sleeve artwork and and features an insert with photos and info.
It is a strictly limited edition of 500 copies only.
Tracklisting:
A1 Cuando Rocio Dispara Sus Flechas
A2 Barreras
A3 De La Melancolia
B1 Ukraïna
B2 Posmeridiano
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:LPS082
Release-Date:14.03.2025
Configuration:LP Excl
Cat-No:LPS082
Release-Date:14.03.2025
Configuration:LP Excl
1
GÜNTER SCHICKERT - Apricot Brandy
2
GÜNTER SCHICKERT - Kriegsmaschinen, Fahrt zur Hölle
3
GÜNTER SCHICKERT - Wald
NON EXCL LP
Tracklist:
A1 Apricot Brandy
A2 Kriegsmaschinen, Fahrt zur Hölle
B1 Wald
’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)
By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”
Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.
The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Apricot Brandy
A2 Kriegsmaschinen, Fahrt zur Hölle
B1 Wald
’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)
By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”
Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.
The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mystery Time (aka The Magrehban) - Don't Cry
2
Mystery Time (aka The Magrehban) - Long Distance Runner
3
Mystery Time (aka The Magrehban) - A Cruel Trick
4
Mystery Time (aka The Magrehban) - What Then
5
Mystery Time (aka The Magrehban) - One Day
6
Mystery Time (aka The Magrehban) - A Summer Sunday
7
Mystery Time (aka The Magrehban) - Thank You Deeply
8
Mystery Time (aka The Magrehban) - Nausea
9
Mystery Time (aka The Magrehban) - Plughole Man
10
Mystery Time (aka The Magrehban) - Not Your Fault
11
Mystery Time (aka The Magrehban) - The Humour Is Not Lost On Me
12
Mystery Time (aka The Magrehban) - Out Of Time
"The title speaks for itself. Maudlin means emotionally sentimental. Tales, these songs are stories to me, about different times. Grief - there is much sadness and darkness in it, and Love - there is some light there too, a bit of joy, to frame the shadow."
Mystery Tiime is the new musical project from Ayman Rostom aka The Maghreban.
For the first time in his diverse musical career, we hear him sing. The song writing came first, he had initially intended for other people to sing his songs about death & love, but they found them too personal. He had put down guide vocals for the demos and it soon became apparent that his raw and reflective voice was the only one that could tell these tales.
"Some people said it sounded like Robert Wyatt, I had never listened to his stuff before I started singing, it was a compliment, I mean he can't sing either".
Musically he explores his post punk side, a musical thread in his life that started at 10 as he found the melancholy of The Cure speak to him. Bauhaus, Tones on Tail Dub Mixes, SPK, The Creatures, Connie Plank Ultravox, Swamp Children and The Au Pairs followed later down the line.
The album is coming out on Vicious Charm, the new label from Damian Harris who said. "The album really took me by surprise, it's just unlike anything else - authentic and captivating. It just kept calling me back… time and time again. These qualities are my criteria for signing an album, and here we are..."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mystery Tiime is the new musical project from Ayman Rostom aka The Maghreban.
For the first time in his diverse musical career, we hear him sing. The song writing came first, he had initially intended for other people to sing his songs about death & love, but they found them too personal. He had put down guide vocals for the demos and it soon became apparent that his raw and reflective voice was the only one that could tell these tales.
"Some people said it sounded like Robert Wyatt, I had never listened to his stuff before I started singing, it was a compliment, I mean he can't sing either".
Musically he explores his post punk side, a musical thread in his life that started at 10 as he found the melancholy of The Cure speak to him. Bauhaus, Tones on Tail Dub Mixes, SPK, The Creatures, Connie Plank Ultravox, Swamp Children and The Au Pairs followed later down the line.
The album is coming out on Vicious Charm, the new label from Damian Harris who said. "The album really took me by surprise, it's just unlike anything else - authentic and captivating. It just kept calling me back… time and time again. These qualities are my criteria for signing an album, and here we are..."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - A1 Xerrox Kirlian (00:06:12)
2
Alva Noto - A2 Xerrox Neige (00:04:55)
3
Alva Noto - A3 Xerrox Voyage (00:03:50)
4
Alva Noto - A4 Xerrox Cosmos (00:03:52)
5
Alva Noto - B1 Xerrox Plongée (00:05:36)
6
Alva Noto - B2 Xerrox Île (00:06:24)
7
Alva Noto - B3 Xerrox Argo (00:05:32)
8
Alva Noto - C1 Xerrox Calypsoid 1 (00:04:32)
9
Alva Noto - C2 Xerrox Canaux (00:04:13)
10
Alva Noto - C3 Xerrox Utopia (00:03:06)
11
Alva Noto - C4 Xerrox Sans Retour (00:04:23)
12
Alva Noto - D1 Xerrox Calypsoid 2 (00:11:06)
13
Alva Noto - D2 Xerrox Apesanteur (00:04:32)
14
Alva Noto - D3 Xerrox Néant (00:02:54)
Track list 2LP:
A1 Alva Noto - Xerrox Kirlian (00:06:12)
A2 Alva Noto - Xerrox Neige (00:04:55)
A3 Alva Noto - Xerrox Voyage (00:03:50)
A4 Alva Noto - Xerrox Cosmos (00:03:52)
B1 Alva Noto - Xerrox Plongée (00:05:36)
B2 Alva Noto - Xerrox Île (00:06:24)
B3 Alva Noto - Xerrox Argo (00:05:32)
C1 Alva Noto - Xerrox Calypsoid 1 (00:04:32)
C2 Alva Noto - Xerrox Canaux (00:04:13)
C3 Alva Noto - Xerrox Utopia (00:03:06)
C4 Alva Noto - Xerrox Sans Retour (00:04:23)
D1 Alva Noto - Xerrox Calypsoid 2 (00:11:06)
D2 Alva Noto - Xerrox Apesanteur (00:04:32)
D3 Alva Noto - Xerrox Néant (00:02:54)
Release Info:
Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.
Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Alva Noto - Xerrox Kirlian (00:06:12)
A2 Alva Noto - Xerrox Neige (00:04:55)
A3 Alva Noto - Xerrox Voyage (00:03:50)
A4 Alva Noto - Xerrox Cosmos (00:03:52)
B1 Alva Noto - Xerrox Plongée (00:05:36)
B2 Alva Noto - Xerrox Île (00:06:24)
B3 Alva Noto - Xerrox Argo (00:05:32)
C1 Alva Noto - Xerrox Calypsoid 1 (00:04:32)
C2 Alva Noto - Xerrox Canaux (00:04:13)
C3 Alva Noto - Xerrox Utopia (00:03:06)
C4 Alva Noto - Xerrox Sans Retour (00:04:23)
D1 Alva Noto - Xerrox Calypsoid 2 (00:11:06)
D2 Alva Noto - Xerrox Apesanteur (00:04:32)
D3 Alva Noto - Xerrox Néant (00:02:54)
Release Info:
Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from
other copies, everyday’s sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves.
Following Xerrox Vol. 1 (2007), Vol. 2 (2009), Vol. 3 (2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he’s renowned, and turning to a more harmony-driven composition technique.
Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified
electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broads tones into distant roars and electronic cascade of sounds.
While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate
gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More